Tumulus (destroyed): OS Grid Reference – SP 8601 7510
Archaeology & History
According to a Mr Abner Brown (1846), this was one of two prehistoric cemeteries that once existed in Pytchley village, but very little seems to have been written about it. Found on the north side of the village in the field where an old limekiln once stood, this “apparently pagan” site was “about 350 yards northwards of the church.” From his brief description it seems that a large barrow here was accompanied by other smaller ones of the same period. They have all been destroyed.
Royal Commission Ancient & Historical Monuments, An Inventory of the Historic Monuments in the County of Northamptonshire – volume 2, HMSO: London 1979.
Follow the same directions for the Croft Moraig stone Circle. Then check out the largest of the fallen or elongated stones on the northwest side of the ring, with a smoothed sloping surface, just at the side of the overgrown stone platform on which it rests. Y’ can’t really miss it.
Archaeology & History
When William Gillies (1938) wrote about the carvings at the Croft Moraig stone circle, he told how, previously, Fred Coles,
“noticed that several of the upright stones…show cup-markings on their perpendicular surfaces. Some of these are quite distinct, but others are so worn through weathering that they can only be traced with the fingers.”
Stone D, with faint cupsClose-up of the cupmarks
This is one of them. Barely visible at the best of times, the cup-markings are faded and very hard to see unless daylight conditions are just right. As you can see in the photos, several distinct cup-like impressions are visible, but it only appears that two of them are cup-marks. The others seem to be more geophysical in nature – but I’d love to be wrong!
The great northern Antiquarian Fred Coles (1910) noted that this particular stone (stone D in his ground-plan of the circle) had “been polished by the sliding of generations of children”. This playful action on stones elsewhere in the UK and around the world sometimes relates to fertility rites (i.e., the spirit of the stone could imbue increased fertility upon the practitioner), but Mr Coles made no mention of such rituals here.
Gillies, William A., In Famed Breadalbane, Munro Press: Perth 1938.
Yellowlees, Sonia, Cupmarked Stones in Strathtay, Scotland Magazine: Edinburgh 2004.
Acknowledgements: Many thanks to hardcore crew for our various visits here: to Paul Hornby, Lisa Samson, Fraser Harrick, James Elkington, Penny & Thea Sinclair.
Just like the stone circle a half-mile east at Kirkton of Culsalmond, nothing now remains of this megalithic ring. It was first described very briefly by Rev. F. Ellis (1845) in the New Statistical Account as a “druidical temple”: one of two hereby, “on the farm of Colpie, although now almost obliterated. Several urns were dug up in making a road near one of them”—implying that one of them was a cairn circle or funerary monument of some kind. This was subsequently affirmed on the early OS-map and then described in Fred Coles’ (1902) survey, where he wrote:
“Site of a stone circle, the road going to Jericho Distillery having been made through it, and, on the south side of this road, the site of a cairn. Within the possible diameter of the circle an urn was found.”
Folklore
A few hundred yards west of the circle an ancient fair used to be held, known as St Sair’s Fair, named after St Serf. Although St Serf’s Day is July 1, early records show that the fair—held in a long field with the curious name of ‘St Sairs Market Stance’—was to be held on the Wednesday after the last Tuesday in June. For a stone circle, this is too close to Midsummer to be a coincidence! Early records show that the fair was granted in 1591 and subsequent years thereafter.
St Serf is a very peculiar mythological figure with quite shamanistic traits and tales around him. In truth, many of these early saints were little more than lapsed shamans, utilising natural magick and medicine in the olde traditions, but which became grafted onto the incoming christian mythos. The evidence for this is quite overwhelming!
References:
Barnatt, John, Stone Circles of Britain – volume 2, BAR: Oxford 1989.
Browne, G.F., On Some Antiquities in the Neighbourhood of Dunecht House, Aberdeenshire, Cambridge University Press 1921.
Burl, Aubrey, “The Recumbent Stone Circles of North-East Scotland”, in Proceedings Society of Antiquaries, Scotland, volume 102, 1973.
Burl, Aubrey, The Stone Circles of the British Isles, Yale University Press 1976.
Burl, Aubrey, The Stone Circles of Britain, Ireland and Brittany, Yale University Press 2000.
