A tricky venture, best approached along the B9113 eastwards out of Forfar, towards Rescobie Loch. Just a coupla hundred yards past the lochside, go up the track that leads you to the farmhouse called West Mains of Turin, below Turin Hill on the left-hand side of the road (north). Go up through and past the farm, up the track until you hit the gate that takes where the old quarries appear. Looking right, a copse of woods appears. Go into it and about two-thirds way up, a slight rise marks a long ridge of rock cutting across the woodland. The carving is near the very eastern end of this ridge at the far side of the trees. Good luck!
Archaeology & History
Not included in John Sherriff’s (1995) survey of Angus petroglyphs, this “carving”, like many in his survey, may be deemed slightly debatable and require the attention of qualified geologists to ascertain the veracity, or otherwise, of a number of supposed cup-marked stones that he describes. This one, found in the woodland beneath the undergrowth of years of pine needles and such things (hence the poor quality photos), has between 9 and 11 cup-markings etched on the southern sides of a large earthfast stone found in the woodland. There may be more cups on this rock, beneath the compressed vegetation, but we didn’t spend too much time here to find out (bad boys that we are!).
The easiest way to find this is by going along the B9113 road that runs from the east side of Forfar, out to Montreathmont Forest. Along this road, pass the Rescobie Loch and keep going for another mile or so, until you hit the small crossroads. Go left here as if you’re going to Aberlemno. Barely 100 yards up, opposite the newly-built Westerton house, the standing stone is on the rise in the field.
Archaeology & History
A truly fascinating heathen stone in a parish full of Pictish and early christian remains, with the faint remains of an intriguing carving that can still, thankfully, be discerned on the southwestern face of the upright….amongst other things…
Marked as a singular stone after the Ordnance Survey lads visited here in 1901, early mentions of the site are very scant indeed. In Sir James Simpson’s (1866; 1867) early masterpiece on prehistoric rock art, in which he named the place as the “Circle of Turin,” he related how his friend and associate Dr Wyse told him how this stone “once formed one of a fine circle of boulder stones at Nether Turin,” but said little more. (Simpson was the vice president of the Society of Antiquaries of Scotland, a professor of medicine, as well as being one of Queen Victoria’s chief physicians.) The “Dr Wyse” in question was very probably Thomas Alexander Wise, M.D., who wrote the little-known but informative and extravagent analysis of prehistoric sites and their folklore in Scotland called A History of Paganism in Caledonia (1884). Therein he told us:
“At Turin, in Forfarshire, there is a large boulder which had formed one of the stones in a circle. On the flat top are several cups arranged irregularly, and without any enclosing circles. This boulder stone is on the NW face of the circle. The other side was towards the SE, facing the rising sun.”
As a result of these early references the site is listed and documented, correctly, as a “stone circle” in Aubrey Burl’s (2000) magnum opus. We do not have the information to hand about who was responsible for the circle’s desctruction—but it was likely done by the usual self-righteous industrialists or christians. It is a puzzle therefore, why Barclay & Halliday (1982) sought to reject an earlier “megalithic ring” status as mentioned by Sir James and Dr Wise, with little more than a flippant dismissal in their short note on the Westerton stone. Unless those two writers can offer vital evidence that can prove that the Westerton standing stone was not part of a megalithic ring, we can of course safely dismiss their unsubstantiated claim.
Despite this however, they do give us an intriguing description of a curious carving, faintly visible, of an upright male figure etched onto the west side of this standing stone. The carving has unfortunately been damaged—probably by intruding christians or puritans of some sad form. You’ll see why I’m blaming them in a minute! In their short account of the carving, Barclay & Halliday (1982) state:
“Much of the original surface of the SW face of the stone has scaled off, but, on the surviving portion, there is a part of a human figure…apparently naked, outlined by grooves, measuring between 5mm and 15mm in breadth and up to 7mm in depth. Of the head, only the lower part of the jaw and neck can be identified, and a second groove at the back of the neck probably represents hair or some form of head-covering. The left arm passes across the body into the lap and the arch of the back is shown by a groove which detaches itself from the upper part of the arm. The left leg is bent at the knee and is lost below mid-calf; from mid-calf to jaw is a distance of some 0.85m”
In interpreting this carving the authors make a shallow, if not poor attempt to describe what he may be doing, saying:
“The figure is viewed from its left side and is turned slightly towards the observer. The position of the left arm and leg may be compared with those of a fighting figure depicted on the Shandwick Stone, Easter Ross…but they may also reflect a riding posture; no trace of a mount, however, has survived.”
