From the old cross in the middle of the village, walk along the A820 Balkerach Street main road (NOT down George Street) until you reach Station Wynd on your right. Walk up here for 100 yards towards the new housing estate (don’t buy these places – they’re dreadful quality beneath the veneers) and there, on a small grassy rise on the left just before the car park, stands our stone!
Archaeology & History
This little-known monolith on the northern edge of little Doune village, was recently moved a short distance from its original position thanks to another one of those sad Barratt housing estates being built here; but at least it has received protection with the surrounding fence and notice board telling its brief history and folklore (better than being destroyed I s’ppose).
Stone marked on 1866 OS map
Standing less than five feet tall, local lore tells that it has been moved around close to this spot several times in the last couple of centuries. Although not mentioned in Hutchinson’s (1893) essay on local megaliths, the stone was highlighted on the 1866 Ordnance Survey of Doune, where the non-antiquated lettering showed how it was thought to be Roman in origin, not prehistoric.
Folklore
Trysting Stane, looking NE
The name of the stone comes from it being used as a place where deeds were sworn, with the stone as witness to the words proclaimed by both parties (implying a living presence, or animistic formula of great age). This activity was continued in the local ‘trysts’ or cattle fairs held a mile away, where buyers swore the sale of cattle at this stone—again with the stone being ‘witness’ to the spoken deals. It was also used as a counter where gold was exchanged for cattle bought and sold during the Michaelmas and Martinmas Fairs. Sue Harvey (2006) told that this standing stone,
“was called the Devil’s Head and was used during past Doune fairs to count gold on when cattle were being bought and sold.”
In local newspaper accounts from the 1950s, local historian Moray S. Mackay (1984) told how the children of the village used to gather round the stone, holding hands, and sing,
Olie Olie, peep, peep, peep,
Here’s the man with the cloven feet,
Here’s his head, but where’s his feet?
Olie Olie, peep, peep, peep.
Notice board telling its tale…Looking at the stone on its rise
This implies the stone once possessed a myth relating to a petrified ancestral deity of animistic (pre-christian) origin, but as yet we have found no additional information allowing us a confirmation of this probability. A correlate of this theme—i.e., of the stone being the head of a deity—is found in West Yorkshire (amongst many other places), where one of the little known Cuckoo Stones was once known to be a local giant until a hero-figure appeared and cut off his head, leaving only his body which was then turned to stone. Mircea Eliade (1958; 1963) cites examples of animistic religious rites and events explaining this early petrification formula via creation myths, etc. (we find very clear evidences of animistic worldviews and practices still prevailing in the mountains just a few miles north and west, still enacted by local people)
Folklore also alleged that the stone was Roman in nature, but neither archaeology nor the architectural form of the stone implies this. Roman stones were cut and dressed—unlike the traditional looking Bronze Age, rough, uncut fella standing here.
References:
Eliade, Mircea, Patterns in Comparative Religion, Sheed & Ward: London 1958.
Eliade, Mircea, Myth and Reality, Harper & Row: San Francisco 1963.
Harvey, Sue, Doune and Deanston, Kilmadock Development Centre 2006.
Hutchinson, A.F., “The Standing Stones of Stirling District,” in The Stirling Antiquary, volume 1, 1893.
Take the minor high road between the hamlets of Marske and Fremington (up Hard Stiles from Marske side), turning up Stelling Road at the crossroads, and ⅔-mile (1.1km) along, turn right up Helwith Road. ¾-mile (1.2km) along, on the right, walk thru the gate onto the moor following the walling. Nearly 400 yards on you meet a junction of walling: walk past this until you reach the next line of walling and then follow it northeast for just over 500 yards. Once there, look for the mounds in the heather immediately south, less than 50 yards away.
Archaeology & History
This is one of the “isolated cairns of fair size” mentioned in passing by Tim Laurie (1985) in his survey of the massive settlement and field systems scattering this gorgeous moorland arena. It is one amongst a scatter of several in and around the eastern height of Cock Howe hill on the south side of Skelton Moor. The area has sadly been scarred by an excess of old lime mines—many of which are visible close by—damaging with some severity the excess of prehistoric remains on these moors, none of which have yet been excavated in any detail. This cairn included.
