Follow the same directions to reach either the Craig Hill cluster (3), no.4 or no.5 carvings. Once here, looking at the sloping moorland ahead of you, the elongated stone that’s closest to where the moorland slopes downhill is the one you’re after. Y’ can’t really miss it!
Archaeology & History
The sixth carving in this small close-knit cluster and, design-wise, the least impressive of the bunch. There are three distinct cup-marks on the rock: two on its more southern side and one near the middle of the stone. There may be another two cups, but these may have been part of the curious long, naturally-eroded line running along the length of the stone. Other man-made elements may have been cut into the stone, but it needs to be seen in perfect low light to tell us one way or the other.
In 1863, a bunch of reputable Victorian authors and antiquarians met with the Duke of Northumberland in Alnwick Castle to discuss the matter of making decent images of the petroglyphs which, at the time, had only just been rediscovered in the area. At one of their meetings, the floor in one of the Castle rooms was covered with rubbings of carvings that they’d made—this one included. I’d loved to have been there! Subsequently, from this meeting, sketches of this carving were done and included in the works by George Tate (1864; 1865) and then a few years later in J. Collingwood Bruce’s (1869) rare tome that had been published with the help of dosh from the Duke.
Found along a raised geological ridge running roughly east-west, a number of other carvings are close by and well worth looking at when you visit here. The basic (and first) description of the site by Tate told that here,
Tate’s 1864 sketchJ.C. Bruce’s 1869 image
“on a high ridge on Hunter’s Moor, a large surface of rock, some forty yards by twenty, having a gentle slope to the northward, is partially uncovered. In one part, which has been entirely cleared of turf, fourteen figures are scattered over an area of 15 feet by about from 5 to 7 feet. Some of the figures are of the common type, one of which is 28 inches in diameter; but others present new features; and several are curiously united by straight and curved grooves. Across the entire diameter of a group of four concentric circles, runs a groove connecting them with other combined figures. An irregularly shaped, rounded, angular figure, encloses two hollows or cups; and united to this is a broad oval figure. One figure around four cups approaches to the reniform.”
When the modern rock art expert Stan Beckensall wrote about this site, he mentioned how his own picture of the carving consisted of a number of elements that weren’t included by the 19th century pioneers—which isn’t unusual.
References:
Beckensall, Stan, Northumberland’s Prehistoric Rock Carvings – A Mystery Explained, Pendulum: Rothbury 1983.
Beckensall, Stan, Prehistoric Rock Motifs of Northumberland – volume 1, Abbey Press: Hexham 1991.
Bruce, John Collingwood, Incised Markings on Stone; found in the County of Northumberland, Argylshire, and other Places, privately printed: London 1869.
Tate, George, “The Ancient British Sculptured Rocks of Northumberland and the Eastern Borders,” in Proceedings of the Berwickshire Naturalists Club, volume 5, 1864.
Tate, George, The Ancient British Sculptured Rocks of Northumberland and the Eastern Borders, Henry Hunter Blair 1865.
Standing Stone (destroyed): OS Grid Reference – NY 546 889
Archaeology & History
Stone shown on 1863 map
Once found living on the high moors four miles to the east of Newcastleton, close to the English border, all trace of the stone has gone. Highlighted on the 1863 OS-map, the stone was three feet high and was located at the highest end of Goose Rig. It was deemed by local people “to be of ancient origin,” but we know little else about it. A place immediately to the northwest is known as the Queen o’ Fairies Hole, whose history and folklore has also been forgotten…
References:
Royal Commission on the Ancient & Historical Monuments of Scotland, Roxburghshire – volume 1, HMSO: Edinburgh 1956, p.95
Cup-and-Ring Stone: OS Grid Reference – NT 6504 2045
Archaeology & History
A little-known cup-and-ring stone that was uncovered in the forecourt of Jedburgh Abbey by Walter Laidlow in 1903, now lies all but forgotten in the abbey grounds. Laidlow’s original description of his find was very basic indeed: “a sculptured stone, with incised ring-and cup-symbols… of yellow sandstone, 1 foot 8 inches long, 9½ inches broad, 4 inches thick.” The Royal Commission (1956) lads did slightly better, saying:
“A slab of stone… measures 1ft 8½in by 9½in by 4in, and bears on one face six cup-marks ranging from 1in to 2½in in diameter. The largest of these is encircled by a ring 5in in diameter, in “pocked” technique; while slight traces of what may have been a similar ring can be seen around another cup, which is fractured.”
