Takes a bitta finding this one, mainly cos it’s only a small stone – but worth the walkabout. It’s on the Low Plain, north of Dobrudden, about 10 yards down the path from the caravan park.
Archaeology & History
W.P. Baildon’s 1913 drawing
As with other stones on this roughland plain, it was first recorded and drawn by the local historian W. Paley Baildon (1913), who counted at least 15 cups here, with one complete cup-and-ring. Some of the cups have very distinct half-rings upon them; whilst others are connected by faint lines (as his drawing clearly shows). The later surveys of Hedges (1986), and Boughey & Vickerman (2003) counted 17 cups on this stone. This was another of the carvings which local astronomer Gordon Holmes (1997) thought may have been based on the constellation of Cassiopeia (like the nearby Cassiopeia Stone, found on the same moorland plain).
References:
Baildon, W. Paley, Baildon and the Baildons (parts 1-15), St. Catherines: Adelphi 1913-26.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Glossop, William, ‘Ancient British Remains on Baildon Moor,’ in Bradford Antiquary, 1888.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Holmes, Gordon T., 2000 BC – A Neolithic Solstice Odyssey, SASRG Press 1997.
Go up through Baildon centre and head onto the moors. Crossing the cattle-grid, a coupla hundred yards further up, turn left. Past the small reservoirs on your left, another 100 yards or so and you reach the brow of the hill. As you begin going down the road, there’s a small car-park right by the roadside. The curious remains of the earthworks at the side of the old circle are discernible in the grassland right to its side.
Archaeology & History
Illustrated on the 6-inch OS-map of 1852 as “Site of a Barrow” (similar to how it appears in the image drawn here by Mr. C.N.M. Colls) a short distance below Pennythorn Hill top, there are still considerable traces of the earthworks surrounding the east and southern sides of what was once some form of ring cairn or tumulus that was once at this prominent place in the landscape.
Aerial view of siteThe site was first explored by Mr Colls in 1843 (his results were reported a few years later), who found a loose double-ring of stones, fifty feet across, surrounded by a shallow trench which was most notable on the south and east sides. Two urns were also uncovered near the centre of the ring, nearly two feet down, containing the cremated remains of people. A few years later, the Leeds historian James Wardell (1869) told a most fascinating note about what happened during their excavation, saying:
“This…examination was attended by a circumstance not soon to be forgotten by the persons engaged therein (on the excavation). They had almost reached the place where the broken urn and bones were deposited when, at once, such a fearful storm of thunder, lightning and rain came on, that they were not only considerably alarmed, but driven from the Common to seek shelter in the village.”
Colls’ 1846 sketch
We hear this sorta thing at many of our ancient places!
Colls 1846 plan
One anonymous writer in 1955 described the site as a ‘stone circle’, and a number of subsequent archaeologists copied this without question; but in all probability this site was more typical of an old cairn circle or ring-cairn, similar in size and design to the Roms Law circle two miles north of here. However, the earthworks at its side give the impression of some sort of exaggerated hengiform enclosure.
The place-name element howe strongly indicates a burial site and is a suffix found at many prehistoric tombs across northern England. The prefix ‘acre’ may relate to “a plot of arable or cultivated land, a measure of land (an acre) which a yoke of oxen could plough in a day” (Smith 1956), or may be a corrupted form of the Old English word, ‘acen’, relating to oak trees. Early literary examples of the place-name would enable a clearer understanding of the prefix element here.
References:
Anonymous, Colls’ Burial Mound Stone Circle, Baildon Moor, Museum Leaflets: Bradford 1955.
Baildon, W. Paley, Baildon and the Baildons (parts 1-15), St. Catherines: Adelphi 1913-26.
Barnes, Bernard, Man and the Changing Landscape, Eaton: Merseyside 1982.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Colls, J.N.M., ‘Letter upon some Early Remains Discovered in Yorkshire,’ in Archaeologia, 31, 1846.
Collyer, Robert & Turner, J.H., Ilkley: Ancient and Modern, William Walker: Otley 1885.
Smith, A.H., English Place-Name Elements – volume 1, Cambridge University Press 1956.
Wardell, James, Historical Notes of Ilkley, Rombald’s Moor, Baildon Common, and other Matters of the British and Roman Periods, Joseph Dodgson: Leeds 1869. (2nd edition 1881)
If you wanna find this carving, you’ll find it near several others on the Low Plain, 40 yards east of the footpath north of Dobrudden Farm. Look around in the tribbly grass!
Archaeology & History
This was first described and illustrated in a short article by William Glossop in the Bradford Antiquary in 1888, and reproduced by W. Paley Baildon (1913) – who drew his own impression of the carving. Tis one of my favourites from this moor. Dunno why – I just like it.
W.P. Baildon’s accurate 1913 drawingCowling’s 1946 drawing
Local astronomer and writer Gordon Holmes (1997) posited the theory that a part of this carving represented the constellation of Cassiopeia — hence its title! He told of finding the same pattern of cups at four other carvings on the moors and assigned astronomical meanings to them. He may be right, though I doubt it to be honest. Having looked and looked at the many carvings here, and many other places, the star-reflection hypothesis doesn’t tend to work (as the heavenly bodies have moved somewhat since the days when the cups were first carved). Along with this, when I was young I used to think cup-and-rings did have an astronomical basis — only to find, after constant analysis, that the theory didn’t work.
There are perhaps 20 cup-markings here, with various linking-lines and curves between and around the cups. Perhaps the most accurate of the early drawings was Mr Paley Baildon’s 1913 image, where he highlighted the faint surrounding ring enclosing the 4 or 5 cups near the bottom of the stone.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Glossop, William, “Ancient British Remains on Baildon Moor,” in Bradford Antiquary, 1888.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Holmes, Gordon T., 2000 BC – A Neolithic Odyssey, SASRG Press 1997.
From East Morton village, take the moorland road, east, and up the steep hill. Where the road levels out there’s a left turn where a trackway leads onto the moor. Go up here & keep walking till you hit a moorland ‘footpath’ signpost. Stop here and walk due west (your left) onto the gently sloping rise and into the mass of the Stanbury Hill enclosure system. Keep walking for 200 yards or so, where the land begins to slope down to the end of the spur; and just 50 yards before it drops down to the stream below you’ll find a cluster of carved rocks like the Lunar Stone, the Teaspoon Rock, Spotted Stone, etc, all scattered about. Near these, you’ll find this one!
Archaeology & History
Not to be confused with the carving of the same name on the northern side of these moors (near the Green Crag Slack enclosure), this carved rock gets its name specifically from looking like a lay-out plan of some settlement or enclosure. It’s unlikely that this title or description has anything to do with the carving, but its the impression it gave me when I first saw it! But then once you look at the carving from another angle it takes on a different impression.
Enclosure Carving from above
First thought to have been found by Stuart Feather in 1978, it is one of many carvings that occur in what seems to be an extensive prehistoric enclosure or settlement. There’s a complete cup-and-ring near the western end of the rock, with another distinct cup-marking by its side, and what looks to be a natural cup at the top-end of the stone. But it was the other section of the carving on the central and eastern side which intrigued me: a curious ‘enclosure’ of lines, with a cup-marking in each section. Cutting between the cup-and-ring and the enclosure lines is a natural long crack or fissure running roughly north-south through the rock. It seemed to me (though I could be wrong) that a line had been pecked running along this natural crack — although in Boughey & Vickerman’s (2003) drawing they don’t highlight this. It also seemed that the carved lines from ‘enclosure’ linked up to the pecked line that was carved along the natural fissure in the rock (as illustrated in my crap drawing!).
Shit drawing of CR99
As with the Lunar Stone nearby: it appears that either this stone was carved at different periods; or else for a long period of time much of the stone was exposed to the elements, whilst a section of it remained covered. For the distinct cup-and-ring on the western-end is more worn, with more eroded evidence of pecking, than the extended lines on the eastern end of the rock. I need to go back here and get some better images — and certainly do a much better drawing!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Follow the directions to reach the nice Big Rock carving. Once here, walk up the gentle slope less than 100 yards eastwards. Get here before the heather grows back, otherwise it’s unlikely you’ll find it!
Archaeology & History
The Little Stone, Bingley Moor
Not previously catalogued, this is just a small trivial little stone with just a single cup-marking on it. There’s a somewhat debatable line which looks more likely on the photo than when you actually see it in situ. As we had the Big Rock just down the slope from here, I thought this could be a little rock, or Little Stone (makes sense!). It was found by your very own Paul and those of you with the wills to seek it out, don’t be disappointed as most are with such a Littlestone. It’s certainly not as rosy as those close by, but hey – it’s another carved rock!
Follow the same directions to reach the Lunar Stone carving. Once here, amble about a few yards to your immediate south and you’ll find it — assuming the heather aint grown back over and covered it!
Archaeology & History
Teaspoon Rock, Stanbury Hill
This’d probably be another of those carvings first found by Stuart Feather in his amblings here in the 1970s, but we can’t say for sure. In Boughey & Vickerman’s survey (2003), apart from attributing it as being in two separate positions (mistaking some reference from the English Heritage doods as some other carving – though that shouldn’t surprise anyone!),* they then correctly describe it as having “one cup with groove” running outwards — which we can see quite plainly (lending Michala Potts to say, “it reminds me of a teaspoon!” – hence the title!). There may be as many as four other cups on this rock, though it’s hard to say for sure. Two of them, perhaps, may have a very worn line linking them together (as you can slightly work out on the top-half of the carving) — but again, this is hard to say for sure. Certainly this poor little carving aint quite as decorative as its nearby partners!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
* In their survey this stone was also listed as carving no.98 by mistake, which should now be deleted from subsequent survey listings.
Follow the same directions to find the Lunar Stone. Once here, walk just 20 yards southwest and keep your eyes peeled! This is a long flat stone which can easily get overgrown in the heather, so you might need to search around till you find it.
Archaeology & History
Ringtail Stone, Stanbury Hill
Thought to be another carving first located by Stuart Feather in 1978, though we can’t bne totally sure on that. Curiously omitted from Hedge’s (1986) survey, this old glyph comprises of a single cup-mark near the western end of the stone and a complete cup-and-ring at the eastern-end. It was first illustrated in Boughey & Vickerman’s (2003) fine survey, but they missed seeing a quite distinct line or ‘tail’ coming out the northern side of the cup-and-ring. Nowt special in archaeological terms, but of obvious relevance to the dood who carved it! They thought there may have been two faint cups in the ring, but it isn’t clear by any means.
As with the other carvings nearby, we find it amidst a scattering of prehistoric walling and the remnants of old cairns.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Follow the same directions as to find the Lunar Stone, Spotted Stone, etc. Go thru East Morton village up the steep moorland road, east, and where the road levels out there’s a right turn and a trackway on your left which leads onto the moor. Go ½-mile up this track till you hit a moorland ‘footpath’ signpost. Stop here and walk due west (left) for a coupla hundred yards. If the heather’s grown back you aint much chance of finding owt – but if there’s only low growth, amble about zigzagging – and keep your eyes peeled!
Archaeology & History
Section of cairn rubble & walling
Although there’s been no written record of the Stanbury Hill remains until very recently, it seems quite probable that Mr Stuart Feather would have come across at least parts of these remains when he uncovered the rock-art in the same vicinity, but he never made public his finds. He was a diligent researcher and finder of cup-and-ring stones, nose to the ground sorta chap, and it would be odd for him to miss the other remains on this hill. For as we now know, there are undeniable evidences of considerable neolithic and/or Bronze Age walling scattered along (mainly) the southern side of Stanbury Hill, running mainly along an east-west axis, but there are also examples of the walling running roughly north-south. In at least one position near the western end of the ridge, halfway down the south-facing slope, is what seems to be the unmistakable trace of an enclosed hearth. At the time of writing a series of archaeological digs are, slowly, being done hereabouts, so it will be good to read their final evaluations.
Very close to some parts of the walling we find the remains of old cairns, and at least one cup-and-ring stone has been carved along the axis of one line of walling (it reminded me very much of the Bronze Age settlement remains found at Snowden Moor, over the northerly horizon, in the Washburn Valley). Several other previously unreported cup-marked stones have also been found here (we’ll highlight them on TNA in the coming weeks).
Upon first impression the remains found upon and around Stanbury Hill seem more related to mortuary practices than what we’d call ‘domestic’ living practices, as the prevelance of carvings and cairns indicates. But we’ve gotta be cautious here, as in many sites the dead were kept with the living; and as we find in many traditional or aboriginal cultures, the land of spirits and that of the living are much more closely allied than in our profane ‘Western’ paradigm.
Same direction as the Lunar Stone: from East Morton village take the moorland road, east, up the steep hill. Where the road levels out there’s a right turn and a trackway on your left which leads onto the moor. Go up this track and keep walking till you hit a moorland ‘footpath’ signpost. Stop here and walk due west (left) onto the gently sloping rise of Stanbury Hill. Keep walking for a 250 yards or so, where the land has sloped gently down to the end of the spur; and just 50 yards before it drops down to the stream below, you’ll find a cluster of rocks scattered about. One of the stones here is this one!
Archaeology & History
First reported by Stuart Feather in 1977, this is an excellent carving with an apt title suiting its appearence. Just 13-14 yards west (towards the cluster of other carvings very close by) are the denuded remains of what looks like a robbed cairn. Initially I thought that the archaeologists had been here and turned it over – but it seems not!
Spotted Stone – looking westClose-up of NE section
There are between 55 and 61 cup-markings etched onto this stone, with several short lines and ringlets; with one small ridge of two curves ‘arching’ over a couple of cups giving the impression of owl’s eyes! (O.G.S. Crawford would have loved this one in his book, The Eye Goddess!) The stone gave me the distinct impression that it had either once stood upright, or else was part of a burial; and the finding of a prehistoric cairn just a few yards to the west reinforced this thought (although, gotta be said, knowing that cup-&-rings and death is a common theme upon these moors, it’s likely to sometimes afflict my ability to see these carvings with fresh eyes each time I come across them). Added to this is that the carving is in a very good state of preservation, with a considerable lack of general erosion on the cup-marks (as found on the majority of carved rocks on these moors) adding considerably to the thought that this might have once served part of a tomb, or perhaps cist cover and only been brought to the surface in quite recent years. This seems undeniable.
Unless, of course, this carving was etched sometime in the last century…
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
From East Morton village, take the moorland road, east, and up the steep hill. Where the road levels out there’s a right turn, plus (more importantly!) a trackway on your left which leads onto the moor. Go up this traclk and keep walking till you hit a moorland ‘footpath’ signpost. Stop here and walk due west (your left) onto the gently sloping rise of Stanbury Hill. Keep walking for a 250 yards or so, where the land has sloped gently down to the end of the spur; and just 50 yards before it drops down tot he stream below you’ll find a cluster of rocks scattered about. One of the stones here is this one!
Archaeology & History
This is an excellent carving first recorded, it seems, by Stuart Feather in 1977, as cited in the Yorkshire Archaeology Journal’s ‘Listings’ for 1978. It can be found some 27 yards west of a prehistoric cairn near the top of the ridge (14 yards east of the same cairn is the Spotted Stone carving).
Lunar Stone carvingSoutheast section, with 3 cup-and-rings?
We have to assume that when Mr Feather first located this stone that the faint cup-and-rings on the topmost southeast section of the rock had been exposed to the elements from Day 1, so to speak: as the designs here are quite faint and well-worn. Another not unreasonable assumption is that Mr Feather then proceeded to dig away at the rest of the rock, exposing other features on the stone which had laid under the soil for countless centuries, as the northernmost part of the carving has minimal erosion effects on it. Indeed, unless this is true, we have to start thinking that the carving was made over quite lengthy periods of time, due solely to the greater and lesser effects of weathering on different sections of the stone.
As seen in both the diagram and photos, this is a quite extravagent design. Consisting of several cup-and-rings, aswell as a double-ring, it is found amidst a small cluster of equally impressive, albeit very different carved rocks, all appearing to have a quite specific relationship with death and ritual. This and the other stones are found on the western end of a small serpentine ridge of land (Stanbury Hill), with streams flowing on the north and western sides and small remains of marshland to the south. The geomantic feature here, if relevant, relates to movements between the Earth, water, death and the setting sun: quite potent and important issues in the lives of the neolithic and Bronze Age peoples who lived hereby.
Northern section of carving – with calendrical cups?
The title of this stone carving — the Lunar Stone — should be quite evident: the design has all the hallmarks of celestial lunar movements around the ridge of the heavens; or here, pictured along the edges of the rock (symbolic of the firmament), upon and amidst which the moon travels in its rhythmic motion through the heavens. But don’t take that too seriously: it’s just an imaginative flutter that struck my otherwise distraught inability to know what I’m talking about!
References:
Hedges, John (ed.), The Carved Rocks of Rombald’s Moor, WYMCC: Wakefield 1986.
