Tag: Bincombe

Winterborne Came 18b, Bincombe, Dorset

megalithix

Tumulus (destroyed):  OS Grid Reference – SY 6800 8600

Also Known as:

  1. Monument No.1300126  (Pastscape)

Archaeology & History

Charles Warne's 1848 drawing of the old tumulus
Charles Warne’s 1848 drawing of the old tumulus

A number of very large prehistoric burial mounds, or tumuli, were destroyed in this part of Dorset in the 19th century, including “three on the Came estate, near Dorchester, the property of the Hon Col. Damer.” This one—listed as a “bowl barrow” and known today as the Winterborne Came 18b tumulus in Grinsell’s (1959:148) brilliant survey—was found to house examples of petroglyphs, which are very rare in this part of Britain.  Thankfully before its destruction, the local antiquarian Charles Warne (1848) was present and has left us with a good description of its structure and contents.  After first telling of the demise of two other large tumuli close by, the biggest of them drew his attention:

“The last of these mighty mounds (and well do they merit the appellation from their vastness), measured rather more than ninety feet in diameter, and sixteen feet in height; this from the peculiarity of its contents was the most interesting of the three. The annexed rough sketch (above), shewing a central section of the tumulus, may serve to give some idea of the singularity of its composition. About the centre, at a depth of some three feet from the surface, was found lying flat a rough unhewn stone, with a series of concentric circles incised; this, on being removed, was seen to have covered a mass of flints from six to seven feet in thickness, which being also removed we came to another unhewn irregular stone, with similar circles inscribed, and as in the preceding case, covering another cairn of flints, in quantity about the same as beneath the first stone. It was in this lower mass that the deposits were found, consisting of all the fragments of an urn of coarse fabric, and apparently as if placed in its situation without either care or attention, no arrangement of the flints being made (as we have elsewhere seen) for its protection; the want of which observance had completed its destruction.  Under the flints, lying at the base, were the remains of six skeletons, and some few bones of the ox. The skeletons had apparently been placed without order or regularity: with the exception of a few bits of charcoal with the urn, there was no evidence of cremation.”

Nearly twenty years later, Sir James Simpson (1867) also described the tumulus and its carved rocks in his 19th century magnum opus, repeating much of Warne’s earlier description, saying:

“In his antiquarian researches in this county (Dorset), Mr Warne opened , at Came Down on the Ridgeway, a tumulus of rather unusual form. At its base…were found the remains of six unburnt human skeletons…and some few bones of the ox.  Above them, and in the centre of the tumulus, was built up a cairn or heap of flints around a coarse and broken urn, which contained calcined bones.  This mass of flints was surrounded and covered by a horizontal rough slab.  Above and upon this slab was built another large heap of flints, six or seven feet in thickness.  This second heap was capped with another rough slab, lying two or three feet below the surface of the tumulus.  Both these flat unhewn covering slabs had a group of concentric circles cut upon them.”

We don’t know for sure the exact whereabouts of the tumulus, nor the age of the tomb and its remains.  But the size of it may indicate an early Bronze Age and perhaps even neolithic status. The finding of the rock art in the tomb is also an indicator that could push the date back into late neolithic period—but we may never know for sure…

References:

  1. Grinsell, Leslie V., Dorset Barrows, Dorset Natural History & Archaeological Society 1959.
  2. Royal Commission on Historical Monuments (England), An Inventory of Historical Monuments in the County of Dorset – Volume 2: South-East, HMSO: London 1970.
  3. Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
  4. Warne, Charles, “Removal of Three of the Large Tumuli on the Came Estate, near Dorchester,” in Journal of the British Archaeological Association, volume 3, 1848.
  5. Warne, Charles, The Celtic tumuli of Dorset: An Account of Personal and other Researches in the Sepulchral Mounds of the Durotriges, J.R. Smith: London 1866. 