More cairns to the rear
Even though much of the heather here had been burnt back when James Elkington and I visited the place recently, the pile of stones was still very embedded into the peat. The moorland rabbits had dislodged some of the stones, highlighting the mass of rocks much better. It stands nearly a metre high and is roughly 7 yards by 8 yards in diameter from edge to edge, structurally similar to the many Bronze Age cairns scattering Rombalds Moor, Askwith Moor and other Yorkshire clusters. A second cairn of similar size and stature exists some 30 yards to the southeast (visible on one of the photos).
For anyone who might visit this site, the most impressive features hereby are the huge settlement remains scattering the moors just north of the wall a few yards away. When the heather has been burnt back, a veritable prehistoric city unfolds before your eyes, with extensive lengths of walling, hut circles and what can only be described as huge halls, in which tribal meetings probably occurred – much of it in superb condition! Well worth visiting.
References:
Laurie, T.C., “Early Land Division and Settlement in Swaledale,” in Upland Settlement in Britain: the Second Millennium B.C. and After, ed. Don Spratt and Colin Burgess, BAR British Series 143, 1985.
Martlew, R.D., Prehistory in the Yorkshire Dales, YDLRT: York 2011.
Access to these stones has, over recent years been pretty dreadful by all accounts. It’s easy enough to locate. Go into Calderstones Park and head for the large old vestibule or large greenhouse. If you’re fortunate enough to get one of the keepers, you may or may not get in. If anyone has clearer info on how to breach this situation and allow access as and when, please let us know.
Archaeology & History
Earliest known drawing from 1825, showing the carvings
Marked on the 1846 Ordnance Survey map in a position by the road junctions at the meeting of township boundaries, where the aptly-named Calderstones Road and Druids Cross Road meet, several hundred yards north of its present site in Harthill Greenhouses in Calderstones Park, this is a completely fascinating site whose modern history is probably as much of a jigsaw puzzle as its previous 5000 years have been!
Thought to have originally have been a chambered tomb of some sort, akin to the usual fairy hill mound of earth, either surrounded by a ring of stones, or the stones were covered by earth. The earliest known literary reference to the Calderstones dates from 1568, where it is referenced in a boundary dispute, typical of the period when the land-grabbers were in full swing. The dispute was over a section of land between Allerton and Wavertree and in it the stones were called “the dojer, rojer or Caldwaye stones.” At that time it is known that the place was a roughly oval mound. But even then, we find that at least one of the stones had been taken away, in 1550.
Little was written about the place from then until the early 19th century, when descriptions and drawings began emerging. The earliest image was by one Captain William Latham in 1825. On this (top-right) we have the first hint of carvings on some of the stones, particularly the upright one to the right showing some of the known cup-markings that still survive. By the year 1833 however, the ‘mound’ that either surrounded or covered the stones was destroyed. Victorian & Paul Morgan (2004) told us,
“The destruction first began in the late 18th or early 19th century when the mound was largely removed to provide sand for making mortar for a Mr Bragg’s House on Woolton Road. It was at this time that a ‘fine sepulchral urn rudely ornamented outside’ was found inside.”
The Calderstones in 1840
The same authors narrated the account of the mound’s final destruction, as remembered by a local man called John Peers—a gardener to some dood called Edward Cox—who was there when it met its final demise. Mr Cox later wrote a letter explaining what his gardener had told him and sent it to The Daily Post in 1896, which lamented,
“When the stones were dug down to, they seemed rather tumbled about in the mound. They looked as if they had been a little hut or cellar. Below the stones was found a large quantity of burnt bones, white and in small pieces. He thought there must have been a cartload or two. He helped to wheel them out and spread them on the field. He saw no metal of any sort nor any flint implements, nor any pottery, either whole or broken; nor did he hear of any. He was quite sure the bones were in large quantity, but he saw no urn with them. Possibly the quantity was enhanced by mixture with the soil. No one made such of old things of that sort in his time, nor cared to keep them up…”
But thankfully the upright stones remained—and on them were found a most curious plethora of neolithic carvings. After the covering cairn had been moved, the six remaining stones were set into a ring and, thankfully, looked after. These stones were later removed from their original spot and, after a bit of messing about, came to reside eventually in the curious greenhouse in Calderstones Park.