From Bettyhill village, take the road east towards Tongue and Durness. A half-mile out of the village, at the bottom of the hill, just before you cross the small metal bridge across the River Naver, a very minor road, left, takes you to Skelpick. Go down here and follow the directions to reach the giant long cairn of Skelpick Long. Once there, walk east up the moorland hill (there are no footpaths) for about 150 yards. Once on top of the rise, the moorland levels out a little and there, before you, amidst the small overgrown undulations of many old cairns, a giant one rises up to greet you about 100 yards away. Y’ can’t really miss it!
Archaeology & History
Neolithic in nature, this giant circular cairn, standing on the ridge above the hugely impressive chambered long cairn of Long Skelpick, isn’t quite as grandiose as its neighbour below, but it’s still an impressive feature in this beautiful moorland landscape. Comprised of tens of thousands of small stones raised to a height of 10 feet above the moorland peat, several ‘pits’ have been dug into the top of this undoubted tomb of regal nature; but whether it was originally the burial-place of a single person, to which were later added members of the same family, is simply unknown.
Large rock-covered capstoneDepression atop of the cairn
On the top of the cairn, at least one of the ‘pits’ that drop into the centre is covered by a large heavy tombstone with a small upright monolith at its side. Although the late great Miss Henshall (2005) thought no ‘chamber’ was here, it is very likely that a chamber will be found beneath this large rock-covered flat stone (see photo). In our visit, a hollow seemed to be apparent beneath this.
Mass of cairns on 1878 map
Highlighted on the earliest Ordnance Survey map, it was shown to be just one cairn amidst the mass of other smaller surrounding tombs—most of which were probably built for people from the same tribal group. None of these small cairns have been excavated, but they were probably built after the construction of the major Queen’s Cairn.
The Royal Commission lads visited the site in 1909, but said very little of the place (probably over-awed by Long Skelpick, Coillie na Borgie and other nearby giants!), merely that this large circular cairn has
“a diameter of about 54′. It is about 8′ high, and though the stones have been pulled about here and there on the top, it does not appear to have been excavated.”
Queen’s Cairn, looking north
And so it remains to this day—although the cairn is slightly larger than the dimensions given by the Commission boys. Beneath the encroaching heather, the cairn is closer to 67 feet (10.23m) across, with a circumference of 210 feet (64.25m).
Line of ancient walling nearby
The monument sits on a plateau immediately above the giant Long Skelpick cairn—although neither can be seen from each other. But if you walk only a short distance from the Queen’s Cairn towards the long cairn below, a very notable and extensive line of ancient walling runs along the edge of the geological ridge separating the two tombs, as if deliberately keeping them apart. Other lines of ancient walling run closer to the cairn, seeming to indicate that a settlement of some form was also apparent on this ridge, in close connection with the group of smaller burial cairns.
It’s a gorgeous arena with many prehistoric sites and puzzles to behold, and plenty of unrecorded ones nestling quietly in the heather. It’s bloody superb to be honest!
References:
Gourlay, Robert, Sutherland: An Archaeological Guide, Birlinn: Edinburgh 1996.
Henshall, Audrey S. & Ritchie, J.N.G., The Chambered Cairns of Sutherland, Edinburgh University Press 2005.
Royal Commission Ancient & Historical Monuments, Scotland, Inventory of Monuments and Constructions in the County of Sutherland, HMSO: Edinburgh 1911.
Take the A811 road between Stirling and Kippen and go up into Gargunnock, From the village centre, go along the Leckie Road (not the Main Street!) for half-a-mile, then turn left up the tiny road. ¾-mile (1.15km) along, a small bridge crosses the Leckie Burn (a.k.a. St Colm’s Burn). From here, walk up the footpath into the woods for 100 yards or so and cross the waters. When you see the large overgrown rocky rise of the Leckie Broch covered in pesky rhododendrons, walk up its left-side where (presently) a clearing has been made and the carved rocks stand out.
Archaeology & History
A very curious design here! Possibly carved at the same time as the Leckie broch to which it is attached—possibly not—we have here a curious amalgam of Nature’s incisions and human design, culminating in cup-and-rings and cups-and-squares no less! When we came to visit it a few days ago, Lisa Samsonowicz found the stone hiding away, buried beneath a thin layer of natural cover. The rest of the team thereafter enabled a much clearer pictures of the carving.