© Paul Bennett, The Northern Antiquarian 


Came Down Carving, Winterborne Came, Bincombe, Dorset

megalithix

Cup-and-Ring Stone:  OS Grid Reference – SY 6800 8601

Also Known as:

  1.  Winterborne Came 18b Carving (Grinsell)

Archaeology & History

Charles Warne's 1848 drawing of the old tumulus
Charles Warne’s 1848 drawing of the old tumulus

On January 27, 1848, the great Dorsetshire antiquarian Charles Warne sent a letter to the British Archaeological Association about a series of three large tumuli he’d explored south of Dorchester in Dorset, within which he’d found some fascinating remains. And in what he called “the last of these mighty mounds (and well do they merit the appellation from their vastness),” which “measured rather more than ninety feet in diameter, and sixteen feet in height,” the most intriguing remains emerged. In the middle of what L.V. Grinsell (1959) catalogued as the Winterborne Came 18b tumulus, Mr Warne told:

“About the centre, at a depth of some three feet from the surface, was found lying flat a rough unhewn stone, with a series of concentric circles incised; this, on being removed, was seen to have covered a mass of flints from six to seven feet in thickness, which being also removed we came to another unhewn irregular stone, with similar circles inscribed, and as in the preceding case, covering another cairn of flints, in quantity about the same as beneath the first stone.”

“…It will be seen that the most singular feature connected with this tumulus, is that of the incised stones: examples of which I am not aware have before been met with in like situations. It may be as well to forego any attempt at an elucidation, which must be purely hypothetical; but it seems more reasonable to believe that they bore some mystic reference, rather than that they were the unmeaning amusement of some Celtic idler.”

One of 2 carved stones found in the tumulus

Sir James Simpson (1867) described these carved stones in his 19th century magnum opus, giving an early illustration of one of them, as shown here.  You’ll note that the carving is devoid of any central ‘cup’ as commonly found, consisting simply of a mere series of concentric rings.

If anyone knows the whereabouts of this and its companion stone today, it would be good to see them.  Are they kept in some local museum?

References:

  1. Grinsell, Leslie V., Dorset Barrows, Dorset Natural History & Archaeological Society 1959.
  2. Royal Commission on Historical Monuments (England), An Inventory of Historical Monuments in the County of Dorset – Volume 2: South-East, HMSO: London 1970.
  3. Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
  4. Warne, Charles, “Removal of Three of the Large Tumuli on the Came Estate, near Dorchester,” in Journal of the British Archaeological Association, volume 3, 1848.

© Paul Bennett, The Northern Antiquarian


Culliford Tree Barrow, Upwey, Dorset

megalithix

Tumulus:  OS Grid Reference – SY 6691 8548

Also Known as:

  1. Music Barrow
  2. Warne’s Barrow 22
  3. Whitcombe 1 (Grinsell)

Archaeology & History

Crowned by a clump of trees (planted in 1740), this hilltop site is one of the more impressive of a number of tombs hereby, with its nearest other neighbour being 70 yards southeast of here.  One of Dorset’s early tribal meeting places (Anderson 1934), the tomb was illustrated on Isaac Taylor’s 1765 map of the region and was dug into in 1858 “on the orders of a local magnate” (Marsden 1999), damaging some substantial portion of the tomb.  Of this, craniologist and antiquarian John Thurnam was most displeased; for in his description of the opening of Culliford Tree he wrote:

“A wide trench had been dug through it one side, from the summit and the rubble which had been thrown out had not been replaced… Another subject of regret was the fact that though, as we were told by the neighbouring rustics, human remains, with pottery and certain other relics, were found in the barrow, no authentic account of the exploration had, so far as we could learn, been put to print.”

Leslie Grinsell (1959) found the same trouble in his assessment of this site; and the Royal Commission (1970) lads could only describe the site thus:

“Large trench on south and top almost certainly dug in 1858 when four secondary extended inhumations, one with necklace of amber and two gold-plated beads, and cremation with incense cup in collared urn, were found.”

However, it seems that the necklace and gold-plated beads have been “lost” — i.e., someone has them in their own private collection somewhere!

Folklore

This is one of very few tombs in this part of the country where we find the tradition of fairy music.  Grinsell (1959) told that:

“The Culliford Tree barrow, formerly the meeting place of the Hundred of Culllingford Tree, is also known as the Music Barrow from the belief that music could be heard beneath the mound by those who listened at the apex at midday.”

References:

  1. Anderson, O.S., The English Hundred-Names, Lunds Universitets Arsskrift 1934.
  2. Grinsell, Leslie V., Dorset Barrows, Dorset Natural History & Archaeological Society: Dorchester 1959.
  3. Marsden, Barry M., The Early Barrow Diggers, Tempus: Stroud 1999.
  4. Royal Commission on Historical Monuments, An Inventory of Historical Monuments in the County of Dorset – Volume 2: South-East, Part 3, HMSO: London 1970.
  5. Warne, Charles, Celtic Tumuli of Dorset: An Account of Personal and other Researches in the Sepulchral Mounds of the Durotriges, Smith: London 1866.

© Paul Bennett, The Northern Antiquarian