Category: Yorkshire, West

Panorama Stone (229), Ilkley, West Yorkshire

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Cup-and-Ring Stones:  OS Grid Reference – SE 11471 47289

Also Known as:

  1. Carving no.99 (Hedges)
  2. Carving no.229 (Boughey & Vickerman)
  3. Panorama Rock

Getting Here

Come out of Ilkley/bus train station and turn right for less than 50 yards, turning left up towards White Wells.  Go up here for less than 100 yards, taking your first right and walk up Queens Road until you reach the St. Margaret’s church on the left-hand side.  On the other side of the road, aswell as a bench to sit on, a small enclosed bit with spiky railings all round houses our Panorama Stones.

Archaeology & History

J.R. Allen’s 1879 drawing

There were originally ten or eleven carvings that made up what have been called the Panorama Stones and the position they are presently housed in this awful fenced section wasn’t their original home.  They used to live a half-mile further up from here, on the moorland edge, just in the woodland at the back of the small Intake Reservoir in the appropriately named Panorama Woods. But in 1890, one Dr. Little — medical officer at Ben Rhydding Hydro — bought the stones for £10 from the owner of the land at Panorama Rocks, as the area in which the stones lived was due to be vandalized and destroyed.  Thankfully the said Dr Little was thoughtful and as a result of his payment he had some of the stones saved and moved into the position where they live today.  However, as a result of the stones being transported closer to Ilkley, the largest of the carvings was damaged and broken in two pieces on its journey, but the good doctor and his mates restored the rock as best they could before sitting it down in the caged position where it remains to this day.

Thankfully there remain a couple of carved rocks in situ in the trees near where these companions originally came from — though they’re completely overgrown.   We uncovered these carvings (one of which was quite ornate) when we were children, but this is now overgrown again and hidden from the eyes of the casual forager.  The original position of these carvings was obviously an important feature to our ancestors, but such aspects are of little relevance to industrialists and those lacking sacred notions of the Earth.  The same geological ridge on which the Panorama Stones were originally found, stretching west along the moor edge from here, possesses a number of other fascinating carvings, not least of which is our Swastika Stone.

J.T. Dale’s 1880-ish drawing
T.Pawson’s late-1870s photo, showing faint ladder marks

It seems they were all first recorded by one J. Thornton Dale, who did some fine illustrations of each stone, which were then collected and organized by a certain Dr. Call of Ilkley in 1880 as a ‘Collection of fourteen drawings of cup-marked rocks.’  These were on file at Ilkley Library (or at least used to be!) and as they’ve not been published previously, I think they need to be retrieved from their dusty shelves and stuck on TNA where they certainly belong!  As we can see in Dale’s illustration — etched shortly after the stone was first discovered — much of the detail of the multiple-rings and some of the curious ladder-like motifs were noted (though not all).

Around the same time in 1879, the renowned archaeologist J. Romilly Allen did an early article on the carved stones of Ilkley Moor, selecting the Panorama Stones as one site in his essay. He was very fortunate in getting an early look at the carvings here and gave the following lucid account:

“The Panorama Rock lies one mile south-west of Ilkley, and from a height of 800ft above the sea commands a magnificent view over Wharfedale and the surrounding country.   About 100 yards to the west of this spot appears to be a kind of rough inclosure, formed of low walls of loose stones, and within it are three of the finest sculptured stones near Ilkley.  They lie almost in a straight line east and west, the first stone being 5ft from the second, and the second 100ft from the third.  The turf was stripped from the first a few years ago, and its having been covered up so long probably accounts for the sculpture being in such good preservation.  It measures 10ft by 7ft, and is im- bedded so deeply in the ground that its upper horizontal surface scarcely rises above the level of the surrounding heath.  The sculpture consists of twenty-five cups, eighteen of which are surrounded with concentric rings, varying from one to five in number.  The most remarkable feature in the design is the very curious ladder-shaped arrangement of grooves by which the rings are intersected and joined together.  I do not think that this peculiar type of carving occurs anywhere else besides near Ilkley.  The second stone is of irregular shape, measuring 15ft by 12ft, and supporting a smaller stone of triangular shape 6ft long by 4ft broad.  Both upper and under stone are covered with cups and rings, but the sculptures have suffered much from exposure.  The superimposed block has eleven cups, two of which are surrounded by single rings.  The under stone has forty-two cups, nine of which have rings.  Amongst these are two unusually fine examples, one has an oval cup 5in by 4in, surrounded by two rings, the diameter of the outer ring being 1ft 3in.  Another has a circular cup 3in diameter and five concentric rings, the outer ring being 1ft 5in across. The third and most westerly stone of the group measures 10ft by 9ft, and lies almost horizontally, having its face slightly inclined.  On it are carved twenty-seven cups, fourteen of which have concentric rings round them.  Some of the cups have connecting grooves and three have the ladder-shaped pattern before referred to.  Several stones near have cup marks without rings.”

Heywood’s artistic effort!
E.T. Cowling’s drawing

When Harry Speight (1900) visited these stones a few years later he echoed much that Romilly Allen had said previously, also commenting on how on certain parts of the carving, “the rings enclosing each cup are connected with ladder-like markings.” (my italics, PB)  These “ladders” were even mentioned in a speculative but inaccurate essay by Nathan Heywood (1888) in a paper for the Lancashire and Cheshire Antiquarian Society.  Equally important was a description of the site when members of the Yorkshire Archaeological Society visited the Panorama Stones in 1884, and Rev. A.C. Downer (1884) described this “most important group” of stones, saying that

“Near the Panorama Rock are three large masses of ironstone close together, and averaging ten to twelve feet across each way, the horizontal surface of which are covered with cups and rings, and two of these stones have also a peculiar arrangement of grooves somewhat resembling a ladder in form.”

