Until we’ve isolated this site, it’s difficult to suggest an age for it. It’s an all-but forgotten grave of some sort, last mentioned by John Clough (1886) in his rare work on Steeton township. Although the folklore indicates some medieval date here, the site may have been a prehistoric tomb, as it was located in the same valley a mile east of another little-known prehistoric burial at Crosshills. Mr Clough wrote the following of the site:
“Until AD 1790 the road to Kildwick would be down Pot Lane and past ‘The Lion’. Near a field, now called Nanny Grave Hill; there were four land ends; there are three lane ends yet; there was what i’s called Devil’s Lane, the lanes towards Eastburn and Steeton, and Wood Street… The junction of these four lane ends is the scene of one of Steeton’s tragedies. At this place is buried a suicide called Nanny, with “a stake in her inside.” Some people point out the mound under which she’s buried. When the suicide took place isn’t known, but it would certainly not occur later than the 17th century.”
But there are no records telling of the said ‘nanny’ and her death, nor archaeological accounts of any excavations hereby. The epithet nanny is sometimes used in northern counties to mean a witch, and although we have no remaining lore telling of such a character, the old name Devil’s Lane certainly infers some pre-christian or supernatural history hereby, common to many ancient burial mounds throughout Britain and across the world. Also a burial at an old crossroads is another heathen indicator; and the legend of the body having “a stake in her inside” is highly suggestive of further archaic death rituals, fixing the spirit of the dead at the site to prevent transmigration of any form, effectively ending the lineage of shaman or other heathen priestess. Any further information about this site would be most welcome.
…to be continued…
References:
Clough, John, History of Steeton, S. Billows: Keighley 1886.
Takes a bitta finding this one! Take the B6265 road north out of Skipton, and about a mile along, turn left up the small road to Stirton village. But once on the level and the open countryside opens to your right, where there’s a notable bend in the road and a track goes up into the field, stop! Walk up past the closed fields and, where the open country starts, veer to the left track (not up the official footpath). Keep walking up here till you’re approaching the bend in the old walling; but veer into the grasses, right, about 50 yards before it. Good luck!
Archaeology & History
Very recently, Mr Paul Hornby called us to come and check a number of features he’d come across on a portion of open countryside not far from Skipton. At the very least it was gonna be a nice day out, ambling abaat and seeing some potentially new prehistoric sites — and we weren’t to be disappointed!
Close-up of cupsSingle cup-mark nearby
Although this site aint much to write home about, it is found close to a number of other recently rediscovered prehistoric features. Upon a fairly large stone a coupla hundred yards east of a supposed tumulus to the southern ridge of Sharp Haw, we find an arc of three cup-markings on the rock’s northeastern face, with a possible fourth cup along the same line (though I aint sure misself). And that’s it I’m afraid. Nowt else. (and I’ll try getting some better images when we’re next up there) Another stone nearby to the west has a near-perfect single cup-marking on its flat surface.
ACKNOWLEDGEMENTS:
Huge thanks to Paul Hornby for the use of his photos!
This little known site, long since destroyed during the construction of Keighley Railway Station, was found in a curious spot, close to the bottom of the Aire Valley. Most (known) prehistoric burials occur on the higher grounds in this area. And though we don’t appear to have the exact location of the find, it was pretty close to either side of Keighley’s old railway station (which is shown as 100 yards to the other side of the road of the present station on the 1852 OS map). This may position the site as being on the grounds opposite and below St. Anne’s Church; otherwise it was getting closer to where the River Worth runs by. In Keighley & Holmes’ early (1858) work they told that,
“Whilst excavating for the Railway within about a hundred yards of the Keighley station, one of the labourers discovered three urns containing a quantity of human bones. Two of them were unluckily broken, one being large enough to hold eight or nine quarts. The one brought away whole, and seen by the present writer, may hold about a quart; it is somewhat distastefully designed, moulded by hand out of the common clay, without glaze, and rudely ornamented on the outside by some sharp implement. The once animated contents of each urn were covered by a square flat stone.”
This final remark seems to indicate the urns were located in a cist (a small stone grave), but we don’t know whether this was found within the remains of a denuded tumulus or stone cairn. However, considering the lack of any remarks about a large pile of stones (which would have been very noticeable) covering this burial site, it would seem more probable that this site was originally an earth-covered tumulus, whose visibility and knowledge had long since diminished in this part of Airedale.