Star motif & other cupsYoung Allison on the new find (photo courtesy John McLaren)
We’re not quite sure who first rediscovered the carving. In an early photo of the site taken in the late ’70s or early ’80s, a young Allison McLaren sits highlighting the design. But she wasn’t the fortunate lass who discovered it! One account describes a local woman, Lady Younger of Leckie House, who was out walking her dog, accidentally dislodging some of the rocky debris of the Iron Age broch and unearthing the petroglyphs, thereafter taking Allison along to see it. The other account tells of it being noticed for the first time during an excavation of the broch by Euan MacKie and his team. Whichever it was, Prof Mackie (1970) was certainly the first person to write about it. He told:
“Part of the sandstone face of the northern end of the promontory on which stands the Leckie dun is covered with well preserved cup-marks, presumably much older than the dun. They were discovered when rubble and soil fallen from the dun was removed. Some of the cup-marks stand alone and some are surrounded by what appear to be incised rectangles in a ladder pattern. There are other, less clear markings.”
Ron Morris’ 1981 sketchSmall & large cupmarks
There then followed a series of written accounts, small and large, about the Leckie broch—but little else was said of the carvings. It wasn’t until Ronald Morris (1981) came to see them a few years later that they gained a slightly lengthier description. He described how the petroglyph was,
“carved over about 3m (yds) at heights of 1-2m (yds) on faces now sloping mostly 0-90º NW, with 3 cups-and-one-near-hexagonal-ring up to 12cm (4½in) diameter, a ‘sun-burst’ and other grooves, and at least 40 cups up to 12cm (4½in) diameter and up to 8cm (3in) deep. On a vertical E-facing slab there are also many grooves, some of which connect lines of cups. Some grooves resemble a ‘sea-horse’, an ‘axe’, etc. All except the cups are probably incised, but some may be natural.”
Large cupmarks on sloping faceLooking down the spine of 2 rocks
The entire design in fact covers two separate sections of rock. On the vertical face of one stone is a curious conjoined cup-and-rectangle, attached to a cup-and-square, attached to a traditional cup-and-ring. A cluster of other cups, large and small, are immediately left of this odd geometric pattern. The ‘cups’ within this section of the petroglyph are quite deep and, it would seem, were geological in nature but have been touched-up by human hands. Immediately below this rectangle-square-circle sequence, faint carved lines run a little further down the face of the rock. They were difficult to see clearly and require subsequent visits to enable a more complete picture. Along the top of this section of rock are several cups, one or two of them seeming to have faint rings around them. (at the very bottom of this vertical carved face, at ground level, a small section of man-made walling is visible, which was no doubt a section of the huge broch)
Above the top of this vertical carved face is a gap between this and a second, larger earthfast stone. This has a series of cups, some with faint rings around them, but most of them are just cups, both shallow and deep, running down the slope of the rock. A notable ‘star’ of five cups surrounding a single-cup stands out on this section. Some of them seem to have been geophysical in nature, but again have been touched-up and added to.
Cluster of curious peck-marks
Slightly higher still, on another third section of rock, a curious cluster of weird ‘pecks’, almost in a square pattern, with a possible cup-mark close to the edge of the stone is clearly visible. The edge of this rock seems to have been quarried and the markings here may just be mason marks preceding the breaking of the stone in the Iron Age.
Walk around to the south-side of the broch and there, in the walling, on a vertical stone face, is the small cup-marked Leckie 1 carving.
One final note of concern: the carving (and the broch) have become overrun with rhododendrons, to the point where they are severely damaging the monuments here. They need to be curtailed before further archaeological destruction occurs. Help!
Acknowledgements: Immense thanks to Lisa Samsonowicz, Fraser Harrick, Nina Harris, Frank Mercer and Paul Hornby for all their work, enabling a clear picture of the site. And a huge thanks to John McLaren of the Gargunnock Village History site for allowing us to include the early photo of the carving here – thanks John!