Modern Folklore

Despite this and other descriptions, in recent times local archaeologist and rock art student Gavin Edwards has propounded the somewhat spurious notion that the ladders and perhaps other parts of the Panorama Stone carvings have a recent Victorian origin, executed by a local man by the name of Mr Ambrose Collins.  Edwards took this silly idea to the Press, thinking he’d found something original, following a recovery of some notes from the Ilkley Gazette newspaper (earlier archaeologists had already explored this, which he should have been aware of), in which was stated that the said Mr Collins told other people in the Ilkley area that he was carving some of the old stones on the moors nearby.  Now we know that Collins did this (we have at least 3 examples of his ‘rock art’ in our files), but he wasn’t allowed to touch the Panorama Stones!

Panorama Stone 229 (by James Elkington)
Close-up of multiple rings (by James Elkington)

However, despite Gavin Edwards’ theory, it is clear that Ambrose Collins was not responsible for any additional features on the Panorama Stones: an opinion shared by other archaeologists and rock art specialists.  Edwards’ theory can be clearly shown as incorrect from a variety of sources (more than the examples I give here).

In no particular order…there was an early photo of the main stone (above), taken sometime in the late-1870s by Thomas Pawson of Bradford which shows, quite clearly, some of the faded “ladder” motifs on the rock in question while the stone was still in situ.  There is also an additional and important factor that Edwards has seemingly ignored, i.e., that neither J.Romilly Allen, Harry Speight, members of the Yorkshire Archaeological Society, nor any of their contemporaries made any comments regarding additional new motif elements carved onto these rocks when they visited the carvings at the period Edwards is suggesting Collins did his additions — which such acclaimed historians would certainly have mentioned.  Mr Edwards theory, as we can see, was a little lacking in research.  Considering only these small pieces of evidence, the pseudoscientific nonsense of the Victorian carving theory can safely be assigned to the dustbin!

Close-up showing faint ladders (by James Elkington)
Close-up under lighting (by James Elkington)

If however, we do use Mr Edwards’ reasoning: take a look at the modern “accurate” drawing of this carving in Boughey & Vickerman’s (2003) book—which actually, somehow, misses elements of the carving that are clearly shown in Mr Pawson’s 1890’s photo and are still visible to this day! What are we to make of that?  Have these modern folk been at it with the sand paper!?  We can only conclude that these simple errors show a lack of research.  The most worrying element here is that a local archaeologist can make such simplistic errors in his analysis of prehistoric and Victorian carvings without checking over publicly accessible data.  Even more disconcerting was the fact that he was running Ilkley’s local prehistoric rock art group!

However, we cannot dismiss out of hand the words of the said Ambrose Collins in his proclamation of carving stones on the moors, as there is clear evidence that he did a replica of the Swastika Stone on rocks near the original site of the Panorama Stones.  The carving he did is very clearly much more recent.  We have also found one carving with Collins’ initials — ‘A.C.’ — carved on it and the date ‘1876’ by its side.

And although we can safely dismiss the Edward’s Theory about the Panorama Stones “ladders”, we may need to reconsider a number of other carvings on Rombald’s Moor as potentially Victorian in nature using the rationale Edwards proclaimed.  For example — and using the disproved Edwards Theory — when we look at Romilly Allen’s drawing of the famous Badger Stone (from the same essay in which his image of the Panorama Stone is here taken), much of the carving as it appears today was not accounted for in the drawing.  We can also look selectively at many other cup-and-rings on these moors and find discrepancies in form, such as with the Lattice Stone on Middleton Moor, north of Ilkley, or the eroded variations on the Lunar Stone.  We have to take into consideration that some may have been added to; but more importantly, we must also be extremely cautious in the movement between our idea and the authenticity of such an idea.  It is a quantum leap unworthy of serious consideration without proof. (though the example of the Lattice Stone has a markedly different style and form to the vast majority of others on the moors north and south of here. Summat’s “not quite right” with that one and the comical Mr Collins might have had his joking hands on that one perhaps…)

One very obvious reason that a number of the cup-and-ring carvings were not drawn correctly by historians and archaeologists alike, would be the weather!  Archaeologists are renowned for heading for cover when the heavens open, quickly finishing their jottings and running for cover — and this would obviously have been the case with some of the drawings, both early and modern.  Bad eyesight and poor lighting conditions is also another reason some of the carvings have been drawn incorrectly, as a number of modern archaeology texts — including a number in Boughey & Vickerman’s (2003) book — illustrate to any diligent student!

There is still a lot more to say about this fascinating group of carvings, which I’ll add occasionally as time goes by.  And if anyone has any good clear photos of the stones showing the intricate carved designs that we can add to this profile, please send ’em in (all due credit and acknowledgements will be given).

…to be continued…

References:

  1. Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of British Archaeological Association, volume 35, 1879.
  2. Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
  3. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  4. Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
  5. Downer, A.C., “Yorkshire Archaeological and Topographical Association,” in Leeds Mercury, August 28, 1884.
  6. Hadingham, Evan, Ancient Carvings in Britain, Souvenir Press: London 1974.
  7. Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  8. Heywood, Nathan, “The Cup and Ring Stones of the Panorama Rocks”, in Trans. Lancs & Cheshire Anti. Soc.: Manchester 1889.
  9. Hotham, John Paul, Halos and Horizons, Hotham Publishing: Leeds 2021.
  10. Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.