Simpson’s “Stone 1” outer faceSimpson’s “Stone 1” inner face
The carvings on the stones were first described in detail by the pioneering James Simpson. (1865) I hope you’ll forgive me citing his full description of them—on one of which he could find no carvings at the time, but he did state that his assessment may be incomplete as the light conditions weren’t too good. Some things never change! Sir James wrote:
“The Calder circle is about six yards in diameter. It consists of five stones which are still upright, and one that is fallen. The stones consist of slabs and blocks of red sandstone, all different in size and shape.
“The fallen stone is small, and shews nothing on its exposed side; but possibly, if turned over, some markings might be discovered on its other surface.
“Of the five standing stones, the largest of the set (No. I) is a sandstone slab, between five and six feet in height and in breadth. On its outer surface—or the surface turned to the exterior of the circle— there is a flaw above from disintegration and splintering of the stone; but the remaining portion of the surface presents between thirty and forty cup depressions, varying from two to three and a half inches in diameter; and at its lowest and left-hand corner is a concentric circle about a foot in diameter, consisting of four enlarging rings, but apparently without any central depression.
“The opposite surface of this stone, No. 1, or that directed to the interior of the circle, has near its centre a cup cut upon it, with the remains of one surrounding ring. On the right side of this single-ringed cup are the faded remains of a concentric circle of three rings. To the left of it there is another three-ringed circle, with a central depression, but the upper portions of the rings are broken off. Above it is a double-ringed cup, with this peculiarity, that the external ring is a volute leading from the central cup, and between the outer and inner ring is a fragmentary line of apparently another volute, making a double-ringed spiral which is common on some Irish stones, as on those of the great archaic mausoleum at New Grange, but extremely rare in Great Britain. At the very base of this stone, and towards the left, are two small volutes, one with a central depression or cup, the other seemingly without it. One of these small volutes consists of three turns, the other of two.
“The next stone, No. 2 in the series, is about six feet high and somewhat quadrangular. On one of its sides, half-way up, is a single cup cutting; on a second side, and near its base, a volute consisting of five rings or turns, and seven inches and a half in breadth ; and on a third side (that pointing to the interior of the circle), a concentric circle of three rings placed half-way or more up the stone.
“The stone No. 3, placed next to it in the circle, is between three and four feet in height; thick and somewhat quadrangular, but with the angles much rounded off. On its outermost side is apparently a triple circle cut around a central cup; but more minute examination and fingering of the lines shews that this figure is produced by a spiral line or volute starting from the central cup, and does not consist of separate rings. The diameter of the outermost circle of the volute is nearly ten inches. Below this figure, and on the rounded edge between it and the next surface of the stone to the left, are the imperfect and faded remains of a larger quadruple circle. On one of the two remaining sides of this stone is a double concentric circle with a radial groove or gutter uniting them. This is the only instance of the radial groove which I observed on the Calder Stones, though such radial direct lines or ducts are extremely common elsewhere in the lapidary concentric circles.
“The stone No. 4 is too much weathered and disintegrated on the sides to present any distinct sculpturings. On its flat top are nine or ten cups ; one large and deep (being nearly five inches in diameter). Seven or eight of these cups are irregularly tied or connected together by linear channels or cuttings…
“The fifth stone is too much disfigured by modern apocryphal cuttings and chisellings to deserve archaeological notice.
“The day on which I visited these stones was dark and wet. On a brighter and more favourable occasion perhaps some additional markings may be discovered.”
It wasn’t long, of course, before J. Romilly Allen (1888) visited the Calderstones and examined the carvings; but unusually he gave them only scant attention and added little new information. Apart from reporting that another of the monoliths had carvings on it, amidst a seven-page article the only real thing of relevance was that,
“Five of the Calderstones show traces, more or less distinct, of this kind of carving, the outer surface of the largest stone having about thirty-six cups upon it, and a set of four concentric rings near the bottom at one corner. One of the stones has several cups and grooves on its upper surface.”