Well – that is intriguing. But we have to recognise that our authors work for the Royal Commission, which may have effected their eyes and certainly their minds—as everyone else sees something not drawn out of Rorscharch’s famous psychology test! When I put the drawing you can see here (left) onto various internet archaeology group pages (including the Prehistoric Society, etc) the response was virtually unanimous, with some comical variants on what the carved man is doing — i.e., masturbating, or at least committing some sort of sexual act, possibly with another creature where the rock has been hacked away by the vandals. But a sexual act it is! Although such designs are rare in Britain, they are found in prehistoric rock art and later architectural carvings in most cultures on Earth. The nearest and most extravagant examples of such sexual acts can be found in the Scandinavian countries, where fertility images are profuse, often in tandem with typical prehistoric cup-and-ring designs. (see Coles 2005; Gelling & Davidson 1969, etc)
…And, on the very top of the stone, running along its near-horizontal surface, a line of six cup-markings are clearly visible. Intrusions of natural geophysical scars are also there, but the cup-marks are quite distinct from Nature’s wear, all on the west side of the natural cut running along the top. These cup-marks were first mentioned in Simpson’s (1866; 1867) early tome, where he told how his “esteemed friend Dr Wyse discovered ‘several carefully excavated cavities upon its top in groups, without circles.'” Whether these neolithic to Bronze Age elements had any association with the later Pictish-style wanking fella (fertility?) is impossible to know, sadly…
References:
Barclay, G.J. & Halliday, S.P., “A Rock Carving from Westerton, Angus District,” in Proceedings of the Society of Antiquaries, Scotland, volume 112, 1982.
Burl, Aubrey, The Stone Circles of Britain, Ireland and Brittany, Yale University Press 2000.
Coles, John, Shadows of a Northern Past, Oxbow: Oxford 2005.
Gelling, Peter & Davidson, Hilda Ellis, The Chariot of the Sun and other Rites and Symbols of the Northern Bronze Age, J.M. Dent: London 1969.
Sherriff, John R., “Prehistoric Rock Carvings in Angus,” in Tayside & Fife Archaeological Journal, volume 1, 1995.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Wise, Thomas A., History of Paganism in Caledonia, Trubner: London 1884.
As you go along the road between Lochearnhead and Crianlarich, about 200 yards before reaching the turning to Killin, stop at the Mid Lix dirt-track. Cross the road and walk back uphill for about 75 yards, then walk into the denuded remains of the forest. There are several notable rocks peeking up from the wood, one of which has many well-formed cup-markings on, about 25 yards from the roadside. If you look around here, you’ll find it.
Archaeology & History
This seemingly isolated petroglyph, still in a very good state of preservation, was first reported in the 19th century by a Mr Haggart (1883), who described it in a letter to the late great J. Romilly Allen. He wrote:
“I have also, since you last wrote to me, discovered another cup-marked stone at the farm of Mid Lix, near Killin. It is a very good specimen, with between sixteen and twenty marks, well cut and distinct. I was passing the farm three weeks ago, and I thought, from the name Lix — which is a Gaelic word corrupted from Lie, the plural of Leac, a tomb-stone or flagstone — that it was very likely to have stones with marks, and I asked John Little, farmer, to keep a look out for such. He did so, and found the one mentioned within twenty yards or so of the road leading to Killin Railway Station, and between the farm and the roadway, due west of the farm-house.”