Laidlow’s 1903 photo
You can see from the photograph how the stone has been broken from a larger piece, strongly suggestive of a greater prehistoric design on the original slab—but there have been no subsequent finds that might show us its original form. In all likelihood, the stone originally came from a prehistoric tomb, but we know not where that might have been—much like the Mathewson’s Garden carving, also in Jedburgh.
The carving apparently still lies somewhere in the Abbey grounds, sleeping, but I’ve not visited the olde stone so I don’t know its exact position. If any local folk can tell us more, that would be great!
References:
Laidlaw, Walter, “Sculptured and Inscribed Stones in Jedburgh and Vicinity,” in Proceedings Society Antiquaries, Scotland, volume 39, 1905.
Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
Morris, Ronald W.B., “The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Roxburghshire – volume 1, HMSO: Edinburgh 1956.
Cup-and-Ring Stone: OS Grid Reference – c. NT 65 20
Archaeology & History
Apart from the petroglyph found at Jedburgh Abbey in 1903, there’s a distinct lack of known cup-and-ring stones in this area; so when the petroglyph pioneer George Tate was in town in 1860, he was fortunate to find a small “portable” stone with a rather impressive design on it. We don’t (yet) know the exact position of where the stone was located, as Tate simply told how,
“Lying among a heap of stones in Mr. Adam Mathewson’s garden, I detected, on a much weather-worn block, defaced sculpturing of the same family character as those in Northumberland. …There are five concentric circles, central cup, radial grooves, and a string of cups around the outer circle. Forty years ago this stone was built into the wall of a house; but whence it originally came is not known. Doubtless it belongs to the district, and probably had been connected with an interment.”
His final remark would seem most likely and has subsequently been echoed by several other rock art students. A few years after Tate’s initial find, the carving was mentioned in Sir James Simpson’s (1867) classic work, who told us:
Dr Falla’s 1866 sketch
“Sometime ago Mr Tate, of Alnwick, discovered in the garden of Mr Matthewson at Jedburgh a stone cut with concentric circles, possibly a sepulchral cist, but peculiar in some respects. The stone is roundish, but broken off at one side, and about eighteen inches broad. Its face is covered by five incised concentric rings, and through the central cup pass at right angles two straight lines, which completely bisect all the circles. The outermost circle is about fourteen inches in diameter. Some inches to the left of the central cup is a second, with one incised circle around it. Arranged circularly outside of the outermost circle is a series or ring of points or stars, each cut out—so Dr Falla writes me—”as with a single stroke of a pick, rather than hewn out.” I am indebted to the same gentleman for the sketch of this stone.”
Subsequently all other written accounts repeat the same basic description—and each account remained (as we still are) perplexed as to its original location, wondering where on Earth the Rev Adam Mathewson’s garden was in Jedburgh (surely someone must be able to find out?!). Thankfully the carving itself has been saved and presently lives in the Kelvingrove Art Gallery and Museum, Glasgow. Whether it ever had any relationship with the petroglyph at Jedburgh Abbey, we don’t yet know.
References:
Laidlaw, Walter, “Sculptured and Inscribed Stones in Jedburgh and Vicinity,” in Proceedings Society Antiquaries, Scotland, volume 39, 1895.