Carvings on Stone A (after Forde-Johnson)Carvings on Stone B (after Forde-Johnson)
Unusual for him! The major survey of the Calderstone carvings took place in the 1950s when J.L. Forde-Johnson (1956; 1957) examined them in great detail. His findings were little short of incredible and, it has to be said, way ahead of his time (most archaeo’s of his period were simply lazy when it came to researching British petroglyphs). Not only were the early findings of Sir James Simpson confirmed, but some fascinating rare mythic symbols were uncovered that had only previously been located at Dunadd in Argyll, Cochno near Glasgow, and Priddy in Somerset: human feet – some with additional toes! Images of feet were found to be carved on Stones A, B and E. A carved element on Stone C may even represent a human figurine—rare things indeed in the British Isles!
Carvings on Stone DCarvings on Stone E
The detailed sketches here are all from Forde-Johnson’s 1957 article, where five of the six stones were found to bear petroglyphs (the sixth stone has, more recently, also been found to also possess faint carvings of a simple cup-mark and five radiating lines).
Elements on Stone C (after Forde-Johnson)More elements on Stone C (after Forde-Johnson)
The date of the site is obviously difficult to assess with accuracy; but I think it is safe to say that the earlier archaeological assumptions of the Calderstones being Bronze Age are probably wrong, and the site is more likely to have been constructed in the neolithic period. It’s similarity in structure and form to other chambered tombs—mentioned by a number of established students from Glyn Daniel (1950) to Frances Lynch—would indicate an earlier period. The fact that no metals of any form have ever been recovered or reported in any of the early accounts add to this neolithic origin probability.
There is still a lot more to be said about this place, but time and sleep are catching me at the mo, so pray forgive my brevity on this profile, until a later date…
Folklore
Curiously, for such an impressive site with a considerable corpus of literary references behind it, folklore accounts are scant. The best that Leslie Grinsell (1976) could find in his survey was from the earlier student C.R. Hand (1912), who simply said that,
“They were looked upon with awe by the people about as having some religious significance quite beyond their comprehension.”
There is however, additional Fortean lore that has been written about these stones and its locale by John Reppion (2011).
Ashbee, Paul, The Bronze Age Round Barrow in Britain, Phoenix House: London 1960.
Baines, Thomas, Lancashire and Cheshire, Past and Present – volume 2, William MacKenzie: London 1870.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Beckensall, Stan, Circles in Stone: A British Prehistoric Mystery, Tempus: Stroud 2006.
Cowell, Ron, The Calderstones – A Prehistoric Tomb in Liverpool, Merseyside Archaeological Trust 1984.
Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
Daniel, Glyn E., The Prehistoric Chamber Tombs of England and Wales, Cambridge University Press 1950.
Faulkner, B.M., “An Analysis of Three 19th-century Pictures of the Calderstones,” in Merseyside Archaeological Journal, volume 13, 2010.
Forde-Johnson, J.L., “The Calderstones, Liverpool,” in Powell & Daniel, Barclodiad y Gawres: The excavation of a Megalithic Chambered Tomb in Anglesey, Liverpool University Press 1956.
Forde-Johnson, J.L., “Megalithic Art in the North West of Britain: The Calderstones, Liverpool,” in Proceedings of the Prehistoric Society, volume 23, 1957.
Grinsell, Leslie, Folklore of Prehistoric Sites in Britain, David & Charles: Newton Abbot 1976.
Hand, Charles R., The Story of the Calderstones, Hand & Co.: Liverpool 1912.
Herdman, W.A., “A Contribution to the History of the Calderstones, near Liverpool,” in Proceedings & Transactions of the Liverpool Biological Society, volume 11, 1896.
Morgan, Victoria & Paul, Prehistoric Cheshire, Landmark: Ashbourne 2004.
Nash, George & Stanford, Adam, “Recording Images Old and New on the Calderstones in Liverpool,” in Merseyside Archaeological Journal, volume 13, 2010.
