Synton Mossend, Ashkirk, Selkirkshire

Cup-and-Ring Stone (lost):  OS Grid Reference – NT 482 214

Also Known as:

  1. Blackcastle Hill

Getting Here

Archaeology & History

Despite there being a number of references to this carving, it would seem to have been lost.  First described by James Elliot (1967) in the Discovery & Excavation journal , albeit briefly, he told that,

“A cup-marked stone which was found on this farm several years ago, has been recently identified as a “cup within a cup” type.  (It was) retained by finder.”

But there was some initial confusion about its general whereabouts when Ron Morris (1967) gave a brief note of what seemed to be an additional carving in the same edition of the 1967 journal, telling us that at nearly Blackcastle Hill there existed the following:

“Small gritstone boulder, truncated-cone-shaped, having on its top surface a “cup-and-ring”, composed of a “saucer” 4½in diameter, within its centre a much deeper and clearly defined “cup”, 2in diameter.  Depth 1¼in.  Now removed for safety by J. W. Elliot to Whinfield Sawmill yard, Whinfield Road, Selkirk.”

As it turned out, both Elliot and Morris’s separate entries were talking about the same stone.  Morris subsequently clarified this when he came to describe the petroglyph in his survey of Southern Scotland. (1981)  He reported then that the carving was “beside the house’s porch in the sawmill’s yard” — but it hasn’t been seen since.  Does anyone know what’s become of it, or where it might be?  If you happen to find it, see if you can get a good photo or two and let us know on our Facebook group.

References:

  1. Elliot, James W., “Synton-Mossend, near Ashkirk: Cup-Marked Stone,” in Discovery & Excavation, Scotland, 1967.
  2. Morris, Ronald W.B., “Blackcastle Hill: Cup Marks,” in Discovery & Excavation, Scotland, 1967.
  3. Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of Scotland: A Survey of the Southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1968.
  4. Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
  5. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.

© Paul BennettThe Northern Antiquarian

Gala House Museum (2), Galashiels, Selkirkshire

Cup-and-Ring Stone:  OS Grid Reference – NT 49165 35897

Archaeology & History

Gala House (2) carving

One of two petroglyphs housed in the Gala House Museum, whose background is somewhat of a mystery.  When the northern antiquarian Paul Hornby visited the museum, his enquiries regarding its history and place of origin drew a blank.  This small squared block of stone has obviously been broken from a larger piece, but the whereabouts of its adjoining fragments are unknown.  The section that remains that we see here is somewhat more complex than it’s companion petroglyph, comprising as it does (in the photo on the right) a concentric cup-and-two-rings,with another arc above it that has a carved line running vertically into it.  An elongated cup-mark sits to the side of this line.  On the lower-left side we can see where a fragment of the stone has been broken off and here is a cup marking with a double arc above it, that may originally have been another cup-and-two rings.  The curious angular lines at the bottom of the stone look like more recent scratches, perhaps from an industrial machine (tractor?) created when the stone was moved from its place of origin.  If anyone knows anything about this carving, please let us know.

Acknowledgments:  Big thanks to Prof Hornby for use of his photo. 🙂

© Paul BennettThe Northern Antiquarian 

Gala House Museum (1), Galashiels, Selkirkshire

Cup-and-Ring Stone:  OS Grid Reference – NT 4917 3590

Archaeology & History

Gala House Museum stone

A curious stone, inasmuch as nothing seems to be known about it!  When the northern antiquarian Paul Hornby visited the Gala House Museum he was pleasantly surprised to find this multiple-ringed petroglyph on display.  Upon enquiring as to its history and original location, he was informed that it had been donated locally but nothing was known about it.  Incredible!  One of two carvings in the museum (the origin of the other carving is equally mysterious), this portable petroglyph has three rings surrounding the central cup, which has a short line running out of it and to the edge of the third ring.  The petroglyph may have come out of a nearby prehistoric tomb.  If anyone knows anything about this carving, please let us know.

