Ostensibly non-linear carved designs, generally assumed to be Bronze Age in date, but many originate in the neolithic period (some may indeed date back to 5000 BCE). Their central features are small rounded cup-markings, circles, semi-circles, curved lines (short, mid-length, and long), straight-ish lines, double- and multiple-rings, all in usually abstract design-forms. Their almost complete non-linear nature relate to non-egoic structuralisms, making them difficult to ‘intellectually’ grasp. Added to this is that no two carvings are the same. Although no direct ‘meaning’ can be ascribed to the carvings, many of them have a relationship with ancient notions of death and/or burial. In animistic terms, they relate to the spirit of rocks and other features of the natural landscape. They have very little relationship with alignment features (though exceptions in some megalithic rings have been found). Some modern writers allege positive relationships with water, but this ingredient (if tenable) cannot yet be said with any certainty: the idea should be forged onto animistic relationships with the land itself.
Numerous ways to get here, it’s probably the easiest (direction wise) to reach here starting from Dick Hudson’s public house on the southern road surrounding Rombalds Moor. From the pub, head left (east) along Otley Road (passing Weecher reservoir) for 1.9 miles (3.1km) until you reach Reva reservoir where a track leads you to the waters. A small parking spot is on the left-side of the road. From here, go through the gate and up the footpath (north) for about 200 yards then turn right and go up the field towards the wall where, about 20 yards before it, you’ll see find the stone in question.
Archaeology & History
This long earthfast stone has two distinct cup-markings: one near its northern upper end, and the other near the lower southern end, as highlighted on the above photo. (forgive the poor image, but we took it when the sun was pretty high in the sky) It seems as if there are two or three other very faint cup-marks on the upper end of the stone, close to the most distinct one, but none of our photos show them with any clarity.
Acknowledgements: Huge thanks to Sarah Walker and Thomas Cleland for help with location and imagery for this stone.
From Comrie take the B827 road to Braco, passing the large Roman Stone monolith, turning right at the tiny Glen Artney road a half-mile along (easy to miss). 3 miles on, pass the derelict Dalness cottage, you can follow the directions to get to the Mailer Fuar (2) cup-and-ring stone; and from here go up the field past the Mailer Fuar (1) carving, through the gate and follow the fence to your right, then drop down into the great boggy reeds, over the burn and up as if you’re heading to the rounded hill of Cnoc Brannan. On a grassy knoll a hundred yards or so up the slope, you’ll see a rock or two. It’s thereby!
Archaeology & History
The stone in its setting
I came across this petroglyph not too long ago on the same day I found the Cnoc Brannan standing stone a little further up the slope from here. Covered in cup-markings over all except the northeastern portion of its surface, a faint ring seems to be around one of them on its northern side. Of the twenty-two cups on the stone, the majority of them, as the photos show, are clustered alongside a curved natural scar that runs across the topmost section of the rock. There are less pronounced faded cups on the more northern and western portions of the rock, with what looks like one on its near-vertical southern face. Despite its lack of complexity, it has an impressive feel to it.
Main cluster of cups
The home of this carving in its natural setting is what stands out when you’re up here and is certainly what gives it that vibe! The wooded greenery of Glen Artney stretches ahead of you to the east and west, with the craggish mountains of Beinn Dearg, Halton and their compatriots drawing you to the northern side. Tis a gorgeous arena indeed! So, if you’re going to visit its near neighbors at Mailer Fuar a half-mile below, stick this one on your itinerary and, if you’re the roving type, get your feet wet and look around for some more of them. There’ll be others, as yet unknown, hiding away nearby…
From Comrie take the B827 road to Braco and less than a mile out of town take the tiny Glen Artney road on your right. Past the derelict Dalness cottage 3 miles on, a half-mile further, there’s a gated road veering downhill on your right. Park in the small parking-spot at the left. Walk along 100 yards to the gate on your left and walk up the old path which bends back on itself before leveling out. As it does so, just where the Mailer Fuar (2) carving lives, head uphill to the derelict house and, before reaching the fence, check out the several isolated stones on your right. You’ll find it!
Archaeology & History
Several faint cupmarks
This is nowt special to look at and, as I always tend to say with carvings such as this, it’s probably only gonna be of interest to the petroglyphic puritans amongst you. It was described by George Currie (2006) as possessing just one cup-mark, but there are in fact at least three of them on this sloping rock face, possibly four. One of them may—may—have a half-ring around it, but this is very hard to see and might be little more than a trick of the light and just a forlorn hope of something better… It’s worth a brief look before you venture further uphill to the much more impressive Allt na Drochaide carving.
