Allt a’ Choire Chireinich (05), Ben Lawers, Kenmore, Perthshire

Cup- Marked Stone:  OS Grid Reference – NN 65305 39555

Getting Here

Allt a’ Choire Chireinich 5

Follow the directions to reach the faint but impressive Allt a’ Choire Chireinich (04) petroglyph.  Standing here, look straight down at the dried-up burn barely ten feet below you, where you’ll see a small sloping rock.  That’s it!

Archaeology & History

Nothing much to see here apart from a single shallow cup-marking.  Most likely of interest only to the most ardent petroglyphic explorer.

© Paul BennettThe Northern Antiquarian

Table Stone, Ilkley Moor, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 12233 46342

Also Known as:

  1. Carving no.114 (Hedges)
  2. Carving no.267 (Boughey & Vickerman)

Getting Here

Table Stone carving (photo by Jonathan Warrenberg)

From Ilkley walk up to the White Wells and follow the footpath behind it up to the cliffs, up the stone steps and onto the moor itself.  Once you’ve climbed the steps, walk uphill onto the moor for 100 yards, then turn right up a small path for another 80 yards until you reach the large Coronation Cairn with its faint cup-and-ring stone.  From here there are two paths heading west: take the higher of the two for just 30 yards where a small group of rocks are by the path-side on your right.  The curiously-shaped ‘upright’ one is the stone in question.  You’ll see it.

Archaeology & History

Found high up on top of an oddly-shaped stone, somewhat like an anvil or small table (hence the name, courtesy of Jonathan Warrenberg), is carved a slightly worn, incomplete cup-and-double-ring.  This aspect of the design is the one that stands out the most; but you’ll also see a cup-and-half-ring there too.

The carving seems to have been described for the first time in John Hedges (1986) survey (though I may be wrong), who described an additional feature to the design, saying:

“Small grit rock in possible cairn material, cut all round as if one pedestal, top surface triangular, sloping slightly SW to NE, overlooking Wharfe Valley, in grass and crowberry.  Large cup with two vestigial rings, second large cup with vestigial ring.  Possible third ring of corner edge (hewn off).  Recent carving of initials spoils original carving.”

John Hedges 1986 sketch
Looking from above (photo – Jonathan Warrenberg)

His description of the stone being “in possible cairn material” doesn’t seem true – although a number of petroglyphs are associated with cairns of varying sizes.  Several other carvings can be found close to this one.

In Boughey & Vickerman’s (2003) later survey, they copy Mr Hedges earlier description, but with less detail.

The view from this stone is quite impressive.  Even with the minor tree cover that would have existed when this carving was done, you’d still have clear views up and down the winding wooded valley that was carved by the River Wharfe.  The moors to the north at Denton and Middleton with their own petroglyphic abundance could be chanted at with ease from here when the winds sleep.  Tis a good spot to sit… if you’re lucky enough to get some silence…

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

LinksThe Table Stone carving on The Megalithic Portal

Acknowledgments:  Huge thanks to Jonathan Warrenberg for the use of his photos in this site profile – and also due credit for giving the stone its modern title. 🙂

© Paul BennettThe Northern Antiquarian


Castleton (5f), Airth, Stirlingshire

Cup-Marked Stone:  OS Grid Reference – NS 85584 88087

Archaeology & History

As with other carvings in this locale, the name of the stone is based on a survey done by Maarten van Hoek. (1996)  It’s a pretty simplistic design within the impressive Castleton complex, found at the southeastern end of the gorse-covered rocky ridge, about 70-80 yards west of the farmhouse.  It was uncovered on a visit here by Nina Harris, Paul Hornby, Frank Mercer and Lisa Samson on Sunday 19 November, 2018.

The cup-marked stone
Large cup & arc of 3

Unlike the others in the Castleton complex, this carving is probably of interest only to the hardcore petroglyph hunters.  The design consists of at least ten cup-marks on the uncovered section of the rock, one of which appears to have a broken circle with two ‘entrances’ either side of it, so to speak.  The most notable element in the design is close to the edge, where an arc of three cups almost corners a larger cup right at the edge.   There may be more carved elements to be found on the westerly side of the stone, which was covered in deep vegetation when we came here.