Take the A811 road between Stirling and Kippen and go up into Gargunnock, From the village centre, go along the Leckie Road (not the Main Street!) for half-a-mile, then turn left up the tiny road. ¾-mile (1.15km) along, a small bridge crosses the Leckie Burn (a.k.a. St Colm’s Burn). Walk up the footpath into the woods for 100 yards or so and cross the waters. When you see the large overgrown rocky rise of the Leckie Broch covered in pesky rhododendrons, walk up its left-side and, as it levels out, note the walling on your left. It’s just a few yards along.
Archaeology & History
This cup-marked stone is only for the mad petroglyphic puritans amongst you! Rediscovered by Nina Harris on February 5, 2017, it can be seen when you look at the main southern wall of this rhododendron-infested broch, near the middle of one of the large cut-and-squared stones built into the upright face. The carving has at least two cup-markings on its vertical face—which are clearly visible on the photo. One is quite deep, whilst the other is quite faint. At either end of the stone are what may have been two other cups that were started but never finished, or just natural-occurring holes in the stone (I’m more of the opinion that they’re just natural, but would love to be wrong!). A possible third cup-mark can be seen along the top-edge of the stone.
There is no mention of this carving in Dr Mackie’s various writings on the Leckie Broch, which he excavated in the 1970s; only the recognised cup-and-ring stone (Leckie 02) on its northeast edge. The intriguing element (which can also be applied to the Leckie-2 carving) is that the Leckie Broch was constructed in the 1st century AD—and these cup-markings were probably carved around that time, much later than many others. It is likely that other unrecorded carvings will be hiding away nearby.
References:
MacKie, Euan, “The Leckie Broch, Stirlingshire,”, in Glasgow Archaeological Journal, volume 9, 1982.
Standing Stone (destroyed): OS Grid Reference – NT 2139 7001
Archaeology & History
Cloven Stone on 1855 map
Highlighted on the earliest OS-map of 1855 and the Knox Map of 1816 in non-antiquated lettering as a ‘Standing Stone’, the Edinburgh historian Stuart Harris (1996) thought it was an authentic site. He was probably right. First named in land rentals in 1631, it was known by local people as the Clovenstone and used to stand in a park of the same name, before quarrying works extended into the area and destroyed it in the 1870s. Mr Harris thought that it may have been a pair of uprights, but the term ‘cloven’ could just as well mean it was a stone that had a split in it.
References:
Harris, Stuart, The Place-Names of Edinburgh, Gordon Wright: Edinburgh 1996.
Standing Stone (lost): OS Grid Reference – SE 2522 5010
Archaeology & History
Staniston Hill on 1851 map
This long-lost standing stone gave its name to the small hill between the geological giants of Little Almscliffe and Almscliffe Crags, ‘Staniston Hill.’ Described as early as the 13th century in the Cartulary of Fountains Abbey as ‘Standandestan’, its precise whereabouts is unknown—but it’s damn close to the grid-reference cited here. As the early OS-map shows, a small rounded hill occurs a short distance northwest of the small copse of trees now growing. The monolith may have been felled by some grumpy christian, or it could be standing in some nearby walling. Local antiquarians, dowsers or archaeologists may or may not find a search for it worthwhile…
Its position between the two Almscliffe Crags makes it very close to marking the midway point of a natural solstice marker: the Winter sunrise from Little Almscliffe and summer sunset from the greater Almscliffe.
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 5, Cambridge University Press 1961.
Take the B822 Fintry to Kippen road and just over 2 miles (3.3km) north of Kippen, take the small country lane on your left. Parking is truly troublesome along here, so: nearly half-a-mile along, a road/track on your right takes you into the huge forestry plantation (or ‘tree farm’ as Nina Harris calls them). Go up here and, when you reach the tree-line, walk along the outer perimeter fence to your left. Keep walking – and walking – through bog and over fence – keeping all along to the outside of the forest for more than a mile. You eventually reach a rise on the Balfron side with huge views to the west – and just here is an opening into the trees on your right where a long ridge of rock is obvious. You’re here!
Archaeology & History
Main feature of the carving
Not far from the recently rediscovered Footsteps Stone (coming soon…), this large cup-and-ring carving was found by Paul Hornby on a TNA rock art venture in November 2016 on a journey to the petroglyphs on Balgair Muir, between Balfron and Fintry. Twas a damn good day indeed! We’d been up here the previous week, but the grey daylight gave little away. Upon revisiting the place, Paul eventually called us over and, beneath a mass of fallen tree foliage, the long raised rock gave up its ancient symbols once again.
