Cup-and-Ring Stone: OS Grid Reference – c. NT 65 20
Archaeology & History
Apart from the petroglyph found at Jedburgh Abbey in 1903, there’s a distinct lack of known cup-and-ring stones in this area; so when the petroglyph pioneer George Tate was in town in 1860, he was fortunate to find a small “portable” stone with a rather impressive design on it. We don’t (yet) know the exact position of where the stone was located, as Tate simply told how,
“Lying among a heap of stones in Mr. Adam Mathewson’s garden, I detected, on a much weather-worn block, defaced sculpturing of the same family character as those in Northumberland. …There are five concentric circles, central cup, radial grooves, and a string of cups around the outer circle. Forty years ago this stone was built into the wall of a house; but whence it originally came is not known. Doubtless it belongs to the district, and probably had been connected with an interment.”
His final remark would seem most likely and has subsequently been echoed by several other rock art students. A few years after Tate’s initial find, the carving was mentioned in Sir James Simpson’s (1867) classic work, who told us:
Dr Falla’s 1866 sketch
“Sometime ago Mr Tate, of Alnwick, discovered in the garden of Mr Matthewson at Jedburgh a stone cut with concentric circles, possibly a sepulchral cist, but peculiar in some respects. The stone is roundish, but broken off at one side, and about eighteen inches broad. Its face is covered by five incised concentric rings, and through the central cup pass at right angles two straight lines, which completely bisect all the circles. The outermost circle is about fourteen inches in diameter. Some inches to the left of the central cup is a second, with one incised circle around it. Arranged circularly outside of the outermost circle is a series or ring of points or stars, each cut out—so Dr Falla writes me—”as with a single stroke of a pick, rather than hewn out.” I am indebted to the same gentleman for the sketch of this stone.”
Subsequently all other written accounts repeat the same basic description—and each account remained (as we still are) perplexed as to its original location, wondering where on Earth the Rev Adam Mathewson’s garden was in Jedburgh (surely someone must be able to find out?!). Thankfully the carving itself has been saved and presently lives in the Kelvingrove Art Gallery and Museum, Glasgow. Whether it ever had any relationship with the petroglyph at Jedburgh Abbey, we don’t yet know.
References:
Laidlaw, Walter, “Sculptured and Inscribed Stones in Jedburgh and Vicinity,” in Proceedings Society Antiquaries, Scotland, volume 39, 1895.
Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., “The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Roxburghshire – volume 1, HMSO: Edinburgh 1956.
Simpson, J.Y., “On Ancient Sculpturings of Cups and Concentric Rings,” in Proceedings of the Society of Antiquaries, Scotland, volume 6, 1866.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Tate, George, “The Ancient British Sculptured Rocks of Northumberland and the Eastern Borders,” in Transactions of the Berwickshire Naturalists Club, volume 5, 1864.
It’s easier to explain how to get here if you’re coming from the Burnsall-side of the B6160 road that leads to Bolton Abbey. A half-mile out of Burnsall village you a small woodland with a small parking spot. From here, a footpath runs up the steep hill above the parking spot. It zigzags a little and you eventually come out on the south-side of the trees where it meets some tall walling. Follow this walling further uphill for more than 600 yards (past more woodland) until the land starts to level out. Hereby, go thru an opening in the wall and less than 100 yards away (west) amidst the overgrown heather, you’ll see what you’re looking for.
Archaeology & History
A large but peculiar site resting on a moorland plateau on the eastern edges of the mighty Barden Moor. Peculiar inasmuch as it’s completely isolated from any other monument of the same age and type anywhere on these huge moors. A few miles east, on the moors around Appletreewick, Thruscross and Beamsley we have a plethora of prehistoric sites—but up here on Barden Moor there’s apparently nowt else! I find that hard to believe….
Inner rubble wallingRubble walling, looking N
Listed on official websites as being a ring cairn, it’s difficult without a detailed excavation of the site (there hasn’t been one) so say that’s what it is. But we’ll stick with it for the time being. My initial impression of the site was that it was a crude form of a collapsed Scottish dun: impressive large circular monuments—buildings if you like—with very well-built large stone walls, usually several yards thick, a little bit like the Scottish brochs (mighty things indeed!). This thing at Folly Top isn’t quite as impressive, but it’s like a collapsed version of a dun.
