Baildon Moor Carving (130), West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 13077 40097

Also Known as:

  1. Carving no.11 (Hedges)
  2. Central Design Stone

Getting Here

Baildon Moor carving

Baildon Moor carving

Take the directions to find the Glovershaw Quarry carving,or the Baildon Moor 126 carving and the newly-found Toad Stones circle, and zigzag about in the bracken when it’s down at the end of Winter (forget it from summertime onwards!).  You’re damn close.

Archaeology & History

A carving that I first visited when I was a child – but one which, curiously, caught my attention.  The small arc of four cup-marks that you can see on the stone was an integral feature of other carvings in this particular region—though not all, of course.  It seemed to me at the time that it had symbolic significance, as the arc occurred in a number of other Baildon petroglyphs.  Astronomy was my fetish at that time and so I saw the arc as solar or stellar movements across the sky, represented by the cup-markings.  It was one of many fascinating Rorschach’s that I encountered, just as rock art students across the world do when looking at these ancient carvings. However, the simple symbolism of this and similar nearby carvings has stuck and plays under my skin somewhat: one of those curious non-egoic tickles, constantly nudging away, as if there’s something in it, but being looked at from the wrong angle…

CR130dr

John Hedges 1986 sketch

Looking down at the cups

Looking down at the cups

Anyway… All we have here is a primary design of four cup-marks reaching across a small earthfast stone.  Other simple carvings are found close by and there are the remains of several prehistoric cairns circles within a few hundred yards.  Beneath the deep bracken-mass, it is highly probable that other ancient remains remain hidden.

The carving was first recognised in one of Sidney Jackson’s (1958) archaeology bimbles in the 1950s with his bunch of northern antiquarians from Cartwright Hall, Bradford. It later found its way into the survey of John Hedges (1986) where he described it, simply:

“Small, lozenge-shaped, smooth grit rock, sloping NW-SE into grass and bracken, four symmetrical cups in slight curve.”

References:

  1. Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
  2. Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
  3. Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
  4. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  5. Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
  6. Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  7. Jackson, Sidney, “Cup-Marked Boulders, Baildon Moor,” in Cartwright Hall Archaeology Group Bulletin, 3:2, 1958.

© Paul BennettThe Northern Antiquarian


Sunrise Stone (605), Snowden Crags, Askwith, North Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 18066 51251

Also Known as:

  1. Carving 605
  2. Northern Earth Mysteries Stone

Getting Here

Sunrise Stone, Snowden Carr

Sunrise Stone, Snowden Carr

Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone.  From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you.  Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field.  That’s the spot!

Archaeology & History

This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains.  It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay (scattered with mistakes) on the validity of so-called “amateurs” exploring petroglyphs.  But I’d never even visited this carving until two years ago!  The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).

Close-up of main cluster

Close-up of main cluster

As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design.  We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present.  Such is the price of ‘progress’, as some folk call it.

Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:

“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.

“One stone in particular stood out as five shallow cups and associated rings could be discerned.  When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer.  When this layer was cleared, a complex set of carvings were revealed.

“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups.  The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”

Reeder’s so-called “amateur” description is a good one. Certainly more accurate than the subsequent one by Boughey & Vickerman (2003):

“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”

Phil Reeder's 1990 drawing

Phil Reeder’s 1990 drawing

Boughey & Vickerman's sketch

Boughey & Vickerman’s sketch

We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it.  I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field.  It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!

Northern end of carving

Northern end of carving

Southern side of carving

Southern side of carving

The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment.  But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape.  For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point.  As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us.  In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…

Of course, I’m dreaming…

References:

  1. Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
  2. Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
  3. Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
  4. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  5. Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
  6. Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
  7. Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
  8. Wilson, Rob, “Pateley Bridge Gathering,” in Northern Earth Mysteries, 40, 1990.