References:
Keighley, William & Homes, Robert, Keighley, Past and Present, R. Aked: Keighley 1858.
Go northwest along the country lane running between High Utley (on the outskirts of Keighley) and Steeton known as Hollins Lane, which then becomes Hollins Bank Lane. You’ll see the fine castle building as you go along, known simply as The Tower arising from the top of the tree-line. As you get to the driveway leading down to the Tower, a less impressive farm building is on the other side of the road, known as Hollins Bank Farm. On the right-hand side of this house is an old overgrown road. Walk along here to the end, going into the field immediately left where a small group of stones can be seen halfway up the field by the tree. You’re here!
Archaeology & History
First discovered one sunny afternoon on April 7, 2010, in the company of Buddhist scholar Steve Hart, this is a really curious carving, inasmuch as it seems to have been deliberately carved around what may be curious naturally eroded cup-forms. You’ll have to visit it to see what I mean. They’re a bit odd. Almost too perfect as cups to be the ancient eroded ones we’re used to looking at. But this aside….
…and againDragon Stone, looking NW
It’s a lovely flat stone, with curvaceous lines running across the middle and edges and into cup-markings. Although some of the cups give an impression of being natural, others have the authentic-looking ring to them, with at least one of them possessing a near-complete ring encircling it (as you can faintly see in the close-up photo here). There are at least 19 cup-markings on this stone, and four main ‘lines’ running roughly in north-south directions, with the cups interspersed between them. At the top (north) end of the rock, separated by a crack, the lines stop and we just have some cup-markings. The crack in the stone may have been functional here.
Although graphically different, the carving has a similar feel in design (for me at least) to that of the Wondjina Stone at Rivock Edge, on the other side of the Aire Valley a couple of miles east of here — though this newly found carving is in a better state of preservation. The small scatter of rocks around it seem to have been unearthed or moved recently by the land-owner (who aint keen on you looking on his land, so be careful) and the good state of preservation may be that they were only unearthed sometime this century. We must also keep in consideration that the lines that run across the surface of this stone are water-lines and may be more the result of Nature’s hand than humans. It’s obvious that some human intervention has occurred here, but it may be difficult to ascertain the precise degree of affectation between the two agencies.
Close-up of cups & lines
According to the archaeological record-books there are no carvings here, but another simple cup-marked stone accompanies this more extravagant serpentine design just a few yards away; a simple cup-marked stone may be seen at the top of the hill; and the faint Currer Woods carving can be found 0.68 miles (1.09km) due west of here, on the other side of the small valley. Other outcrop stones scatter the fields and slopes here, some of which still need checking to see whether or not further carvings exist.
…And for those who may bemoan my seemingly romantic title of the carving: remember! — close by in Steeton township, between the years 1562 and 1797, there was an old field-name known well to local folk, of “one parcel of arable land in town field called Drakesyke, 3 acres”, i.e., the dragon’s stream or dyke. (Gelling 1988; Smith 1956)
References:
Clough, John, History of Steeton, S. Billows: Keighley 1886.
Gelling, Margaret, Signposts to the Past, Phillimore: Chichester 1988.
Smith, A.H., English Place-Names Elements – 2 volumes, Cambridge University Press 1956.
Takes a bitta getting to this spot, but it’s worth the effort! Make a day of it and walk up here via the little-known Cuckoo Stones monoliths. From here the walk gets steeper! Follow the footpath from the standing stones, uphill, to the legendary Wuthering Heights building of Bronte-fame a half-mile ahead of you. Then walk immediately up the slope at the side of the derelict house higher onto the moor (there’s no real footpath to follow) until the moorland levels out. From here, look west and walk that way for a few hundred yards where you’ll be seeing a large rock outcrop ahead of you. That’s where you’re heading! (if you reach the triangulation pillar, take the small path from there along the top of the moor towards this large rock outcrop)
Archaeology & History
Alcomden’s Altar Stone
To those of you who like a bitta wilderness, or healthy normal people I suppose, this is a stunning place! Even though there’s little by way of archaeology here — save the usual expectations of a few flints and arrowheads — its geomancy, its position in the landscape, makes it excel as a once important ritual site for our ancestors in not-so-distant centuries. Although local tradition gave these great rocks a prehistoric pedigree, the archaeological record doesn’t say as much — but that doesn’t really mean much up here. We’ve found a singular Bronze Age cairn on the level at Middle Moor Flat 400 yards northwest (not in the record books), some prehistoric walling on the flat east of here (not in the record books), so a lot more attention is needed hereby to see what more may be hiding in this rocky heathland area.