From Comrie take the B827 road to Braco and less than a mile out of town keep your eyes peeled for the tiny Glen Artney road on your right. Past the derelict Dalness cottage 3 miles on, a half-mile further, just where you hit a track-road veering downhill on your right, you need to park up in the small parking-spot on your left. Walk along the road 100 yards, keeping your eyes peeled again for the gate set back on your left (easy to miss!); go thru here, walk up the old path which bends back on itself before leveling out and, as it does, two or three small boulders lie just off the pathway on your right, one with its own petroglyph.
Archaeology & History
There are cups, rings and lines on this old stone, with the lines in particular being somewhat troublesome when it comes to working out their origin: some are natural, some made by modern farming implements (about a hundred years back), and some that were carved thousands of years ago—and it’s not that easy to work out which is which. You’ll be able to see what I mean by looking at the photos.
Rediscovered, it would seem, by M.D. King in 1991, he described it plainly as a simple
“recumbent cup-marked stone 1900mm by 1200mm by 300mm…found in a stone dyke running down the hill from the deserted farm of Mailer Fuar. The stone may have been moved down from its original position for inclusion in the now ruinous stone dyke. Fourteen cup-marks were visible on the stone.”
Complete cup-and-ringsCnRs and various lines
But there’s much more to it than that! There are rings around the cups for starters. Four of them. Two cup-and-rings next to each other at the southeast portion of the stone are just about complete, as you can see (right); the various lines that run either side and into them seem to be a mix of early and more recent scratches—although I think we’re best asking a petromorphologist to tell us which is which! We have a similar problem for another cup-and-ring near the centre of the stone, for it has two lines going right through its centre: one of them running almost the full north-south length of the stone giving the impression it was carved a long time back, yet looking much less ancient when it comes to its form and erosion; whilst the other line—almost at right-angles to the first—has a decidedly more archaic worn appearance.
General design in low lightLong line, curving at top
One of the more assured “ancient” carved lines is on the eastern section of the stone. (left) It’s an odd looking thing, not very clear on the photo, comprising an elongated curved line, with a fork at the bottom, almost like short legs on an elongated stick-man like the ones we drew as kids. The long line seems to eventually curve over and into one of the cup-marks. Adjacent to the bottom of this forked curve is a cup and faint incomplete ring with a faint line running out of its centre to a smaller faint cup to its west. You can see this reasonably well in the lower photo (right)
The carving needs a lot of attention if we’re to work out its original design, as the photos show. Even the millionaire computer-tech work of the Scottish rock art club didn’t really suss out the differences regarding chronological elements in this carving (I don’t think they even mentioned it), which shows how difficult some of these buggers can be! Personally, I’d love to see the impression of some good artists at this stone when the light’s just right and see what their mind’s eye brings to the fore.
After all this I’ve not even mentioned its position in the landscape. Go check it out and see for y’selves. It’s a bittova beauty! And then wander a little further uphill to look at the Allt na Drochaide (1) carving I found not long ago. The view’s even better from there!
You can take the same directions to get here is you follow the route for the Hawksworth Spring (01) carving, or take this alternative route. Take the standard road from Guiseley along Hawksworth Road. When you reach the first row of old houses in the village, a couple of hundred yards on you reach the village school and, shortly after the footpath is sign-posted. Walk left (downhill) through the field for half-a-mile until you reach the woods. 100 yards into the into the trees, walk to your right and follow the line of walling straight for 400 yards, then veering right up the slope and it then slowly bends round, keeping to the wallside all along. It then starts heading back downhill. As it does so, 10 yards from the wall into the woods you’ll see the broken triangular rock of the Hawksworth Spring (01) carving. Walk another 10 yards where the large holly bushes are and you’ll see the large sloping stone in front of you.
Archaeology & History
This carving is similar in nature to its companion 10 yards away, inasmuch as each of them possess two small arcs of cup-marks almost in the same format, very close together, one above the other near the top of the stone. It’s possible that the mythic nature/function of this particular element of arcs is the same on each stone—although fuck knows what it might be!
Clear line & faint line of arcsClear arc of cups
Below this double arc (only one of which is clearly visible in the photos) we see a scatter of other cup-marks—perhaps six, perhaps seven—one of which appears to have a very faint incomplete ring round it. When Liz Sykes and I visited the place, the light of day and the shadows across the rock didn’t help to convince us one way or the other, so we await news from other visitors who get better light conditions to tell us whether our hopeful eyes were deceiving us or not. There are a number of other marks on its surface, but these are much more recent and very obviously cut, or rather scratched, by metal artifacts with no bearing on the prehistoric design.
