It’s a helluva zigzag to get here. Just out of Crieff along the A85 road to Comrie, turn right up the minor road to Hosh and Glenturret Distillery. Just past the distillery, over the small river bridge, turn left and go up the tiny road for literally ⅔-mile (1.1km) and park up just before the cattle-grid. Naathen, up the slope into the trees at a diagonal behind where you’re parked, walk up and up for half-a-mile where the land levels out and you reach a gate (and my bath, in the undergrowth to your right). A track goes up above the gate (not the one through it) and bends round where, 100 yards up, you reach a gate. Go over it and look at one of the stones in front of you!
Archaeology & History
Very faint cups
This is another one of those petroglyphs that only the purists amongst you will want to see. On the lower section of this typically smooth female stone, you’ll see a singular cup-mark, half-natural half-carved, a couple of inches across, with a less discernible cup-mark of similar dimensions further up the rock, but entirely man-made. When we visited here yesterday, the shadows of the trees above made it very difficult to get any decent photos of the cups. Give it your eye on the journey up to the impressive standing stone of Stonefield a few hundred yards further up the hill; and if you manage to get any good photos, stick ’em on our Facebook group.
Cup-Marked Stone: OS Grid Reference – NN 8515 2484
Archaeology & History
Site of supposed cupmark
There’s little to see here. In the 1990s, students from the Royal Commission found what they described as “a single cupmark”, 3 inches across by 1 inch deep, on a rock measuring 2-feet by 1½ feet, on the north side of this large (seemingly) natural mound with large scatters of field clearance stones all over its northern face. When I visited the place yesterday (on my way to see the impressive Stonefield monolith 260 yards to the north-east), I zigzagged back and forth over the rocky mound and was unable to find it, although it may have been beneath the summer vegetation. A winter visit may prove more fruitful.
You’re going from Crieff, up the A822 road from the Gilmerton junction and head up towards the Sma’ Glen. And if you’re visiting this stone, you’ve already walked past the carvings of Connachan (2), (4), (5) and (6). So just another 100 yards or so up the dirt-track past Connachan (4), (5) and (6), just where there’s a bend in the track, the land just about levels out (if you’ve reached the gate and fence you’ve gone too far). At this point walk onto the grassland on your right for barely 50 yards, just where the land sweeps back downhill. Look around for a small stone at the edge of some very low indistinct walling. You’ll find it!
Archaeology & History
Cluster of cups
A site that’s shown on the modern OS-map as a “cairn” but which is, by the look of things, actually a hut circle — and a somewhat indistinct hut circle at that! You could very easily walk right through it without even noticing you’d done so. However, the cup-marked stone on the outer edge of its southern wall does grab your attention! Once you’ve found the stone, if you pace round a few times you’ll begin to see the vague outline of this prehistoric, probably Bronze Age abode.
at a slightly different angle
The carving was probably placed here after the hut circle had been built; or perhaps even built deliberately upon the petroglyph itself—but only an excavation would give us the answer. Its incorporation in the hut circle was probably functional, somewhat like the Man Stone carving in North Yorkshire, which is found at the doorway there. But this site is in such a state of neglect (and is somewhat overgrown) that I couldn’t ascertain whether it was at the entrance or not. If it was, then most likely there was a mythic relationship between the design of the cups and the person who lived therein. This relationship was probably a long standing traditional one attached to a particular family, or tribal leader, or even a shaman figure which no doubt stretched over many centuries. (as seems likely with the aforementioned Man Stone)
The carving itself is somewhat basic, as you can see, comprising of a small irregular cluster of between 18 and 20 tightly packed cups on a small stone. The hut circle is about 14 yards across. About 100 yards to the east is a severely robbed-out cairn.
References:
Stewart, Margaret E.C., “Connachan, Crieff – Cup Marks and Hut Circle,” in Discovery & Excavation, Scotland, 1967.
The easiest way to get reach here is via the Doubler Stones, which is usually approached either from the long and winding country lanes Silsden-side (you can’t drive all the way and there are hardly any parking spots en route), or from a long walk over the moors. Taking the latter route, probably the easiest is by starting at Whetstone Gate right on the moortop, on the Ilkley-Keighley road. From here, walk west along the footpath by the wallside for more than ½-mile until you reach the West Buckstones. From here, take the footpath NW (not SW) alongside the walling for literally one mile, where a notable angular skewing of three walls appears: keep to the left and walk alongside that wall for another ⅓-mile (0.5km) then climb over the wall and head straight for the small TV mast. The Giant’s Chair’s just below it.
Some time in the mid- to late-1970s, on one of our early ventures to see the legendary Doubler Stones, this great rock outcrop of the Giant’s Chair also, understandably, drew our attention. And, as young fertile teenage lads, we all but flew up onto the top of this great rocky rise with relative ease. Now, nearly fifty years later, I’m unable to climb onto its top without ropes. (sigh….) It’s not easy. Anyhow, when we were on top of this rock as kids, a number of notable cup-markings stood out to us—in no distinct order, as I recall. But on the day of our clambering visit, She was grey and overcast; as She was on the two or three other visits we made to the stone, sitting on its top, fondling the cup-marks and eating our sarnies. All that I ever noticed were the cup-markings.