© Paul Bennett, The Northern Antiquarian


Skyreholme Carving (406), Appletreewick, North Yorkshire

Cup-marked Stone:  OS Grid Reference – SE 0740 6254

Getting Here

Skyreholme 406

Skyreholme 406 carving

Along the B6265 Pateley Bridge-Grassington road, roughly halfway between Stump Cross Caverns and the turn to Skyeholme and Applecross (New Lane) is a dirt-track on your right-hand side called Black Hill Road. Walk down here for a few hundred yards till y’ reach the gate on the right. A track goes downhill to the psilocybin-rich pastures of Nussey Green. Several hundred yards down, to the right-hand side of the track, we find this and its several companions. Look around!

Archaeology & History

Skyreholme-406 carving

Sketch showing cups

Just a few yards away from the Skyrehome Carving-404, this very basic petroglyph was rediscovered by Stuart Feather (1969) during one his many forays in this area.  Although the stone has what initially seems to be a number cup-marks on it, it seems only two of them are man-made. The rock art students Boughey & Vickerman (2003) think there may be up to four of them.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart, “Appletreewick, W.R.: Black Hill,” in Yorkshire Archaeological Journal, volume 42, part 167, 1969.

© Paul BennettThe Northern Antiquarian


Skyreholme Carving (405), Appletreewick, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 07395 62382

Getting Here

Skyreholme 405 Carving

Skyreholme 405 Carving

Going down (south) off the B6265 Black Hill Road towards Skyreholme, turn right and go all round the hill ahead of you, but instead of looking to the right (where other carvings, described elsewhere, are found), turn left where the collapsed entrance to a mine-shaft is visible about 50 yards up the hill on the left. Walk up here, keeping to the right side of the collapsed mine, till you reach this rock.

Archaeology & History

Only for the purist petroglyph fanatics amongst you, the rock art students Boughey & Vickerman (2003) allege there to be four cup-markings here—and debatable ones at that—but we could really only make out the topmost cup, shown in the picture and an elongated one (which they think may have been two cups merged into one).  A faint “X” is also carved on the stone, possibly from the mining days.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

© Paul BennettThe Northern Antiquarian 


Panorama Woods (228), Ilkley, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 11468 47288

Also Known as:

  1. Carving no.100 (Hedges)
  2. Carving no.228 (Boughey & Vickerman)

Getting Here

Panorama Stone 228, with cups highlighted (after James Elkington)

Come out of Ilkley/bus train station and turn right for less than 50 yards, turning left up towards White Wells.  Go up here for less than 100 yards, taking your first right and walk 300 yards up Queens Road until you reach the St. Margaret’s church on the left-hand side.  On the other side of the road, as well as a bench to sit on, surrounded by trees is a small enclosed bit with spiky railings with Panorama Stones 227, 228 and 229 all therein: the one in the centre being the one we’re dealing with here.

Archaeology & History

Originally located ¾-miles (1.2km) WSW of its present position in Panorama Woods (at roughly SE 10272 46995), along with its petroglyphic compatriots in this cage, the carving was moved here in 1890 when a Dr. Little—medical officer at Ben Rhydding Hydro—bought the stones for £10 from the owner of the land at Panorama Rocks, as the area in which the stones lived was due to be vandalized and destroyed. Thankfully the said Dr Little was thoughtful and as a result of his payment he had some of the stones saved and moved into their present position.  However, this carving is but a fragment of its former self.

John Hedges 1986 sketch
Close-up of cups (James Elkington)

It was originally to be seen within a large prehistoric enclosure—which was completely destroyed when rich houses were built hereby, without any evaluation of the site ever being made.  But particularly impressive is the fact that this now enclosed sedated stone carving was originally the large rocky base for a small rocking stone, which also had cup-markings on it and a faint cup-and-ring.  This is very unusual indeed – and perhaps unique in Britain?  Thankfully, several Victorian antiquarians visited and made notes and a sketch of the site before it was uprooted and a large section of it destroyed.  In J. Romilly Allen’s article (1879) he told that, just a couple of yards from the more famous and ornate Panorama Stone (229), a

“second stone is of irregular shape, measuring 15ft by 12ft, and supporting a smaller stone of triangular shape 6ft long by 4ft broad.  Both upper and under stone are covered with cups and rings, but the sculptures have suffered much from exposure.  The superimposed rock has eleven cups, two of which are surrounded by rings.  The under stone has 42 cups, nine of which have rings.  Amongst these are two unusually fine examples, one has an oval cup 5in by 4in, surrounded by two rings, the diameter of the outer ring being 1ft 3in.  Another has a circular cup 3in diameter, and five concentric rings, the outer ring being 1ft 5in across.”