Subsequently, thirty years later Mr Cash (1912) visited and described the petroglyph in more detail in his survey of sites around Killin. He told that,
“In 1882 or 1883 this was reported to Mr Allen by Mr Haggart; it was shown to me by Mr Haggart. It lies about 100 yards south of the railway, and 20 yards east of the Glen Ogle road. It is a low triangular pyramid; the cups are on the west face, which lies at an angle of about 35°, and measures 5 feet across its base, and just over 3 feet along its median line. It carries twenty-one cups, as shown in the figure. One cup has round it a ring 6½ inches in diameter. The cups vary in diameter from 2¼ to 3 inches, and in depth from ¼ to ¾ inch. In his paper on “Cup-marked Stones near Aberfeldy,” read in 1884, Dr Macmillan said that he did not know a single example of a concentric ring round a cup on the stones found on the shores of Loch Tay or in Glendochart or Glen Lochay.”
When we visited the site earlier, the grey clouds prevented us getting good images of the carving and made visibility of the design more troublesome (typical rock art dilemma!); but we counted a minimum of 23 cup-marks on the stone. There is a small cluster of small rounded stones around the west and north-western base of the stone, but whether these are collected rubble or the denuded remains of a cairn could not be discerned upon our visit.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR 86: Oxford 1981.
Royal Commission on the Ancient and Historical Monuments of Scotland, The Archaeological Sites and Monuments of Stirling District, Central Region, HMSO: Edinburgh 1979.
Along the A84 road between Doune and Callander, take the tiny country lane up to your right to Drumloist (if you’re coming from Doune) or up the tiny unmarked road past Keltie Bridge on your left (if you’re coming from Callander). Uphill for several miles, you eventually emerge from the trees and are on the top of the tiny road. Once here, keep your eyes peeled for Drumloist farm. Best thing to do is walk up the track and ask at the farm. The fella there is a superb old Highlander who’ll point you to the place on the hill above.
Archaeology & History
A site that was never explored by that giant of chambered tomb research, Audrey Henshall. A pity, as it has a lot of potential and seems to have a lot more to say about itself than the meagre findings reported by the Scottish Royal Commission doods.
Although there’s a very notable “fairy hill” eminence close by which strongly draws your attention, the actual hillock upon which this chambered tomb was constructed is in front of this, closer to the farm. A couple of rows of ancient walling—Iron Age by the look o’things—run up the hillside, with one of them running into the eastern sides of the huge mound which this tomb plays a part in. The mound itself is about a hundred feet across, although seems to have been damaged over the centuries. Although it is probably neolithic in origin, sections of the monument seem to have been altered and re-used for other purposes, giving it that distinctly multi-period look.
The farmer informed us how some of the stones from the mound had been robbed and used in some of the walling in the past. He also told us how there are so many other archaeological features upon the moors above here that remain to be “officially” recorded, despite the efforts of some who swept the region for remains a few decades ago.
The main prehistoric section of the tomb that can be seen are the two opened cists, or stone-lined graves, to the top north-western edges of the mound. They align together, NE to SW, with a gap of about three yards between the two open tombs. The more northerly of the two is much more overgrown; whilst the southwestern grave comprises of three large flat upright stones, forming a traditional ‘box’ with smaller flat stones lining the floor. But these two separate tombs (if indeed they were originally separated) point directly to the large, very prominent “fairy mound” about 100 yards north-east, on the north side of the Drumloist Burn. The alignment seems very deliberate.
Walking over the boggy ground to the (unnamed) fairy mound, a natural ‘platform’ of rocks sticks out on its south-easterly side, and upon this are what I initially thought were two cup-markings, with the more easterly one of the two seeming to have a carved arc along its edge; but subsequent visits here at different times of day when the light is better have indicated that these are probably natural. Anyhow, looking from this mound, back across to the Ballachraggan tomb, the open flat landscape heading south-west is held where the sunset falls. Sadly on the day we visited, Nature greeted us with grey cloud and the drizzle of light rain all afternoon, so we couldn’t make out if there was something, far away, which the tomb was truly aligned with… A damn good site though!