Morris, Ronald W.B., “The Cup-and-Ring Marks and Similar Sculptures of South-West Scotland,” in Transactions of the Ancient Monuments Society, volume 14, 1967.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., “The cup-and-ring marks and similar sculptures of Scotland: a survey of the southern Counties – part 2,” in Proceedings of the Society of Antiquaries, Scotland, volume 100, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
Royal Commission on the Ancient & Historical Monuments of Scotland, Roxburghshire – volume 1, HMSO: Edinburgh 1956.
Simpson, J.Y., “On Ancient Sculpturings of Cups and Concentric Rings,” in Proceedings of the Society of Antiquaries, Scotland, volume 6, 1866.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Tate, George, “The Ancient British Sculptured Rocks of Northumberland and the Eastern Borders,” in Transactions of the Berwickshire Naturalists Club, volume 5, 1864.
It’s easier to explain how to get here if you’re coming from the Burnsall-side of the B6160 road that leads to Bolton Abbey. A half-mile out of Burnsall village you a small woodland with a small parking spot. From here, a footpath runs up the steep hill above the parking spot. It zigzags a little and you eventually come out on the south-side of the trees where it meets some tall walling. Follow this walling further uphill for more than 600 yards (past more woodland) until the land starts to level out. Hereby, go thru an opening in the wall and less than 100 yards away (west) amidst the overgrown heather, you’ll see what you’re looking for.
Archaeology & History
A large but peculiar site resting on a moorland plateau on the eastern edges of the mighty Barden Moor. Peculiar inasmuch as it’s completely isolated from any other monument of the same age and type anywhere on these huge moors. A few miles east, on the moors around Appletreewick, Thruscross and Beamsley we have a plethora of prehistoric sites—but up here on Barden Moor there’s apparently nowt else! I find that hard to believe….
Inner rubble wallingRubble walling, looking N
Listed on official websites as being a ring cairn, it’s difficult without a detailed excavation of the site (there hasn’t been one) so say that’s what it is. But we’ll stick with it for the time being. My initial impression of the site was that it was a crude form of a collapsed Scottish dun: impressive large circular monuments—buildings if you like—with very well-built large stone walls, usually several yards thick, a little bit like the Scottish brochs (mighty things indeed!). This thing at Folly Top isn’t quite as impressive, but it’s like a collapsed version of a dun.
Arc of western walling
The site consists of large ring of raised collapsed rubble walling, more than a yard high in places, and about three yards thick all the way round, measuring roughly 21 yards (N-S) by 19 yards (E-W) from outer wall to outer wall. There are “entrances” on the east and west sides; but there seemed to be little of any note in the middle of the ring, although the site was somewhat overgrown on our visit here. Outside of the ring there was also nothing of any note. It’s a pretty isolated monument which seems to have more of an Iron Age look about it than the Bronze Age—but until there’s an excavation, we’ll not know for sure.
It’s well worth checking out—and from here, walk onto the huge moorland above you to the west….
Acknowledgements: Huge thanks to the Crazy-gang of Sarah, Helen and James for their awesome assistance on our venture up here. A damn good day indeed! Cheers doods. 🙂
This little-known iron-bearing spring can still be found in the woodland known today as the Heugh of Mawse, a mile north of Blairgowrie. It was included in the Object Name Book of 1863, where they referred to an earlier account in the New Statistical Account, which told that,
“On the south end of it is a chalybeate spring much resorted to by the people of the locality. “There are one or two chalybeate springs in the parish; but they have never been chemically analyzed. There is one very fine spring called the “Heugh Well” It springs from the face of the “Heughs of Mause” (a mortar cliff of singular appearance; which descends abruptly into the bed of the river with an almost perpendicular declivity of about 200 feet) and judging from its colour, contains a considerable quantity of ferruginous matter. The use of its water has been found to be very beneficial in cutaneous eruptions, & affections of the Stomach.””
Heugh Well on 1867 map
Subsequently highlighted on the 1867 OS-map, a singular footpath led to the site and no further. It was mentioned by the regional historians J.G. McPherson (1885) and John MacDonald (1899), albeit briefly, where they respectively told that its waters were “formerly much resorted to by persons in the neighbourhood.” It possessed considerable medicinal properties which, according to tradition, were “found very beneficial for skin diseases and derangement of the stomach”! Doubtless such attributes will still be effective.