J.T Dales 1878 sketch, with CR227 on top of it
Original location of stone

In a sketch of the site by J. Thornton Dale done about the same time as Allen’s visit, and reproduced here (apologies for the poor quality), the “five concentric rings” that Mr Allen mentioned are not shown, but clearly a spiral design had been seen by Mr Dale’s eyes.  Fascinating…. The large mass of carvings immediately left of the spiral is in fact the smaller upper stone known by modern archaeologists as carving 227.

Today, all we can see of this petroglyph are two cup-and-rings, and one faint double-cup-and-ring; several incomplete rings or arcs, and at least another 30 single cup-marks, some of which have short limes running to or from them.  The rest of original stone base with its other multiple rings or spiral design were obviously destroyed.

As with many of the Ilkley carvings, Boughey & Vickerman’s (2003) description barely does the stone justice.  They described it simply:

“Large rock, now set in concrete base, the surface rapidly deteriorating.  Over forty cups, three with single rings, one showing traces of a second, grooves.”

The mightily impressive Panorama 229 carving sits next to this one and is truly worth checking out!

References:

  1. Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of British Archaeological Association, volume 35, 1879.
  2. Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
  3. Bennett, Paul, Aboriginal Rock Carvings of Ilkley and District, forthcoming.
  4. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  5. Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
  6. Downer, A.C., “Yorkshire Archaeological and Topographical Association,” in Leeds Mercury, August 28, 1884.
  7. Hadingham, Evan, Ancient Carvings in Britain, Souvenir Press: London 1974.
  8. Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  9. Heywood, Nathan, “The Cup and Ring Stones of the Panorama Rocks”, in Transactions Lancashire & Cheshire Antiquarian Society, Manchester 1889.
  10. Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

Acknowledgements With huge thanks to both Dr Stefan Maeder for help in cleaning up the stones; and to James Elkington for taking the photos and allowing ’em for use them in this site profile.

© Paul Bennett, The Northern Antiquarian


Lochay Woods, Killin, Perthshire

Cup-and-Ring Stone:  OS Grid Reference – NN 54125 35388

Also Known as:

  1. Canmore ID 274203

Getting Here

The stone in question

Going out of Killin towards Kenmore on the A827 road, immediately past the Bridge of Lochay Hotel, turn left.  Go down here for just over 2 miles and park-up where a small track turns up to the right, close to the riverside and opposite a flat green piece of land—right by The Green cup-marked rock-face.  Walk up the small bendy track for about ⅔-mile (1km) and eventually, high above the tree-line, the road splits.  Right here, go through the gate and walk downhill, over the boggy land, cross the burn, then the overgrown wall, and a second overgrown wall.  Very close hereby is a small rise in the land amidst the mass of bracken, upon which is the stone in question!

Archaeology & History

Close-up of some cups

This large long, undulating, quartz-rich stretch of rock has two main petroglyphic sections to it, with curious visual sections of natural geological forms accompanying the cup-markings, found either side of the stone on its north and south sides.  Its northern face has at least 20 cup-marks, of differing sizes, measuring between one and two inches across and up to half-an-inch deep.  Their visual nature is markedly different to those on the more southern side of the stone, where they are generally smaller and much more shallow, perhaps meaning they were carved much earlier than their northern counterparts. One of the cups on this section has a very faint incomplete ring around it.

Running near the middle of the rock is a large long line of quartz and a deep cleft in which I found a curious worked piece of quartz shaped like a large spear-head, and another that looks like it’s been deliberately smoothed all round the edges.  Both these pieces fit nicely in my hand.  All around the edges of the stone, many tiny pieces of quartz were scattered, as if they had been struck onto the stone—either to try carving the cups (damn problematic!), or for some visual/magickal reason.