A profile of two seemingly trivial cup-marked stones is called for, out of memory for the carvings and also because they are now hidden in some vault somewhere, out of view in one of the Scottish museums I presume. In visiting the impressive Cairnpapple Hill the other day, I thought that the carvings should really be in situ, where they belong, and not in a box somewhere for the eyes of just a privileged few.
Two small, single, almost portable-sized stones—not unlike other cup-marked rocks found at sites like the Little Skirtful of Stones and elsewhere—were unearthed during the primary excavation of Cairnpapple by Stuart Piggott in the late-1940s. Although there are many stone-lined cremation pits and graves at Cairnpapple, only one of the tombs seemed to possess any carvings—and these were found only in the western walling in one of the larger of the two tombs that are now housed inside the modern covering tumulus, in what Piggott (1950) called ‘Cist A’. (Curiously in all sketches of the tomb, he didn’t show where the carvings were found, typical of some archaeologists of that period who saw little importance in these relics.)
The giant stone roof or covering stone to Cist A also has a large worked cup-marking on its western side. There are also what seems to be other faint rectangular etchings on the same rock-face, but the age and nature of these elements need to be assessed with some caution.
References:
Cox, Adrian, Cairnpapple Hill, Historic Scotland: Edinburgh 2010.
Various ways to get here: from Bathgate either take the Drumcross Road eastwards and up, or north up the Puir Wife’s Brae till you reach the crossroads where, upon the hillock north, you’ll see the old stone standing on the ridge. If you come down from Cairnpapple Hill (as most visitors are likely to do), go south for more than a mile and keep your eyes peeled in the fields to your right, shortly before the staggered crossroad. You can’t really miss it.
Archaeology & History
About a mile south of the superb Cairnpapple Hill, in a well-manured field at the edge of a small ridge with a vast view to the south and west, this now-solitary standing stone lives quietly and alone, gazing over its old landscape. Standing about 5½ feet tall, it seems as if the monolith has been split along its southern side at some time in the not-too-distant past, leaving a damaged wedge-shaped monolith, with one very thin eastern edge and a wider western side. The stone itself was erected to align roughly north-south-east-west.
The monolith was first shown on the 1854 Ordnance Survey map of the region, along with its fallen companion (Gala Braes 2) nearly 75 yards to the west, but descriptions of the place by antiquarians are scarce. Not until Fred Coles (1903) visited here did we gain a decent account. He wrote:
“I examined this site in August 1902. It is about a mile to the east of Bathgate, and occupies the summit of a ridge extending some 300 feet westwards of the byroad that branches off due N, near the farm of Clinkingstane. The ridge is about 850 feet above sea-level. On reaching it, I found but one Standing Stone,—a rough whinstone boulder, split very unevenly, and jagged on the south side, very smooth on the two shorter sides, and girthing at the base 10 feet 5 inches. The longest edge trends WNW and ESE. It stands 5 feet 3 inches high and occupies the highest spot on the ridge.”
Whilst Mr Coles was pottering about, the courteous local farmer approached him and they began chatting about the old place—as tends to happen more than often in olde Scotland. When he,
“…asked if any digging had ever been made at either of these stones, Mr Carlaw replied that many years ago an old Bathgate worthy known as “The Apostle” persuaded his (Carlaw’s) father to dig at the base of the upper Standing Stone (the one at present erect), and they found human bones. The farm of Gala Braes has been in the tenancy of a Carlaw for upwards of a century.”
Whatever became of the old bones isn’t known. A few years later, the Royal Commission (1929) lads bimbled over to check the place out and found that it was still very much as Coles had described more than twenty years earlier, but added, “it bears no trace of sculpture.” This has since changed. Faint outlines of lettering, seemingly only a hundred years old perhaps, have been etched onto its northern face. As for the etymology of this place, Coles (1903) suggested:
“Assuming, however, that the bones found at the upper Stone were human, and taking cognisance of the fact that throughout Scotland there are many knowes, hills, hillocks and laws which are distinguished by the epithet Gallow or Gala, and that in or at many of these human remains and interments (some of them prehistoric) have been discovered, we may place this site on the Gala Braes of Bathgate in the same general group.”