Acknowledgements:  Huge thanks to the staff at Ilkley Library for their help in unearthing the old drawings and additional references enabling this site profile.

© Paul Bennett, The Northern Antiquarian


Snowden Moor Settlement, Askwith, North Yorkshire

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Settlement:  OS Grid Reference – SE 1785 5128

Getting Here

Travel along the Askwith Moor Road between Blubberhouses and Askwith (near Otley) and park-up at the large gritted parking post on the moor edge.  Walk straight onto Snowden Moor (east) and walk a few hundred yards north until you reach the brow of the small rounded hill, scattered with small stones and outcrop rock.  The settlement is all around you!

Archaeology & History

As we already know from earlier posts on TNA, this moorland region is rich in prehistoric remains, and the settlement that I’m about to briefly describe here is another excellent site – when you can see it!

‘Hut circle’ at the rocky knoll

My first exploration here was in the company of Graeme Chappell more than 20 years ago, where we tried locating remains that had been described by Eric Cowling (1946) during a foray taking photographs of the cup-and-ring stones nearby.  But due to an overgrowth of moorland vegetation at the time, the remains which Cowling described proved hard to find.  Years later when Richard Stroud and I visited the place in May 2005, all the heather had been burnt back and much of what looked like the remains of an entire prehistoric village was in plain view for us to see.  I was well impressed!  This occurred again last year, enabling the bunch of us who came here a few times to see even more of the place.  But — just like the newly discovered prehistoric settlement on Blubberhouse Moor a couple of miles north — once the heather grows back again you wouldn’t really think anything of worth was hidden here.   In archaeological terms however — despite the lack of references and research by those who are paid to be archaeologists — we have one helluva little-known prehistoric settlement, complete with walling, hut circles, village hall (!), tombs, cup-and-ring carving and more, much of it probably dating from the Bronze Age, but some of the sites here indicate it was also much in use during the Iron Age period aswell.

Probably the best place to start exploring here is on the large flat rock on the rounded knoll at the edge of the moor (SE 1785 5129) with a simple cup-mark saying ‘hello’ on its surface, looking east down into the Fewston Valley and across lower Wharfedale, then veering up towards the hills above Nidderdale.  The great prehistoric temple of Brimham Rocks is clearly visible from this spot aswell.  Upon this rocky hillock we have a veritable scattering of several large, earthfast boulders and smaller rocks, from where much of the settlement expands, mainly to the west through to the south, across the open moors in front of you.  On a clear day this is truly beautiful and quiet spot.

Line of ancient walling, running NE
Line of ancient walling, running SW

Just a couple of yards from the edge of the rocky knoll is a very good example of what would at first sight appear to a prehistoric hut circle.  Its position at the top of this rocky knoll however, implies an additional function other than a purely domestic one.  Also from here is a prominent long straight stretch of walling running roughly southwest for about 90 yards onto the moor, and also to the northeast, downhill off the moorland for some 30 yards before disappearing into undergrowth (we didn’t actually explore this lower section of walling running downhill, so there’s probably more to be found there).  This long section of walling, mainly comprising small stones and rubble, with a number of larger uprights defining much of its length, is just one of several stretches of walls that are clearly visible hereby.  There are also a number of other hut circles to be found scattered around this particular walled sections near the top of the rocky rise. When Eric Cowling (1946) came here he counted 10 of them here; but subsequent explorations have found at least 13 of them hereby.

Upper D-shaped enclosure
Overgrown D-shaped enclosure

One of the most notable remains here is the large D-shaped enclosure about 25 yards west of the rocky knoll.   This very impressive archaeological site was curiously not included in the Nidderdale Archaeological survey report of sites in this region.  Either they hadn’t done their homework correctly when they came here, or the heather must have been really deep; cos as you can see in the photo here, it’s a decent size!  I tend to see this large stone enclosure as a sort of tribal gathering building of sorts — a bit like a ‘village hall’ so to speak. If you get here and see it all in context, it makes a lotta sense (not that it’s right of course, merely an opinion).  With the exclusion of the Cowling D-shaped enclosure more than 80 yards east of here, this is the largest monument on this section of the moor, measuring some 45ft along the NW to SE axis and 20ft across the NE to SW axis.  The walling in parts is quite thick aswell and the stones making up the main north, east and southern edges are anything between 12 inches to 34 inches tall. Along its northeast edge is a curious stone, with what initially looked to be a most distinct cup-and-ring carving on the outer walling, but once we’d looked and looked again, saw it seemed to be one of the oddest light-created ‘carvings’ we’d ever seen! (i.e., it’s natural)

Denuded cairn? or denuded walling?
Another arc of walling (shit picture though – soz…)

A few yards from here, heading to the little peak close by, more walls emerge. On the small rise in the land about 30 yards west you’ll see an arc of stones running around the contour line of another hillock on the moor.  It’s difficult to say with any certainty, but a lot of this arc of stone is certainly man-made and at least Iron Age in date, perhaps earlier; but the line of stones itself may actually run all round the very edges of the hill on whose sides this section rests (see photo).  You get a distinct impression here that this small hill was actually sectioned off all the way round, so to speak, for some reason or other.  The remains of at least two small cairns can be found on the top of this small enclosed rise, close to one of which Boughey & Vickerman (2003) have designated there to be a cup-marked stone.  From this elongated hillock we look immediately northwest onto the flat moorland plain of the Snowden Moor necropolis …amidst which the hardworking Keighley volunteer Michala Potts recently found the Snowden Crags cairn circle.