Very faint partial cup&rings?Main feature, looking ENE (photo by Nina Harris)
Along the main face of the stone are a variety of geophysical undulations and small natural hollows—lots of them!—some of which give the impression of being primitive cup-markings, but they’re more the result of erosion. However, amidst these are several very possible cup-markings, and some photo-images show that at least one of them has portions of a distinct faint ring around it, possibly two of them. On the whole however, we’d need a geological specialist to tell us with certainty about the other doubtful ‘cups’ here (TNA neeeeds an in-house crazy geologist into petroglyphs and things!).
Balgair Muir Woods designMain feature, looking west
As the rock face slopes down on its northern edges, away from the many natural pits and nodules, Paul uncovered two large incomplete ‘rings’, each with short outer ‘lines’, distinctly carved. The ‘rings’ are somewhat larger than the average cup-and-ring motifs — but it also appears that at least one of the ‘rings’ is lacking an internal cup-mark.
Large semi-carved ‘bowl’ (photo by Nina Harris)
On the same piece of rock, several feet to the east and almost covered by an adjacent tree, we also found a large half-natural half-carved ‘bowl’ more than 12 inches (30cm) across with a possible cup-marking near its centre. Whoever carved this section of the petroglyph has definitely utilised the natural features in the rock and, it seems, may never have finished the work.
We need more visits to this area to find what more lies beneath the fallen forest debris.
Acknowledgements: Massive thanks to Paul Hornby for uncovering this carving. Huge thanks also to Nina Harris for her help and some of the photos; and also to Ann Rankin and Mick for all their relative help too. Until next time…
The TNA Rock Art Team on site – Fraser, Frank, Lisa, Leo & Aish
Get yourselves to Johnstone or Elderslie (which just about fuse into each other) and off the B789 road, make your way to Johnstone Castle football ground on Auchenlodment Road and go uphill, past the housing estate, until the fields open up on either side. 350 yards further, woodland appears. Go past the hair-pin kink in the road and, 50 yards or so past this, walk into the trees on your right. About 20 yards in, a large sloping rock face is what you’re looking for… (there’s a decent car-park on the left-hand side of the road 400 yards further along if you’re driving here)
Archaeology & History
4 cup-and-rings in poor light
A seemingly solitary but vandalised petroglyph at the top of the Craigton Woods above Johnstone Castle estate: vandalized by the industrialists, whose quarry cut into a once larger rock, at whose edges cup-markings exist and whose design extended much further onto the now-vanished rock. The carving was also painted onto by some ignorant bastard many years ago (as the photos show); and one of the cup-and-rings here has either been damaged or isn’t prehistoric. The paint was daubed onto the stone in the 1960s and is shown in one of Ron Morris’ (1981) several descriptions of the site; and whilst it interferes with the design, it hasn’t damaged it anything like as badly as the industrialists have done.
Craigenfeoch cup-and-rings
Vandalism aside: it’s still quite an impressive carving, albeit hidden in the shadows of the surrounding trees. The design has been etched onto a large rock, some 35 feet long and perhaps up to 10 feet across, sloping at an angle of about 30-35° down (slippery when wet, as we all found out!). When we visited the site a few days ago, low cloud and mist didn’t really allow us a decent inspection of the site. But what we did find was more than our predecessors….
James Kirkwood (1938) gave the first literary account of the site—and in some detail. When he found the place it was “mostly covered with vegetation”, much like we found it on our visit. He wrote:
“The group of markings comprises five cups, each surrounded by a single encircling ring, whole lay-out being contained in an area of about 9 square feet. The setting corresponds almost exactly with the four cardinal points of the magnetic compass. The cup and ring to the north is the best preserved, the cup being 2½ inches in diameter and cut to a depth of 1 inch; the ring is somewhat elliptical, measuring 8½ and 7½ inches on its major and minor axes. A channel or gutter connects this cup with that within the eastern ring. The remaining cups vary from 2 inches to 2½ inches in diameter, and the rings from 6½ to 7 inches diameter. It is significant that the east and west cups are equidistant from the north one at about 15¼ inches; they are also equally spaced from the southeast cup at 19½ inches, and this latter dimension measures the distance from the west to the southwest cup. The four cups and rings on the main cardinal points are all moderately distinct, but the southwest sculpturing can only be very faintly discerned.”
