Follow the same directions as if you’re visiting the largest and most ornate of the Buck Woods carvings. From here, walk 10 yards to the Buck Woods 3 carving, then about the same distance forward again until you reach the low lines of (what looks like) Iron Age walling running roughly east-west through the trees. Walk 10-20 yards east along the walling until a gap or entrance appears – and on the other side where the walling starts again, check the 2nd or 3rd rock along, beneath the mosses.
Archaeology & History
More simple cup-marks
There are no previous references to this small cup-marked stone, whose cups are on the topmost surface of the stone in this ancient stretch of walling (into which some vandal has recently carved his name, ‘Hunt’). It’s another one for the purists amongst you though, as we only have 2 or 3 cupmarks here, as the photos show – with just one which I can say is a certainty. Curiously the other two look, for all the world, as if they’re mollusc cups!—but considering you’re about 50 miles from the sea, this seems a little unlikely. Worth having a look at when you’re checking the other four carvings close by.
Follow the same directions as if you’re visiting the largest and most ornate of the Buck Woods carvings. Once there, notice the green field on the other side of the wall less than 50 yards away. Walk towards the wall, about 20 yards from the Buck Woods 1 carving, keeping your eyes peeled for a flat mossy stone. You’ll find it!
Archaeology & History
Close-up of the cups
A nice simple, almost cute cup-marked stone—not included in the Boughey & Vickerman (2003) survey—with three simple cups running almost in a straight line from the middle of this long stone to its outward, eastern edge. One of the good features of this and its associated carvings is the setting amidst which it’s found. We tend to associate these carvings with open moorland, where many now live, but when they were first carved they were surrounded by woodland and much more: important ingredients relevant to understanding the nature of these curious carvings…
From Ilkley, take the Cowpasture Road up past Cow & Calf rocks, the hotel and along the moorside. A few hundred yards further, just before the next farm-building on your right, walk up the Rushy Beck path to the top. Crossing the stream at the top, now walk diagonally south-ish into the heather for some 200 yards, a short distance before the hillside begins to rise up again onto the next ridge. Remains of this ‘enclosure’ is all around you!
Archaeology & History
When the normal moorland vegetation covers this prehistoric site, you’d barely know there was anything here apart from various rocky rises and undulations in the ground and perhaps, if you were seeking out old stuff, what would seem to be lines of stone walls bending away onto the moor. But when the heaths have been burnt back, a whole new vista unfolds itself! You see before you a fantastic, well-preserved, unexcavated prehistoric enclosure, whose origins are probably neolithic, but whose history and use stretched through the Bronze Age and into the Iron Age—and it’s not alone! East, west and south of this particular enclosure, other prehistoric walled structures are found stretching all across the landscape hereby, structurally similar and also used over very long periods in prehistory. For antiquarians and historians alike, this is a truly impressive place indeed. In all honesty, the description I give here does not do the place justice!
Northwestern section of enclosure walling
Things like ‘settlements’ and ‘enclosures’ are traditionally relegated by purist archaeologists to be little more than domestic or utilitarian sites: places where our ancestors kept cattle; or were used for defensive purposes; or lived for long periods of the year. Of course, these simple ideas are effective and true at some places; but here at Woofa Bank—in this particular enclosure—something more than just domestic activity was enacted, and over the period of many centuries by the look of things. We surmise this by the incidence of at least fifteen cup-and-ring stones being found within the enclosure itself; and at its very centre is a small standing stone, not previously recorded, that has perhaps five petroglyphs around it. The presence of such a large cluster of cup-and-ring stones close together within the enclosure would seem to suggest ritual activity.
Carved rock & central stoneClose-up of, dancing anthropomorphic figure?
One of the carvings at the centre of the enclosure (listed in the Boughey & Vickerman survey as Carving 372) has been suggested to represent a dancing human figure (the image here shows the anthropomorphic element), which it may well be. The incidence of this central stone and its surrounding petroglyphs has important magico-religious implications, relating it as a site used for creation myth narratives and repetitions (transpersonal explorations at this site may prove worthwhile). The wider extended enclosure with more petroglyphs contained inside it, suggest that additional ritual performances were enacted here; these may have had something to do with the cluster of prehistoric tombs scattered on the moorland plain 100 yards to the west, but we might never know.