References:

  1. van Hoek, Martin A.M., “Prehistoric Rock Art around Castleton Farm, Airth, Central Scotland,” in Forth Naturalist & Historian, volume 19, 1996.

© Paul BennettThe Northern Antiquarian


Nor Hill, Skipton Moor, North Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 02181 51125

Getting Here

Along the A65 near Draughton, go (south) uphill at Height Lane until it levels out.  ¾-mile (1.2km) up, a modernized stone milepost is where the road crosses the ancient Roman Road. From here, walk west for just over a mile (1.8km), past the trees on yer right, until you approach a small copse on yer right. In the field just before the copse, walk uphill until you reach the highest of the two rises and walk about. You’re damn close!

Archaeology & History

Nor Hill cup-marked stone
Cupmarks, top & side

This small cup-marked rock was rediscovered by Chris Swales in April 2018.  It’s probably only for the purist petroglyph fanatics amongst you, consisting of just a single cup-mark on its vertical west-face, and another near its top western edge.  Official records show no other carvings in the immediate vicinity, but local antiquarians may find it profitable in surveying the area.

© Paul BennettThe Northern Antiquarian


Lower Lanshaw Dam (02), Burley Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 14223 44888

Getting Here

Along the moorland road between Cow & Calf and The Hermit pub, park up at the small wooded bit by the right-angle bend and cross over the Coldstone Beck.  Walk up onto the moor itself and stick to the path that runs roughly parallel with the slowly-drying stream, towards Lower Lanshaw Dam.  About 100 yards before it, walk left, into the heather, for about 50 yards.  You’re damn close!

Archaeology & History

Lower Lanshaw Dam carving
Close-up of cupmarks (by James Elkington)

This is another neolithic or Bronze Age carving I first came across during one of my weekly rambles across these hills as a child, and upon revisiting the place a few days ago with James Elkington, found it associated with nearby cairns and what looks to be the remains of prehistoric walling – none of which I noticed when I was a kid.  The petroglyph is a simple design, primarily consisting of two rows of three cup-marks: one row of three along the top or spine of the rock, and another one immediately beneath it, an inch or so below.  The topmost line of cups runs into a natural crack in the rock, which runs down the northwest edge of the stone.  A possible faint cup and partial ring emerges on the southeast side of the topmost row of cups, but this is difficult to make out.  On the sloping northwest face of the rock is another single cup-marking.

References:

  1. Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.

Acknowledgements:  Many thanks to James Elkington for use of his photo to illustrate this petroglyph

© Paul Bennett, The Northern Antiquarian


Lower Lanshaw Dam (01), Burley Moor, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 1416 4489

Getting Here

Take the same directions as if you’re visiting the Lanshaw Dam 2 petroglyph, then keep walking directly towards the Lanshaw Dam, 130 yards east.  Halfway between the two, closer to the footpath, look out for a stone of similar shape and dimensions to Lanshaw 2, just by a prehistoric cairn.  You’ll find it!

Archaeology & History

Cup-marked stone & cairn
Close-up of cup marking

As with a great number of petroglyphs in and around Yorkshire, this large single cup-marked rock is found in close association with a reasonably large prehistoric cairn (several others are close by), some 3 yards in diameter.  The cup-marking here is larger than yer average cup-mark on these moors, being four inches across. It can clearly be seen on the southern vertical face of the rock and doesn’t appear to have been recorded before.  On the whole, it’s nothing special to look at and is probably just one for the petroglyphic purists amongst you.

© Paul Bennett, The Northern Antiquarian

Peace Stone, Port of Menteith, Stirlingshire

Cup-and-Ring Stone:  OS Grid Reference – NS 56413 99540

Also Known as:

  1. Canmore ID 44622
  2. Gartrenich
  3. Milling
  4. Menteith 1

Getting Here

Peace Stone cup-and-ring

The quickest way here is bedevilled with troublesome parking (and an unhelpful local at Malling Cottage).  That aside, roughly halfway along the A81 between the Braeval roundabout (near Aberfolye) and Port of Meneith, turn down the track at Malling, following it round for 300 yards through the farm, then another 500 yards or so until you reach a junction with a gate on your left. Walk down the track to your right, roughly alongside the Lake of Menteith, for nearly 700 yards until you reach the gate into the forestry commission land. Go thru the gate and turn immediate right, following the fence for about 200 yards where a clump of stones lives. You’re there!