The main feature amidst this extensive scattering of rocks is the large rocking stone, said to weigh six- or seven-tons, resting upon other glacial deposits. The rock itself can be made to rock very slightly. It was described in Lewis’ Topographical Dictionary as a
“cromlech, an evident druidical remain, (which) consists of one flat stone, weight about six tons, placed horizontally upon two huge upright blocks.”
But the placement here was done by Nature and not humans — making it much more important to our ancestors. This was a site for solace, for ritual and to commune with the gods themselves. A few visits to this place show this quite clearly — unless you’re unable to relax that is! It’s a place I wanna spend more time working with, as the mythic history around these stones feels strong, despite their absence from written records.
The ‘altar’ resting on rocksAlcomden’s “altar”
The druidic sentiments espoused by Lewis were all but echoed by our otherwise sober historian, J. Horsfall Turner, in his history of Haworth (1879), where he describes the Alcomden Stones as “the remains of a Druid’s Altar.” On top of the main ‘altar stone’ are what could be ascribed as worn cup-markings, but it seems they’re Nature’s handiwork once again; though this wouldn’t deny them as having some significance to our ancestors. A number of other boulders amidst this mass of rocks also have what seem like cup-markings, but none of them can be said with any certainty to have been carved by people. Indeed, the entirety of this legendary rock outcrop seems to have been created solely by the spirits of Nature.
View of Earth, from Alcomden
It was first described as ‘Alconley’ in 1371, then in the 1379 Poll Tax returns as ‘Halcom’, the etymology of which is difficult. Al- is a cliff or rock, many of which occur here; den is certainly a valley, over which we look to the northeast (to Ponden Kirk, 500 yards away); but the central element of ‘com‘ is the greatest puzzle. Blakeborough (1911) tells of the old Yorkshire word ‘con’ — found in the 1371 spelling — meaning “to scan, or observe critically,” which one can certainly apply here in a topographical sense, i.e., “observation stones above a valley.” It’s simple, succinct, and makes sense!
Folklore
As Elizabeth Southwart (1923) rightly said,
“Our forefathers, instinct and imagination more highly developed than knowledge, peopled their woods with fairies and their valleys with ghosts. On the high, wind-swept spaces they built their altars to Unknown Gods.”
Turner’s 1913 drawing
And such she thought was done at this “heap of rocks called Oakenden Stones.” It seems likely, as this place is superb for ritual magick and meditative systems. But all we have are the repeats of numerous old historians, from Whiteley Turner (1913) and his namesake J. Horsfall, to James Whalley, J.W. Parker and more, who recorded what the old locals said: that is was a place of the druids. There may be a grain of truth in it somewhere…
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Blakeborough, Richard, Wit, Character, Folklore and Customs of the North Riding of Yorkshire, W. Rapp: Saltburn 1911.
Parker, J.W., Guide to the Bronte Country, J.W. Parker: Haworth n.d. (c.1971)
Southwart, Elizabeth, Bronte Moors and Villages: From Thornton to Haworth, John Lane Bodley Head: London 1923.
Turner, J. Horsfall, Haworth, Past and Present, Hendon Mill: Nelson 1879.
Turner, Whiteley, A Spring-Time Saunter round and about Bronte Lane, Halifax Courier 1913.
Travel up the B6265 (Skipton to Grassington road) for a mile, watching on the small hills on your left (western) side, and then take the left turn up to Sandy Beck. You can’t miss the place!
Archaeology & History
Rough Haw, looking west
My first view of this place was from the hills east of here, atop of one of the great rock outcrops on the edge of Embsay Moor. The very first impression it gave me was – “That’s a bloody hillfort!”: an obvious worked rounded hill, with ridges typical of such monuments. Subsequent investigation found that there were extensive remains of walling, more typical of the Iron Age period than the neolithic (which some modern archaeologists have proposed), clearly visible around the edges of this great hill. The structure of the site is similar in size and design to the remains at the nearby Horse Close Hill above Skipton, aswell as another (officially unknown) site closer to Keighley. A large overgrown cairn rests on the southern side of the hill, seemingly more of archaic import than a mere clearance or marker point. But I may be wrong…
Very notable at this site are the profusion of springs emerging from all round Rough Haw: the blood of seven such water sources comes from its edges on all sides and would obviously have been of some importance here.
References:
Dixon, John & Phillip, Journeys through Brigantia – volume 1: Walks in Craven, Airedale and Wharfedale, Aussteiger Publications: Barnoldswick 1990.
It is best approached from the track at the side of Weecher reservoir (site of the destroyed Weecher stone circle) on the east side of Rombalds Moor, where you should follow the natural curve of the track till you reach the tiny hamlet of Faweather where, on your right, just in the garden edge, you’ll see this faded old carving. This has only recently been incorporated into the garden (it used to sit on a small triangle of grass where three old tracks meet), but the people living here seem pleasant enough and will let you look at the carving if you ask.
Archaeology & History
Hedges 1986 drawing
Just off the far-eastern edge of Rombald’s Moor and north of Baildon Moor, this faded cup-marked stone might only be for the real fanatics amongst you! I like it though. Described in Sidney Jackson’s rare Bradford archaeology journal, the site was added to Hedges (1986) survey, and the subsequent Boughey & Vickerman’s (2003) work, neither of whom said much about it. It’s a pretty basic carving though, consisting of several cups and lines that run over the top of the stone, some of which seems to be due to natural weathering — it’s hard to say for sure.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, West Yorkshire Metropolitan County Council: Wakefield 1986.
From Skipton centre get to the Horse Close estate on the southern side of the town and look up to the fields on the sloping hill above it with the small woods above ’em. Head up towards the trees, but before you get there go into the fields on your right, and in one of them you’ll see what looks like a pile of rocks near the middle. Head for it!
Alternatively, follow the directions to reach the Horse Close Hill enclosure, then walk down into the field on its western edge. You can’t really miss it!
Archaeology & History
This carving first saw the light of pen-and-paper in the early 1960s, soon after the Yorkshire antiquarian Eric T. Cowling (he of Rombald’s Way fame) was led to the site by his wandering nose and the aid of local people. He sent a letter to the editor of the Bradford archaeology group at the time (a certain Mr Sidney Jackson), which told:
“South-west of the wood which gives its name to the Great Wood Laithe at the western end of Rombalds Moor and overlooking Skipton from the east, is a cup-marked boulder: NGR – SD 99625055. In the middle of the field alongside the wood is an outcrop of rock which has been almost levelled with the adjacent field surface by the dumping of boulders from the surrounding ploughlands.
“The top of the outcrop rises to a dome-shaped projection which bears simple cup-markings. These average two in diameter and total 17 in number. The whole surface of the stone is weathered, and suitable light may reveal more details.”
And, faded though it is, in better lighting conditions it seems there may be more than twenty cup-marks on the rock. Certainly this is what the surveys of Hedges (1986) and Boughey & Vickerman (2003) concluded. There are other carvings close by and, on the hillside immediately above you, the denuded remains of a very impressive prehistoric settlement site known as Horse Close Hill. Well worth having a look at!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, E.T., “Cup-and Ring Boulders,” in Cartwright Hall Archaeology Group Bulletin, 9:5, May 1964.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
To get here, follow the same directions to reach the ornate Lunar Stone. Once here, walk about 20 yards west towards where the brow of the hill begins to slope down. Amble about and you’ll easily find it.
Archaeology & History
This is a fascinating carving. Fascinating, inasmuch as it seemingly keeps changing appearance when Nature moves her daylight hues and whimsical unpredictability betwixt the hills, surrounding landscape and human observer. Depending very much where you stand and when you look at this small rock — dappled with unacknowledged veils of sunlights, grey winds and other natural forces — determines what the stone shows you. This carving as much as any upon this hill shows once again the hugely neglected dynamic between human purveyor and Nature’s powerful subtlety: an organic exchange of moods from stone to man and back again; very much how our ancestors saw things to be…
Pecked lines clearly visible on the far end of the rockCarving from above
For if we were to merely pay attention to what the reference books tell us about this carving (good reference books though they are!), we’d simply be seeing a rock possessing a “cup and partial ring and two other possible cups”, as Boughey & Vickerman (2003) and other students might do. But then, if conditions change, only subtly, and we gaze instead of study, other things can emerge. And just such a thing happened when we came here yesterday…
On my first visit here I could only see a single cup-marking, with another ‘debatable’ close by. The light of day wasn’t quite right it seemed. But when we visited here yesterday, the sun, the light, the land and our ambling minds saw much more unveiled from this old grey surface. Whilst two cups-and-rings seem to link with another cup on the lower end of the stone, amidst the natural cracks and fissures, on the higher end are very distinct carved pecked lines, one of which has been blatantly cut onto, or upon, the long curving crack which runs from one end of the stone to the other. As this carved line emerges out of the natural crack, it heads upwards. As it does so, another line has been pecked running off it to the left and then curves back down the sloping rock-face once again. But in this previously unrecognised carved section, these lines may extend even further up the rock…..it’s hard to say for sure. We could do with greater analysis of its surface, with further observations under yet more lighting conditions.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
From East Morton village, take the moorland road, east, and up the steep hill. Where the road levels out there’s a right turn, plus (more importantly!) a trackway on your left which leads onto the moor. Go up this track for a few hundred yards until you’re on the moor proper (by this I mean the track’s levelled out and you’re looking 360° all round you with all the moor in front of you). Just before the track starts a slight downhill slope, go into the heather on your right, for about 80 yards. You’re damn close!