Arc of western walling
The site consists of large ring of raised collapsed rubble walling, more than a yard high in places, and about three yards thick all the way round, measuring roughly 21 yards (N-S) by 19 yards (E-W) from outer wall to outer wall. There are “entrances” on the east and west sides; but there seemed to be little of any note in the middle of the ring, although the site was somewhat overgrown on our visit here. Outside of the ring there was also nothing of any note. It’s a pretty isolated monument which seems to have more of an Iron Age look about it than the Bronze Age—but until there’s an excavation, we’ll not know for sure.
It’s well worth checking out—and from here, walk onto the huge moorland above you to the west….
Acknowledgements: Huge thanks to the Crazy-gang of Sarah, Helen and James for their awesome assistance on our venture up here. A damn good day indeed! Cheers doods. 🙂
Cup-Marked Stone: OS Grid Reference – SC 32144 71990
Also Known as:
Oatland
Archaeology & History
This carving is one that was found inside the remains of a chambered cairn and so, as with all things petroglyphic, it deserves its very own site profile. It’s been mentioned before—in fact many times before, from the legendary J.T. Blight (1868) to our modern researchers—although it was curiously absent in Ron Morris’ (1989) otherwise excellent survey. When Mr Blight described the tomb, he told us that,
“Its outer ring, of which but three or four stones are left, was about 45 feet in diameter; the inner one 15 feet, with a kistvaen in its midst. As on the external face of one of the uprights of the inner circle there are rows of cup carvings … it may be presumed that this was always exposed to view.”
Position of cups in the tombE.L. Barnwell’s 1868 sketch
The same year, Barnwell (1868) mentioned the same carvings—albeit briefly—telling us “that one of the stones has several rows of the curious cups.” The design faced to the north, which is the traditional direction relating to Death in most northern hemisphere cultures.
As you can see, this design is similar to other petroglyphs that some students have suggested have a numeric nature (see the Idol Stone on Ilkley Moor for example). You can understand why! The basic linearity of the cups, in rows, certainly gives that impression and indeed it’s not unreasonable to make such an assumption—but, as always, we simply don’t know. A similar design was found on a stone at Ballagawne in the parish of Kirk Arbory, but the cups were much deeper and deemed as being a medieval game played on stone, known as Nine Man’s Morris. The original function of the game may have been divinatory.
References:
Barnwell, E.L., “Notes on the Stone Monuments in the Isle of Man,” in J.G.,Cumming (ed.) Antiquitates Manniae, London 1868.
Blight, J.T., “Stone Circles and Megalithic Remains,” in Gentleman’s Magazine 1868.
Cubbon, A. M., Prehistoric Sites in the Isle of Man, Manx Museum: Douglas 1971.
Gale, J. & Darvill, T., “A Survey of the Ballakelly Chambered Tomb,” in Darvill, & T. Billown (eds.), Neolithic Landscape Project, Isle of Man, 1997, Bournemouth University 1998.
Henshall, A. S., “Manx Megaliths Again: An Attempt at Structural Analysis,” in P. Davey (ed.), Man and Environment in the Isle of Man, BAR: Oxford 1978.
Kermode, P.M.C., “The Ancient Monuments of the Isle of Man,” in Archaeologia Cambrensis, volume 84, 1929.
Kermode, P.M.C. & Herdman, W.A., Manks Antiquities, University of Liverpool 1914.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Cup-Marked Stone (lost): OS Grid Reference – SO 1491 0045
Archaeology & History
Sometime in the 1940s, a certain Lady A. Fox recorded a cup-marked stone “in the vicinity of Pen-twyn” near Bargoed. Its position in the landscape is a good one: on a geological promontory and overlooking the valley below. The find was indexed by the Ordnance Survey, but apart from it’s grid-reference, all attempts to locate the design have so far proved unsuccessful.
It was mentioned briefly in the Royal Commission (1976) survey of Glamorgan, then subsequently listed in the surveys of Sharkey (2004) and Nash (2007), but none of them were able to locate it. And hence, I post it here, in the hope that some local hunter will be able to recover it from its hiding place!