Section of Snowden Carr settlement walling

Further down the moorland slope—a couple of hundred yards below Cowling’s D enclosure—are yet more remains, many of which lie outside the geographical boundaries of the “official” Scheduled Monument Record for this settlement (known as SMR 28065).  We’ve located several other cairns in relatively good states of preservation; more extensive lines of another walled enclosure (again in a large D-shape), as well as several cup-marked stones.

The Site and Monuments account of this place tells us simply:

“The monument includes a cairnfield and associated concentration of prehistoric features.  Included in the area are a large sub-rectangular enclosure, two smaller enclosures, at least 17 cairns of various sizes, several lengths of boulder walling, a hollow way, and at least 17 carved rocks. There is also a bare patch of ground on which lumps of lead slag survive. This was produced by medieval or earlier lead smelting.

“This concentration of prehistoric features is situated towards the north east edge of Snowden Carr, and measures c.426m x c.155m.  The cairns occur throughout the area and range in size from an elongated cairn 17m x 7m down to cairns c.4m in diameter. The cairns are best preserved in the north western part of the area. The large sub-rectangular enclosure has an earth and stone bank c.3m wide and c.0.6m high. The bank is double on the east side of the enclosure.  The two smaller enclosures have rubble banks 1m-2m wide and up to c.0.6m high.  They are more irregular in shape than the large enclosure.  The boulder walling consists of a number of approximately linear rubble banks 1m-2m wide. It is concentrated in the area immediately north west of the large enclosure, and in the area to its south. The boulder walls are interpreted as part of a field system contemporary with the large enclosure.  The hollow way is located within the southern group of boulder walls and may be contemporary with them. “

There is still a considerable amount of work that needs doing in and around this settlement complex and it seems any work here is gonna be done by the like of us amateur doods.  Archaeological officials don’t seem interested here.  I was informed by Neil Redfern of the archaeology department of English Heritage for North Yorkshire that they are unable to support any funding that might help towards any decent analysis of this important archaeological arena, nor do they consider the important cairn circle discovered a few months ago on the northern end of this settlement worthy of financial help either, which is of course very disappointing,* but typifies their lack of enthusiasm unless money comes their way.  And so this site profile entry will be added to gradually as our amateur team visit and uncover further aspects of this neglected prehistoric arena – such as the finding of another previously unrecorded ancient circle of stones not too far away!

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Cowling, Eric T., Rombald’s Way: A Prehistory of mid-Wharfedale, William Walker: Otley 1946.

Acknowledgements:  Many thanks for use of their photos to Graeme Chappell and Michala Potts.

* No doubt a church window somewhere will eat up a few thousand quid and weeks of their time to fit the little piece — along with all those prawn sandwich meetings that cost so much to endure.  Much more important!

© Paul Bennett, The Northern Antiquarian 


Mount Skip, Hebden Bridge, West Yorkshire

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Tumulus (destroyed):  OS Grid Reference – SE 0095 2748

Archaeology & History

Up behind the old pub that was The Mount Skip, high on the ridge above Hebden Bridge and Mytholmroyd, overlooking the Calder Valley for many miles, was once — it would seem — a number of fine prehistoric remains, long since destroyed by the industrial advance of quarrying and such likes.  Amidst what seems to have been settlement remains and, perhaps, timber circles, an ancient grave was also known here.  In Mr Ling Roth’s (1906) essay on the prehistoric remains of the Halifax region, he wrote:

“In May, 1897, a grave was discovered at a quarry above Mount Skip Inn.  The first indications were the rolling down of pieces of urns which the delvers called flower pots.  Then in digging into a hole to fix the leg of a crane, human bones were discovered,  Mr Crossley Ainsworth told me: “The grave was about 6ft (1.8m) long, from 14 to 18in (35-45.7cm) wide and about 2ft (61cm) deep…the head and feet were almost exactly north and south, with the face right towards the midday sun.”  The bones were very brittle and crumbled easily in the hand.  There was a lot of charcoal in the grave.  In the ends of the grave which were undisturbed, “there appeared to be about 6in (15cm) thick of charred wood and bones mixed together at the bottom.  Flints were also found.  Also the larger half of a small earthenware vessel which had rolled down into the quarry ; this was picked up by a man named Thos. Greenwood, of Shawcroft Hill.”

The site was mentioned again nearly fifty years later in Geoffrey Watson’s (1952) survey, but with no additional details.

References:

  1. Roth, H. Ling, The Yorkshire Coiners 1767-183; and Notes on Old and Prehistoric Halifax, F. King and Son: Halifax 1906.
  2. Watson, Geoffrey G., Early Man in the Halifax District, Halifax Scientific Society 1952.

© Paul Bennett, The Northern Antiquarian


Keighley Train Station, West Yorkshire

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Cist:  OS Grid Reference – SE 0656 4131

Archaeology & History

This little known site, long since destroyed during the construction of Keighley Railway Station, was found in a curious spot, close to the bottom of the Aire Valley.  Most (known) prehistoric burials occur on the higher grounds in this area.  And though we don’t appear to have the exact location of the find, it was pretty close to either side of Keighley’s old railway station (which is shown as 100 yards to the other side of the road of the present station on the 1852 OS map).  This may position the site as being on the grounds opposite and below St. Anne’s Church; otherwise it was getting closer to where the River Worth runs by.  In Keighley & Holmes’ early (1858) work they told that,

“Whilst excavating for the Railway within about a hundred yards of the Keighley station, one of the labourers discovered three urns containing a quantity of human bones.  Two of them were unluckily broken, one being large enough to hold eight or nine quarts.  The one brought away whole, and seen by the present writer, may hold about a quart; it is somewhat distastefully designed, moulded by hand out of the common clay, without glaze, and rudely ornamented on the outside by some sharp implement.  The once animated contents of each urn were covered by a square flat stone.”