A few years after my early visits here, John Hedges (1986) wrote about this “very large high rock.” He mentioneed the cup-markings, obviously, but he also mentioned some things that we’d missed, saying that here are,
“Six large shallow worn cups, one with (a) partial ring and another with possible ring. One cup on SW end.”
Single cup-mark (?)One of the cup-and-rings (?), top-left
Sadly, I’ve never seen these rings and, these days, my ageing bones might not allow me back onto its surface to see them. (the expression, “sad bastard” comes to mind!) On a recent visit here with Sarah Walker of Silsden, neither of us could get our useless arses on top! (the photos taken here were done with me stood on top of an adjacent rock, hands held high, trying to get at least some elements of the carving—with a minor bit of success, I think) I take comfort in the fact that when Boughey & Vickerman (2003) subsequently added this carving in their enlarged inventory, that they never got to see them either, as they gave it the completely wrong grid-reference! And so, due to the ineptitude of us old folk, I await some younger and more competent explorers who can climb up on top and send us some good photos of the design, when weather and lighting conditions allow for good imagery. Are there any takers…?
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Deacon, Vivien, The Rock Art Landscapes of Rombalds Moor, West Yorkshire, ArchaeoPress: Oxford 2020.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Acknowledgements: Big thanks to Sarah Walker for helping, albeit unsuccessfully, to scale this old rock to see the cup-and-rings on my last visit here. At least we tried…
Maypole (destroyed): OS Grid Reference – SU 655 781
Archaeology & History
“g” marks the spot!
Very little is known about the history surrounding Whitchurch’s maypole that once stood more than a mile east of the village, somewhere in the woods immediately south of the present-day cannabis-growing Hempem Organics. (damn those hippies!) Mentioned in the Enclosure Acts of 1806 and 1813 as the “May Pole Ground”, the monument was mentioned in the Rev. John Slatter’s (1895) local history work and its approximate location was shown on a hand-drawn map he did of the area, in the grounds north of Hardwick House. He told us that it stood on “an elevated site” and conjectured that it might once have been a place of druidical worship!
“In the centre of the Hardwick property is a plot of ground called the Maypole Piece…. It is an open space, with a tree standing alone, where we may suppose the maypole formerly stood. There is a memorandum made by the last Mrs. Lybbe (nee Isabella Twysden) to this effect:
1713: A maypole set up on ye hill in ye straight way to Collinsend.”
In the event that you manage to discover anything else about the history of this maypole, let us know on our Facebook group.
References:
Gelling, Margaret, The Place-Names of Oxfordshire – volume 1, Cambridge University Press 1953.
Slattter, John, Notes on the History of the Parish of Whitchurch, Elliot Stock: London 1895.
Take the Wells Road from Ilkley centre up towards White Wells, bending to the right as you hit the edge of the moor. Keep along the road, past the old college building with its lake and turn right up Westwood Drive. Keep going all the way up (it becomes Panorama Drive) till you hit the small woodland on your right. Where the woodland ends – stop! Walk into the trees about 10-15 yards and you’ll see the large rocks ahead of you. Brush back the vegetation and you’ll find it.
Archaeology & History
This large flat rock surface has a scattering of archetypal deep cup-markings, with other fainter marks scattered over most of its surface. It sits right next to carving no.232, with its own equally large, naturally worn basins.
Faint cup&ring just visible
It was visited in the 1870s (along with the other Panorama Stones) and subsequently illustrated in the personal sketch-pad of Mr Thorton Dale (we’re hoping to have them scanned in due course for open Creative Commons use) who showed the basic cup-marks and shaped “lines” or footsteps that give this petroglyph its name. Little more was said of it until Hedges (1986) described it in his survey, whose notes were subsequently repeated in Boughey & Vickerman’s (2003) work as being a “medium-sized flat-topped, upstanding rectangular rock. Eight cups, six deep ovals, faint circles and lines on SW end.” One of the most notable cup-and-rings can just be made out near the middle of the stone, on the left-side of one the footprints.
The depth of these incisions in this design strongly suggests that the carving was worked and reworked over many centuries, suggesting utilitarian usage of some kind, be it ceremonial or otherwise. It’s also very unusual inasmuch as elongated footstep-like cuttings are scarcities, not just in Yorkshire petroglyphs, but in prehistoric carvings across Britain. Check it out when you’re next walking up to the Swastika Stone.
References:
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Simply follow the same directions as if you’re going to the Allt Thorrisdail (1) petroglyph, and the large, roughly oval-shaped boulder just a few yards away is the one you’re after. You can’t miss it!
Archaeology & History
This large, earthfast, ovoid ball of rock has a series of cup-marks on three of its curvaceous faces, some of which seem to be natural, with a number of them “enhanced” by human hands at some time in the long long ago….