References:
Mazel, A., Nash, G. & Waddington, C. (eds.), Art as Metaphor: The Prehistoric Rock Art of Britain, ArchaeoPress: Oxford 2007.
Nash, George, “A Scattering of Images: the Rock Art of Southern Britain,” in Art as Metaphor, ArchaeoPress: Oxford 2007.
Royal Commission on the Ancient & Historical Monuments, Wales, An Inventory of the Ancient Monuments in Glamorgan – Volume 1: Pre-Norman, Part 1: The Stone and Bronze Ages, HMSO: Cardiff 1976.
Sharkey, John, The Meeting of the Tracks: Rock Art in Ancient Wales, Gwasg Carreg Gwalch: Llanrwst 2004.
Follow the directions to reach the Ancestors’ Stone and the Sunrise Stone; and there, roughly halfway between them, right by the edge of the old collapsed walling, you’ll see this rise of a stone with a large ‘bowl’ on top. That’s it!
Archaeology & History
Mixing Stone, looking E
Laid upon the same geological ridge as our Ancestors’ and Sunrise carvings, there are one, possibly two faint cup-marks visible on the low flat surface near the edge of this rock, barely visible unless the light’s right. But the important element here, perhaps regardless of the cup-marks, is the ‘bowl’ or rock basin on top of the stone. Internally, it’s smoothed equally on all sides and, due to being in-between the two impressive petroglyphs, may well have had a practical function to it. Bear with me on this one…
The Mixing Stone’s bowl
Stone ‘bowls’ or cavities—natural and otherwise—have been made use of in many cultures for simple functional purposes, such as grinding flour, herbal mixes, etc. We find such traditions in some of the bullauns of Ireland and Scotland; whereas in similar stone bowls known as cat troughs in nearby Haworth, milk was poured to appease the spirits of the land (this tradition was still being maintained in 2001!). Folklore and traditions of such rock basins spread far and wide beyond the UK: one of the German terms for rock basins is Opferkessel, meaning ‘sacrificial basin’ and suggests ritualistic usage by early societies. Elsewhere on Earth there are numerous accounts of the ritual use of petroglyphs in which indigenous peoples tell of their use of plant- or rock-based paints (in many cases red ochre) to decorate the carvings. And it’s this element that I’m interested in here.
Water-painted cupmarks
The Sunrise and Ancestors’ Stones 10-15 yards either side of this Mixing Stone are ideal candidates for such petroglyphic paintings using early ochre and other stone or plant-based agents. Such activities would always have been ritualised, either in honour of ancestors, genius loci, calendrical rites, or whatever the pertinent ingredient was at that place and time. I’m suggesting simply that the rock basin on the Mixing Stone was used for just such purposes. This is no spurious suggestion, but at the same time it’s important to recognise that my thoughts here represent merely an idea, nothing more—not a fact. Whilst we know full well that these carvings were imbued fundamentally with animistic properties—a simple ‘fact’—this functional idea is just that—an idea. Students and petroglyph-nuts need to understand this. And the faded cup-marks at its edge are perhaps merely incidental…. though I don’t buy that misself!
Cup-Marked Stone (destroyed): OS Grid Reference – NJ 4124 5308
Archaeology & History
Diagonally across the road from Killiesmont, about a hundred yards up the sloping field on “a piece of ground called the Helliman Rig,” could once be seen a large flat stone with cup-markings on its surface. Walter Gregor (1881) told that,
“It lay on the top of a rising ground, and commanded a very wide view of the country, stretching for many miles over the hills of Banff and Moray. In a part of it the rock–a kind of slate–came to the surface. In the rock were cut out nine cups in three rows.”
The carving was earlier described in one of the Topographical Gazetteers of Scotland (1848) where its story is bound up with local tradition and folklore of the land where it lie. There it was described as being “a flat circular stone of about 8 feet in diameter, in which there are a number of holes, but for what purpose tradition is silent.” Subsequently the local historian J.F.S. Gordon (1880) talked of this “large flat circular Stone, of about 8 feet in diameter, in which there was a number of half-pierced holes…. It was too large for a Quern or even a Millstone; and its purpose remained an enigma.”