© Paul Bennett, The Northern Antiquarian

Gatepost Stone, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 09497 46961

Getting Here

Cup-and-rings on gatepost (photo credit, Dave Whittaker)

From Ilkley, follow the same directions as if you’re going up to the superb Swastika Stone.  Keep walking on the footpath, west, for 65 yards (59m), then walk into the heather on your left.  Barely 5 yards in, you’ll see this fallen standing stone or gatepost.

Archaeology & History

First described in one of Stuart Feather’s (1964) old rambles, I first saw this stone in my late-teens and was as puzzled by it then as I am today.  Upon an obviously worked stone that may once have stood upright (or was intended to do), two faint and incomplete cup-and-rings were carved – but when exactly?  If this stone was cut from a larger rock into its present shape, were the petroglyphs already on it, or were they done when the ‘gatepost’ was created?

It was first described in one of Stuart Feather’s (1964) rambles up here and later included in Hedges’ (1986) survey, where he told it to be a, “recumbent gatepost with one cup with almost complete ring and one cup with vestigial ring.”  Boughey & Vickerman’s (2003) survey added little more.  And when a group calling itself Carved Stones Investigation got itself about £250,000 to “investigate” the Ilkley petroglyphs, I was hoping that they could have at least turned this stone over to see if other carvings were on the stone – but they just revisited all those found by others, made a new list, and took the money to be honest (no website and no book – as they should’ve done).  Thankfully, local folk are having a look at this and others and doing the work they should have.  Check it out when you’re next up at the Swastika.

References:

  1. Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  3. Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings: no.26, 27, 28 – Black Pots, High Moor, Silsden, near Keighley,” in Cartwright Hall Archaeology Group Bulletin, 9:10, 1964.
  4. Hedges, John, The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

AcknowledgementsHuge thanks to Dave Whittaker for the photo.  Good luck with the plans fellas.

© Paul BennettThe Northern Antiquarian 


Cock Lakes, Blubberhouses Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1524 5469

Getting Here

Faint cups highlighted by water

Follow the same directions as if you’re visiting the James Stone monolith.  From here, walk about 60 yards southeast and zigzag about in the heather until you find a small squarish-shaped earthfast rock, barely 6 inches above ground-level (might be hard to find when the heather’s fully grown).  If you’ve got a petroglyphic nose, you’ll find it!

Archaeology & History

A simple faded cup-marked stone, roughly 2½ feet by 2 feet across, can be found about 65 feet southeast of the James Stone and 40 yards west of the Benty Gate prehistoric enclosure.  Sadly when we visited the place a few days ago, the sky was grey and the conditions for good photos were poor.

Line of faint cups from centre
Extra faint cup near centre left

At least five cup-marks have been etched onto the stone, with the main element being a row a three cups in a straight line from the centre of the stone to its SE edge.  The central cup-mark has been carved where a natural crack in the rock, running from the edge of the stone, terminates.  There also seemed to be a carved faded line running along the bottom edge of the stone—but it was unclear and another visit is needed in better light to see if there’s more on the stone.

© Paul Bennett, The Northern Antiquarian


Kinloch Lodge, Tongue, Sutherland

Cup-Marked Stone:  OS Grid Reference – NC 56201 52713

Also Known as:

  1. Canmore ID 5356
  2. Lochan Hakel A (Gourlay 1996)

Getting Here

Kinloch Lodge carving (by Donna Murray)

Whether you take the A836 or A838 into Tongue (through truly beautiful wilderness), make sure you go into the village itself—and then keep going, south, along the tiny country road for 3 miles.  Hereby, keep your eyes peeled for Lochan na Cuilce on your right; keep going past here, into and through the old trees where you’ll then see Lochan Hakel on your left.  Keep going past here until your reach the next small copse on your right.  Stop here.  A small pool is yards into the trees and here you’ll see a single stone between that and the roadside.  You can’t really miss it!

Archaeology & History

Close-up of some cups (by Donna Murray)

An apparently isolated cup-marked stone, some 3 feet by 5 feet, that was first described in Morrison’s (1883) meanderings amidst Sutherland’s awesome wilderness.  It’s quite plain compared to Lochan Hakel 2 and many other carvings, simply consisting of 18 cups of various sizes, mainly on the eastern side of the rock.  Sarah MacLean pointed out that a line running along the length of the stone seemed, in parts, to have been artificially enhanced by the hand of man, or woman.  I have to agree with her.

