Follow the same directions to reach the Tree of Life Stone, then walk up the well-worn footpath up the slope for about 100 yards and, as you get to near the top of the hill, just watch out for a large-ish stone on the right. That’s it!
Archaeology & History
First described by Eric Cowling 1937, here we have what here looks like a faded cup-and-ring plus at least eight other cup-markings near Snowden Crags (though Boughey & Vickerman [2003] counted only 6 cups here). In more recent years it has become known as the “Fence Stone” due to its proximity the straight line of fencing which ran across the moor hereby. Cowling’s description of the site told:
Faded cup-and-ringCowling’s 1937 drawing
“The spur of hill separating Snowden Carr from Snowden Craggs is surmounted by a D-shaped enclosure which has a small level area in the highest corner. Here, on a triangular table stone amongst the heather, is a well-cut cup, ring and radial groove running to the margin of the surface. Four other cups appear to have no definite arrangement.”
He went onto say that “many of the boulders which surround this table are marked with cups.” They are indeed!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., “Cup and Ring Markings to the North of Otley,” in Yorkshire Archaeological Journal, part 131, 33:3, 1937.
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Acknowledgements: A huge thanks to James Elkington for use of his photo for this site profile.
In the middle of the moors, with no footpaths close by. Unless you’re a rock-art freak I guess there aint gonna be too many people searching for it! From the Ilkley-to-Langbar road, take the track (Parks Lane) onto the moor where the road bends right. Follow it up for about a mile (though it doesn’t seem that far) and where the cup-marked stone at the edge of the wall where the spring appears (Middleton Moor carving 483), walk west (left) into the heather for a coupla hundred yards below Foldshaw Ridge. Look around!
This is one of a small cluster of carvings Richard Stroud found on a few average-sized stones prettty close to each other in April 2005 — and one which the West Yorkshire Archaeology Service told him couldn’t be there cos the region had already been surveyed. Hmmm…
Crap drawing!
Well, my first impression of this when I saw it was a absolute thumbs-up! Simple to look at, I know – but a bloody good little carving. It’s primary characteristic is that most of the ten or eleven cups occur on the vertical and near-vertical face, which aint too common. In traditional societies (though not all) where carvings occur on vertical faces, they’re deemed to be ‘male’ in nature (those on rounded smooth surfaces, female). The carving is well worth checking out — especially as there’s probably more to be found up here, hiding beneath ages of peat and heather.
To find this, follow exactly the same directions as that of the Middleton Moor Carving 001, which is just a few yards away. Both of these stones may take some finding when the heather’s deep — but when we first discovered them, the heather had recently been burnt back.
Archaeology & History
This small rounded stone had a covering of vegetation on it when Richard Stroud and I first discovered it in April 2005, with just a couple of cups visible, but once the heather’d been carefully rolled back, another fine carving greeted our keen-eyed petroglyphic senses!
Drawing of the carving…and again!
At least eight cups seem apparent here, though once Richard had the photos processed there appeared to be a couple of things on the stone which we hadn’t noticed when in the field (a common cup&ring dilemma). One of the most curious parts of the stone seems to be the winding line near the bottom of the stone. Make of it what you will!
Just a couple of yards east of this carving we find the rounded remains of a single burial cairn, probably for just one person, just like as with Middleton Moor 001. This site could do with excavating, as we may have a small neolithic or Bronze-Age cemetery hiding under the heath.
Go up the long winding Ilkley-Langbar country moorland road. A coupla miles along there’s a sharp bend in the road, left, with a dirt-track here that takes you onto the moors. Walk up here to the shooting house just east of Black Hill in the Middleton Moor enclosure and, once there, walk up the steepish slope to the left (west). Once on the level, head to the wall and about halfway along, look around. If the heather’s long and deep you’ll be lucky to find it. Good luck!
