Whether you’re coming here from Wrose or Eccleshill, go along Wrose Road and turn down Livingstone Road at the traffic lights. Down here, when the road splits, head to your right until you meet with those stupid road-block marks (where you can only get one car through). Just here, walk down the slope and path on your right, and before you hit the bottom of the slope, walk down the small valley for about 20 yards until you see the small stream appear from beneath some overgrown man-made stone lintels. That’s it!
Archaeology & History
When I was a kid I used to play down this tiny valley when the waters here still had small fish swimming away (we used to call them ‘tiddlers’). The fish seem to have gone, but there are still waterboatmen on the surface, indicating that we still have fresh water here – and on my most recent visit, I cautiously tasted the waters and found them OK (the prevalence of broken bottles and beer cans from locals doesn’t inspire you to drink here though).
Initially located on the local boundary line between Eccleshill and Wrose, the waters used to be found running into a trough about 100 yards further up the small valley, but this has been lost and housing now covers its original site. You can see how the stream has cut the valley further upstream, but now it bubbles up from beneath the rocks shown in the photo. Bradford historian Robert Allen (1927) described the site in his survey as originally being between North Spring and South Spring Wood.
Although the name Sweet Willy Well remains a mystery, one of its other titles — the Lin Well — relates to the presence of linnets that used to be found in great numbers here. The ‘Sugar Stream’ name is one we knew it as locally as children, due to the once sweet taste of the waters. It is likely to have had medicinal properties, but these have been forgotten. No archaeological survey has ever been done of this site.
References:
Allen, Robert C. (ed.), The History Of Bolton In Bradford-Dale; with Notes on Bradford, Eccleshill, Idle, Undercliffe, Feather Bros: Bradford 1927.
Takes a bit of finding this one, and isn’t that impressive, so is probably only of value to the real enthusiasts. From Shipley, head up to Northcliffe and take the walk into the woods. Walk along the valley bottom, past the old train line at the bottom of the valley, and keep going for a few hundred yards until you meet with the small pond or damn on your left. Somehow cross over the stream and walk up the overgrown hill right above the pond. You’ll notice a single rock, on the right-hand side of the tiny stream running down the slope you’re walking up, just on the top of the ridge near the tree-line about 20 yard or so before the golf course. That’s it!
Archaeology & History
Drawing of the Northcliff carving
This little-know cup-and-ring stone, seemingly in isolation just over the northern edge of the golf-course about 20 yards into the woods at the top of the ridge, cannot be contextualized with any adjacent monuments as the area has been badly damaged by the industrialists, as usual, with both quarrying and the golf course – much like the damage done at Pennythorn Hill, above Baildon.
This rock has what seems to be at least five cup-markings: two quite prominent, the others smaller and more faded. Earlier surveys by the likes of Sidney Jackson (1962) saw another two cups on the stone, but these seem to be natural. A curious large ring runs around the cup near the top of the stone, but this is pretty faint nowadays. One of the cups along the edge of the stone also looks like it may have had an arc carved around the top of it, but this needs exploring at different times of day and in different lighting conditions to verify or deny this.
References:
Jackson, Sidney, “Cup-Marked Rock, Northcliff Wood,” in Cartwright Hall Archaeology Group Bulletin, 7:6, 1962.
From Shipley town centre open market, take the Kirkgate road up to Saltaire, past the old town hall. On the other side of the road take the little path into the Bowling Club, in the trees (if you hit the church you’ve gone too far). Once standing in front of the bowling green itself, you need to walk along the left-side path. Two-thirds of the way down, now laid in the ivy-covered area below the old quarry face, you’ll find what you’re looking for.
Archaeology & History
I remember first seeking out this carving when I was still at school and wondering how the hell it got here – and believed it to be a fallen standing stone at the time! It seems that the stone was cut and readied for use as a gatepost instead, at some time long ago.
Close-up showing cups & lines
The curious cup-marked stone has travelled about a bit, somehow. Formerly at the edge of a field in the grounds of Bradford Grammar School 3 miles away (at SE 1523 3583), the fella was then built into the wall of the now-demolished Shipley Old Hall, before reaching its present resting place at the edge of the bowling green. Consisting of around 16 cup-markings with carved lines seeming to link them here and there, it was first mentioned by the late great Sydney Jackson (1955) in an early edition of the Bradford Archaeology Journal. The carving was recently included in the Boughey & Vickerman (2003) survey, where they described it as,
“Medium-sized fairly smooth grit rock with coarse line down top, probably natural, evidence of quarrying on edge. Sixteen or seventeen cups, one with a groove out has a deeper cut within it and twelve of the others are linked in pairs by short grooves. This has been interpreted as feathering for quarrying, but the grooves are across the line of likely split, rather than along it.”