Acknowledgments:  Big thanks to Prof Hornby for use of his photo. 🙂

© Paul BennettThe Northern Antiquarian 

Jedburgh Abbey, Roxburghshire

Cup-and-Ring Stone:  OS Grid Reference – NT 6504 2045

Archaeology & History

A little-known cup-and-ring stone that was uncovered in the forecourt of Jedburgh Abbey by Walter Laidlow in 1903, now lies all but forgotten in the abbey grounds.  Laidlow’s original description of his find was very basic indeed: “a sculptured stone, with incised ring-and cup-symbols… of yellow sandstone, 1 foot 8 inches long, 9½ inches broad, 4 inches thick.”  The Royal Commission (1956) lads did slightly better, saying:

“A slab of stone… measures 1ft 8½in by 9½in by 4in, and bears on one face six cup-marks ranging from 1in to 2½in in diameter.  The largest of these is encircled by a ring 5in in diameter, in “pocked” technique; while slight traces of what may have been a similar ring can be seen around another cup, which is fractured.”

Laidlow’s 1903 photo

You can see from the photograph how the stone has been broken from a larger piece, strongly suggestive of a greater prehistoric design on the original slab—but there have been no subsequent finds that might show us its original form.  In all likelihood, the stone originally came from a prehistoric tomb, but we know not where that might have been—much like the Mathewson’s Garden carving, also in Jedburgh.

The carving apparently still lies somewhere in the Abbey grounds, sleeping, but I’ve not visited the olde stone so I don’t know its exact position.  If any local folk can tell us more, that would be great!

References:

  1. Laidlaw, Walter, “Sculptured and Inscribed Stones in Jedburgh and Vicinity,” in Proceedings Society Antiquaries, Scotland, volume 39, 1905.
  2. Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
  3. Morris, Ronald W.B., “The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1969.
  4. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
  5. Royal Commission on the Ancient & Historical Monuments of Scotland, Roxburghshire – volume 1, HMSO: Edinburgh 1956.

© Paul BennettThe Northern Antiquarian

Mathewson’s Garden, Jedburgh, Roxburghshire

Cup-and-Ring Stone:  OS Grid Reference – c. NT 65 20

Archaeology & History

Apart from the petroglyph found at Jedburgh Abbey in 1903, there’s a distinct lack of known cup-and-ring stones in this area; so when the petroglyph pioneer George Tate was in town in 1860, he was fortunate to find a small “portable” stone with a rather impressive design on it.  We don’t (yet) know the exact position of where the stone was located, as Tate simply told how,

“Lying among a heap of stones in Mr. Adam Mathewson’s garden, I detected, on a much weather-worn block, defaced sculpturing of the same family character as those in Northumberland.  …There are five concentric circles, central cup, radial grooves, and a string of cups around the outer circle.  Forty years ago this stone was built into the wall of a house; but whence it originally came is not known.  Doubtless it belongs to the district, and probably had been connected with an interment.”

His final remark would seem most likely and has subsequently been echoed by several other rock art students.  A few years after Tate’s initial find, the carving was mentioned in Sir James Simpson’s (1867) classic work, who told us:

Dr Falla’s 1866 sketch

“Sometime ago Mr Tate, of Alnwick, discovered in the garden of Mr Matthewson at Jedburgh a stone cut with concentric circles, possibly a sepulchral cist, but peculiar in some respects.  The stone is roundish, but broken off at one side, and about eighteen inches broad.  Its face is covered by five incised concentric rings, and through the central cup pass at right angles two straight lines, which completely bisect all the circles.  The outermost circle is about fourteen inches in diameter.  Some inches to the left of the central cup is a second, with one incised circle around it.  Arranged circularly outside of the outermost circle is a series or ring of points or stars, each cut out—so Dr Falla writes me—”as with a single stroke of a pick, rather than hewn out.” I am indebted to the same gentleman for the sketch of this stone.”