Archaeology & History

The Peace Stone in 1899

This seemingly isolated petroglyph, known about by local people in the middle of the 19th century and earlier, was said to have been “held in great reverence.”  It was first mentioned in literary accounts in 1866, when the oral traditions about it were more important than any archaeocentricism.  But things change with the times: local people were kicked off their lands, old stories and knowledge of sites were lost, and the ‘discipline’ of archaeology was beginning to look at these curious carved rocks with puzzled minds.

The Peace Stone was described at some length and with considerable accuracy in Mr A.F. Hutchison’s (1893) gazetteer on the ancient stones of Stirlingshire.  It was one of the regions only known petroglyphs at that time and thankfully he gave us a good account of it, saying:

“On the west ride of the Lake of Menteith, about half a mile south from the farm-house of Malling, this stone is to be found, lying at the boundary of the arable land. The ground at the place rises into a slight eminence, on the top of which the stone lay till some seven or eight years ago, when a labourer took it into his head that a stone on which so much labour had evidently been spent must have been intended to cover something valuable. He proceeded to excavate the earth at the side with the intention of getting at the buried treasure, with the result that the stone slipped down into the hole which he had made, where it now lies.  It is quite possible, however, that an interment, if no treasure, might be found beside it on further research. The stone is roughly circular on the surface, measuring about 4 feet in diameter. It is entirely covered with cup and ring marks—22 cups in all—varying in size from an inch to two inches in diameter.  The cups and rings are very symmetrically formed. Nearly in the centre is a fine one surrounded by four circular grooves.  Others have incomplete triple and quadruple circles, with radial duct dividing them. There are other curious curves that sometimes interlace, and near the lower side of the stone are five or six cups with straight channels running out from them over the edge. This is an extremely interesting stone. It is unique in our neighbourhood, so far as I know, in showing these symmetrical carvings. They are now, however, much weather-worn.”

Ron Morris’ sketch & photo

When Alison Young (1938) came to write about the carving, she echoed Hutchison’s thought that the stone might originally have covered a tomb—but we simply don’t know and it should be treated as guesswork, as there are no known prehistoric tombs anywhere hereby.

Close-up of faded cups

Years passed before the next archaeological visit – by which time the stone had been uprooted and moved, apparently “ploughed up by the Forestry Commission”, and when Ron Morris (1981) last sought it out found that “the stone was un-traceable”.  On a previous visit, before being moved, he found it to be,

“a cup-and-three-rings, 3 cups surrounded by two rings…and 6 cup-and-one-ring.  One of these and 2 cups form part of the design of the cup-and-three-rings.  There were also at least 7 other cups, and a number of grooves, some forming lines from a central cup, or a cup-mark, downhill.  Greatest diameter visible in 1977 30cm (12in) and depth of carving 3cm (1 in)… Many of the carvings are so weathered as to be visible only when wet in early morning or late evening.”

And when we visited the site a few days ago, the stunning sunlight that had followed us all day, sadly faded and disallowed us better photographs of the site.  Huge apologies…. But it’s worth visiting when the daylight’s good, perhaps when you’re exploring the huge number of brilliant petroglyphs at Ballochraggan and Nether Glenny on the hillside 1½ miles immediately north of this “outlier”, as Brouwer & van Veen (2009) called it.

Folklore

In a landscape bedevilled with stunning petroglyphs, traditions and folklore of them is all but gone; but the story of the Peace Stone was thankfully captured in words by Mr Dun (1866), who told us:

There is a curious prophecy connected with a stone situated near the ruins of the chapel of Arnchly, and which is worth recording.  From time immemorial this stone went under the name of the Peace Stone, and it was held in great reverence by the natives.  One Pharic McPharic, a noted Gaelic prophet, foretold that, in the course of time, this stone would be buried underground by two brothers, who, for their indiscretion, were to die childless. By-and-by the stone would rise to the surface, and by the time it was fairly above ground, a battle was to be fought on “Auchveity,” that is, “Betty’s Field.”  The battle was to be long and fierce, until “Gramoch-Cam” of Glenny, that is, “Graham of the one eye,” would sweep from the “Bay-wood” with his clan and decide the contest. After the battle, a large raven was to alight on the stone and drink the blood of the fallen. So much for the prophecy then; now for the fulfilment. About fifty years ago, two brothers (tenants of the farm of Arnchly), finding that the stone interfered with their agricultural labours, made a large trench, and had it put several feet below the surface. Very singular, indeed, both these men, although married, died without leaving any issue. With the labouring of the field for a number of years, the stone has actually made its appearance above ground, and there is at present living a descendant of the Grahams of Glenny who is blind of one eye, and the ravens are daily hovering over the devoted field. Tremble ye natives! and rivals of the “Hero Grahams,” keep an eye on Gramoch-Cam!