The stone came to light when a local farmer was digging in the field and, “at the upper end of the Rig, there was found a rude Cist among a heap of stones, which contained ashes.” The cup-marked stone was “turned up” at the same time. It has sadly been destroyed—along with the associated cairn that probably had some relationship with the carving. Prehistoric tombs and rock art are frequent bedfellows and it seems likely that the equation occurred here. But the location of the site had some fascinating local lore told of it…
Folklore
The location of this carved stone in the field called ‘Helliman Rig’, was also known as the Guidman’s Croft or the Gi’en Rig. This was a portion of land that was never to be touched or ploughed as it was “given or appropriated…to the sole use of the devil, in order to propitiate the good services of that malign being.” This devilish tradition superseded the earlier faith of it being a place set aside for the fairy folk and their allies—nature spirits no less. And it’s a tradition found in many places across Scotland and elsewhere, as the account in the Scottish Gazetteer told :
“Like other crofts of this description in Scotland, the present remained long uncultivated, in spite of the spread of intelligence (pedantic bastard! PB). The first attempt to reclaim it was made not more than 50 years since, when a farmer endeavoured to improve it; but, by an accidental circumstance, it happened that no sooner had the plough entered the ground than one of the oxen dropped down dead. Taking this as an irrefragable proof of the indignation of its supernatural proprietor, the peasant desisted, and it remained untilled till it came into the possession of the present occupant…”
This of course fortified the old folklore in the eyes of local people. I’ve found that even up to recent times, such folklore is still held quite seriously by some of the old folk in the mountain villages and hamlets.
If you’re coming up from Otley or Askwith, take the same directions as if you’re going to visit the impressive Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up to the small outcrop of rocks that bends above you. There’s a small collapsed line of walling just behind the outcrop. Walk along this up the slope as if you’re heading for the Sunrise Stone carving, but only 30 yards along, low down and right into the edge of the wall itself, you’ll see this elongated piece of stone. That’s the spot!
Archaeology & History
If you’ve caught the petroglyph-bug, you’ll like this one! It received its name from the curious fusion of natural cracks with the man-made pecked lines that shows, quite distinctly when the light is right and the stone is wet, the outline of two humanesque forms joined to each other. Figurative rock engravings of ancestors in the UK are extremely rare and when we came across this example, we noticed how the design could be interpreted as two Askwith Moor ancestor figures. Figurative rock art images elsewhere in the world such as the magnificent Wandjina paintings and the extensive galleries of figures engraved at Murujuga (Burrup Peninsula) in Western Australia, might provide an initial comparison, though more specific work needs to be done to better understand this unique petroglyph.
Sketch of the carving
You can almost make out the figures in the above photo: the upper torsos of two beings on the right-hand side of the rock, almost fused together. And the carved shapes of these “ancestral beings” are morphically similar to some elements in the Sunrise Stone just 50 yards away – which themselves remind me of a Northumbrian carving near Doddington known as West Horton 1a. (Beckensall 1991) But we should’t get too carried away by the idea because—as we can see here in the sketch of the carving—when looked at from a different angle above, we could infer the right-hand carved elements to be representative of an animal: a deer, perhaps. Rorscharch’s once more tickle the exploring mind….
The rock has been quarried into at same time in the past (just like the nearby Sunrise Stone), leaving us to wonder what the complete carving might have looked like. No doubt some pieces of it will be in the collapsed walling either side of the stone. All we have left to see are the two unfinished cup-and-rings above the natural cracks that give rise to the “ancestral being” appearance. The faint double cup-and-ring has curious linear arcs to its side, with two well-defined cups enclosed by two of them. It’s a nice-looking carving when the light is good. The petroglyph was carved over a long period of time, as evidenced by the differing levels of erosion in different sections of the design. It’s a common attribute. The oldest section is the faint double cup-and-ring, whose mythic nature was added to / developed at a much later date, perhaps even centuries later.
In the always-expressive archaeocentric description of Boughey & Vickerman’s (2003) otherwise valuable tome, they told this carving to be,
“Long, narrow, thick rock of medium grit. Six cups, one with a double ring with a tab out and two with at least partial single rings, grooves.”