References:
Boughey, K.J.S. and Vickerman, E.A., Prehistoric Rock of the West Riding (Supplement), Shipley 2018.
Acknowledgements: Huge thanks to Liz Sykes for her renowned cleaning skills!
Cup-Marked Stone (lost): OS Grid reference – NN 918 524
Archaeology & History
On the hillside a short distance (probably) south of old Balnabeggan farmhouse, up against some walling at the edge of some natural birch wood, could once be seen—some fifty or sixty years ago—a large, ornately inscribed, quartz-enriched cup-marked stone. And, although seemingly lost, it shouldn’t be too hard to uncover with a little bit of bimbling and dedication. It was described in some considerable detail in John Dixon’s (1922) survey of the Strathtay petroglyphs as being,
Balnabeggan stone, c.19201921 sketch of the stone
“roughly hexagonal in shape, but one side is partly hidden by an old dry-stone wall built above it. The greatest width is 7 feet, whilst a diameter at right angles measures 6 feet. The thickness or depth of the stone is at least 2 feet, but it may be more underneath, as the stone stands in a wet place in which it may have settled down.
“On the upper surface of the stone are fifty-nine cups of various sizes, the largest measuring 2½ inches in diameter, and from 1 inch to ½ inch, or less, in depth. A special feature is that four equidistant cups (three in a row and the fourth at a right angle to the centre of the row) are connected by grooves slightly less broad and deep than the cups. Three pairs of cups are also similarly connected. The cups connected as described are discernible, but the group of four cups on the low left side of the stone does not appear in the photograph to have its fourth cup (the lowest) connected, as it really is, with the central cup of the group.”
Mr Dixon’s additional clue as to its whereabouts is that it’s “about 500 feet above sea level.” So what, pray, has become of it…?
References:
Dixon, John H., “Cup-Marked Stones in Strathtay, Perthshire,” in Proceedings Society Antiquaries, Scotland, volume 56, 1922.
Kennedy, James, Folklore and Reminiscences of Strathtay and Grandtully, Munro Press: Perth 1927.
Cup-Marked Stone (lost): OS Grid reference – NN 8866 5320
Also Known as:
Sunday Well
Tobar an Donich
Archaeology & History
Tobairandonaich stone, c.1920
Located some 30 yards south of a holy well known (in English language) as the Sunday Well, this carving was rediscovered shortly before John Dixon (1922) wrote his survey of petroglyphs in the Strathtay region. It would seem to have been a large “portable” cup-marked stone that had been placed, face-downward, into an old doorstep at the stable at Easter Tobairandonaich and forgotten about, long long ago. Then, at the beginning of the 20th century when the people living here had to clear a drain beneath the stable, the stone was moved and the cup-markings were noticed. The carving was a pretty simplistic design, as you can see, which was described by Mr Dixon as follows:
“The stone…has nineteen cups all on the same face. The largest cup is 3¾ inches in diameter and 2 inches deep. The next largest has the same diameter, but is 1½ inch deep. Other five of the cups are very nearly the same size. The smallest cup is 1¾ inch in diameter and ½ inch deep, but weathering has effected much towards almost obliterating some of the smaller cups. The stone is of whinstone with slight veins of quartz. It is oval in form and varies in thickness from 2½ inches to 4 inches. Its greatest diameter is 3 feet 2 inches, and its least diameter 2 feet 8 inches.”
Tom MacLaren’s 1921 sketch
The stone would seem to have disappeared as no one has seen it for fifty years or more. It may (hopefully) be in one of the walls, or perhaps buried somewhere under the soil. Or maybe, tragically, some fuckwit has destroyed it. Twouldst be good to find out one way or the other. The photograph above, taken by Mr Dixon sometime around 1920, is the only thing that remains of the carving.
In this small part of Strathtay we are fortunate in finding a cluster of petroglyphs with folklore about them relating to our faerie and witch folk. Some larger man-made stone “bowls” in the area were also used as “praying stones.” I have little doubt that the people who originally used this carving as a doorstep were fully aware of the cup-marks—and I’d suggest that they even put it here on purpose, probably as a form of protection from the fairies who might have stolen or caused sickness to the horses.
References:
Dixon, John H., “Cup-Marked Stones in Strathtay, Perthshire,” in Proceedings Society Antiquaries, Scotland, volume 56, 1922.
Kennedy, James, Folklore and Reminiscences of Strathtay and Grandtully, Munro Press: Perth 1927.
Yellowlees, Walter, Cupmarked Stones in Strathtay, Scotland Magazine: Edinburgh 2004.