The name of Betty’s Field came from an earlier piece of folklore: where a prince out hunting a stag was caught in one of the deep bogs hereby, only to be rescued by a local lass.  In return for her help, she was given a large piece of land which was to bear her name.

References:

  1. Armit, Ian, “The Peace Stone (Port of Menteith parish),” in Discovery & Excavation Scotland, 1998.
  2. Brouwer, Jan & van Veen, Gus, Rock Art in the Menteith Hills, BRAC 2009.
  3. Dun, P., Summer at the Lake of Monteith, James Hedderwick: Glasgow 1866.
  4. Hutchison, A.F., “The Standing Stones and other Rude Monuments of Stirling District,” in Transactions Stirling Natural History & Antiquarian Society, volume 15, 1893.
  5. Hutchison, A.F., The Lake of Menteith: Its Islands and Vicinity with Historical Accounts of the Priory of Inchmahome and the Earldom of Menteith, Stirling 1899.
  6. Mallery, Garrick, “Pictographs of the North American Indians,” in Bureau of Ethnology of the Smithsonian Institution, volume 4, 1886.
  7. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
  8. van Hoek, Maarten, “Menteith (Port of Menteith parish) Rock Art Sites,” in Discovery Excavation Scotland, 1989.
  9. Young, Alison, “Cup-and ring Markings on Craig Ruenshin, with some Comparative Notes”, in Proceedings Society Antiquaries Scotland, vol. 72, 1938.

© Paul BennettThe Northern Antiquarian


Pitcur Souterrain (3) – Carving 2, Kettins, Perthshire

Cup-and-Ring Stone:  OS Grid Reference – NO 25290 37378 

Getting Here

MacRitchie’s 1900 groundplan

Follow the same directions as if you’re visiting the Pitcur (3) souterrain.  Once here, you’re standing at the southernmost uncovered section of the monument, where one uncovered passageway bends round and meets up with another open section (“m” on MacRitchie’s plan, right).  From here, just to your right, a single large roofing stone joins one side of the open passageway with the other, enabling you to walk across it—and the stone you’d walk across has these very faint carvings on it.

Archaeology & History

Shortly before darkfall a few weeks ago, Nina Harris, Frank Mercer, Paul Hornby and I were just about ready to pack-up and leave the brilliant Pitcur souterrain with its underground chambers and various petroglyphs when, as I walked along one of the open passages beneath one of the monument’s many large capstones, my fingers gently stroked the rock above me, almost unconsciously.

First photo of the carving (by Paul Hornby)

“Was that a faint cup-mark?” I asked myself, fondling gently the smooth stone once more.

Standing eight-feet above me in the long grasses, Mr Hornby was gazing around in his usual way.

“Paul – can you see from up there if this is a cup-marking I’m feeling here?”

Walking onto the edge of the rock itself, he proclaimed, “it looks like it!”

It was indeed!  And during the remaining 30 minutes of daylight we found that the single cup-mark had a number of companions on the same stone.  With multiple rings!  Twas another good day out.

Carving when wet (photo, Frank Mercer)

Looking straight down

Previously unrecorded, this large rounded stone just about covers the space across from one side of the souterrain passage to the other, measuring roughly 6 feet by 4 feet, with its longer axis positioned roughly east-west.  It was on the westernmost edge of the stone where I located the first single cup-mark, close to the edge, but there are perhaps 12  others: three of which, as the photos show, are in a straight line from near the west-side of the stone to the upper-middle.  On its far eastern edge, another cup-mark is clearly evident; whilst on its southernmost edge is another.  It’s the middle and eastern section of the rock that grabs most of the attention.  Here we found the very faint rings becoming clearer and clearer as the dust of ages was carefully swept away, eventually giving us vision of carvings that were, in all likelihood, first pecked into the rock in the neolithic period, 4-6000 years ago.