Evocative stuff!
It’s very likely that this carving had some mythic relationship with its close neighbours either side of it, probably over a very long time period and I’m inclined to think it somehow related to the rising of the sun, just like its solar companion further up the slope. Please note how I emphasize this ingredient in the site profile of its neighbour, the Mixing Stone 10-15 yards away—roughly halfway between this and the Sunrise Stone. A distinct place of ritual was happening in this close-knit cluster of carvings…
References:
Beckensall, Stan, Prehistoric Rock Motifs of Northumberland – volume 1, 1991.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Tumulus (destroyed): OS Grid-Reference – TA 420 150
Archaeology & History
This long lost site is one of probably many such sites on the east coast of Yorkshire and Lincolnshire that used to exist, before the great North Sea took them away. The only account I’ve found of this one is from a short article in an early copy of the Lincolnshire Notes & Queries magazine by John Cordeaux (1891), who wrote:
“The Spurn, or Spurn Point, as it is now usually called, at the mouth of the Humber, is so closely connected with Lincolnshire history that it is unnecessary to apologize for recording in Lincs. N. & Q. an interesting sepulchral relic found there. This is a rude chest or coffin, roughly hewn and squarely hollowed, probably with stone implements, from the trunk of an oak, recently exposed by the action of the sea on the beach at Kilnsea. The total length overall of the chest is 51 feet, the interior (it was much decayed and fallen when I saw it) little, if anything, over four feet. In this space the skeleton, presumably of an adult male was found doubled up. Most unfortunately the original finders (labourers) scattered the bones, which subsequently were washed away. A thigh bone alone being recovered, and this is suggestive of a man probably a little below the average height.
“From oral evidence collected in the neighbourhood, I came to the conclusion that the body must originally have been buried with the head bent forward on the chest, and the legs tucked up like a trussed fowl, the knees near the chin. No corresponding lid or covering was found on the coffin, it had been placed in an excavation in the red or chalky boulder clay, and tenacious blue clay placed on it. The locality on the coast where it was found represents the Pit Marshes — that is before “the sea gat ’em ” — their position was about one-hundred and fifty yards south of the first sea-groin on Kilnsea beach. It is not improbable that a barrow or tumulus, either of earth or piled stones, at one time covered the interment, until levelled and dispersed by the sea’s encroachments on the land. Not far from this place on the beach, a small, simple, flat-sided celt, about four inches long, was picked up. It may or may not have borne some relation to the occupant of the oak coffin. When the foundations of the enlarged Chancel of St. James’ Church, Grimsby, were dug, a similar coffin or chest was exposed, partly within and partly without the line of the north chancel wall. I remember it was conjectured at the time, from the comparatively small interior, that it had been used for the interment of a child. It is more probable, however, that it had once contained an adult packed away in the manner indicated at Kilnsea.”
A very short distance north we find the place-name of “How Hill”, which may be a record its existence, as the word how in many places round here can mean a tumulus. Seems to make sense.
Chambered Cairn (destroyed): OS Grid Reference – H 277 998
Archaeology & History
Included in Eamon Cody’s (2002) magnum opus, this site has long since gone. It was highlighted on the 1845-47 OS-map of the area and the only subsequent information about it was written in the 1903 Ordnance Survey Name Book, where it was described as a “supposed Giant’s Grave” that was marked by a large spread of boulders.
Perhaps the only thing we can ascertain here is from the name Giant’s Grave. Invariably, giants are part and parcel of creation myths in early traditional societies. Such giants, as well as being huge mythical creatures, can also be the progenitor of tribes and communities, i.e., the person who laid the initial foundation of where the tribe came to live, usually an early queen, king or shaman figure. So, in the case of this Giant’s Grave, it was likely to have been known as the burial place of such a figure: mythical in importance as well as size.
References:
Cody, Eamon, Survey of the Megalithic Tombs of Ireland: Volume VI – County Donegal, Duchas: Dublin 2002.