This final remark seems to indicate the urns were located in a cist (a small stone grave), but we don’t know whether this was found within the remains of a denuded tumulus or stone cairn.  However, considering the lack of any remarks about a large pile of stones (which would have been very noticeable) covering this burial site, it would seem more probable that this site was originally an earth-covered tumulus, whose visibility and knowledge had long since diminished in this part of Airedale.

References:

  1. Keighley, William & Homes, Robert, Keighley, Past and Present, R. Aked: Keighley 1858.

© Paul Bennett, The Northern Antiquarian


Churn Milk Joan, Midgley Moor, West Yorkshire

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Standing Stone:  OS Grid Reference – SE 01974 27684

Also Known as:

  1. Saville’s Low

Getting Here

Churn Milk Joan, Midgley

From the village of Midgley, high above the A646 Halifax-to-Todmorden road, travel west along the moorland road until you reach the sharp-ish bend in the road, with steep wooded waterfall to your left and the track up to the disused quarry of Foster Clough.  Go up the Foster Clough track for 100 yards and, when you reach the gate in front of you, go over it but follow the line of the straight walling uphill by the stream-side (instead of following the path up the quarries) all the way to the top. Here you’ll see the boundary stone of  Churn Milk Joan.

Archaeology & History

The present large standing stone you see before you isn’t prehistoric.  However, the small broken piece on the ground by its side may have been its prehistoric predecessor; and there is certainly something of an archaic nature here — albeit a contentious one — as we find old cup-markings cut into its eastern face.

Two ‘cup-marks’ on eastern face

The upright is roughly squared and faces the cardinal points.  It was described in Mr Heginbottom’s  (1977) unpublished survey on Calderdale rock art, where he described there being a few cup-markings inscribed on its east- and south-facing edges, some of which may be prehistoric — though they would obviously have had to have been carved upon the upright stone when it still lay earth-fast.  However, we must posit the the notion (unless some of you have better ideas) that the tradition of etching cup-marks onto rocks was still occurring in this part of Yorkshire until the late Middle Ages, as this stone was, as we know from boundary records, only placed upright to mark the meeting of the three boundaries of Wadsworth, Hebden Royd and Sowerby.

Churn Milk Joan’s other name, Saville’s Low, originates from the great Saville family who owned great tracts of land across the region in the fourteenth century, possibly when the Churn Milk Joan we see today was created.  The word “lowe” may derive from the old word meaning, “moot or gathering place,” which this great stone probably served as due to its siting at the junction of the three townships.*

Folklore

In modern times the stone has become a focus for a number of local pagans and New Agers who visit and ‘use’ the site in their respective ways at certain times of the day, albeit estranged (ego-bound) from the original mythic nature of the site.

The name of the stone comes from an old legend about a milk-maid named Joan who, whilst carrying milk across the moors between Luddenden and Pecket Well, got caught in a blizzard and froze to death.  When her body was found many days later, the stone we see here today was erected to commemorate the spot where she died.  Although such a scenario is quite likely on these hills, as Andy Roberts (1992) said,

“Considering the sheer amount of sites with similar legends this explanation is unlikely to be true and we should looker deeper for the meaning behind Churn Milk Joan, to be found in its positioning in the landscape and ourindividual feelings about it.”  [see profiles for the Two Lads and the Lad o’ Crow Hill sites)

The monolith’s other title, Churnmilk Peg, is the name given to an old hag who is said to be the guardian of nut thickets.  How this female sprite came to find her abode upon these high hills is somewhat of an enigma, but it was first stated as such in an article by Andy Roberts (1989) in “Northern Earth Mysteries” magazine.  E.M. Wright (1913) noted this supernatural creature in her work on folk dialect, describing it as a West Yorkshire elemental who, along with another one known as Melsh Dick:

“are wood-demons supposed to protect soft, unripe nuts from being gathered by naughty children, the former being wont to beguile her leisure by smoking a pipe.”

Another legend of the stone tells how it is said to spin round three times on New Year’s Eve when it hears the sound of the midnight bells at St. Michael’s church (St. Michael was a dragon-slayer) at Mytholmroyd in the valley below.  Another piece of folklore tells that coins used to be left in a small hollow at the very top of the stone which, according to Haslem (1981), was “a gift to the spirit world, to bring luck” – a common folk motif.  It may equally originate from the custom of it as a plague stone.  This tradition of leaving coins atop of the stone is still perpetuated by some local folk.

Mr Haslem also made some interesting remarks about the nature of Churn Milk Joan standing as a boundary stone, representing something which stands not just as a physical boundary, but as a boundary point between this and the Other- or spirit world.  In folklore, streams and rivers commonly carry this theme.  But here on Midgley Moor, as a standing stone at the junction of three boundaries, we may be looking at the place as an omphalos: a centre point from which the manifold worlds unfold. (see Almscliffe Crags, the Ashlar Chair and the Hitching Stone)

The other motif here, of milk and snow [both white], have been speculated to represent power of the sun at midwinter, and geomantically we find the position of the stone in the landscape exemplifying this: it stands midway in the moorland scenery facing south, the direction of solar power, yet is bounded as an equinox marker from east and west.  The winter tales it has nestled around it are merely complementary occult augurs of its more wholesome elements at this point in the hills.