Picton, James A., Memorials of Liverpool – 2 volumes, Longmans Gree: London 1875.
Simpson, James, Archaic Sculpturings of Cups, Circles, etc., Upon Stones and Rocks in Scotland, England and other Countries, Edmonston & Douglas: Edinburgh 1867.
Taylor, Isaac, Words and Places, MacMillam: London 1885.
Stewart-Brown, Ronald, A History of the Manor and Township of Allerton, Liverpool 1911.
Acknowledgements: With huge thanks to the staff at Calderstones Park; thanks also to the very helpful staff at Liverpool Central Library.
ON the A59 Harrogate to Skipton road, right on top where it crosses the barren moors, get to the parking spot right near where the road levels out at the highest point. Walk up the footpath from here onto the moors (south) for about 200 yards till you notice a small black pool ahead of you. From here, walk left (east) offpath and into the heather, roughly along the ridge for about another 150-200 yards. Zigzag about and keep looking. You’re damn close!
Archaeology & History
Close-up of some of the cups
Not far from the Gill Head stone and walling, another previously unrecorded cup-marked rock was discovered on the afternoon of Saturday, May 3, 2014, by Danny Tiernan and his famous teddy bear! The stone seems to have been previously well-covered, but was made visible thanks to the annual heather-burning on this part of the moor. He came across it during an exploratory Northern Antiquarian wander to examine a cluster of other neolithic remains hidden on this moor. The carving consists of a series of plain cup-markings, between eight and twelve in number, running along the middle of the rock and outwards nearer to the edges. The cups are between 1-2 inches across and a half-inch deep at the most. The design was first highlighted on Danny’s walking blog, Teddy Tour Teas — and is gonna be difficult to find once the heather’s grown back.
The best way here is to walk a mile to find it. All the way up the road from Gleneagles Standing Stones to Glendevon, right at the very top where the two glens meet, there’s a small road heading to the Fishery. 100 yards along, park up. Then take the old green road back down the Glen, north towards Gleneagles, parallel with the new road. A mile or so down you’ll reach the farmhouse, but a coupla hundred yards before this, in a wooden gap in the electric fence, you can walk straight downhill to the large pool below you. Y’ can’t really miss it!
Archaeology & History
The strong cold spring of water known as St Mungo’s Well, now gathers into a large crystal clear pool and is gorgeous to drink and very refreshing! All around the edges are the brilliant yellow masses of gorse, held amidst widespread vivid hues of green in this most rocky of landscapes. Tis a gorgeous setting here….
St Mungo’s Well, 1860 map
Unfortunately there is no literary information that tells us why this spring of water, amongst the many others all around these hills, gained the ‘blessing’ of one of those roaming christians and was deemed to be ‘holy’. The greatest likelihood, as usual, is that the waters had some important heathen association which our peasant ancestors would have been able to tell us about if their animistic tales hadn’t been outlawed and demonized by the incoming cult — but we’ll probably never know for sure. As a result, we know nothing now of its medicinal qualities or old stories.
The transference of its old name (whatever it may have been) to their ‘St. Mungo’ may date from when the character was wandering with his christians in the 7th century, but we have no literary account proving as such. The name ‘St Mungo’ was an alternative name (a nickname if y’ like) of St. Kentigern — or at least that’s what the church historians tell us. There is no history of Kentigern or St Mungo up the glen, but we do have a more prosaic account that tells of a Mr Mungo Haldane of Gleneagles, a member of the Scottish parliament in 1673 onwards; he was succeeded by another Mungo Haldane MP in 1755. However, it’s highly unlikely that these political characters gave their name to the well.