Subsequently all other written accounts repeat the same basic description—and each account remained (as we still are) perplexed as to its original location, wondering where on Earth the Rev Adam Mathewson’s garden was in Jedburgh (surely someone must be able to find out?!).  Thankfully the carving itself has been saved and presently lives in the Kelvingrove Art Gallery and Museum, Glasgow.  Whether it ever had any relationship with the petroglyph at Jedburgh Abbey, we don’t yet know.

References:

  1. Laidlaw, Walter, “Sculptured and Inscribed Stones in Jedburgh and Vicinity,” in Proceedings Society Antiquaries, Scotland, volume 39, 1895.
  2. Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
  3. Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
  4. Morris, Ronald W.B., “The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1969.
  5. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
  6. Royal Commission on the Ancient & Historical Monuments of Scotland, Roxburghshire – volume 1, HMSO: Edinburgh 1956.
  7. Simpson, J.Y., “On Ancient Sculpturings of Cups and Concentric Rings,” in Proceedings of the Society of Antiquaries, Scotland, volume 6, 1866.
  8. Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
  9. Tate, George, “The Ancient British Sculptured Rocks of Northumberland and the Eastern Borders,” in Transactions of the Berwickshire Naturalists Club, volume 5, 1864.

© Paul BennettThe Northern Antiquarian

Kalemouth Carving, Eckford, Roxburghshire

Cup-and-Ring Stone:  OS Grid Reference – NT 714 275

Archaeology & History

Kalemouth carving (after R.W.B. Morris 1981)

Now housed in the National Museum of Antiquities in Edinburgh, this little-known petroglyph was rediscovered in 1957 by a Mr G.F. Ritchie, not far from the once-large Kalemouth neolithic tomb.  It’s a carving that seems to be quite isolated (no others are known about in the immediate area), comprising of an incomplete four-ringed design which, in all probability, is a stray rock that came out of a nearby prehistoric cairn—although we don’t know this for sure.

The carving was described in Ron Morris’ (1981) petroglyph survey, where he told us that,

“In the field “not far from the cairn” (just E of the farm), was a small convex gritstone boulder 25cm by 15cm by 15cm (¾ft  x ½ft x ½ft). On its fairly smooth surface is:

a cup-and-four-rings with 2 parallel grooves from the inner ring (which is incomplete) through the others (which are gapped)—the outer two being now incomplete also—a form of ‘keyhole pattern’.”

A near-identical carving on a similiar-shaped portable stone can be seen in Galashiels museum, whose history has seemingly been forgotten.

References:

  1. Morris, Ronald W.B., “The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1967.
  2. Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
  3. Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.

© Paul BennettThe Northern Antiquarian


Willie Bold’s Well, Galashiels, Selkirkshire

Healing Well (destroyed): OS Grid Reference – NT 49384 35696

Archaeology & History

Probable site of the Well

An all-but-forgotten well that was said to be named after a local forester and ranger in the 18th century—called Willie Bold, obviously.  It was located a few steps away from the main hunting lodge in the village, known locally as the Hunter’s Ha’ (also long since gone), from which an ancient pathway ran up to the local Toothill.  The Well was described in Robert Hall’s (1898) definitive history of Galashiels, albeit in the past tense, even in his day:

“Willie Bold’s well was about ten yards distant from the east end of the peel, the road which led to it being about four feet wide and fenced on both sides with a high stone wall.  The well was circular and about three feet deep, but in order to reach the water, it was necessary to go down two steps. Here the village children of a past generation quenched their thirst, lifting the water with a “tinnie,” which was always returned to Willie’s house, where it remained till again required.”

In 1863, the first OS-map of the area highlights a ‘Well’ very close to the position cited by Mr Hall, which we presume msut be the Well in question. .

References:

  1. Hall, Robert, The History of Galashiels, Alexander Walker: Galashiels 1898.

© Paul BennettThe Northern Antiquarian