Close-up of the 2 triple-rings

Cup-and-rings at an angle

As we can see, two faint triple-rings exist, each with lines running in/out of them.  The eastern concentric system is just about complete and has a small cup-mark on the NW edge of the outer ring.  A line that runs out from the central cup meets another carved line which, from some angles, appears to look almost like a bowl beneath the triple rings—but this is unclear.  The other triple cup-and-ring, slightly closer to the middle of the stone, has an incomplete outer ring, with evidence of another line running outwards from its central cup. There seems to be a slightly-pecked outline of a single cup-and-ring on the north side of the stone, but this is also unclear.

In truth we need to revisit the site soon, when the lighting gives us a clear idea of what we actually found, because our visit here was cut short by encroaching night and a grey cloudy evening—which are not the best conditions for isolating new petroglyphs!

At least six other petroglyphs exist within the Pitcur Souterrain (3), with the one closest to this (Pitcur 3:3) also used as a roofing stone, covering the deep trench from one side to the other.  However, it would appear the petroglyphs on that stone were on its underside, as the erosion on it is negligible, away from the elements—unlike this one! Another capstone that was also turned over (Pitcur 3:4) was found to possess more cup-and-rings, again on the underside of the stone.

This carving was probably executed 2-3000 years before the souterrain came into existence, and as a result of this we’re unsure as to the original location of the stone—but it was probably close by.  It might have originally been a carved standing stone, re-used here; or been part of a lost prehistoric tomb; or even a loose earthfast rock (though this is the least likely of the three).  Why it was used, and whether it retained any sense of the original meaning when it was re-positioned into the present construction, is a relevant question.  In all likelihood some of the original mythic element—or a morphed development of its original animistic narrative–was probably a functional ingredient of importance to the souterrain builders, 2-3000 years after the carving had been made.

A superb site!

References:

  1. Wainwright, F T., The Souterrains of Southern Pictland, RKP: London 1963.

Acknowledgements:  This site profile would not have been made possible were it not for the huge help of Nina Harris, Frank Mercer & Paul Hornby.  Huge thanks to you all, both for the excursion and use of your photos in this site profile. 🙂

© Paul BennettThe Northern Antiquarian


Kalemouth Carving, Eckford, Roxburghshire

Cup-and-Ring Stone:  OS Grid Reference – NT 714 275

Archaeology & History

Kalemouth carving (after R.W.B. Morris 1981)

Now housed in the National Museum of Antiquities in Edinburgh, this little-known petroglyph was rediscovered in 1957 by a Mr G.F. Ritchie, not far from the once-large Kalemouth neolithic tomb.  It’s a carving that seems to be quite isolated (no others are known about in the immediate area), comprising of an incomplete four-ringed design which, in all probability, is a stray rock that came out of a nearby prehistoric cairn—although we don’t know this for sure.

The carving was described in Ron Morris’ (1981) petroglyph survey, where he told us that,

“In the field “not far from the cairn” (just E of the farm), was a small convex gritstone boulder 25cm by 15cm by 15cm (¾ft  x ½ft x ½ft). On its fairly smooth surface is:

a cup-and-four-rings with 2 parallel grooves from the inner ring (which is incomplete) through the others (which are gapped)—the outer two being now incomplete also—a form of ‘keyhole pattern’.”

A near-identical carving on a similiar-shaped portable stone can be seen in Galashiels museum, whose history has seemingly been forgotten.

References:

  1. Morris, Ronald W.B., “The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1967.
  2. Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
  3. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.

© Paul BennettThe Northern Antiquarian


Castleton (2), Cowie, Stirling, Stirlingshire

Cup-and-Ring Stone:  OS Grid Reference – NS 85494 88272

Also Known as:

  1. Castleton 9 (van Hoek)

Getting Here

Castleton 2 carving, Airth

If you’re travelling from Stirling or Bannockburn, take the B9124 east to Cowie (and past it) for 3¾ miles (6km), turning left at the small crossroads; or if you’re coming from Airth, the same B9124 road west for just about 3 miles, turning right at the same minor crossroads up the long straight road. Drive to the dead-end of the road and park up, then walk back up the road 350 yards to the small copse of trees on your left.  Therein, some 50 yards or so, zigzag about!