I add this brief site profile in the hope that we can clarify, one way or the other, whether the report of a stone circle described in a letter by G.W. Zealand to the Ordnance Survey in November, 1978, has any basis in fact. Zealand said that the structure comprised of “red stone, not very large” at Millden in Glen Esk. Perhaps local people or megalithic explorers who may visit this area could try locating it so we can confirm it as real, or strike it from the listings. It is included in the Canmore catalogues. I must point out that there were a large number of prehistoric sites in this area destroyed in recent centuries, meaning that this report may be authentic.
Cup-Marked Stone: OS Grid Reference – SC 32144 71990
Also Known as:
Oatland
Archaeology & History
This carving is one that was found inside the remains of a chambered cairn and so, as with all things petroglyphic, it deserves its very own site profile. It’s been mentioned before—in fact many times before, from the legendary J.T. Blight (1868) to our modern researchers—although it was curiously absent in Ron Morris’ (1989) otherwise excellent survey. When Mr Blight described the tomb, he told us that,
“Its outer ring, of which but three or four stones are left, was about 45 feet in diameter; the inner one 15 feet, with a kistvaen in its midst. As on the external face of one of the uprights of the inner circle there are rows of cup carvings … it may be presumed that this was always exposed to view.”
Position of cups in the tombE.L. Barnwell’s 1868 sketch
The same year, Barnwell (1868) mentioned the same carvings—albeit briefly—telling us “that one of the stones has several rows of the curious cups.” The design faced to the north, which is the traditional direction relating to Death in most northern hemisphere cultures.
As you can see, this design is similar to other petroglyphs that some students have suggested have a numeric nature (see the Idol Stone on Ilkley Moor for example). You can understand why! The basic linearity of the cups, in rows, certainly gives that impression and indeed it’s not unreasonable to make such an assumption—but, as always, we simply don’t know. A similar design was found on a stone at Ballagawne in the parish of Kirk Arbory, but the cups were much deeper and deemed as being a medieval game played on stone, known as Nine Man’s Morris. The original function of the game may have been divinatory.
References:
Barnwell, E.L., “Notes on the Stone Monuments in the Isle of Man,” in J.G.,Cumming (ed.) Antiquitates Manniae, London 1868.
Blight, J.T., “Stone Circles and Megalithic Remains,” in Gentleman’s Magazine 1868.
Cubbon, A. M., Prehistoric Sites in the Isle of Man, Manx Museum: Douglas 1971.
Gale, J. & Darvill, T., “A Survey of the Ballakelly Chambered Tomb,” in Darvill, & T. Billown (eds.), Neolithic Landscape Project, Isle of Man, 1997, Bournemouth University 1998.
Henshall, A. S., “Manx Megaliths Again: An Attempt at Structural Analysis,” in P. Davey (ed.), Man and Environment in the Isle of Man, BAR: Oxford 1978.
Kermode, P.M.C., “The Ancient Monuments of the Isle of Man,” in Archaeologia Cambrensis, volume 84, 1929.
Kermode, P.M.C. & Herdman, W.A., Manks Antiquities, University of Liverpool 1914.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Holy Well (destroyed): OS Grid Reference – NO 180 452
Archaeology & History
The Well Meadow in the middle of Blairgowrie was once the place where the 5th century Apostle of the Southern Picts, or St Ninian, baptised local folk into the so-called “new faith”. It’s long since gone. The local historian John MacDonald (1899) told that it was located opposite the buildings on the north-side of the square, adding:
“St Ninian, one of the earliest Christian Celtic missionaries, on his tour through Scotland, pitched his camp where the Wellmeadow now is, and quenched his thirst at an old well or spring which ever afterwards bore the name of “St Ninian’s Well,” until it was covered in and the water led into the town drains.”