Curiously he makes no mention of the nearby ‘Clinkingstane’ a few hundred yards east: an etymological curiosity that Angus MacDonald (1941) thought may have derived from a “knocking stone”; but is a word with hosts of dialect meanings, making it difficult to define with any real certainty (at the moment anyway). Just past the Clinkingstane we had the “cross on the ridge” of Drumcross—on the same ridge as our standing stones—which may well have been an attempt to keep people away from our older, more authentic heathen heritage.
The late great Alexander Thom (1990:2:341) also visited the site, but despite its impressive landscape setting and relative proximity to Gala Braes 2, he could find no astronomical orientations here. For Thom, that’s a feat in itself!
Take the A823 road up from Gleneagles to Glendevon and at the top of the long hill, where the road starts to level out and slightly drop, where the two glens meet up, take the right turn (west) and park up by the cattle-grid. Walk back onto the A823 and walk about 200 yards south towards Glendevon, to the small copse of trees past the cottage. As you get to the trees, look by the fencing and you’ll see one archetypal rounded standing stone, with another one next to it. You’re here!
Archaeology & History
At long last my huge nose is twitching back to its authentic sniffing-out lost sites in the landscape. During a visit to the St. Mungo’s Well a few days ago, on the way back to the car I kept saying to my fellow antiquarian Paul Hornby that “there’s something missing round here.”
“Wotcha mean?” he said.
“Summat missing Paul. It feels there should be a four-poster or summat like that here — where the two glens meet up. I can smell it. Summat should be here, or was here in the past.”
I said it several times as we walked back along the old track to the car. We took the photos and he set off to give me a grateful lift back home. But as we got back onto the road, we noticed a couple of upright stones just set back at the edge of a small copse of trees. One was very rounded and about four-feet tall, with a smaller companion next to it. But we didn’t stop to check them out as it was getting late.
A few days later Paul rang me to ask if I’d had a look at the old maps of the region where we’d visited and seen the old place-name where we’d been.
“No, why?”
“It’s known as the ‘Four Stanes’,” he said. “And right where those stones were standing by the trees!”
A few happy expletives came out, as usual for me. So I sought out the map he was talking about and, as we can see above, the “Fourstanes” (or Stones) are right where my ‘feelings’ and the stones were seen.
On the 1860 Ordnance Survey map of the area, a small building is shown and named as ‘Fourstanes’ right by the roadside, on the south side. It was also named as such in an earlier account of 1851 and was told to be inhabited by a Mrs Foote in 1866. Sometime after this the cottage appears to have been left to neglect and no trace of it now remains. According to evidences of the place-name societies in England and Scotland and the studies of Smith (1956), Scott (2004) and others, unless the term derives from the Gaelic fuar, meaning cold or chilly, it is usually evidence of ‘four stones’ in relation to megalithic remains like those found from Shetland to the more southerly counties in England. Dr Aubrey Burl (1988) shows clearly in his textbook of the same name, that “four poster stone circles” are common megalithic architectural features in the Perthshire landscape — where this happens to be! He also states that such place-names should be listed and checked as possible “sites of destroyed four posters.” So we did just that!
Although the stones look very good contenders in the photos and also when you first see them close up, there are some elements here that need highlighting that throw a more sceptical view of them as authentic megaliths. The larger of the two stones—very rounded and worn, typical of other four-poster remains—is three feet high. The lichen vegetation covering it on all sides is old—except on its back (northern) upright face, where there is almost no vegetation at all. Indeed, this face is almost entirely clear of any natural plant growth, showing it was moved into this position from a lower horizontal level and pushed upright, I would say within the last century. The smaller, lower stone next to this upright oddity, is laid down and covered on all sides by an excess of vegetation expected of a monolith that has been in this position for several centuries at least. The lichen growth on this stone is very old.