Easternmost standing stone
It seems that the walled enclosure itself was constructed around the earlier cup-and-ring stones, probably many centuries later—but we need excavations here to give us more precise details. Much of the enclosure walling itself has the hallmarks of being late Bronze Age to Iron Age, whilst we know that prehistoric rock art can date back into the neolithic period; and from this period Eric Cowling (1946) reported that, at Woofa Bank, “at the western end of the ridge,” just above this enclosure, a neolithic flint site existed.
Cowling’s 1946 plan
Cowling (1946) himself was one of very few archaeologists to even mention this impressive site, in a section exploring the “Iron Age” sites along Green Crag Slack at the eastern end of Ilkley Moor. He wrote:
“At the other end of the site under the shadow of Woofa Bank and near the source of the Rushy Beck, is another D-shaped enclosure apparently unfinished. The plan is of a circle with a flattened side and does not exceed twenty-four yards across in any direction. Here the enclosing wall shows five or six courses at the lower end side and a simple entrance to the west.”
Western entrance to enclosureStone marking eastern entrance
Though Cowling’s measurements are way out! The enclosure itself is much larger than he describes. For the most part, three-quarters of it give the impression of it being a large oval shape, but the design and outline of the walling changes on its southeastern side and kinks inward, in an arc, to eventually meet the walling in the middle eastern section. Its entire circumference measures approximately 220 yards all the way round; it is 65 yards across east-west; and about 61 yards north-south. The average height of the main walling is between 2-3 feet tall, and is made up of many large rocks, some of them positioned upright as standing stones, all packed together with earth and countless thousands of smaller stones. The walling itself is between 2-3 yards wide in many places and has two main entrances: one near the middle of the western wall and the other almost opposite to the east. The eastern entrance is marked by a standing stone between 3-4 feet tall. No gaps are visible at all on the northern curved section of the enclosure. On the overgrown southern edges, not all of the walling is visible and much of it is overgrown. On the whole it’s still very much as Cowling found it, with the arc of walling in this part of the enclosure difficult to make out clearly. There is also another line of walling that runs off to the east, beyond the main enclosure itself.
Carved rock in western wall
The clearer, more visible western line of walling, running south of the entrance on that side, has a large singular cup-and-ring stone laid right along its axis (carving 366 in the Boughey & Vickerman [2003] survey), a short distance before the walling changes direction east-west and runs along the bottom of the slope.
Folklore
Tradition tells that the tribal people from this site were involved in a battle with the Romans along this moorland plain.
…to be continued…
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Eliade, Mircea, Images and Symbols, Harvill Press: London 1961.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Follow the directions to reach the Little Skirtful of Stones giant prehistoric cairn. Once here, look for the singular rocks out of the many thousands which make up the giant cairn, mainly from the middle to the northern-half of the cairn, and you’ll find them amidst the mass!
Archaeology & History
Cup-marking near the centre of the cairn
Despite the task sounding difficult, it’s not too hard locating the cup-marked rocks within this giant cairn. As I recall there should be five of them, though the Boughey & Vickerman (2003) survey only list four and I only have photos of four of them as well…so I reckon age is probably getting to me at last! There could very well be more of them amidst this massive tomb. But we certainly can’t rely on the Boughey & Vickerman (2003) survey for the carvings at this site as they give the wrong grid references for each of the cup-markings listed, with them all being a kilometre east from the site of the tomb itself! Awesome! God knows what their cartographer was on when he did the profiles for these carvings! (there are plenty of spliff-butts scattered over this moor…..) Not only that, but the position they cite of the relative cup-markings within the cairn are also wrong.
Another portable cup-markingCup-marking at outer edge of Little Skirtful
But for those of you who like to know the archaeological data, here’s what was said: Carving 391a is a “small rock towards SW edge of cairn, with single worn cup”; but this stone is actually closer to the northern section of the cairn. Carving 391b was told to be a “small dome-shaped rock at extreme S edge of cairn with single, small clear cup at top of dome.” This again is more on the northern section of the cairn, away from the centre. Carving 391c was described as a “small oval, rounded rock at N edge of cairn, with single, broad, shallow worn cup.” Whilst carving 391d which was told to be a “small rock at SSE edge of cairn, with single small worn cup.” However, we have to take into account that any errors about their position may simply be down to the fact that the small rocks have been moved.