Through Baildon town centre, take the road onto Baildon Moor, but instead of turning left up to Baildon Hill, keep straight on the Hawksworth road and 100 yards along you’ll see a car-park is on the right-hand side, just before you start going downhill. From here, walk down the road a couple of hundred yards until you see the footpath (keep your eyes peeled!) turning right towards The Whitehouse, and from there take the footpath dead straight down to the woods below. Cross the stream, turn right, then immediately left uphill by the wall-side. Shortly before reaching the top you’ll see a large triangular sloping slab of rock with a tree at its top. That’s it! Alternatively you can come via Hawksworth village by following the directions to the Hawksworth Spring (02) carving, which is just 10 yards east of this one. Easy!
Archaeology & History
Sketch of carving (after Hedges 1986)Note the faint cup, top-right
This minimalist design is best seen from above the adjacent rock which, in times gone by, was attached to this very same stone. The main aspect of the carving are the two short rows of three cups, running almost alongside each other, in a likeness which my compatriot Liz Sykes said “was like some animal footprints.” It’s not a bad description to be honest (this same motif is found on a companion petroglyph just a few yards to the east: the Hawksworth Spring [2] stone). If you follow the direction of the “animal tracks” to the western end of the stone, you’ll see another isolated cup with a faint incomplete ring around it. You can just make it out on the photo to the right. Another single cup-mark seems apparent two-thirds the way down the stone.
References:
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Acknowledgements: Huge thanks to Liz Sykes for her renowned cleaning skills!
Cup-Marked Stone (missing): OS Grid Reference – SE 1687 3868
Archaeology & History
Sketch of the missing cup-marked stone
This carving was originally located somewhere close to the old disused Brackenhall Mills on the edge of Thackley, just before you drop down to Thackley tunnel. It was uprooted sometime in the 1950s and taken several miles away to the Cartwright Hall Museum at Manningham, Bradford, where it sat outdoors behind some fencing for many a-year, accompanied by the large fossil of an ancient tree.
I first saw it there when I lived close by in 1981, in the days before I had such a thing as a camera. Hence I only have this scruffy old sketch of the design, which I did without adding any notes to help remind me which carving it was! So this sketch has sat, all-but-forgotten, on a scrap of paper since then, until I recently sussed out which carving it was!
The stone itself was akin to a very large portable rock, with a simplistic design consisting of at least nine cup-marks cut into one of the rounded faces. One account of the stone suggested there may have been a possible incomplete ring around one of the cups. When I went back to see the stone about 20 years ago, it had gone. So I called into the adjacent museum to inquire what had become of it. The curator (or whoever it was) that I spoke with told me that the stone had been put into a box and placed in the cellars, but refused to let me see it. I asked to make an appointment to see the stone and he refused that too. It has not been seen since. Does anyone know what’s become of it?
References:
Keighley, J.J., “The Prehistoric Period,” in Faull & Moorhouse’s, West Yorkshire: An Archaeological Survey to AD 1500 (WYMCC: Wakefield 1981).
Take the A59 road from Harrogate and Skipton and at the very top of the moors near the Gill Head Enclosures, take the small Kex Ghyll road up past the disused quarry works north for a mile or so. At the junction go left for about 1½ miles where, on your left, is Burnt House farm. A hundred yards past here is a small spot to park on the right-hand side of the road, opposite the gate to Rocking Hall House (make sure you leave enough room for tractors to pass you!). Across the road is the track to Rocking Hall and, 2 miles along the track, look out for the copse of trees ½-mile NE. Head towards it and, as you get close to the wall, walk slowly downhill towards the stream where a single block of stone lives. You’ll find it!
Archaeology & History
Design from above
Rediscovered on Rocking Moor by Rod Chambers on August 15, 2023, this reasonably large sloping block of stone has between 21 and 24 cups cut quite deeply and scattered erratically into it, very similar to one some 200 yards to the northwest (Raven Stones carving 559). It seems pretty obvious that some of these cups were Nature’s handiwork, but have been modified by human hands. There’s nothing complex about it, but there may be a semi-circular arc around one of the cups, centre-left of the natural crack that cuts across the top of the stone, but this is very faint and could be just a trick of the eyes. Going there at sunrise and wetting the stone might tell us for sure.
Acknowledgements: Big thanks to Rod Chambers for use of his photo in this site profile.
This long earthfast stone has two distinct cup-markings: one near its northern upper end, and the other near the lower southern end, as highlighted on the above photo. (forgive the poor image, but we took it when the sun was pretty high in the sky) It seems as if there are two or three other very faint cup-marks on the upper end of the stone, close to the most distinct one, but none of our photos show them with any clarity.