The Royal Commission (1911) lads included this petroglyph in their superb survey of Sutherland, telling:

“On the W. side of the road to Kinloch, about ½ m. N of the bridge over the Kinloch River (Amhainn Ceann Locha), and on the N edge of a gravel pit close to the road, is a large earthfast boulder, 5′ in length as far as exposed, and 3′ 10″ in breadth, showing on its upper surface eighteen cup-marks of various depths, of which the most distinct is towards the N end of the stone, measuring about 3″ in diameter and 1″ in depth.  The whole length of the stone is not visible, but the markings do not seem to extend to the portion covered…”

Carving in situ (by Donna Murray)
by Kevin o’ Reilly

Simulacra lovers will love the form of this stone in relation to the background of the mountains, as its shape is echoed in that of the rising hills several miles to the south.  …Of course, the depersonalizing ones amongst you lacking an understanding of animism would reject any such association due to your projection of disbelief.  However—and equally—as we lack any ethnographic data on the carving we must also assume some caution…

A fascinating site – and one which is likely to have neighbours hidden in the surrounding moorlands…

References:

  1. Gourlay, Robert, Sutherland: An Archaeological Guide, Birlinn: Edinburgh 1996.
  2. Michell, John, Simulacra, Thames & Hudson: London 1979.
  3. Morrison, Hew, Tourist’s Guide to Sutherland and Caithness, D.H. Edwards: Brechin 1883.
  4. Royal Commission on Ancient & Historical Monuments, Scotland, Second report and inventory of monuments and constructions in the county of Sutherland, HMSO: Edinburgh 1911.

Acknowledgments:  Huge thanks to Donna Murray for use of her photos in this site profile (aswell as for putting up with me whilst in the area); and also to Sarah MacLean for taking us to the carving in the first place. Many many thanks indeed.  See y’ again soon, hopefully!

© Paul Bennett, The Northern Antiquarian 

Ringstone Carving, Torrisdale Bay, Farr, Sutherland

Cup-and-Ring Stone:  OS Grid Reference – NC 691 616 

Getting Here

Ringstone Carving, looking NW

Take the A836 road between Tongue and Bettyhill, turning down at Borgie Bridge for 1.8 miles (2.87km) until you reach the little information sign at the roadside. Walk downhill and cross the little bridge and wander onto the west side of the beach.  You’re likely to end up daydreaming… so once you’ve re-focussed, head into the middle of the beach and walk up the steep-ish sand-banks to your right (south).  Once at the top, you’ll see a gigantic rock—the Ringstone—bigger than a house.  Walk up the hill above this until your reach the rocky plateau where things roughly level out.  Look around!

Archaeology & History

This previously unrecognised carving on the edge of the rocky promontory that drops down to the stunning Torrisdale Bay—above the gigantic and legendary Ringstone boulder—is very much like the curious ‘C’-shaped motif on the Fyfield Down petroglyph, a couple of miles east of Avebury, literally 499 miles (803km) to the south.  Indeed, that’s all I kept thinking about when I found it!

Ringstone carving, looking S

The carving’s nowt special—apart from the fact that it’s seemingly isolated and has no apparent companions nearby.  It’s an incomplete circle, perhaps more like a bell-shape than a circle, about six inches across and seems to have no inner cup-mark.  Its general appearance on the rock surface seems to indicate it was carved by a metal tool, instead of being ‘pecked’—but it’s still very old.  Initially, I wondered whether it was an ichnological fossil or stromatolite—but it isn’t.

(Note that the OS-grid-ref is just a 6-figure one. I was ambling about and didn’t make an exact note of the place, but it won’t take much finding on the rocky levels above the giant Ringstone if you zigzag about. Apologies for the poor photos too, but She was cloudy most of the day.)

Acknowledgments:  Huge thanks to Donna Murray, for putting me up in this part of Paradise.  Cheers Donna.

© Paul Bennett, The Northern Antiquarian