Smoothed cup-marked stoneClose-up of different rock-type
As you’ll see in the photos here, one of them is actually near the very centre of the cairn, with the cup-marking etched into the edge of the small rock itself. I’m not quite sure if this is the additional fifth carving in the cairn, or whether it’s one of those wrongly ascribed as being in another position. It’s hard to tell, as the local Ilkley Archaeology team don’t publish their findings and information on-line as they should do and unless you’re in their little club they’re hard to get info out of. So this will have to do for the time being I’m afraid. Also note how one of the cup-marked stones is of a rock-type different to the local millstone grit.
Folklore
The creation myth of the Little Skirtful itself tells that the giant Rombald (who gives his name to the moor) was in trouble with his wife and when he stepped over to Almscliffe Crags from here, his giant wife – who is never named – dropped a small bundle of stones she was carrying in her apron. Harry Speight (1900) tells us of a variation of the tale,
“which tradition says was let fall by the aforementioned giant Rumbalds, while hastening to build a bridge over the Wharfe.”
Variations on this story have said it was the devil who made the site, but this is a denigrated christian variant on the earlier, and probably healthier, creation tale. Similar tales are told of the Great Skirtful of Stones, 500 yards south.
The cluster of portable small stones with single cup-marks on them relates to traditions found in other cultures in the world where, usually, women would carry such items in their aprons and deposit them at or on the tomb, in honour of the ancestor or spirit known to be resident at the sacred site. The folklore found at the Little Skirtful (and Great Skirtful too) of Rombald’s wife dropping the rocks here and forming the giant tomb, probably derive from variants of this same honorary practice.
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAA 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
This once important healing stone that was moved a short distance (from grid reference SN 1775 1875 to SN 1770 1874 according to officials) to its present spot, around 1925, whilst having a long history according to the folk traditions of Carmarthenshire, was previously questioned as an authentic site by none other than Prof John Rhys (1875), following his visit to the site in the 1870s. Although Rhys seemed an isolated voice, some modern archaeologists have also questioned its veracity. It’s difficult to say precisely what the original nature of the stone may have been, but it was certainly accommodated in medieval times as a healing stone and used in conjunction with a pagan well – which was of course, accommodated by the Church. If the stone itself had a megalithic pedigree, as some have believed, we know not what it may have been…
As Janet & Colin Bord (2006) wrote, the stone “still survives, but to the casual observer it looks like any other abandoned block of stone,” sitting innocuously within the ring of trees surrounding the church. An early account of the stone was written by E.L. Barnwell (1872), who told:
“The present church of Llangan in Carmarthenshire is a wretched structure, built in 1820, and is about to be removed, as the population has long since migrated to some distance from it, and in a few years even the memory of Canna’s church having once existed here may cease. There is, however, a relic still left, which we trust will not be overlooked by the local authorities, as indeed it seems to have been hitherto ; for no notice occurs of it in the account of the parish in Lewis’s Topographical Dictionary or any other work. This relic is a rude stone, forming a kind of chair, lying in a field adjoining the churchyard, and about thirty or forty yards from it. When it was removed to its present position is unknown. There was also a well below the church called Ffynnon Canna; and there is still a small brook available, if required, for following the rules prescribed to those who wish to avail themselves of the curative powers of the saint’s chair. It appears that the principal maladies which are thus supposed to be cured are ague and intestinal complaints. The prescribed practice was as follows. The patient first threw some pins into the well, a common practice in many other parts of Wales, where wells are still thought to be invested with certain powers. Then he drank a fixed quantity of the water, and sometimes bathed in the well, for the bath was not always resorted to. The third step was to sit down in the chair for a certain length of time; and if the patient could manage to sleep under these circumstances, the curative effects of the operation were considerably increased. This process was continued for some days, even for a fortnight or longer. A man aged seventy-eight, still living near the spot, remembers the well and hundreds of pins in it, as well as patients undergoing the treatment; but, about thirty or thirty- five years ago, the tenant carried off the soil between the well and the watercourse, so as to make the spring level with the well, which soon after partly disappeared, and from that time the medical reputation of the saint and her chair has gradually faded away, and will, in the course of a generation or two, be altogether forgotten.”
Folklore
In Wirt Sykes (1880) classic text, he told us that the field where the original Canna’s Chair may have been, possessed fairy-lore that we find at other sites, usually ascribed as prehistoric. He wrote:
“In the middle of this parish there is a field called Parc y Fonwent, or the churchyard field, where, according to local tradition, the church was to have been originally built; but the stones brought to the spot during the day were at night removed by invisible hands to the site of the present church. Watchers in the dark heard the goblins engaged in this work and pronouncing in clear and correct Welsh these words, “Llangan, dyma’r fan,” which means, “Llangan, here is the spot.””
References:
Allen, J. Romilly, The Monumental History of the Early British Church, SPCK: London 1889.
Baring-Gould, S. & Fisher, John, Lives of the British Saints – volume 2, London 1907.
Very troublesome for so little a stone. But to the nutters or climbers who enjoy a good bimble: if you’re coming on the A91 from Tillycoultry take the dirt-track up to Harviestoun, but if you’re coming from Dollar, take the dirt-track up past Belmont House – either way, keep walking till you get to Kennel Cottage. Walk past here and into the woods, then follow the burn (stream) uphill. It’s a steep climb, with waterfalls and mossy rocks. Once out of the woodland, keep following the stream. Several hundred yards uphill, you’ll pass a large rounded hillock on your left. Keep walking up the stream for another 200 yards, then walk to the right of the stream for about 100 yards. You’re damn close!
Archaeology & History
White Stane on the 1819 map
An obscure and little known site outside of the Ochils region, this stone seems to have been described for the first time in 1769 – though local people would obviously have known of its presence and mythic history centuries before this. It was then shown on the 1819 Plan of The Estates of Harviestoun and Castle Campbell, as shown here. The White Stane is a rounded quartz block about four feet long in the grasses, laid down and hard to find, it would have been impressive had it stood upright – which it may have done in ages not so long ago – in which case we would have had a shining standing stone on the edge of the steep slope halfway up the mountain. A curious ‘D’-shaped carving that seems to be etched on the top of the rock may simply be one of Nature’s simulacra.
The White Stane, looking south
When I arrived at the stone – after taking a typically circuitous bimble up the hillsides, and passing a variety of archaeological relics on the slopes east of the burn – the view was outstanding, looking some 60 miles south into the distant peaks of the Scottish Lowlands, with the sun casting itself over the entire landscape. The quartz rock by my side was gleaming brightly in the fresh daylight. Sitting down by its side, the cold wind cutting over us, a quietude befell the place and, and as I relaxed by its side, fell into a sleep for an hour or so. All was quiet and still in both mind and heart at the stone – then when I came round, I realised the sun was going down and thought it best to get off the mountains before dark!
In Angus Watson’s (1995) survey he told us,
“The 1860 OS Name Book says this is something of a mixture of whinstone and white marble, that the local tradition was that it had been erected to commemorate a battle between Wallace and the English, and that there was “no doubt whatsoever” that it was ‘druidical’!”
Watson also informs us that the name of the rock – Tom baird – is from the Gaelic, meaning the “bard’s knoll”. However, Bruce Baillie (1998) would have it that the The White Stone of Tam Baird,
“has possibly been derived from the Gaelic Tam a Bhaird, ‘the knoll of the enclosure.’”
And there is a large five-sided enclosure on the ridge of Dollar Hill, but that’s quite some distance away and would have little bearing on the naming of this quartz stone.
References:
Baillie, Bruce, History of Dollar, DMT: Dollar 1998.
Watson, Angus, The Ochils: Placenames, History, Tradition, PKDC: Perth 1995.
Acknowledgements: Huge thanks to Marion Woolley for directing us to the 1819 Estate map!
A little-known early christian relic found in the driveway to East Riddlesden Hall was saved and propped up in the stable floor at the back. In 1984 however, the National Trust got round to moving it and bringing the relic to greater public attention by putting it on display in the great hall of the building. (I think you’ve gotta pay to go in and see the stone these days – which is a bittova pain if you just want to examine the carving)
Old photo of the carved stone (after Margaret Faull)
Measuring just 1 foot across and 2 feet high and carved on all sides, the design is all too familiar to those of you exploring early christian or late-Celtic art forms. Executed sometime between the 5th-10th century, on the main face of the cross we have the traditional ‘Celtic’ interlacing, with a bird-figure emerging on or around an early ‘cross’ symbol. There are a variety of interpretations of this, but none relate to any modern christian mythic structures. Indeed, we should cautiously reflect on the more pre-christian nature of this design: carved as it was at a time when the spirit of the natural world (animism) was endemic amongst all people. This carving would in some way reflect such implicit subjectivity, though perhaps have had emergent ideals relevant to the christian cult within it. However, we should be cautious about this christian idea, despite it being much in vogue by prevailing groups of consensus trance historians.