The main cluster of these cups can be found on its near-vertical western-face: an unusual feature in itself! There are several cups on its southern curve and, further round, low down on the east side of the rock we see a few more of them hiding away. These, too, seem to have been Nature’s handiwork, then enhanced by the hands of wo/men. The carving was described in Hew Morrison’s (1883) work as possessing two groups of cup-marks,
“similar to that on the neighbouring stone, one of eighteen small and one large cup, and another of eleven small marks. There is a solitary mark on the summit of this stone, and its southern face is marked by lines crossing each other, but without any apparent order or design.”
On its northern face we see a large oval hollow, an inch or so deep throughout, that has all the hallmarks of being a primitive face. There is a tradition of such a rock “face” carving somewhere close by, which seems to be lost—and this would seem to be culprit! If you visit the place, let us know what you think!
One feature that stands out at this site is the nearby pyramidal hill whch, I think, had some mythic relationship with the carvings. Impossible to prove, obviously, but the pyramid is such a dominant feature in this landscape that a relationship seems inevitable. I can only echo what I’ve said in the site profile for the adjacent carving here: tis a ritual place indeed – without any shadow of doubt. And I don’t say such things lightly! This place is truly superb!
References:
Mercer, R.J., Archaeological Field Survey in Northern Scotland 1976-1979, University of Edinburgh 1980.
Royal Commission on Ancient & Historical Monuments, Scotland, Second Report and Inventory of Monuments and Constructions in the County of Sutherland. HMSO: Edinburgh 1911.
Acknowledgements: Huge thanks to Sarah MacLean for her company and landscape knowledge in visiting this and other nearby antiquarian sites. And to Aisha Domleo, for getting me into this neck o’ the woods in the first place….where’er She may be….
For those who like a walk: take the route to reach the Swastika Stone and keep walking west along the Millenium Way footpath, past the Piper’s Stone carving and over the next two walls. Then, stagger down the steep hill and head for the large upright near-cuboid block of stone and, once here, walk 30 yards to your east! Alternatively, from the Silsden-side, go along Brown Bank Lane up and past Brown Bank caravan park, and at the second crossroads turn right and travel for exactly 1¼ miles (2km) along Straight Lane (from hereon there’s nowhere to park!) which runs naturally into Moorside Lane, and notice the raised gate entrance into the field on your right. Walk to the top of this field, go through the next gate and, less than 100 yards uphill (south) you’ll find the stone in question.
Archaeology & History
Cup, incomplete ring & line
Rediscovered by Paul Bowers in 2011, this is another one of those petroglyphs that’s difficult to make out unless the light is falling just right across the surface of the stone. Two distinct cup-marks can be seen near the more southern-edge of the stone, one of which has a near-complete, albeit unfinished ring around it, and from this a seemingly carved line runs roughly parallel with the edge of the stone, down towards another equally distinct cup close to the southwestern edge of the rock. Most of the stone is nicely covered in a decent lichen cover, so the design’s a bit difficult to see when the light’s not right. But, if you’ve made it this far, the petroglyph 30 yards to the west will make up for any disappointment you may have!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding Supplement, 2018.
Get up to the Swastika Stone, then head west along the footpath towards the Piper Stone. Shortly before there, you’ll see the small cup-marked Piper’s Crag (3) carving, just by the walling. From this carving, just step a few yards down the slope and on the smooth sloping rock face is this faded carving. You’ll see it.
Archaeology & History
A larger than normal single cup-mark near the bottom slope of this rock has an incomplete ring around its east and southern edges, possibly with another broken element of it on its northern edge. It’s difficult to work out whether or not this is one of Nature’s curious markings and so needs looking at in different lights to work it out, one way or the other. It’s included in Boughey & Vickerman’s (2018) updated rock art survey, but there are a number quite natural cup-marks in that tome, so we need to exercise a little bit of caution here. However, it does seem to have a greater degree of authenticity than some of the other dubious single cup-marked stones in their book. Check it out on your way to the Piper’s Stone.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding Supplement, 2018.
Heading up from Ilkley, follow the directions to reach the Swastika Stone, then keep walking (west) along the footpath to the small clump of trees, and keep walking past them too and keep going along the same path as if you’re heading toward the Piper’s Stone. About 200 yards before reaching it, just where the gate and boundary stone is in the old walling, there’s a small line of crags to the right of your feet and there, at the edge of the path, is the stone in question. You’ll see it (unless it’s a cloudy gray day, in which case you might struggle).
Archaeology & History
The two cup-marks
This is one of a number of cup-marked stones that you’ll find scattering this part of the moor, almost all of which are Nature’s handiwork (a few of these natural carvings have somehow found their way into Keith Boughey’s [2018] updated West Riding rock art book). I’m not 110% certain that this doesn’t have Nature’s name on it either, but it’s got a greater degree of probability to it than some of the others. It’s a simple little thing, as y’ can see, consisting of just the two cup-marks, smaller than usual, living next to each other. If it’s the real deal, we can surmise that it may have been carved by a young person back-in-the-days. In the walling just above this stone you can see the medieval boundary stone, which might—just might—have a prehistoric pedigree to it….
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding Supplement, 2018.