Archaeology & History
Photo by Richard StroudSketch of the carving
The carving was first discovered by Richard Stroud and I in April, 2005, amidst one of several exploratory outings to records known sites and, aswell, to keep our eyes peeled in the hope that we might find some new ones! This was the first we came across; but when we found it, just one faint cup seemed noticeable on the southern edge of the small rounded stone; but after fifteen minutes of carefully rolling back the vegetation, this very well-preserved carving was eventually unveiled before us. It’s in quite excellent condition! The most notable part of the design are the two deep cup-markings, with the topmost cup looking half-surrounded by smaller cups on its southern edge.
There is also a well-preserved, though overgrown burial cairn (probably for one person) just a few yards west of this stone. This is just about impossible to see unless the heather’s been burnt back.
Although cited as being on Weston Moor, it is closer to Askwith village. From the village, take the north road and shortly before reaching the T-junction, park-up (somewhere!). There’s a small copse of trees on your right and fields above them – that’s where you’re heading. You might have to bimble about a bit before the rock catches your attention, but it’s worth the wandering. Look around!
Archaeology & History
Sketch of the design c.1985
This is an excellent, archetypal cup-and-ring stone that’ll be loved by any real rock art student! Cups-and-multiple rings are the main visual feature to this stone, along with another 20 single cups and another primary cup-and-ring, all on a medium-sized sloping rock face. The carving was first described by Cowling & Hartley (1937). Since their initial discovery, several other writers have mentioned it with little further comment. The smaller but impressive double cup-and-ring carving 543 can be seen at the bottom left of the woodland in front of you – well worth seeing if you’re visiting here!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cowling, E.T. & Hartley, ‘Cup-and-Ring Markings to the North of Otley,’ in Yorkshire Archaeological Journal, 33, 1937.
Hotham, John Paul, Halos and Horizons, Hotham Publishing: Leeds 2021.
Follow the same directions for the Ellers Wood 614 and 618 carvings, as it’s nearby. The best way to check them out is simply to walk down past the haunted Dobpark Lodge, where it turns into a footpath and then when you reach the lovely old packhorse bridge at the valley bottom, walk upstream for 3-400 yards until you reach the next small wooded region. Once there, look around…..
Archaeology & History
Ellers Wood is at the very northern edge of the beautiful parish of Askwith and has a very particular ambience of its own. The small cluster of at least 5 cup-and-ring stones in this lovely little woodland gives you the impression that they stood out on their own, living here respresenting the genius loci of this luscious watery vale, all-but-hidden from all but the lucky few.
Cowling’s 1937 sketch1991 sketch of CR-619
Beautifully preserved, this carving was first described in an article by Cowling & Hartley (1937), then included in Cowling’s Rombald’s Way (1946). As with the other cup-and-rings close by, the characteristic grouping of certain cups is here focused into three sections by enclosing rings. This was something I used to call ‘central design’ features, which occur in different locales with their own individual geographical patterns/structures. These central designs are non-numeric in nature, though have a tendency to cluster in patterns of 2, 3 and 4. (I need to write a decent essay on this to outline what I’m on about with greater clarity!)
References:
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Exeter 2003.
Cowling, E.T., ‘A Classification of West Yorkshire Cup and Ring Stones,’ in Yorks. Arch. Journal 1940.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Cowling, E.T. & Hartley, C.A., ‘Cup and Ring Markings to the North of Otley,’ in Yorks. Arch. Journal 33, 1937.
Grainge, William, The History and Topography of the Forest of Knareborough, J.R. Smith: London 1871.
Grainge, William, History and Topography of the Townships of Little Timble, Great Timble and the Hamlet of Snowden, William Walker: Otley 1895.
Using the OS-map as a guide, from Denton village head up the road northwest, past Moorside Farm and onto the moor. Before you reach the rise of Lippersley Pike you’ll reach the Crow Well itself (completely covered over by Yorkshire Water’s handiwork, stopping anyone from drinking the previously fresh waters here). In the middle of nowhere, just above the completely ruined well, is the old shooter’s cottage and from here, Eric Cowling (1946) told us to look in the heather immediately east. When Richard Stroud and I ventured here a few years back (2.8.5) we couldn’t find a thing — though a vaguely reminiscent structure seemed possible 300 yards away.