There is however, another much more potent element that has not been conveyed about the site and its folklore—and one which has more authenticity and primary animistic quality.  Regardless of ‘Joan’ or ‘Peg’ being the elemental preserved in the landscape title, the ‘churning’ in its name and the ‘spinning’ of the stone in myth at the end of one year and the start of the next at New Year, are folk memories of traditional creation myths that speak of the cyclical seasons endlessly perpetuated year after year after year, in what Mircea Eliade (1954) called the ‘myth of the eternal return.’  As season follows season in the folk myths of our ancestors, everything related to the natural world: a world inhabited (as it still is) by feelings and intuitions learned from an endless daily encounter, outdoors, with the streams, hills, gales, snow and fires.  Their entire cosmology, as with aboriginal people the world over, saw the cycles of the year as integral parts of their daily lives.  Here, at Churn Milk Joan with its central landscape position along an ancient boundary, the churning and turning of the year was commemorated and mythologized year after year after year; with maybe even the Milky Way being part of the ‘milk’ in its title, from which, in the shamanistic worlds that were integral to earlier society, the gods themselves emerged and came down to Earth.

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  2. Eliade, Mircea, The Myth of the Eternal Return, Bollingen 1954.
  3. Haslem, Michael, “Churn Milk Joan: A Boundary Stone on Midgley Moor,” in Wood and Water, 1:8, 1980.
  4. Heginbottom, J.A., “The Prehistoric Rock Art of Upper Calderdale and the Surrounding Area,” Yorkshire Archaeology Society 1977.
  5. Ogden, J.H., “A Moorland Township: Wadsworth in Ancient Times,” Proceedings of the Halifax Antiquarian Society, 1904.
  6. Robert, Andy, “Our Last Meeting,” in NEM 37, 1989.
  7. Robert, Andy, Ghosts and Legends of Yorkshire, Jarrold: Sheffield 1992.
  8. Wright, Elizabeth Mary, Rustic Speech and Folk-Lore, Oxford University Press 1913.

* The great stone at the cente of the Great Skirtful of Stones, Burley Moor, which previously stood at the centre of the Grubstones Circle, was just such a moot stone.  Upon it is carved the words “This is Rumble’s Lawe”.

© Paul Bennett, The Northern Antiquarian


Dragon Stone, Steeton, West Yorkshire

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Cup-and-Ring Stone:  OS Grid Reference – SE 03590 43677

Also Known as:

  1. Hollins Bank Farm Carving

Getting Here

Dragon Stone carving

Go northwest along the country lane running between High Utley (on the outskirts of Keighley) and Steeton known as Hollins Lane, which then becomes Hollins Bank Lane.  You’ll see the fine castle building as you go along, known simply as The Tower arising from the top of the tree-line.  As you get to the driveway leading down to the Tower, a less impressive farm building is on the other side of the road, known as Hollins Bank Farm.  On the right-hand side of this house is an old overgrown road.  Walk along here to the end, going into the field immediately left where a small group of stones can be seen halfway up the field by the tree.  You’re here!

Archaeology & History

First discovered one sunny afternoon on April 7, 2010, in the company of Buddhist scholar Steve Hart, this is a really curious carving, inasmuch as it seems to have been deliberately carved around what may be curious naturally eroded cup-forms.  You’ll have to visit it to see what I mean.  They’re a bit odd.  Almost too perfect as cups to be the ancient eroded ones we’re used to looking at.  But this aside….

…and again
Dragon Stone, looking NW

It’s a lovely flat stone, with curvaceous lines running across the middle and edges and into cup-markings.  Although some of the cups give an impression of being natural, others have the authentic-looking ring to them, with at least one of them possessing a near-complete ring encircling it (as you can faintly see in the close-up photo here).  There are at least 19 cup-markings on this stone, and four main ‘lines’ running roughly in north-south directions, with the cups interspersed between them.  At the top (north) end of the rock, separated by a crack, the lines stop and we just have some cup-markings.  The crack in the stone may have been functional here.

Although graphically different, the carving has a similar feel in design (for me at least) to that of the Wondjina Stone at Rivock Edge, on the other side of the Aire Valley a couple of miles east of here — though this newly found carving is in a better state of preservation.  The small scatter of rocks around it seem to have been unearthed or moved recently by the land-owner (who aint keen on you looking on his land, so be careful) and the good state of preservation may be that they were only unearthed sometime this century.  We must also keep in consideration that the lines that run across the surface of this stone are water-lines and may be more the result of Nature’s hand than humans.  It’s obvious that some human intervention has occurred here, but it may be difficult to ascertain the precise degree of affectation between the two agencies.

Close-up of cups & lines

According to the archaeological record-books there are no carvings here, but another simple cup-marked stone accompanies this more extravagant serpentine design just a few yards away; a simple cup-marked stone may be seen at the top of the hill; and the faint Currer Woods carving can be found 0.68 miles (1.09km) due west of here, on the other side of the small valley.  Other outcrop stones scatter the fields and slopes here, some of which still need checking to see whether or not further carvings exist.

…And for those who may bemoan my seemingly romantic title of the carving: remember! — close by in Steeton township, between the years 1562 and 1797, there was an old field-name known well to local folk, of “one parcel of arable land in town field called Drakesyke, 3 acres”, i.e., the dragon’s stream or dyke. (Gelling 1988; Smith 1956)

References:

  1. Clough, John, History of Steeton, S. Billows: Keighley 1886.
  2. Gelling, Margaret, Signposts to the Past, Phillimore: Chichester 1988.
  3. Smith, A.H., English Place-Names Elements – 2 volumes, Cambridge University Press 1956.