Archaeology & History

Petroglyphs can be troublesome things at the best of time: not only in their ever-elusive root meanings, but even their appearance is troublesome!  This example to the east of Cowie in the incredible Castleton complex is one such case.  It is undoubtedly a multi-period carving, probably first started in the neolithic period, added onto in the Bronze Age, and maybe even finished in the early christian period.  You’ll see why!

It’s been described several times in the past, with Maarten van Hoek (1996) telling how it was rediscovered,

“by Mrs Margaret Morris in 1986 in the birch-coppice at Castleton Wood. A fragment of outcrop rock with a distinct cup-and-three-rings, rather oval-shaped like others in the area.”

The main cup-and-3-rings (photo, Paul Hornby)

But as our own team found out, there’s more to it than that.  Like many of the Castleton carvings, vital elements have been missed in the previous archaeological assessments.  But it’s an easy thing to do.  The carved design here almost ebbs and flows with daylight, shadows, changes in weather, bringing out what aboriginal and traditional peoples have always told us about rock itself, i.e., it’s alive, with qualities and virtues that can and do befuddle even that great domain of ‘objectivity’—itself an emergent construct of an entirely subjective creature (humans).  But that’s what petroglyphs do!—whether they are part of a living tradition, or lost in our striving modernity, exhibiting once more that implicit terrain of animism.  And this carving exemplifies it very clearly.

The primary visual design is the odd triple-ring, which isn’t quite as clear-cut as the earlier descriptions would have you think.  In the drawing below by van Hoek (1996), three complete elliptical ‘rings’ are shown; whereas on its northern edge where the outer ring is closest to the rock edge, we find that the ‘ring’ has carved lines that run off and down the slope of the stone towards ground-level.  It also seems that from the inner second-ring, a natural scar in the rock has been heightened by pecking, creating an artificial carved line running from near the centre and ‘out’ of the three rings.  You can make this out in the accompanying photo, above.

van Hoek’s 1996 sketch
The more complete design

Additionally we found two very faint carved ‘eyes’ or trapezoids pecked onto the stone, obviously at a much earlier date than the notable triple-ring—which could almost be modern!  They would no doubt have excited the old archaeologist O.G.S. Crawford (1957), whose curious theory of petroglyphs was that they were images of some sort of Eye Goddess.  Archaeo’s can come out with some strange ideas sometimes…

Fainter still was another triple-ring—albeit incomplete—with what appears to be a very small central cup-mark, just below and between the two ‘eyes’.  It was first noticed by Paul Hornby when he was playing with the contrast settings on his camera, in the hope of getting clearer photos of any missing elements.

Very faint triple-ring, bottom-left of photo (photo by Paul Hornby)

“Can you see this?” he asked.  And although very faint indeed (on most days you can’t see it at all), it’s undoubtedly there: another multiple-ringer all but lost by the erosion of countless centuries, and older still than the ‘eyes’ above it.  In all the photos we took of this stone, from different angles in different weathers (about 100 in all), this very faint triple-ring can only be seen on a handful of images.  But it’s definitely there and you can see it faintly in the attached image (right) to the bottom-left.

A final note has to be made of a possible unfinished, large circular section with a cross carved into the natural feature of the stone, first noticed by Lisa Samson.  It’s uncertain whether this has been touched by human hands (are there any geologists reading?), but it’s something that we’re noticing increasingly at more and more petroglyph sites.  They’re not common, but it has to be said that we found two more man-made ‘crosses’ attached to multiple cup-and-rings near Killin just a few weeks ago.  Also, folklore tells us that not far from this Castleton cluster, a christian hermit once lived….

References:

  1. Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
  2. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
  3. van Hoek, M.A.M.,”Prehistoric Rock Art around Castleton Farm, Airth,” in Forth Naturalist & Historian, volume 19, 1996.

Acknowledgements:  Huge thanks as always to Nina Harris, Fraser & Lisa Harrick, Paul Hornby, Frank Mercer, Penny & Thea Sinclair, for their additional senses and input.

© Paul BennettThe Northern Antiquarian