If you’re coming via Ilkley, cross the bridge to Middleton and turn left, following the long winding road for several miles until you hit Langbar village. If you’re coming via Bolton Bridge, go to Beamsley village and turn left up Lanshaw Bank until you hit Langbar village. Whichever of the two routes you use: on the north side of Langabr village is a distinct small rough car park. From here, cross the road where the footpath sign is and walk straight up the steep hill to Beamsley Beacon at the top. You can’t miss it!
Archaeology & History
At the highest point on these hills, 1300 feet up, we come across this ancient prehistoric cairn. Its position in the landscape is impressive to say the least, being visible from nearly every direction on the moorland heights for many miles around, as well as being conspicuous from the riverlands below. A visit to the site nowadays shows it surmounted by a more recent mass of small stones turning it into a large walker’s cairn with only its compact base showing any real sign of antiquity.
Site shown on 1853 mapWestern side of the cairn
Mentioned briefly in parish records from 1658 onwards, it was highlighted on the earliest OS-map as simply a Beacon hill, due to it being used for beacon fires. We’re not certain when its beaconesque function first came about; and, it’s possible, that its beacon element could have replaced a much earlier heathen fiery function, typical of many hilltop sites up and down this and other countries. But we do know that such fires were lit here at the beginning of the 19th century. The great Harry Speight (1900) told that of its
“use as a prospecting-point and beacon there is no doubt. In the Bolton Abbey registers, under date 1803, is this entry:
“Apprehensive of a French invasion, Beamsley Beacon was put in a state of repair, and four people appointed to watch it. About — of the inhabitants of this chapelry inrolled themselves as Volunteers, the whole number of whom in Craven amounted to 1,200 Infantry and 200 Cavalry. A Sergeant was appointed to drill the volunteers of this chapelry at Bolton.”
The beacon at this time received light from Pinhaw on Carlton Moor and sent it forward to Otley Chevin, as appears by an old chart at Wakefield, dated 1803.”
The beacon’s ancient name of Howber Hill is literally the Hill of Tombs, as derived from the Teutonic haugr, and Anglian how, being a burial mound; and berg is a hill, sometimes fortified. Whilst there seems to be no evidence of ancient fortification, compacted cairn material at the base seems to confirms the -how element. Yet despite Speight citing this etymology, he was was somewhat sceptical wondering, instead, if the site was merely a giant boundary marker—which it has been for centuries.
A short distance along the footpath to the east is the denuded old cairn known as The Old Pike. Further east still, along the same boundary line, there was once another old tomb, long since gone…
Folklore
I’m not sure whether this should gone in the folklore section or not. But, well, it’s here nonetheless! In Guy Phillips’s (1976) book on the mythic history of ancient Brigantia, he describes a number of alignments, or leys (not one of those stupid energy lines, which has nowt to do with leys)—one of which crosses Beamsley Beacon. It’s an west-east line that begins at Cockerham and from there goes,
“through Top of Blaze Moss SD 619525, Slaidburn (it is very clear here), Flambers Hill SD 877523, southern edge of Copy Hill 952523, Draughton (extremely clear), Beamsley Gibbeter and Beamsley Beacon, Heligar Pike, Scow Hall 203523, Little Almscliffe Crag, Tockwith church and on to the coast.”
I have to say that I’m sceptical of the veracity of this alignment.
References:
Bogg, Edmund, Higher Wharfeland, James Miles: Leeds 1904.
Cobley, Fred, On Foot through Wharfedale, William Walker: Otley 1880.
Phillips, Guy Ragland, Brigantia – A Mysteriography, RKP: London 1976.
Smith, A.H., English Place-Name Elements – volume 1, Cambridge University Press 1956.
Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 5, Cambridge University Press 1963.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Acknowledgements: Huge thanks to James Elkington for use of his photo on this site profile. Cheers mate. 😉
“Lying among a heap of stones in Mr. Adam Mathewson’s garden, I detected, on a much weather-worn block, defaced sculpturing of the same family character as those in Northumberland. …There are five concentric circles, central cup, radial grooves, and a string of cups around the outer circle. Forty years ago this stone was built into the wall of a house; but whence it originally came is not known. Doubtless it belongs to the district, and probably had been connected with an interment.”