© Paul Bennett, The Northern Antiquarian


Silver Hill, Stanbury, West Yorkshire

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Tumulus:  OS Grid Reference – SD 981 375

Getting Here

Silver Hill, Stanbury

Go through the village of Stanbury, past the last of the two reservoirs until you’re on the western edge of Ponden.  Stop and look up the slopes to your south.  This spot was recently found and photographed by Richard Stroud: a curious-looking mound with all the hallmarks of being a forgotten tumulus.  We’ve gotta check it out properly though!

Folklore

Although not in the archaeological records (not too unusual in Yorkshire it seems), the site does have some literary references and some all-too-common folklore motifs.  Perusing my library for info about another nearby site (the Cuckoo Stones), I found the following said of this place in a rare book by James Whalley called The Wild Moor (1869, pp.103):

“It appears that some hills, as well as dales…have silvery names.  There is a hill which is on the right hand on the way from Ponden House to Crow Hill Moor, which is distinguished by the beautiful designation of ‘Silver Hill.’ The hill is surrounded by a wall (I suppose to guard the treasure) and its surface is adorned with trees. Grey-headed men living on the borders of Crow Hill and Lancashire Moors affirm that during the Scotch rebellion here was deposited a large chest of silver, which was hid in the hill. It would appear as if the chest of silver is still there!”

This tradition was echoed a decade later by J. Horsfall Turner, and then again by Halliwell Sutcliffe in 1899, who reckoned the “vast treasure was said to have been buried during the ’45 rebellion,” adding how “the fields which climb this hill were well tilled aforetime through being constantly turned over in search of the treasure” – but nowt was ever found.

An additional bit of folklore tells of two spirits nearby: one of a man; another of a fiery barrel — either a remnant of earlier solar folk traditions hereby, or perhaps just an earthlight.  One of these (the fiery barrel) rolled down the hill nearby; whereby the ghost of the man walked by the hillock along the track from Ponden House a little further east.

References:

  1. Horsfall-Turner, J., Haworth Past and Present, J.S. Jowett: Brighouse 1879.
  2. Sutcliffe, Halliwell, By Moor and Fell in West Yorkshire, T. Fisher Unwin: London 1899.
  3. Whalley, James, The Wild Moor, Todmorden 1869.

© Paul Bennett, The Northern Antiquarian


Alcomden Stones, Stanbury Moor, West Yorkshire

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Legendary Rocks: OS Grid Reference – SD 97313 35737

Also Known as:

  1. Oakenden Stones

Getting Here

The ‘druidic’ Alcomden Stones

Takes a bitta getting to this spot, but it’s worth the effort!  Make a day of it and walk up here via the little-known Cuckoo Stones monoliths.  From here the walk gets steeper!  Follow the footpath from the standing stones, uphill, to the legendary Wuthering Heights building of Bronte-fame a half-mile ahead of you.  Then walk immediately up the slope at the side of the derelict house higher onto the moor (there’s no real footpath to follow) until the moorland levels out.  From here, look west and walk that way for a few hundred yards where you’ll be seeing a large rock outcrop ahead of you.  That’s where you’re heading! (if you reach the triangulation pillar, take the small path from there along the top of the moor towards this large rock outcrop)

Archaeology & History

Alcomden’s Altar Stone

To those of you who like a bitta wilderness, or healthy normal people I suppose, this is a stunning place!  Even though there’s little by way of archaeology here — save the usual expectations of a few flints and arrowheads — its geomancy, its position in the landscape, makes it excel as a once important ritual site for our ancestors in not-so-distant centuries.  Although local tradition gave these great rocks a prehistoric pedigree, the archaeological record doesn’t say as much — but that doesn’t really mean much up here.  We’ve found a singular Bronze Age cairn on the level at Middle Moor Flat 400 yards northwest (not in the record books), some prehistoric walling on the flat east of here (not in the record books), so a lot more attention is needed hereby to see what more may be hiding in this rocky heathland area.

The main feature amidst this extensive scattering of rocks is the large rocking stone, said to weigh six- or seven-tons, resting upon other glacial deposits.  The rock itself can be made to rock very slightly.  It was described in Lewis’ Topographical Dictionary as a

“cromlech, an evident druidical remain, (which) consists of one flat stone, weight about six tons, placed horizontally upon two huge upright blocks.”

But the placement here was done by Nature and not humans — making it much more important to our ancestors.  This was a site for solace, for ritual and to commune with the gods themselves.  A few visits to this place show this quite clearly — unless you’re unable to relax that is! It’s a place I wanna spend more time working with, as the mythic history around these stones feels strong, despite their absence from written records.

The ‘altar’ resting on rocks
Alcomden’s “altar”

The druidic sentiments espoused by Lewis were all but echoed by our otherwise sober historian, J. Horsfall Turner, in his history of Haworth (1879), where he describes the Alcomden Stones as “the remains of a Druid’s Altar.”  On top of the main ‘altar stone’ are what could be ascribed as worn cup-markings, but it seems they’re Nature’s handiwork once again; though this wouldn’t deny them as having some significance to our ancestors.  A number of other boulders amidst this mass of rocks also have what seem like cup-markings, but none of them can be said with any certainty to have been carved by people.  Indeed, the entirety of this legendary rock outcrop seems to have been created solely by the spirits of Nature.

One view of Earth, from Alcomden
View of Earth, from Alcomden

It was first described as ‘Alconley’ in 1371, then in the 1379 Poll Tax returns as ‘Halcom’, the etymology of which is difficult.  Al- is a cliff or rock, many of which occur here; den is certainly a valley, over which we look to the northeast (to Ponden Kirk, 500 yards away); but the central element of ‘com‘ is the greatest puzzle.  Blakeborough (1911) tells of the old Yorkshire word ‘con’ — found in the 1371 spelling — meaning “to scan, or observe critically,” which one can certainly apply here in a topographical sense, i.e., “observation stones above a valley.”  It’s simple, succinct, and makes sense!