Archaeology & History
If the heather’s deep, you’ll have little chance of seeing the site as Eric Cowling (1946) obviously did! He described and illustrated this place — so was fortunate enough to have ventured here following the heather-burning.
The site is not a stone circle, but what Cowling thought to be an Iron Age settlement: ellipsoid in shape and nearly 400 feet across; it’s obviously an impressive archaeological site when visible (akin to the Snowden Carr settlement a couple of miles east). In all probability the site is much earlier than Iron Age.
An aerial image of the site indicates its size to be very close to Cowling’s initial measurements. The ‘settlement’ is quite huge, with the walling or defining edges being between 4 and 6 yards across in places, with double-walled sections akin to that found at the Brackenhall circle on Shipley Glen, just over 8 miles (13km) to the south. However, it’s probably much older than its Brackenhall compatriot. Its maximum diameters measure 130.5 yards (119.3m) roughly east-west and 98.5 yards (90m) roughly north-south, with an external circumference of about 345 yards (315m). This is a big fella! Near its centre is a well-defined ring, or ellipse, measuring approximately 20 yards (18.3m) north-south and 18 yards (17.5m) east-west.
It’s difficult to say what this might be without a site analysis, and we need the heather burning back at this site to enable a good inspection of the place! We may be looking at Denton Moor’s equivalent of the Woofa Bank Enclosure just over 4 miles (6.5km) to the south, above Ilkley, with its host of cup-and-rings and surrounding cairns. A good inspection of this site is long long overdue…
Hereabouts Cowling also found other remains dating from the neolithic period, including walling, cairns, hut circles and cup-and-ring stones. He thought that “the name Crow-well appears to be the modern equivalent of ‘the circle of the well'” — and although I doubted this in my Old Stones of Elmet, I have since come to realise the truth of his words!
From Askwith village, at the T-junction, go up Moor Lane, taking the left turn up Moorside Lane about half-a-mile up and on the track to Moorside Farm and then onto Top Moorside Farm. Take the path past the farm up onto the moor, then bear right up the small track that heads up onto the small Hollin Tree Hill. As you go up the track, watch out for the small grassy depression to the right; and hereby head into the grasses on your right. You’re close!
Graeme Chappell was the first to rediscover this carving in the early 1990s when we were up pottering about on these and the adjacent moors, looking for any previously undiscovered prehistoric relics. We found quite a lot! The carving here is nowt special to look at really, but the cups can be seen quite clearly. It’s a rather large stone on the western edge of the hill with at least seven or eight cup-marks carved across its upper surface. Boughey & Vickerman (2003) later described it as “large, fine quartz sandstone rock with surface sloping slightly down into (the) hillside. Seven or eight cups, two particularly sharp.” There’s a possible line running between two of the cups, visible when lighting conditions are right — though we aint sure whether it’s artificial or not.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Truly takes a bit of finding this one! I s’ppose the easiest way to locate it is by approaching it from the south, from Askwith village, up Hall Lane. Keep walking up the footpath to Top Moorside Farm; then past it, sticking to the same path. A hundred yard or so past here we get onto the moor itself. As you hit the moor, you’ll see that the land rises slowly ahead of you: this is Hollin Tree Hill and you need to walk up here (don’t do this in the summer as it’ll be covered in bracken and you’ll not find a damn thing!). Just before the land starts to levels-out at the top of this small rise, you’ll come across some hut circles. You’re here!
image courtesy of Graeme Chappell
You can also come to this carving via the Askwith Moor parking-bit, then walk along the well-trod footpath, past the triangulation pillar of Shooting House Hill for a coupla hundred yards, then walk straight south into the moor. But to those of you who aint got the nose for it, there’s no footpaths here and some folk might easily lose their way. However, if you reach the rise of Hollin Tree Hill a few hundred yards down the moor, watch out for those same hut circles mentioned elsewhere atop of the rising land. You’re damn close!