Both of these stones occur along the line of an old wall and may have originally been a part of such a structure, instead of any four poster megalithic feature. However, the road that runs past here replaced the earlier track (which you can still walk along on the other side of the river 100 yards away) running through Glen Devon and into Glen Eagles. This “new road” as it was then, was made sometime in the 19th century. It may be that, upon the construction of the new road, the ‘fourstanes’ themselves were “in the way of Progress” (as they like to say) and so were rolled down the side of the new road and into the position they now occupy. It’s difficult to say.
There is one additional element that needs exploring. The hill immediately above Fourstanes is called ‘The Law.’ Although this word can be a simple “hill”, there are additional historical factors to a place-name. In Laurence Gomme’s (1880: 260-77) excellent work on the subject, he illustrates time and again across Scotland that heathen gatherings, tribal meetings and early court sessions or ‘moots’ were held at places with this place-name element. It should come as no surprise then, that at other megalithic sites in Britain called the Four Stones, ancient pagan moot were also held there. (Gomme 1880; Grinsell 1936, 1976)
We’re going back onto The Law itself in the next week or two, just to see if these ‘fourstanes’ are hiding away in the heather on the tops, where oh so many megalithic rings tend to be found….
…to be continued…
References:
Burl, Aubrey, Four Posters: Bronze Age Stone Circles of Western Europe, BAR 195: Oxford 1988.
Dwelly, Edward, The Illustrated Gaelic-English Dictionary, Gairm: Glasgow 1973.
ON the A59 Harrogate to Skipton road, right on top where it crosses the barren moors, get to the parking spot right near where the road levels out at the highest point. Walk up the footpath from here onto the moors (south) for about 200 yards till you notice a small black pool ahead of you. From here, walk left (east) offpath and into the heather, roughly along the ridge for about another 150-200 yards. Zigzag about and keep looking. You’re damn close!
Archaeology & History
Not far from the Gill Head stone and walling, another previously unrecorded cup-marked rock was discovered on the afternoon of Saturday, May 3, 2014, by Danny Tiernan and his famous teddy bear! The stone seems to have been previously well-covered, but was made visible thanks to the annual heather-burning on this part of the moor. He came across it during an exploratory Northern Antiquarian wander to examine a cluster of other neolithic remains hidden on this moor. The carving consists of a series of plain cup-markings, between eight and twelve in number, running along the middle of the rock and outwards nearer to the edges. The cups are between 1-2 inches across and a half-inch deep at the most. The design was first highlighted on Danny’s walking blog, Teddy Tour Teas — and is gonna be difficult to find once the heather’s grown back.
Follow the same directions described to reach the Druidsfield 1 and 2 carvings. This one is the larger upright block right next to them!
Archaeology & History
Contextually relevant to the two adjacent carvings, this is the largest of the three stones and comprises of a number of natural deep marks associated with between eight or ten man-made cup-markings. They’re not all immediately apparent, but stand out more as and when natural lighting conditions change. All of them are on the north and northwestern section of the stone, and measure between 1-3 inches across. This is the least visually impressive of the stones in this petroglyph cluster.
Folklore
The carvings here were said by one of the locals to have been part of a “druid’s circle, which we played in as children, and were always told had been a special place of the druids in ancient times.”
Haggart, D., “Notice of the discovery of a stone cup and cup-marked stones at Lochearnhead,” in Proceedings of the Society of Antiquaries, Scotland, volume 22, 1888.
Acknowledgements – Huge thanks to Paul Hornby for help and use of his photos.
A variety of ways to get here, all depending on which directions you’re coming from, obviously! Simply get to the sleepy old hamlet of Brunton, SW of Creich Castle ruins, and at the north end of the village where the road hits a T-junction, turn left and stop at the next house (hidden amongst trees) a coupla hundred yards along on the right-hand side. Knock on the door of The Manse (marked as such on the OS-maps) and ask. The fella who we met here, Liam, was very helpful and guided us to the site up the far end of his garden.