The clear waters, looking southCrystal clear perfect drinking water
Even the Scottish holy wells surveys are pretty silent on this beautiful site. It was mentioned in Morris’ (1981) survey, but with no real information. The earliest account seems to come from an article written in the Perthshire Advertiser in 1856, and thankfully reproduced in the otherwise tedious genealogical history of the Haldane (1880) family; but even here, the narrative simply mentions the presence of the well and no more. Described in a walk up Gleneagles, it told:
“Journeying westward along the desolate moor…we soon came in front of Gleneagles, a narrow picturesque glen in the Ochils, through which the old road from Crieff leads into Kinross-shire. The hills here, as throughout the whole range, are strictly pastoral, but in no place more so than Gleneagles. Crowning the heights on both sides of the glen, we have craigs ragged and bare enough; but their show of beetling hard sterility is as nothing to the winding receding mass of grassy heights that bound the view. In looking on that quiet, sunny, Sabbath-like retreat, one would be apt to deem the name a misnomer, and yet it is not much above a hundred years since the monarch of birds had a home among its cliffs. There, too, the Ruthven Water that dashes past Auchterarder has its rise — not in a scarcely seen bubbling spring almost covered with moss, but issuing at once into daylight at the bottom of yonder steep in volume sufficient to drive a mill. In ancient times, as now, it must have been an object of mark, as it is called St. Mungo’s Well; but who this St. Mungo or St. Magnus was — whether the ghostly patron of Glasgow, Auchterarder old chapel, or the guardian saint of this particular spot, we cannot tell. But he seems to have relished cold water; and it is satisfactory to know that he must have got his fill of it there, if his cell happened to be in the vicinity.”
The well was mentioned in passing in the Object Name Book in 1860 and shown on the earliest Ordnance Survey maps.
Folklore
Apart from the fact that the waters here never run dry, we have no other folklore. However it should be noted that St. Mungo’s Day was January 14th — which may have been when the qualities of the spring were deemed most efficacious, or when olde rites were enacted here. However, a hundred yards down we pass the stream known as Bride’s Burn, probably in honour of the heathen Queen St. Brigit, whose name and myths are integral to our great Earth goddess, the Cailleach and whose celebration date is only two weeks later than that of Mungo. Hmmmmmmm…..
References:
Attwater, Donald, Penguin Dictionary of Saints, Penguin: Harmondsworth 1965.
Haldane, Alexander, Memoranda Relating to the Family of Haldane of Gleneagles, C.A. MacKintosh: London 1880.
MacKinlay, James M., Folklore of Scottish Lochs and Springs, William Hodge: Glasgow 1893.
Follow the same directions as if you’re going to the much overgrown, earthfast Druidsfield 01 carving. Adjacent is an upstanding block of large rock, right next to which is the flat surface of this Druidsfield 2 carving. If it’s overgrown, rummage around. You can’t miss it!
Archaeology & History
This carving and its compatriots have almost been forgotten about it seems. Buried beneath rolls of vegetation, this long flat rock covered in cup-markings seems to have played a part in some larger megalithic structure—but whatever it was is difficult to work out. As you walk around the place it gives the distinct impression that some form of tomb was once in evidence, which may have been the case. The Scottish archaeology giant Audrey Henshall is said to have found no evidence of a chambered tomb, but this may have been something smaller, less impressive.
When Mr Haggart (1888) wrote about this carving, he too thought that the carvings had been part of a tomb—this being the horizontal surface at the bottom. He wrote that,
“the one forming the floor area of the dolmen being a square-shaped boulder of diorite, having fifty cups, varying from three and a half inches to an inch in diameter, the outlines of which look as fresh as if chiselled a year or two ago.”
The main cluster of cups
This indicates it had only recently been uncovered. There are lots of other archaeological remains scattered all round here, from different periods of history; but the other Druidsfield 1 and 3 carvings are found right next to each other, indicating this very spot was some site of neolithic or Bronze Age importance. An accurate excavation of the site and the adjacent Druids Circle would be worthwhile. I counted at least 44 cups on this rock when we visited last week, many of which are still quite clear.
The most recent Royal Commission (1979) briefing of the stone added nothing of relevance. They listed the site but it seems they never visited the place.
The portable bullaun-like deep-cut rock known as the Druid’s Stone is kept in private grounds nearby. When members of Scottish heritage came to visit an adjacent site a few years ago, the lady of the house told how they walked right past it without giving it any notice. “They didn’t even see it under their noses,” she said. Nowt new there!
Folklore
The carvings here were said by one of the locals to have been part of a “druid’s circle, which we played in as children, and were always told had been a special place of the druids in ancient times.”