Archaeology & History
One of my very favourite cup-and-ring carvings this one! It was discovered about 1991 when Graeme Chappell and I were on one of our many archaeology wanderings, seeking out prehistoric remains on the moors north of Ilkley. First described and illustrated in Bob Trubshaw’s (1996) archaeomythics journal, it was later included in The Old Stones of Elmet (2001: 149-152). But when we first found it, this carving – on the vertical face of a small stone, beside an unexcavated hut circle – sent me a bit crazy, as the ‘human’ image in the carving struck me immediately. Needless to say, Graeme was all calm about it while I jumped around like an excited tit! As far as we’re aware, this is the earliest representation of a human figure in the British Isles. There are several other contenders in cup-and-ring design, but this seems the most probable of the lot. Graeme Chappell took a rubbing of the stone several years after we’d found it and the outline clearly shows the image of a human figure. The carving was later catalogued by rock art students Boughey & Vickerman (2003) in their Yorkshire survey as ‘stone 516.’ A female compatriot, the Woman Stone, can be found a few hundred yards east of here, at the bottom of the slope by the near horizon.
The fact that the carving occurs on the southern vertical face of a prehistoric hut circle may have had some significance about the structure itself. Petroglyphs on hut circles are rare—and this one occurs right at the entrance to the structure, the door into the circle. It may represent an image of the person who lived in this hut circle, or perhaps symbolized the nature of the character living there. The carving shows that the person was wearing a head-dress, akin to a horned-man figure – but much much earlier than anything previously recognised in British iconography. The figure may well be a shaman who, perhaps, lived at this circle. The carving was probably painted in lichens and other dyes
The Man Stone carvingBoughey & Vickerman sketch
Be careful not to wander around looking for this when there’s fog on the hills. You’re unlikely to find it! On an excursion up here several years back with Prof. Thomas Dowson and students from the Southampton University Rock Art course, we wandered about all over the place in the dense fog but were unable to find the damn thing! Twas a bittova freaky day, as half the students started crying (they thought I’d got them truly lost in the middle of nowhere as I didn’t have a map, a compass, walking boots, etc – which is how I usually do my wanderings, but they weren’t to know that!) and we must have walked within 10 yards of the carving, but it remained hidden from our prying eyes. But if you like your rock art, check this one out!
To find this, head for the line of old grouse-butts which run north-south, a few hundred yards west of the Askwith Moor Road. Just before y’ get to the one nearest the bottom of the line, frobble about a bit. If by any chance you end up at the Woman Stone carving, walk back up the slope until you’re on the level. Not far ahead of you are the upright stone remains of a grouse-butt. This carving is just a few yards away. You’ll find it.
This was another carving found on one of the many forays of Mr Chappell and I when we were young, sometime in 1993. A short while after, Graeme wrote to Edward Vickerman to inform him of the find, which ended up in their rock art survey a decade later.
It’s another one of those simple designs: what seems like at least 5 cup-markings on a small rounded rock, with two of them linked together by a groove — possibly natural, possibly man-made — though there may in fact be seven or more cups etched onto its upper surface. It’s difficult to tell. It gives you the impression that its present position isn’t its original one and is suggested by Boughey & Vickerman (2003) to have been “moved from pipeline?” close by. It may even have been dug out and cast here, possibly once being a part of a cairn. In the Boughey & Vickerman survey they give its OS-coordinate as SE 17163 50527 – and describe it as a “medium-sized, free-standing rock of fine grit. Five cups, some perhaps natural.” When Richard Stroud and I visited the site, he found the GPS coordinate was SE 17162 50530; and we have to say that instead of describing it as a free-standing rock, it’s a movable stone (though it’d take a bit of effort), that may once have been part of a larger monument.
References:
Bennett, Paul & Chappell, Graeme, Personal Communication, 1993.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