Archaeology & History
I first came here many years back in my mid- to late-teens with an old school-friend Jon Tilleard, wandering about adventurously, occasionally stopping here and there when I found some stupid cup-mark or other seemingly innocuous scratch on the rocks, gerrin’ all excited and jumping about like a tit! But when we visited the place again a few days back my response was somewhat different. I was worse! But for good reason…
Primary features of CR-107Close-up of main features
The potential variations visible in this carving are peculiar, to say the least. Ones first impression shows a carving similar in many ways to that shown in Hedges (1986) fine survey; but upon closer inspection a number of initial visual responses begin to look murky. A seeming cup-with-double-ring aint what it seems! To me at least (sad fella that I am!), it’s far more intriguing and far less certain, with a number of oddities still left.
The central feature of the carving is the lovely near-cup-and-double-ring! As we can see in the photo here, there are some insecurities in the top-right of the outer ring. To the upper right of this is another cup-with-partial-ring that was not included in the Hedges (1986) survey, nor Boughey & Vickerman’s (2003) updated work. There are some obvious pecked carved lines — whose specific definition yet remains unclear — in and around this area of the petroglyph; but in the “official” illustration these elements or ingredients were somehow missed.
Eclipse Stone, looking west
When we visited the stone the other day, the naturally eroded lines on the rock seemed pretty obvious; but the more we looked, the less secure we were about some of them. Thankfully the light kept changing about, allowing us to get different perspectives — and with the low sunlight of evening casting itself across the rock, some additional features seemed obvious. In particular, what seemed like two natural “scratches” on the stone turned out to have been pecked and carved and the straight lines ran into the double cup-and-ring on the left-side. One of these — the lower and shorter of the two — seems to run into the central cup, but this aint certain. The longer top line has an even more circuitous venture: entering the outer ring, it passes onto the top-inner ring and then bends along its edge, before exiting again on the right-hand side, through the outer ring and heading out towards the large natural eroded cutting a few feet away (see my crappy drawing to get an idea). Other faint aspects on this stone may have the hand of man behind them…
My shit sketch!Hedges 1986 sketch
There are certainly a few other cups on the stone: one with a near semi-circle on its lower and right-hand side. The long nature-worn cut, right-of-middle, may have had the hand of man cutting into the cup at the bottom; and another couple of “is it? — isn’t it?” enhanced natural cups seem possible on the left side of the rock. There is also what looks like a distinct single cup-marking on the west-facing vertical face of the stone (you walk towards it from the track). It looks pretty decent, but I’ll let them there “professionals” assess the validity or otherwise of that one! But the other unmistakable and very curious ingredient is the deep, worn arc beneath the primary double-ring feature. This is, as the photo shows, separated by a long natural crack running halfway down and along the stone, above which possibly the double-ring feature touches. This large ‘arc’ feature gives the distinct impression of being a big smile! However…
Turn the image of the central feature upside down and you get a very different effect indeed. A rainbow above the surface of the Earth, with (perhaps) a pool in which the sun has reflected? Or an underworld venture? Looking at it from a few angles gives the impression of a comet moving across the sky, aswell as an eclipse with the diamond-ring effect. But as with cup-and-ring in general, there are plenty of other potentials! Which also begs the question: was it to be looked from the top or bottom (or left or right for that matter)?
I could waffle about this particular carving for much longer, showing that it had quite an effect on me. Check it out and sit with it for a while… It’s superb!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