James Kirkwood’s drawingRon Morris’ sketch
Kirkwood’s fascination with the alignments and measurements betwixt certain elements on the petroglyph was something of a fad at the time (resurfacing with some vigour in some quarters today), but is likely to have little if any authentic relevance with the animistic dynamics implicit in the function of the design.
When Ronald Morris (1981) entered the carving into his Southern Scotland survey, he made the now standard bland description of the carved elements:
“At least 5 cups-and-one-complete-ring (some ovoid), at least one with a long wavy groove downhill from the ring, and at least 5 cups, some of which may have been ringed. The ring marked ‘F’ in the (black-and-white photo, below) has been ‘improved’ since 1934 — the author has an older photograph showing it similar to the others. The 2 upper rings can only be seen just after sunrise, when wet—they are much weathered. Greatest ring diameter – 17cm (7in) and carving depths up to 2cm (1in).”
Fraser, Frank & Lisa at work
A good drawing of the carving would be worthwhile (are there any rock art-ists out there wanna join us on our next visit?), as the archaeological blandness never does petroglyphs descriptive justice. Ostensibly, from the bottom slope of the elongated stone—below where Fraser, Frank and Lisa are standing, right—a number of geophysical marks run across the stone. You can see in the photo how several geophysical ‘lines’ cut across the rock at an angle, roughly parallel, marked by the green vegetation. One of these is a small natural tunnel hole running through the stone, possibly made by the softer rock of a fossilized tree root or branch which has since disintegrated over time. Just above this ‘hole’ the carvings begin.
Cup-and-ring & carved lineOuter cup, ‘fan’ & CnRs
A number of possible cup-marks are overshadowed by the definite series of well eroded cup-and-rings (at least four of them) all close to each other, with lines connecting some to the others, including one which runs down to the tunnel hole. Some other lines on this part of the rock may or may not be geophysical (is there a geologist in the house!?). Close to the edge of the stone (where Fraser stands in the photo above) a singular cup-mark has been etched within a series of five lines, like an open fan, that all run to a point at the entrance of the natural tunnel in the stone. We were unsure as to whether these lines were natural or man-made (we need that geologist!); but it should be noted that an element very similar to this ‘fan’ of lines occurs in a carving near Killin, Perthshire, which we have yet to fully excavate—and in the Killin example the lines reach out from a central point like spokes on a bike wheel to an entire surrounding ring of cup-and-rings! Intriguing…
R.W.B. Morris early photo
One of the cup-and-rings in this cluster has clearly been either vandalized or else carved within the last century, as the erosion on it is wholly different to the rest, and the angle of the cuts into the stone shows clearly that a metal tool has made it. However, as Ron Morris stated above, this was apparently not the case with this ‘ring’ when he visited it in 1934 (it would be good to see the photo which he says shows its original state).
Faint cup-marks halfway up
Further up the slope of the rock we reach a near-parallel row of natural cracks across the stone. Inside this, about halfway along, a cluster of well eroded cup-marks exist—at least four of them. One of them has either a curved line arching out of it, or a semi-circular arc. Above the parallel cracks there is a large and very well eroded cup which, from differing angles, appeared to have faint sections of a ring around it, but we all agreed this was more a Rorschach response in our respective feeble minds!
We need to visit the site again in much better weather to gain a more accurate picture of the entire design. It appeared there were other elements to be seen here, but the lighting conditions were working against us that day…. That’s our excuse anyway!
References:
Kirkwood, James, “Notes on Cup and Ring Markings at Craigenfeoch, Renfrewshire”, in Transactions of Glasgow Archaeological Society, 9:2 (New Series), 1938.
Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Acknowlegdments: With huge thanks to what Nina Harris called “the TNA rock art team” – Aisha Domleo (and Leo), Nina Harris, Frank Mercer, Lisa Samsonowicz & Fraser Harrick.