References:
Coles, F.R., “Report on stone circles in Perthshire principally Strathearn,” in Proceedings of the Society of Antiquaries, Scotland, volume 45, 1911.
Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.
Acknowledgements – Huge thanks to Messr Paul Hornby for help and use of his photos.
From Burley train station, take the road uphill onto the moor edge, turning right at the top. Go on for a few hundred yards and park up round the sharp bend. Walk up the steep-ish path on the right-hand side of the rocky valley of Coldstone Beck. Once your on the level with the moors, veer to your right (west) on the footpath parallel with the walling. Barely 50 yards along, watch in the grasses and heather to your left (south). Keep looking and you’ll find it. (apologies for just a 6-figure grid-ref for this stone, but I paid little attention to its position when I was in walkabout mode)
Archaeology & History
A couple of hundred yards east of the Cold Stone monolith is another petroglyph that has evaded the diligent archaeologists of the region! But it’s easily missed if the daylight conditions aren’t too good. The most notable element on the stone is the large, possibly natural cup-marking on its top-right SW side. It’s that which initially gets your attention and, due to its initial singularity on the rock, you’d turn away and shake your head, muttering that well known petroglyphic mantra of “dunno.” But when the sun and air are clear or low on the horizon, other more faint etchings, almost lost in the worlds of erosion, catches the eye.
Carving faintly highlightedLooking straight down
At least four cups are visible on the stone, perhaps six, mainly near its middle and faintly highlighted in one of the images here. But there is also a pecked carved line here too, running across the shorter northern side of the stone. Near the bottom of this line there is the faint impression of a carved ring, but whether this is a trick of the light or real, I won’t hazard to guess. Not far away is the curiously shaped Chair Stone and its cup-marks. Others are in the vicinity.
This is another of the many unrecorded cup-and-ring carvings in the region—and one in a small cluster hereby. It was rediscovered several years ago on a Northern Antiquarian outing and, thankfully, remains in good condition. Encrusted by layers of gorgeous lichens, deep into the rock, it has hence proven difficult to explore the entirety of the exact design without tearing off the old lichen covering—which I’ve no intention of doing.
Lichen Stone, from above
There are at least a dozen cup-markings etched onto the upper surface of this curved stone, with the majority of them clustering around its eastern side. It seems there’s only one cup-marking on the western section of the rock, with the majority of them carved near the middle of the rock and then moving to its eastern section. But the curious features are the interlinking carved lines which you can see have been highlighted on the top and sides of the stone. Initially you get the impression that they’re natural, but it becomes obvious the more you look at them that they’re an integral part of the carving. Some of the lines typically link-up with other cups, whilst a number of them have been carved along and down the vertical faces of the rock, primarily on the east and north-east edges. At least seven of them have been done and they all reach down to ground-level.
Cups & carved linesCarved lines highlighted
It seemed obvious that an even larger design was apparent on the rock, but the stone had been covered in an age of lichen (hence the name) which I didn’t want to disturb; and although no distinct cup-and-ring can be seen here, it looked as if one such motif might have been hiding beneath the lichen cover. But let’s leave the rock and lichen to their own quiet life and move on our way…. to the other carvings nearby, like the impressive Fraggle Rock, or the more basic Snake Stone. Then follow your nose and seek out the other carvings in these fields…
From Burley-in-Wharfedale train station, take the road uphill to the moors, turning right at the top, until you hit the bend where the stream and rocky valley of Coldstone Beck appears. Walk up the right-hand (west) side of the beck until the moorland levels out. Walk along the footpath above Stead Crag for a coupla hundred yards, keeping your eyes peeled for the largest upright stone in the heather about 50 yards into the moors. The other way is to get to Woofa Bank Enclosure and keep walking east through the heather for a coupla hundred yards till you see the tallest upright stone in the heather.
Archaeology & History
Apart from my own short entry about this site in The Old Stones of Elmet, we have no archaeological account of this standing stone, less than four feet tall and nearly as wide at its maximum, living in a landscape renowned for its excess of neolithic and Bronze Age remains. For those of us who love our megaliths it’s nothing special — but at the same time it’s worth looking at, if only because of the other mass of prehistoric remains close by. It received its name from the adjacent Coldstone Beck a short distance to the east, whose etymology isn’t clear.
Cold Stone, looking eastGazing into a hazy SW
Although we know that many of the sites on this ridge are prehistoric in origin (incredibly some of it still aint registered by those who get paid to do such things), we also need to take into consideration that this site may have been effected by the early industrialists who also made their mark on this section of the moor: they have scarred some cup-and-rings along here, destroyed other remains and left incisions on some rocks which could easily be mistaken as ancient. There is also the possibility that this upright and its adjacent stones were once part of a cairn. If evidence comes to light that the Cold Stone is more recent, we will of course amend this site entry.
Folklore
A number of Cold Stones are found scattered across upland Britain, in the form of crags or solitary stones. In North Yorkshire and beyond, the name is sometimes a corruption of a Call Stone, i.e., a site where village matters were called out prior to the institution of a bell-man. The old Market Cross in Kendal village, also known as the Cold Stone was where village notices were proclaimed.
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
On the A81 road from Aberfoyle to Strathblane, about a mile south of Aberfoyle take the tiny right turn (keep your eyes peeled!) to Gartmore. At the end of the village, turn right at the T-junction. Just over a mile along the tiny road, just over the tiny road-bridge, turn right again up up the dead straight road to Drymen for nearly a mile and park up. A dirt-track is on your right: walk along here for ¾-mile (1.2km) and in a large field on your left a huge rock sits (no carvings on it). Keep walking on the track and where the field ends, a path to your left runs above a small burn. Naathen, 150 yards along here, look down at the waters and there’s a clump of large rocks. Check ’em out!
Archaeology & History
Morris’ old photo (from PSAS 1967)
This stone and others were mentioned in MacNair’s (1973) essay in the popular history guide to the region, after it had seemingly been rediscovered a few years earlier by Ron Morris (1967; 1969), who listed it in his petroglyph catalogues. It was originally located at the top of the slope above the burn, but was rolled down here shortly after Morris discovered the cup-and-rings on it. The farmer at the time had made a bore-hole into the rock with the intention of blowing it up, but Morris found it just in time and the stone managed to survive!
Faint CnR’s just visible
It’s a large rock with a decent ornate design that was clearly visible when Morris surveyed it (see photo, right). It comprises of, “a cup-and-two-rings, 18cm (7in) diameter, 6 cups-and-one-ring (2 of which are tangential) and at least 8 cups. All rings are complete. Greatest carving depth 2cm (¾in).” There also appears to be a line of four or five small cup-marks running in a short line by one of the lower cup-and-rings, but these are very faint indeed. The double cup-and-ring mentioned by Morris is the one at the top-centre in my photo, but the next cup-and-ring down may also be a double-ring. At the top-right of the photo is where two cup-and-rings are conjoined.
Since being rolled down the slope to the side of the burn, the carving’s much more in the shadows and is more difficult to work out. Sadly on the day when I visited here, Nature bestowed on me a wet and cloudy day, so the design was even more difficult to see, as my photos illustrate.
Morris (1981) told that “other stones in the immediate vicinity bear possible cup-marks,” and one of these may exist just a couple of stones away (Corrie 2), leaning up into the grasses: this is another rock that has been pushed down the slope and has curious natural cup-markings on it, with one or two that could be man-made, but we need a geomorphologist to have a look at it and tell us one way or the other.
References:
Edlin, Herbert L. (ed.), Queen Elizabeth Forest Park, HMSO Edinburgh 1973.
MacNair, A.S., “History,” in Edlin’s Queen Elizabeth Forest Park, HMSO 1973.
Morris, Ronald W.B., “The Cup-and-Ring and Similar Early Sculptures of Scotland; Part 2 – The Rest of Scotland except Kintyre,” in Transactions of the Ancient Monuments Society, volume 16, 1969.
Morris, Ronald W.B., The Prehistoric Rock Art of Southern Scotland, BAR: Oxford 1981.