Archaeology & History
A truly fascinating and enigmatic arena for a host of reasons. The small and well-preserved ring of stones up the slope behind Creich Manse — looked after and recently cleared of covering vegetation by the present tenant — wasn’t born here, but originally lived more than a mile to the southwest, on the grounds of Luthrie House near the OS grid-reference NO 313 195.
Curiously omitted from the giant surveys of Aubrey Burl (2000) and other modern academics, the place was first mentioned in the New Statistical Account of the parish by Alexander Lawson. It told that in 1816 “trenching operations” were being undertaken in Luthrie village when, at some point, the men came across a curious group of stones that seemed to have faint carvings upon them — in the centre of a ring of stones! The land-owner and parish minister were called to the site and they found that a double stone circle had been unearthed. The account told:
“In the centre was placed, in an upright position, a cylindrical sandstone, one foot two inches high, and having the diameter of its base one foot. Around this stone, as a centre, at the distance of three feet, were sixteen other stones, placed also in an upright position, and in the form of a circle. The stones of which it was composed were of various sizes, from fifteen to twenty inches in height; from eight to eighteen in breadth, and from four to nine in thickness. Due south of the centre, and between it and the inner circle, there were placed in a horizontal position, two stones containing hieroglyphics in alto relievo, very entire. The remaining space between the centre and the circle was laid with pavement. At the distance of seven feet and a half from the same central pillar, there was another circle of stones, thirty-two in number, placed in an upright position, and very much resembling those of the inner circle. The stones in both circles were placed close together. Between the circles there was neither pavement nor stone of any description. Neither were perfect circles, the diameter of one from north to south, being fifteen feet one inch, while its diameter from east to west was only fourteen feet nine inches; in the same manner, the diameter of the other, from east to west, was five feet ten inches, while from north to south it was it was six feet one inch.”
The account went on to describe there being a deposit of “burned human bones and charcoal” at the centre, below the larger of the two petroglyphs. Additionally, one of those peculiarly common traits found at a number of megalithic remains related to the construction of the inner and outer circles of stone. The Royal Commission (1933) lads pointed it out, saying,
“It is remarkable that all the stones of the inner circle were of sandstone, which is not found nearer than Cupar, seven miles away, while those of the outer circle were of the local whinstone.”
Another description of the site was given in James Campbell’s (1899) updated and revised magnum opus on the parish of Balmerino, where some additional remarks were made about the petroglyphs. He told:
“Under one of the sculptured stones were found small burnt human bones and ashes. They were not enclosed in a cist, nor was there any building under the surface. Certain of the figures cut on one of the slabs of this monument are very similar to the figures on the sculptured slab of the one already mentioned. There are what appear to be representations of the soles of a pair of shoes, a circle with a cross within it — the limbs of the cross being: at right angles to each other — which may be intended to represent a wheel. On one of the stones is the figure of a spade. What the other figures represent is more uncertain. The sculptures raise difficult questions in regard to the time of the erection of these monuments. It is evident that cremation had been then practised at Creich, though the degree of culture and art indicated by the sculptures seems to point to a time subsequent to the abolition of this pagan custom elsewhere.”
The carvings illustrated here are pretty unique in terms of them being standard prehistoric petroglyphs, as they seem to comprise more of a mix of Iron Age and Romano-British designs – though potentially we must take into account that they could be a form of Pictish. This region is littered with the remains of Picts, in place-names, folklore and archaeology. As such, it would be very helpful if someone qualified in Pictish studies could examine these designs. We do find petroglyphs of similar forms to this in Bronze Age Scandinavia and Iberia − but not Fife!
Folklore
In the only account of any folklore relating to this site, James Campbell (1867) told that local people said the place was “supposed to have marked the tombs of distinguished chiefs.”
…to be continued…
References:
Burl, Aubrey, The Stone Circles of Britain, Ireland and Brittany, Yale University Press 2000.
Campbell, James, Balmerino and its Abbey – Volume 1, William Blackwood: Edinburgh 1899.