Folklore

As Elizabeth Southwart (1923) rightly said,

“Our forefathers, instinct and imagination more highly developed than knowledge, peopled their woods with fairies and their valleys with ghosts.  On the high, wind-swept spaces they built their altars to Unknown Gods.”

Turner's 1913 drawing
Turner’s 1913 drawing

And such she thought was done at this “heap of rocks called Oakenden Stones.”  It seems likely, as this place is superb for ritual magick and meditative systems.  But all we have are the repeats of numerous old historians, from Whiteley Turner (1913) and his namesake J. Horsfall, to James Whalley, J.W. Parker and more, who recorded what the old locals said: that is was a place of the druids.  There may be a grain of truth in it somewhere…

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  2. Blakeborough, Richard, Wit, Character, Folklore and Customs of the North Riding of Yorkshire, W. Rapp: Saltburn 1911.
  3. Parker, J.W., Guide to the Bronte Country, J.W. Parker: Haworth n.d. (c.1971)
  4. Southwart, Elizabeth, Bronte Moors and Villages: From Thornton to Haworth, John Lane Bodley Head: London 1923.
  5. Turner, J. Horsfall, Haworth, Past and Present, Hendon Mill: Nelson 1879.
  6. Turner, Whiteley, A Spring-Time Saunter round and about Bronte Lane, Halifax Courier 1913.

© Paul Bennett, The Northern Antiquarian


Castle Hill, Kirklees, Brighouse, West Yorkshire

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Enclosure:  OS Grid Reference – SE 173 216

Getting Here

Along the Brighouse to Mirfield A644 road, a half-mile east of M62’s junction 25 on Wakefield Road, note the woodland on your left-hand side, above the walling.  Although on allegedly private land, you can approach by hopping over the wall by the main road into the woods. Wander up the slope until it levels out and, just at the edge of the tree-line, past the brilliant overgrown folly amidst a mass of rhododendrons, you’ll see the denuded edges of this earthwork.  Though you might need a bitta patience seeking it out…

Archaeology & History

Very first sketch of this site (John Watson, 1775)

The remains of this low earthwork is found on the private land of Kirklees Hall and appointment is supposed to be made to explore, both this and the more famous Robin Hood’s Grave, a few hundred yards away. But if you can’t be bothered with that and find this little-known earthwork, you’ll see that it’s roughly squared in shape, though pretty overgrown.  In Bernard Barnes’ survey (1982) he described it as a “square or five sided enclosure, 2-3 acres in size, with bank and external ditch”, wondering whether it was used to enclosure cattle and stretching its possible origin between the Iron Age to the medieval.

Although the classical Roman archaeologist Ian Richmond (1925) believed the site to be from that period, the archaeologist J.J. Keighley thought that the site was “more likely to be Iron Age than Roman.”  He wrote:

“The earthwork in Kirklees Park is a square or five-sided enclosure with bank and external ditch… The site lies on Richmond’s trans-Pennine route.  According to Armitage and Montgomerie, the earthwork is 0.5 hectares in area, but it is actually nearer 0.8 to 1.2 hectares.  They compare its construction with the fort at Wincobank (South Yorkshire), stating that the bank on the counterscarp when excavated, revealed “a very rudely composed wall of undressed dry stone.”

Earlier local writers such as John Watson (1775) — whose early sketch of the site is reproduced above — and others also opted for the Roman date.  But, unless you’re a bit of an earthwork fanatic, this site may not be too much your cuppa tea. If you are gonna check this out though, make sure you check out Robin Hood’s old tomb in the trees not far away. Very odd.

References:

  1. Barnes, Bernard, Man and the Changing Landscape, Merseyside County Council & University of Liverpool 1982.
  2. Keighley, J.J., “The Prehistoric Period,” in West Yorkshire: An Archaeological Survey to AD 1500 (WYMCC: Wakefield 1981).
  3. Richmond, I.A., Huddersfield in Roman Times, Tolson Memorial Museum: Huddersfield 1925.
  4. Watson, John, The History and Antiquities of Halifax, J. Lowndes: London 1775.

© Paul Bennett, The Northern Antiquarian


Faweather, Baildon Moor, West Yorkshire

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Cup-Marked Stone:  OS Grid Reference – SE 14263 41880

Also Known as:

  1. Carving no.48 (Hedges)
  2. Carving no.189 Boughey & Vickderman)
Sid Jackson’s early drawing

Getting Here

It is best approached from the track at the side of Weecher reservoir (site of the destroyed Weecher stone circle) on the east side of Rombalds Moor, where you should follow the natural curve of the track till you reach the tiny hamlet of Faweather where, on your right, just in the garden edge, you’ll see this faded old carving. This has only recently been incorporated into the garden (it used to sit on a small triangle of grass where three old tracks meet), but the people living here seem pleasant enough and will let you look at the carving if you ask.

Archaeology & History 

Hedges 1986 drawing

Just off the far-eastern edge of Rombald’s Moor and north of Baildon Moor, this faded cup-marked stone might only be for the real fanatics amongst you! I like it though.  Described in Sidney Jackson’s rare Bradford archaeology journal, the site was added to Hedges (1986) survey, and the subsequent Boughey & Vickerman’s (2003) work, neither of whom said much about it.  It’s a pretty basic carving though, consisting of several cups and lines that run over the top of the stone, some of which seems to be due to natural weathering — it’s hard to say for sure.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
  2. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, West Yorkshire Metropolitan County Council: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian