St. Mary’s Well, Wallingwells, Nottinghamshire

Holy Well:  OS Grid Reference – SK 572 840

Archaeology & History

Old photo of St Mary's Well

Old photo of St Mary’s Well

First mentioned in Pipe Rolls and referred to by the founder of Wallingwells Benedictine Priory (founded around 1150 CE) as ‘juxta fonts et rivum fontium’, the site Wallingwell or originally Waldon-by-the-Wells, may be significant.  The name refers to ‘bubbling wells’, but whether these wells were dedicated appears to be unknown, although it does seem likely.  Indeed, an anonymous article from the Worksop Guardian dated 1929 on the Wallingwell Estate, shows the well arising under a rough stone work arch beside the site of a lake.  Close by, appears to be a grotto of a similar construction. The article states that the grotto was built 250 years (from 1929 this suggests a date of 1679 which appears a little too early for this folly, a date in the 18th century being more likely). This was done by Thomas White using stone from petrified springs in Derbyshire. No reference is made of the well, but one assumes that it was built at the same time, but whether White was constructing a folly around an existing traditional site again is unknown.

Baker (2000) refers to the castle folly but fails to reference these sites suggesting that it had vanished. However, grotto and well still exist in the overgrown and forlorn garden to the back of the house.  The grotto is well-preserved, although signs of ruination are evident and the urn within has gone.

The internal brickwork

The internal brickwork

The overgrown well

The overgrown well

St. Mary’s Well is the most ruined. The archway appears to have fallen or been knocked down but the channel or basin the spring flows into still exists. Observation underneath a flattened stone covering the channel show that the spring flows from a pipe further up and under a series of neat brick arches. It is clear that the well structure was never accessible as it abutts onto the Lake, but was designed to be seen from the other side of the Lake. This view now is difficult due to the considerable plant growth obscuring the sites. It is good to see that the well still exists and hopefully the garden could be restored.

Extracted from R. B. Parish (2009) Holy Wells and Healing Springs of Nottinghamshire

Links:

  1. Holy & Healing Wells

© R.B. Parish, The Northern Antiquarian


Hawklemass Well, Whittingham, Northumberland

Healing Well:  OS Grid Reference – NU 0683 1228

Archaeology & History

Hawklemass Well on 1866 map

Hawklemass Well on 1866 map

References to this site seem very scarce.  A well is highlighted on the 1866 OS-map of the region close to the spot which D.D. Dixon (1895) said it was found, “near to the Howbalk Lane end, where is also the Hawklemass Stile and Hawklemass Well.”  A stone trough could once be seen here, but its presence today needs to be confirmed by local researchers.  The site is listed in Binnall & Dodds (1943) survey, but with no additional comments to those made by Mr Dixon.

Folklore

The historian D.D. Dixon (1895) told that the village of Whittingham only had one ghost, but it was known as the “Hawklemass Ghost” and was occasionally encountered at the Hawklemass Well:

“This was a place never passed after nightfall by the youth of the village without feeling an eerie, creepy sensation, and with many a furtive glance on either side.  This unearthly visitant, in its gambols and uncanny pranks, was said to rattle the chain by which it was supposed to be bound in a fearsome manner.  It was usually seen or heard by persons who, having lingered long at the village inn, could say with Tam o’ Shanter,

“While we sit bousing at the nappy,
An gettin’ fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps and styles,
That lie between us and our hame.”

One Saturday night many years ago—perhaps fifty—a poor fellow on his way from Whittingham to Glanton fel into the roadside at Hawklemass, where he was found, quite dead, the next morning by some persons on their way to Glanton meeting.  This sad affair may have given rise to the tradition of the Hawklemass Ghost.”

The name of the old lane at whose junction the Hawklemass Well once flowed, ‘Howbalk Lane’, may derive from a lost tumulus, as the word how (and its variants) regularly relate to prehistoric mounds in our more northern climes.  Such an ancient tomb, close to the well, may be the origin of the ghost story.

References:

  1. Binnall, P.B.G. & Dodds, M.H., “Holy Wells in Northumberland and Durham – part 2”, in Proceedings of the Society of Antiquaries Newcastle-upon-Tyne, 10:2, 1943.
  2. Dixon, David Dippie, Whittingham Vale, Northumberland, Robert Redpath: Newcastle 1895.

Acknowledgements:  With thanks to Gill Rutherford for prompting me to finish this; and to Claire Heron for the OS-map reference.

© Paul BennettThe Northern Antiquarian


Strand Maypole, Westminster, London, Middlesex

Maypole (destroyed):  OS Grid Reference – TQ 3073 8092

Archaeology & History

This huge traditional monument was once a sight to behold!  It stood close to where an ancient stone ‘cross’ once lived.  But—alas!, with the intrusion of the incoming christians bringing a profane ‘religion’ that belongs to countries far from here, its destruction was imposed.  They destroyed so many of our ancient monuments with their hatred and ignorance… But thankfully we have some good accounts of this long-forgotten relic of London’s real history.

In A.R. Wright’s (1938) account of it, he called this “the most famous maypole in England” and it stood taller than even the great maypole that’s still raised at Barwick-in-Elmet, in Yorkshire.

There seems to have been three maypoles on this same site – the first of which was standing before the destruction of Strand’s ancient cross, where local jurisdictions and early village meetings took place.  We don’t know the date when the first maypole was erected, but it was shown on a local plan of the area “which Anthony van den Wyngaerde issued in 1543…in front of the old church of St. Mary le Strand, which was demolished in 1549.”   According to Mr Hone (1826), it could be found a door or two westward beyond “where Catherine Street descends into the Strand.”

In Edward Walford’s (1878) massive tome, he gave us perhaps the best and most extensive account of the site, telling:

“The Maypole, to which we have already referred as formerly standing on the site of the church of St. Mary-le-Strand, was called by the Puritans one of the “last remnants of vile heathenism, round which people in holiday times used to dance, quite ignorant of its original intent and meaning.” Each May morning, as our readers are doubtless aware, it was customary to deck these poles with wreaths of flowers, round which the people danced pretty nearly the whole day.  A severe blow was given to these merry-makings by the Puritans, and in 1644 a Parliamentary ordinance swept them all away, including this very famous one, which, according to old Stow, stood 100 feet high.

On the Restoration, however, a new and loftier one was set up amid much ceremony and rejoicing. From a tract printed at the time, entitled The Citie’s Loyaltie Displayed,’ we learn that this Maypole was 134 feet high, and was erected upon the cost of the parishioners there adjacent, and the gracious consent of his sacred Majesty, with the illustrious Prince the Duke of York:

“This tree was a most choice and remarkable piece; ’twas made below bridge and brought in two parts up to Scotland Yard, near the king’s palace, and from thence it was conveyed, April 14, 1661, to the Strand, to be erected. It was brought with a streamer flourishing before it, drums beating all the way, and other sorts of musick.  It was supposed to be so long that landsmen could not possibly raise it.  Prince James, Duke of York, Lord High Admiral of England, commanded twelve seamen off aboard ship to come and officiate the business; whereupon they came, and brought their cables, pullies, and other tackling, and six great anchors. After these were brought three crowns, borne by three men bareheaded, and a streamer displaying all the way before them, drums beating and other musick playing, numerous multitudes of people thronging the streets, with great shouts and acclamations, all day long. The Maypole then being joined together and looped about with bands of iron, the crown and cane, with the king’s arms richly gilded, was placed on the head of it; a large hoop, like a balcony, was about the middle of it.  Then, amid sounds of trumpets and drums, and loud cheerings, and the shouts of the people, the Maypole, ‘far more glorious, bigger, and higher than ever any one that stood before it,’ was raised upright, which highly did please the Merrie Monarch and the illustrious Prince, Duke of York; and the little children did much rejoice, and ancient people did clap their hands, saying golden days began to appear.”

A party of morris-dancers now came forward, “finely decked with purple scarfs, in their half-shirts, with a tabor and a pipe, the ancient music, and danced round about the Maypole.”

The setting up of this Maypole is said to have been the deed of a blacksmith, John Clarges, who lived hard by, and whose daughter Anne had been so fortunate in her matrimonial career as to secure for her husband no less a celebrated person than General Monk, Duke of Albemarle, in the reign of Charles II., when courtiers and princes did not always look to the highest rank for their wives.

…Newcastle Street, at the north-east corner of the church of St. Mary-le-Strand, was formerly called Maypole Alley, but early in the last century was changed to its present name, after John Holles, Duke of Newcastle, the then owner of the property, and the name has been transferred to another place not far off. At the junction of Drury Lane and Wych Street, on the north side, close to the Olympic Theatre, is a narrow court, which is now known as Maypole Alley, near which stood the forge of John Clarges, the blacksmith, alluded to above as having set up the Maypole at the time of the Restoration.

As all earthly glories are doomed in time to fade, so this gaily-bedecked Maypole, after standing for upwards of fifty years, had become so decayed in the ground, that it was deemed necessary to replace it by a new one.  Accordingly, it was removed in 1713, and a new one erected in its place a little further to the west, nearly opposite to Somerset House, where now stands a drinking fountain.  It was set up on the 4th of July in that year, with great joy and festivity, but it was destined to be short-lived. When this latter Maypole was taken down in its turn, Sir Isaac Newton, who lived near Leicester Fields, bought it from the parishioners, and sent it as a present to his friend, the Rev. Mr. Pound, at Wanstead in Essex, who obtained leave from his squire, Lord Castlemaine, to erect it in Wanstead Park, for the support of what then was the largest telescope in Europe, being 125 feet in length.  It was constructed by Huygens, and presented by him to the Royal Society, of which he was a member. It had not long stood in the park, when one morning some amusing verses were found affixed to the Maypole, alluding to its change of position and employment. They are given by Pennant as follows:

“Once I adorned the Strand,
But now have found
My way to Pound
On Baron Newton’s land;
Where my aspiring head aloft is reared,
T’ observe the motions of th’ ethereal Lord.
Here sometimes raised a machine by my side,
Through which is seen the sparkling milky tide;
Here oft I’m scented with a balmy dew,
A pleasant blessing which the Strand ne’er knew.
There stood I only to receive abuse,
But here converted to a nobler use;
So that with me all passengers will say,
‘I’m better far than when the Pole of May.'”

Along with the Strand Cross, this old maypole would have been on the ancient ley (not one of those ‘energy lines’ invented by New Age fantasists) that was first described first by Alfred Watkins (1925)—running from St. Martins-in-the-Field to St. Dunstan’s in Fleet Street. The alignment and maypole was subsequently described in greater detail in Devereux & Thomson’s (1979) work on the same subject, and again by Chris Street. (2010)

The nature of the maypole (and the nearby cross, it has to be said), may have been representative of an omphalos in early popular culture (before the christians of course)—which would put the original ritual function of the place far far earlier than is generally considered.  This is something that Laurence Gomme (1912) propounded in one of his London works and cannot be discounted.

References:

  1. Allen, Thomas, The History and Antiquities of London, Westminster, Southwark – volume 4, Cowie & Strange: London 1829.
  2. Devereux, Paul & Thomson, Ian, The Ley Hunter’s Companion, Thames & Hudson: London 1979.
  3. Eliade, Mircea, Patterns in Comparative Religion, Sheed & Ward: London 1958.
  4. Gomme, Laurence, The Making of London, Clarendon: Oxford 1912.
  5. Hone, William, The Every-Day Book – volume 1, William Tegg: London 1826.
  6. Street, Christopher E., London’s Ley Lines, Earthstars: London 2010.
  7. Walford, Edward, Old and New London – volume 3, Cassell, Petter & Galpin, London, 1878.
  8. Watkins, Alfred, The Old Straight Track, Methuen: London 1925.
  9. Wright, A.R., British Calendar Customs: England – volume 2, Folklore Society: London 1938.

© Paul BennettThe Northern Antiquarian 


Panorama Woods (228), Ilkley, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 11468 47288

Also Known as:

  1. Carving no.100 (Hedges)
  2. Carving no.228 (Boughey & Vickerman)

Getting Here

Panorama Stone 228, with cups highlighted (after James Elkington)

Come out of Ilkley/bus train station and turn right for less than 50 yards, turning left up towards White Wells.  Go up here for less than 100 yards, taking your first right and walk 300 yards up Queens Road until you reach the St. Margaret’s church on the left-hand side.  On the other side of the road, as well as a bench to sit on, surrounded by trees is a small enclosed bit with spiky railings with Panorama Stones 227, 228 and 229 all therein: the one in the centre being the one we’re dealing with here.

Archaeology & History

Originally located ¾-miles (1.2km) WSW of its present position in Panorama Woods (at roughly SE 10272 46995), along with its petroglyphic compatriots in this cage, the carving was moved here in 1890 when a Dr. Little—medical officer at Ben Rhydding Hydro—bought the stones for £10 from the owner of the land at Panorama Rocks, as the area in which the stones lived was due to be vandalized and destroyed. Thankfully the said Dr Little was thoughtful and as a result of his payment he had some of the stones saved and moved into their present position.  However, this carving is but a fragment of its former self.

John Hedges 1986 sketch
Close-up of cups (James Elkington)

It was originally to be seen within a large prehistoric enclosure—which was completely destroyed when rich houses were built hereby, without any evaluation of the site ever being made.  But particularly impressive is the fact that this now enclosed sedated stone carving was originally the large rocky base for a small rocking stone, which also had cup-markings on it and a faint cup-and-ring.  This is very unusual indeed – and perhaps unique in Britain?  Thankfully, several Victorian antiquarians visited and made notes and a sketch of the site before it was uprooted and a large section of it destroyed.  In J. Romilly Allen’s article (1879) he told that, just a couple of yards from the more famous and ornate Panorama Stone (229), a

“second stone is of irregular shape, measuring 15ft by 12ft, and supporting a smaller stone of triangular shape 6ft long by 4ft broad.  Both upper and under stone are covered with cups and rings, but the sculptures have suffered much from exposure.  The superimposed rock has eleven cups, two of which are surrounded by rings.  The under stone has 42 cups, nine of which have rings.  Amongst these are two unusually fine examples, one has an oval cup 5in by 4in, surrounded by two rings, the diameter of the outer ring being 1ft 3in.  Another has a circular cup 3in diameter, and five concentric rings, the outer ring being 1ft 5in across.”

J.T Dales 1878 sketch, with CR227 on top of it
Original location of stone

In a sketch of the site by J. Thornton Dale done about the same time as Allen’s visit, and reproduced here (apologies for the poor quality), the “five concentric rings” that Mr Allen mentioned are not shown, but clearly a spiral design had been seen by Mr Dale’s eyes.  Fascinating…. The large mass of carvings immediately left of the spiral is in fact the smaller upper stone known by modern archaeologists as carving 227.

Today, all we can see of this petroglyph are two cup-and-rings, and one faint double-cup-and-ring; several incomplete rings or arcs, and at least another 30 single cup-marks, some of which have short limes running to or from them.  The rest of original stone base with its other multiple rings or spiral design were obviously destroyed.

As with many of the Ilkley carvings, Boughey & Vickerman’s (2003) description barely does the stone justice.  They described it simply:

“Large rock, now set in concrete base, the surface rapidly deteriorating.  Over forty cups, three with single rings, one showing traces of a second, grooves.”

The mightily impressive Panorama 229 carving sits next to this one and is truly worth checking out!

References:

  1. Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of British Archaeological Association, volume 35, 1879.
  2. Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
  3. Bennett, Paul, Aboriginal Rock Carvings of Ilkley and District, forthcoming.
  4. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  5. Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
  6. Downer, A.C., “Yorkshire Archaeological and Topographical Association,” in Leeds Mercury, August 28, 1884.
  7. Hadingham, Evan, Ancient Carvings in Britain, Souvenir Press: London 1974.
  8. Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  9. Heywood, Nathan, “The Cup and Ring Stones of the Panorama Rocks”, in Transactions Lancashire & Cheshire Antiquarian Society, Manchester 1889.
  10. Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

Acknowledgements With huge thanks to both Dr Stefan Maeder for help in cleaning up the stones; and to James Elkington for taking the photos and allowing ’em for use them in this site profile.

© Paul Bennett, The Northern Antiquarian


Abbey Craig, Stirling, Stirlingshire

Hillfort:  OS Grid Reference – NS 8094 9566

Also Known as:

  1. Canmore ID 47113
  2. Wallace Monument Fort

Getting Here

Abbey Craig on 1866 map

Most folk visiting here are coming from Stirling city.  There are various buses to get here, which head out over Stirling Bridge along Causewayhead Road (the A9) for half-a-mile where, at the roundabout and the William Wallace pub, go straight across up the minor road, zigzagging back on itself, until you reach the signs for the Wallace Monument.  Follow the well-defined footpath and, once on top of the hill, walk round the back of the mightily impressive tower.

Archaeology & History

Located right where the impressive Wallace Monument proudly stands, this prehistoric precursor to Sir William Wallace’s memory was where Scotland’s legendary hero and his men cast a clear and easy view over Bannockburn, where the halfwit english came for a fight—and deservedly lost!   The structures that used to be inside the now denuded hillfort would, no doubt, have been used by Wallace’s men; but much of those prehistoric remains have now been destroyed.  The visible remains of the fort can be seen round the back of the Wallace Monument: elongated rises of overgrown walling that run almost all the way round, getting slightly higher as you approach the more northern edges, like a semi-circular enclosure.

Royal Commission plan
Abbey Craig – and the great Wallace Monument

The site was described very briefly in William Nimmo’s (1880) early survey of the area, where he told that in 1784, “eleven brazen spears were found on the Abbey Craig, by a Mr Harley”, which he thought came from the time when the earlier ‘castle’ stood here.  He was probably right.  Many years later, the prehistoric remains were included in the county survey of archaeological sites by the Royal Commission lads (1963), who told that, near the north end of the summit of Abbey Craig,

“there is a fort which has been damaged by the construction within it of the Wallace Monument.  All that remains is a substantial turf-covered bank, cresentic on plan and 260ft in length, the ends of which lie close to the brink of the precipice that forms the west face of the hill.  The bank stands to a maximum height of 5ft above the level of the interior and presumably represents a ruined timber-laced wall, since numerous pieces of vitrified stone have been found on the slopes immediately below it.

The entrance to the fort presumably lay between one end of the bank and the lip of the precipice, but both the areas concerned have been disturbed by the construction of the modern approaches.  The interior of the fort measures about 175ft from north to south, by about 125ft transversely and the interior is featureless.”

The fort was probably built sometime in the early Iron Age; so the next time you visit this fine spot, check the remains out round the back of the tower—and remember that our ancestors were living up here 2500 years ago!

References:

  1. Aitchison, N.B., “Abbey Craig Rampart’, in Discovery & Excavation, Scotland, 1981.
  2. Feacham, Richard W., Guide to Prehistoric Scotland, Batsford: London 1977.
  3. Hogg, A.H.A., British Hill-Forts: An Index, BAR: Oxford 1979.
  4. Nimmo, William, The History of Stirlingshire – volume 1 (3rd edition), T.D. Morison: London 1880.
  5. Royal Commission on the Ancient & Historical Monuments Scotland, Stirling –  volume 1, HMSO: Edinburgh 1963.
  6. Royal Commission on the Ancient & Historical Monuments of Scotland, Archaeological Sites and Monuments of Stirling District, Central Region, Society of Antiquaries of Scotland 1979.

© Paul Bennett, The Northern Antiquarian


Clach na Foinne, Glen Lochay, Perthshire

Legendary Stone:  OS Grid Reference – NN 50 38

Also Known as:

  1. Clach an Dlogh
  2. Wart Stone

Archaeology & History

Wart Stone, looking south

There is no written history of this site; only the quiet murmurings of a few locals whose families go back to when the english came and destroyed the people and their lives in the 18th and 19th century in the ethnic cleansing we known as The Clearances.  As with the Darach nan Sith (the Oak of the Fairies) a few miles away, the local traditions were lost, and ancient monuments destroyed.  Thankfully, due to the remote location of this site, its status remains….

It is found 2000 feet up, near an old derelict village (english academic romancers term it as ‘sheilings’).  An ancient track and stone bridge runs over the burn nearby, place-names evidence tells of a prehistoric tomb a few hundred yards west, and there’s a dispersal of forgotten human evidences scattering the south-side of the mountain all along here.  The clach (stone) sits on the very top of a large earthfast rock; is an elongated loaf-sized smooth red-coloured stone, about 14 inches long and 8 inches wide, and of a different type and much heavier than the local rock hereby.  It is said to have been a healing stone, used in earlier times to cure warts and other ailments.

Folklore

The Wart Stone itself

My first venture here was, like many in this area, amidst a dreaming.  Those who amble the hills properly, know what I mean.  I cut across the mountain slopes diagonally, zigzagging as usual, always off-path, resting by mossy stones and drinking the waters here and there.  My nose took me to the mass of giant rocks hedging into the higher regions of Allt Ghaordaidh: a pass betwixt the rounded giants of Meall Ghoaordie and Meall Cnap Laraich, where only eagles and Taoist romancers might roam.

The great rock comes upon you pretty easily.  Approaching it for the first time I wondered whether there might be petroglyphs on or around it, but the rich depth of lichens and its curious crowning elongated stone stopped any further thought on the matter.  The setting, the eagles, the colour of day and the fast waters close by, stole all such thoughts away.  In truth I must have walked back and forth and near-slept below the place for an hour or two before I gave way to rational focus!  And then my  curiosity got even more curious.

“This must be the place,” I mused, several times.

As you can see in the photo, a large natural earthfast boulder, six feet high or more, like a giant Badger Stone covered in centuries of primal lichens, has a large deep red-coloured stone on its very crown.  The stone is unlike any of the local rock and is very heavy.  I found this out when trying to prize it from its rocky mount, dislodging it slightly from the seeming aeons of vegetation that held it there.  But the moment I moved it, just an inch or so above its parent boulder, a quiet voice inside me rose sharply into focus.

“You shouldn’t have done that!”

The Wart Stone. looking east

Quickly I set it back into place, shaking my head at what I’d done.  One of those curious feelings you get at these places sometimes wouldn’t leave me, however much I tried to shake it off.  …Silly though it may sound, the echoes inside kept saying over and over to me, “you’re gonna get warts now you’ve done that!” Logically, of course, that made no sense whatsoever.  I’d only ever had one wart in my life, a couple of decades ago.  And yet, a few days later, one of the little blighters emerged on my finger!  So there was only one thing for it!  If this was a Wart Stone, I should revisit it again and place my afflicted finger back onto the wart and ask it to be taken back into the stone.

A week or so later, I clambered all the way up the mountainside again and asked the place to forgive my stupidity and take back the wart.  Apologising to the spirit of the stone, I rubbed my finger on the curious coloured rock and, I have to be honest, didn’t know what to expect.

I spent the next few hours meandering here and there over the hills and cast the thought of the Wart Stone back into my unconscious.  But a few days later it had started shrinking – and within a week, had completely gone!  This faint relic of an older culture, this Clach na Foinne had performed its old ways again, as in animistic ages past…

© Paul BennettThe Northern Antiquarian 


Lochay Woods, Killin, Perthshire

Cup-and-Ring Stone:  OS Grid Reference – NN 54125 35388

Also Known as:

  1. Canmore ID 274203

Getting Here

The stone in question

Going out of Killin towards Kenmore on the A827 road, immediately past the Bridge of Lochay Hotel, turn left.  Go down here for just over 2 miles and park-up where a small track turns up to the right, close to the riverside and opposite a flat green piece of land—right by The Green cup-marked rock-face.  Walk up the small bendy track for about ⅔-mile (1km) and eventually, high above the tree-line, the road splits.  Right here, go through the gate and walk downhill, over the boggy land, cross the burn, then the overgrown wall, and a second overgrown wall.  Very close hereby is a small rise in the land amidst the mass of bracken, upon which is the stone in question!

Archaeology & History

Close-up of some cups

This large long, undulating, quartz-rich stretch of rock has two main petroglyphic sections to it, with curious visual sections of natural geological forms accompanying the cup-markings, found either side of the stone on its north and south sides.  Its northern face has at least 20 cup-marks, of differing sizes, measuring between one and two inches across and up to half-an-inch deep.  Their visual nature is markedly different to those on the more southern side of the stone, where they are generally smaller and much more shallow, perhaps meaning they were carved much earlier than their northern counterparts. One of the cups on this section has a very faint incomplete ring around it.

Running near the middle of the rock is a large long line of quartz and a deep cleft in which I found a curious worked piece of quartz shaped like a large spear-head, and another that looks like it’s been deliberately smoothed all round the edges.  Both these pieces fit nicely in my hand.  All around the edges of the stone, many tiny pieces of quartz were scattered, as if they had been struck onto the stone—either to try carving the cups (damn problematic!), or for some visual/magickal reason.

© Paul Bennett, The Northern Antiquarian

Bury Lane (east), East Morton, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 09373 42410

Also Known as:

  1. Carving 51 (Hedges)
  2. Carving 91 (Boughey & Vickerman)

Getting Here

Cup-marked stone, East Morton (photo thanks, Sue Patchett)

From the expanding village of East Morton, by the school at the west-end of the village, walk up the narrow Street Lane for nearly 600 yards, past the houses, until you reach a footpath on your left that takes you across the fields.  Walk along here (following the line of walling) for 250 yards, then, take a sharp left and down the field for 55 yards (50m) until, right beneath the power lines, you’ll find the rock in question.

Archaeology & History

This is one in a small, little-known cluster of  petroglyphs on the western outskirts of East Morton.  It is located at the base of what are thought to be remnants of Iron Age walling.  Carved onto an elongated earthfast stone are a number of very well-preserved cup-marks, with what seems to be a faint carved pecked line running out from one of the southernmost cup-marks and curving back on itself (we could do with a good sketch artist getting us a good drawing of this).  You can see this faint line on the far-left side of the stone in Sue’s photo above.

Hedges 1986 sketch

The petroglyph was rediscovered by the northern antiquarian Stuart Feather (1959) in one of his many sojourns exploring the prehistoric remains of the area.  In John Hedges’ (1986) survey, the carving was described simply as:

“Triangular smooth grit rock with fairly flat top on which are twenty cups, not all clear, some large and oval, a few grooves.”

Boughey & Vickerman’s survey (2003) made no note of any  additional features on the petroglyph.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Feather, Stuart, “Bronze Age Rock Carvings,” in Keighley News, March 7, 1959.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
  4. Jackson, Sidney, “Massive Walling at East Morton,” in Cartwright Hall Archaeology Group Bulletin, 5:9, 1960.
  5. Jackson, Sidney, “East Morton Ancient Walls,” in Cartwright Hall Archaeology Group Bulletin, 6:9, 1961.

Acknowledgements:  Huge thanks to Sue Patchett for use of her photo.  

© Paul Bennett, The Northern Antiquarian 


Stratford St. Mary Cursus, Suffolk

Cursus Monument:  OS Grid Reference – TM 0486 3433

Archaeology & History

Faint flat outline of SE end + ancient circular enclosure

This short and dead straight cursus monument was first described in John Hedges’ (1981) survey, and later mentioned in Harding & Lee’s (1987) corpus on British henges as being in conjunction with a series of circular prehistoric monuments (three circular enclosures existed beyond its southeast and one to its northeast edges, one of which is visible in the aerial image, right).

Cursus ground-plan (courtesy Suffolk Institute Archaeology)

Most of the monument has been completely destroyed by roads and housing, but when complete was said to be 317 yards (290m) long, running from the southeast to the northwest.  The flattened southeastern edge measures nearly 63 yards (57.3m) across, and its northernmost width was close to 65 yards (60m) wide.

In Patrick Taylor’s (2015) assessment of this (and other monuments) he thought that the cursus may have served an astronomical function.  He may be right.  It’s alignment, he told,

“has a very clear orientation 38.5º north of grid west.  This represents an amplitude from true west of 40.9º.  Allowing for a latitude of 51.97º and altitude of 0.95º, adjusted downwards for refraction to 0.50º, we get from (Alexander) Thom’s table a declination for a body setting to the northwest of 24.15.º  This is only 0.23º, just less than half the width of the sun’s disc, more than the sun’s maximum declination in Neolithic times of 23.92º.  The alignment thus points rather accurately towards the upper limb or last setting point of the sun.”

Faint remnants of a second cursus monument have been discovered 400 yards to the east.

References:

  1. Harding, A.F. & Lee, G.E.,, Henge Monuments and Related Sites of Great Britain, BAR 175: Oxford 1987.
  2. Hedges, John D. & Buckley, David, Springfield Cursus and the Cursus Problem, ECC 1981.
  3. Last, Jonathan, “Out of Line: Cursuses and Monument Typology in Eastern England,” in Barclay & Harding’s Pathways & Ceremonies, Oxbow: Oxford 1999.
  4. Martin, Edward A., “When is a Henge not a Henge?” in Proceedings of the Suffolk Institute for Archaeology & History, volume 35, 1981.
  5. Taylor, Patrick, Timber Circles in the East, Polystar: Ipswich 2015.

AcknowledgementsMany thanks to the Suffolk Institute of Archaeology and History, for use of their ground-plan diagram from Edward Armstrong’s article, ‘When is a Henge Not a Henge?’ 

© Paul BennettThe Northern Antiquarian


Moirlanich (1), Killin, Perthshire

Cup-Marked Stone:  OS Grid Reference – NN 56404 34148

Getting Here

‘Moirlanich 1’ stone

Take the same directions as if you’re going to the nearby Moirlanich 2 Carving (about 550 yards down Glen Lochay, on the north side of Killin). In the same field, about 150 yards northwest of Moirlanich 2, you’ll see another large rock close to the wall.  That’s the spot!

Archaeology & History

Cup-marks highlighted

Looking down upon the River Lochay, with views east and west along the glen, here we find a carved rock that’s probably of interest only to the petroglyphic purists amongst you.  Two simple cup-markings, about 5 inches apart, can be seen etched into the slightly sloping southern-face of this small rocky outcrop.  The sacred mountain of the Creag na Cailleach rises to the immediate north.

© Paul BennettThe Northern Antiquarian