References:
Faull, Margaret L., “The Display of the Anglo-Saxon Crosses of the Keighley Area,” in Transactions of the Ancient Monuments Society, New Series no.30, 1986.
Up the A9 past Blair Atholl, a few miles later there’s the turning for Struan. Scarcely a mile east of old Struan Church, head past the old farmhouse of Old Kindrochat and keep going eastwards along the edge of the trees for about 200 yards until you reach the sheepfold. There you’ll see a singular rock sitting alone by the fence. That’s it!
Archaeology & History
This little known healing stone was, at one time last century, of great repute in the Highlands. Today, very few people even know it exists. One of many rocks that were said to possess healing abilities, this one (obviously) was of great repute in the curing of whooping cough. But it wasn’t the rock alone that did the work here, for upon its edge was a small basin into which rainwater collected and this, when used correctly and in due accord with ancient ritual tradition, could enact the cure. Mr Duncan Fraser said of this fascinating healing stone:
“The grey water-worn stone is about 4ft 6in long, 2ft 6in broad and 2ft high, with a deep gash on top, where the water lingers even in long dry spells. When full it holds about half-a-gallon. People were still coming here with their sick children as late as 1860 — and bringing a spoon made from the horn of a living cow. There was no cure without that.”
The ritual “spoon made from the horn of a living cow” was an important ingredient at another site with the reputation for curing whooping cough about 50 miles south of here, near Balquhidder. (see Whooping Cough Well, Killin) What truly fascinates me is the origin of this stone and its medicinal virtues. When did the healing rites first start here – how long ago…?
References:
Fraser, Duncan, Highland Perthshire, Standard Press: Montrose 1969.
Take the same directions as if you’re going to Dave’s Stone, to the eastern end of Rivock Edge itself. Then take less than 10 steps further onto the moor itself and you’ll see the stone pretty low down in the heather. (please note that grid-reference above needs revising)
Archaeology & History
…and looking straight down!
Found about 10 yards onto the flat ridge south of Dave’s Stone cup-marked stone, the vegetation covering this carving had only recently been brushed off when we revisited the place in 2012, by members of the Ilkley CSI team in their own survey of the area. As you can see, it’s a simple design of just two well-preserved cups on a small rounded stone. What may be the remains of a very faint ring arc is possible over one of the two cups. Nowt much more to say really!
From Cow & Calf Hotel head onto the moor above you, following the same directions to reach the ornately carved Idol Stone (and its immediate companions). Ahead of you on the same footpath, about 100 yards along, as it begins to slope up the hill further onto the moor, you’ll see a large upright pyramid-shaped stone, about 8 feet all, right at the side of the path. Y’ can’t miss it!
Archaeology & History
Deep cups & lines on top
Although ascribed as a cup-marked stone in usual surveys, the cup-markings on top of this rock are seemingly Nature’s handiwork. There is a possibility that cup-markings were carved into the top of the stone, many thousands of years ago, but due to the centuries of wind and weathering, we cannot in anyway assess the curvaceous bowls and lines running across and from the top of this rock to be artificial.
Folklore
The name ‘Idol Stone’ seems to have come about as a result of the judaeo-christian Victorian obsession of satanic idolatry in all things natural – which many of them still fear. Sadly there are no early accounts of practices of idolatry at this rock, until it was used by chaos magickians in the formative years of that Current in the 1980s.
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Boughey, K.J.S. & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Forrest, C. & Grainge, William, A Ramble on Rumbald’s Moor, among the Dwellings, Cairns and Circles of the Ancient Britons, W.T. Lamb: Wakefield 1868-9.
Hedges, John (ed), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Holmes, J., “A Sketch of the Prehistoric Remains of Rombald’s Moor,” in Proceedings of the Yorkshire Geological Society, volume 9, 1887.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
