Chambered Cairn (destroyed): OS Grid Reference – H 277 998
Archaeology & History
Included in Eamon Cody’s (2002) magnum opus, this site has long since gone. It was highlighted on the 1845-47 OS-map of the area and the only subsequent information about it was written in the 1903 Ordnance Survey Name Book, where it was described as a “supposed Giant’s Grave” that was marked by a large spread of boulders.
Perhaps the only thing we can ascertain here is from the name Giant’s Grave. Invariably, giants are part and parcel of creation myths in early traditional societies. Such giants, as well as being huge mythical creatures, can also be the progenitor of tribes and communities, i.e., the person who laid the initial foundation of where the tribe came to live, usually an early queen, king or shaman figure. So, in the case of this Giant’s Grave, it was likely to have been known as the burial place of such a figure: mythical in importance as well as size.
References:
Cody, Eamon, Survey of the Megalithic Tombs of Ireland: Volume VI – County Donegal, Duchas: Dublin 2002.
Cup-and-Ring Stone: OS Grid-Reference – C 30754 37541
Archaeology & History
Incredible setting -incredible carving
This is an incredible find—dare I say a beautiful find—uncovered beneath the soil a few years ago on farmland close to the shore of Loch Swilly by one of the farm-workers. We were lucky inasmuch as when it was found he noticed curious markings on it. Informing the farmer, between them they peeled back the rest of the soil and found the incredible carving that we see here in Bettina Linke’s photos.
Etched onto a sloping stone overlooking the blue panorama that is Loch Swilly, this petroglyph has a 180º view of the landscape, from the southeast through to the northwest. This panorama—unimpaired by trees thanks to its proximity to the sea loch—was probably an important ingredient in the mythic function of the carving and is something we’ll return to shortly…
Local rock art specialist, Liam McLaughlin was informed of the discovery and, along with Bettina Linke, they met up with the farmer who showed them the carving. I have little doubt that they were very impressed by what lay before their eyes! They told that the rock,
“is aligned east-west with the visible motifs, apart from a few cup marks, situated at the western end of the outcrop. Interestingly, the northern half/leaf is little worn and individual peck marks, made millennia ago, are clearly visible, suggesting it may have been covered for most of the time. The southern half is clearly worn and smoothed out and therefor appears to have been exposed for a considerable amount of time.”
Archetypal cup-and-ringsAncient solar motif?
One of the most impressive elements in the overall design is the solar motif, i.e., a series of concentric rings (in this case three) with a number of ‘spokes’ reaching outwards as if to indicate the rays of the sun itself. This is shown clearly in one of Bettina’s photos here. This symbol is found on other neolithic carvings in Ireland: not least the incredible designs in the Newgrange complex where the solar alignment is unmistakable.
The discovery of the carving was reported to the Irish National Monument Service and added to the Heritage Environment Inventory where a detailed report was subsequently written, much of which is extracted here:
“The rock art panel is on an outcrop of bedrock, aligned east to west and slightly sloping in this direction towards Lough Swilly and Knockalla Mountains, also known as the Devil’s Backbone. It lies in an arable field near a field wall in rough ground. Visibility is good to the SE, S, W, and NW across Lough Foyle and the Fanad peninsula.”
On the northern section of the stone,
“There are three large motifs and well preserved with cup and pecking marks between them. There are traces of a fourth large motif on the east end but the rock surface has been eroded or damaged, making it impossible to ascertain the design of the motif.
“Starting from west to east, the top large motif has three rings and a diameter of 43cm. The centre cup mark is shallow and has a diameter of 5cm. There is second shallow cup mark between the 2nd and 3rd ring in the southern part of the motif. Its diameter is 3cm. One tail, is running from the inner ring outwards to the west and a second one is running towards the north. Peck marks, covering the motif, are still visible, particular in the rings.
“The motif below has four rings and a diameter of 39cm. The centre cup mark is very shallow and has a diameter of 4cm. And like in the above motif it has a tail running northwards. But a special mentioning has to be made of the unusual heart shape of its rings with the indentation to the south. Peck marks are still visible in the rings. As far as could be made out, there are five cup marks between those two motifs with diameters between 3cm – 5cm. This part also contains several single peck marks of about 1cm in diameter.
“The next large motif below has a diameter of 37cm, three rings and a centre cup with a diameter of 3cm. A tail appears to divide the motif into an eastern and western half. Another tail seems to run from the centre cup through the inner and middle ring towards east.
“Large peck marks of 1cm diameter cover the entire motif, which can be particular well seen in the embossed space between the middle and outer ring. There are more, large peck marks above the motif to the west as well as four possible shallow and small cup marks. Although the two closed to the motif, in what appears to be a twin configuration, could be two independent but slightly damaged peck marks.
“All of the three motifs on the northern wing leave the distinct impression that they may have been sun wheels with some spokes no longer visible or not visible during our visits.
“The southern wing:
“Like the northern ring the large motifs are placed in the western end of the wing with only a few cup marks on its eastern tip. The edges of the carvings are rounder and more worn, although some rings and cup marks are distinctively deeper. The latter might suggest that these motifs were carved at a different time and by different hands. It also appears that this wing was longer exposed than the northern one.
“The motifs are as followed from west to east: two deep cup marks on the northern side. Diameter for the upper one 5cm in diameter, for the lower one 4cm. There could be a shallow third one below and a damaged one to the south.
“Next in the centre of the wing is a large, three ringed motif with a diameter of 40cm and a centre cup mark, 3.5cm in diameter. Some of the photos show possible if faint tails or spokes, suggesting that this also could be a sun wheel motif. No visible peck marks. Below is a small double ring motif with a diameter of 17cm and a centre cup mark with a diameter of 2cm. Just below and to the south-east is a cup mark, circa 3 cm in diameter. Beside it to the east another cup mark about 5cm in diameter. There are one or two, maybe three circa 2.5cm cup marks in the white lichen area to the north-east of the small ringed motif. And some faint peck marks appear between the large 3 ring motif above and the small ringed motif close to the natural split of the bedrock. The next motif below is a deep double ring motif with a diameter of 26cm and a centre cup mark of 5cm. No tails or spokes could be detected. The white lichen area with up to three possible single cup marks is just beside it, close to the natural dividing crack.
“In the middle of the southern wing are faint traces which suggest that there could have been another motif, now destroyed, of an estimated diameter of 28cm.
“The eastern tip has one large cup mark of 10cm and 3 small cup marks between 2.5cm and 3cm. There might be a fifth but damaged cup mark.”
Somerville’s astronomical linesThe setting sun: a mythic function?
The fact that the stone itself is aligned east-west and pointing towards the outline of the Knockalla Mountains, suggesting “a solar/sunset alignment at the equinoxes” may well be true, but whether this was intended or not is another matter.
Intriguingly, one of the archaeo-astronony pioneers, Boyle Somerville (1909) wrote a article in the Journal of the Royal Society of Antiquaries of Ireland about a number of summer solstice alignments he thought existed in this precise locale. Amongst them was one he found running from the standing stone at Cloghbane on the other side of Loch Swilly—known as the White or Rowan Stone—heading northeast to the small mountainous peak of Bulbin, approximately 7.1 mile away. Somerville found that,
“The outline of the mountains visible to the northward from Cloghbane shows two sight-lines that undoubtedly were used from this position. One is for the summer solstitial sunrise over the prominent peak Bulbin; the other is over a low and small but conspicuous round-topped headland, towards the mouth of the Lough, which is in line with an exactly similar hill behind it; their two summits being practically coincident, forming a single sky-line; so that, from Cloghbane, their angle of elevation by theodolite is the same.”
The primary motifs
The first alignment is the relevant one here: it not only relates to the rising sun at solstice in 1000 BC, but our Glebe petroglyph lies right on the edge this alignment! (give or take a few yards) Whether or not this is a coincidence we cannot say for certain, but the ‘solar motif’ in the design would seem a strong indicator that implies some sort of solar function here.
As always with cup-and-rings, their non-linear designs tickle our minds with possibilities, probabilities and that there thing called the mysterious, which Einstein described as “the source of all true art and science…”
One final and important thing to anyone who may want to visit this site: please contact the farmer and ask his permission if you want to see it. Cheers. 😉
Acknowledgements: Massive, huge huge thanks to Bettina ‘Grianan Swilly’ Linke for the superb photos and data for this site profile. And (although he doesn’t know it yet!) thanks are also due to the farmer and his employee who rediscovered the carving and to Liam McLaughlin who put pen to paper and told the rest of us about it.
St Columbkille’s place in Irish history was considerable and, said Maghtochair (1867), he was said to have “founded more than one hundred churches and religious houses.” His feet, also, have been carved or burned into a number of rocks scattering the Irish landscape. Not to be confused with his ‘feet’ that are carved near Londonderry, the ones here have been classed in the archaeological inventories as a bullaun and, wrote Brian Lacy (1983) in the Donegal Archaeological Survey, can be found on,
“A 2m long ledge of rock outcrop containing two depressions, c.0.33m in diameter x ).1m deep. They are known locally as St. Columbkille’s footprints.”
As can be seen in the above photo, the ‘footprints’ seem to have been artificially outlined at some time long ago, to make them more notable.
References:
Lacy, Brian, Archaeological Survey of County Donegal, Donegal County Council 1983. p.307
Maghtochair, Inishowen – Its History, Traditions and Antiquity, Journal Office: Londonderry 1867.
Sconce, James, “Cup-Marked Stones,” in Transactions of the Edinburgh Field Naturalists, volume 5, 1907.
Swan, Harry Percival, The Book of Inishowen, William Doherty: Buncrana 1938.
Acknowledgements: Big thanks to Catherine, of the We Love Donegal website.
Chambered Cairn (destroyed): OS Grid Reference – C 003 396
Archaeology & History
In unpublished Notebooks written by one Thomas Fagan during the years 1845-48 (held by the National Archives in Dublin), he wrote how a local man had told him of the existence of “a supposed Druid’s Altar” in Claggan township, but its precise location has never subsequently been established. In Eamon Cody’s (2002) magnum opus he told what little we know about the place, saying,
“It stood on a slight rise adjoining Claggan Upper, the name assigned to a group of houses in the townland. It was reportedly encircled by “a wall or parapet” and consisted of several large upright stones2-4 feet high and arranged in two rows of few feet apart with a pillar at either end.”
The structure had been completely destroyed just a few years before Fagan’s visit to the place and no further information of it has yet been uncovered.
References:
Cody, Eamon, Survey of the Megalithic Tombs of Ireland: Volume VI – County Donegal, Duchas: Dublin 2002.
To be found somewhere between the two outer embankments on the southern side of the legendary Grianan of Aileach, this — one of many St. Patrick’s Wells in Ireland — is typically attributed with healing properties. It was described in Henry Morris’ (1938) survey (amongst others) as being the place where, in the 5th century when St. Patrick came here, Prince Eoghan was baptised and thereafter turned his back on the heathen gods of his ancestors for this new christian cult which was just growing at that time. (‘Eoghan,’ pronounced owen) Thereafter other people were baptised by the waters from here, which in ancient days would have been the water supplies for those at the Grianan.
Henry Swan (1938) told that in previous times there once grew a legendary tree by this well, into which pilgrims inserted pins and other artefacts as offerings and to make wishes to the spirit of the waters. A similar thing (with the same underlying mythic structure) occurred at the tree and holy well of Loch Maree.
Up until quite recently, the well was very overgrown and in a condition that Rear Admiral Pascual o’ Dogherty called “disgusting.” He called for renovation work and action to bring this ancient site back into good health, and thankfully, as a result of the man’s proclamations, St. Patrick’s Well here has been brought back into a good state of life. Excellent stuff good sir!
References:
Lacy, Brian, Archaeological Survey of County Donegal, DCC: Lifford 1983.
Morris, Henry, ‘The Holy Wells of Inishowen,’ in H.P. Swan’s Book of Inishowen, Buncrana 1938.
o’ Muirgheasa, Enri, ‘The Holy Wells of Donegal,’ in Béaloideas 6:2, 1936.
Swan, Harry Percival, The Book of Inishowen, William Doherty: Buncrana 1938.
Standing Stones (destroyed): Grid Reference – G 915 605
Archaeology & History
Field-notes collected by Oliver Davies described there being “two standing stones, side by side,” at the coordinate given here. In Lacy’s Archaeological Survey (1983), he told that the larger and southernmost of the monoliths stood 5’10” high, with its companion being just 3 feet tall. All remains of these stones have apparently vanished.
References:
Lacy, Brian, Archaeological Survey of County Donegal, DCC: Lifford 1983.
Attributed by Michael Dames (1996) and others before him as the abode of the Dagda and the house of the sun, this huge monument was recorded in the Irish Annals as being destroyed in 1101 AD following a great battle. A site of mythic importance to the very early Irish Kings and Queens, and used by the shamans of the tribes, The Grianan is a place of of legendary importance to folklorists, historians and archaeologists alike and has been widely described over the last 150 years. Although the site you see today was hugely reconstructed between the years 1874 and 1878, it’s still impressive and, wrote George Petrie (1840), commands,
“one of the most extensive and beautifully varied panoramic prospects to be found in Ireland”!
Used over very long periods of time, the archaeologist Brian Lacy (1983) described the Grianan, on the whole, as,
“a restored ‘cashel’*, centrally placed within a series of three enclosing earthen banks; the site of an approaching ‘ancient road’; and a holy well.”
Early ground-plan of the Grianon
Lacy’s description in the Donegal Inventory is considerable and culls from the various surveys and reports done in the past. First surveyed by George Petrie in 1835, the internal body of the stone-built site is roughly circular and measures around 25 yards across, with a singular entrance on its eastern (sunrise) side. A stone ‘seat’ is at the end of the internal passage. At the centre of the huge ‘room’, Petrie recorded traces of a rectangular stone structure that he thought might have been the remnants of some old chapel built sometime in the 18th century.
More than 25 yards outside of the primary stone building is another surrounding embankment, oval in shape, low to the ground and with another singular entrance to the east — though this entrance is not in line with that of the main structure. At a further distance out from this embankment are the remains of another two oval ‘enclosures’, though the the remains of the outermost one is considerably more fragmented.
Although the replenished ‘fort’ dates from the Iron Age, early remains here are thought to have been of Bronze Age origin. A ‘tumulus’, now gone, being one such find here.
Folklore
There is much legend here. The creation myth narrated by Scott (1938) tells that it was,
“built originally by the Daghda, the celebrated king of the Tuatha de Danann, who planned and fought the battle of the second or northern Magh Tuireadh against the Formorians. The fort was erected around the grave of his son Aeah (or Hugh) who had been killed through jealousy by Corgenn, a Connacht chieftain.”
From similar legendary sources, it is told that,
“the time to which the first building of Aileach may be referred, according to the chronology of the Four Masters, would be about seventeen hundred years before the christian era. There are strong grounds for believing that the Grianan as a ‘royal’ seat was known to Ptolemy, the Greek geographer, who wrote in AD 120. In his map of Ireland he marks a place, Regia…which corresponds fairly well with its situation.”
By the outer banking on the south-side of the fortress is the remains of a much-denuded spring of water, the old water supply for this place. It gained the reputation of being a holy well, dedicated to St. Patrick.
…the be continued…
References:
Dames, Michael, Mythic Ireland, Thames & Hudson: London 1996.
Harbison, Peter, Guide to the National Monuments in the Republic of Ireland, Gill & MacMillan: Dublin 1982.
Lacy, Brian, Archaeological Survey of County Donegal, DCC: Lifford 1983.
Petrie, George, ‘The Castle of Donegal,’ in Irish Penny Journal, 1, 1840.
Scott, Samuel, ‘Grianan of Aileach,’ in H.P. Swan’s Book of Inishowen, Buncrana 1938.
Swan, Harry Percival, The Book of Inishowen, William Doherty: Buncrana 1938.