And for those of you who live nearby: if you check this out, see if you can locate an earthfast boulder near here which I recall having a cluster of distinct cup-marks running on top of the rock along one side. I couldn’t find it when I looked a short while ago, it’s not in the archaeology survey lists, and it remains lost—in the heart of Shipley no less!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Jackson, Sydney, “Cup-Marked Boulder, Shipley Old Hall,” in Bradford Cartwright Hall Archaeology Group Bulletin, 1:10, 1955.
Follow the same directions as if you’re visiting the largest and most ornate of the Buck Woods carvings. From here, about 10 yards ahead of you, roughly north, you’ll see another stone, less than half-size of Buck Woods 1, moss-covered and not rising too much out of the Earth. It’s not difficult to find once you’ve located the largest of the Buck Woods stones.
Archaeology & History
A cup-and-half-ring
Another of the small cluster of little-known prehistoric carved stones in this woodland on the edge of Bradford, not in the Boughey & Vickerman (2003) survey. This however is possessed of a cup-and-half-ring, with other seemingly carved ingredients fusing onto natural aspects of the rock. The design is found on the highest part of the stone; and whilst the main cup is easy to make out, the encircling half-ring is slightly troublesome.
…and from another angle
There are two distinct lines running down one side of the rock, both seemingly natural, but they may have been added to—it’s difficult to say with any certainty. Certainly the one closest to the cup-and-half-ring has the carved line etched to meet the natural geological feature, as you can just make out in the photos here. There also seems to be other carved features surrounding the central design, with other marks round the main cup, almost suggesting that a complete ring was being made, but never accomplished. It’s an odd one. If I’d have stripped the moss from the stone I could have seen the design in greater detail, but I’ve gotta bittova soft spot for mosses and lichens, so left it alone!
Follow the same directions as if you’re visiting the largest and most ornate of the Buck Woods carvings. From here, walk 10 yards to the Buck Woods 3 carving, then about the same distance forward again until you reach the low lines of (what looks like) Iron Age walling running roughly east-west through the trees. Walk 10-20 yards east along the walling until a gap or entrance appears – and on the other side where the walling starts again, check the 2nd or 3rd rock along, beneath the mosses.
Archaeology & History
More simple cup-marks
There are no previous references to this small cup-marked stone, whose cups are on the topmost surface of the stone in this ancient stretch of walling (into which some vandal has recently carved his name, ‘Hunt’). It’s another one for the purists amongst you though, as we only have 2 or 3 cupmarks here, as the photos show – with just one which I can say is a certainty. Curiously the other two look, for all the world, as if they’re mollusc cups!—but considering you’re about 50 miles from the sea, this seems a little unlikely. Worth having a look at when you’re checking the other four carvings close by.
Follow the same directions as if you’re visiting the largest and most ornate of the Buck Woods carvings. Once there, notice the green field on the other side of the wall less than 50 yards away. Walk towards the wall, about 20 yards from the Buck Woods 1 carving, keeping your eyes peeled for a flat mossy stone. You’ll find it!
Archaeology & History
Close-up of the cups
A nice simple, almost cute cup-marked stone—not included in the Boughey & Vickerman (2003) survey—with three simple cups running almost in a straight line from the middle of this long stone to its outward, eastern edge. One of the good features of this and its associated carvings is the setting amidst which it’s found. We tend to associate these carvings with open moorland, where many now live, but when they were first carved they were surrounded by woodland and much more: important ingredients relevant to understanding the nature of these curious carvings…
From Ilkley, take the Cowpasture Road up past Cow & Calf rocks, the hotel and along the moorside. A few hundred yards further, just before the next farm-building on your right, walk up the Rushy Beck path to the top. Crossing the stream at the top, now walk diagonally south-ish into the heather for some 200 yards, a short distance before the hillside begins to rise up again onto the next ridge. Remains of this ‘enclosure’ is all around you!
Archaeology & History
When the normal moorland vegetation covers this prehistoric site, you’d barely know there was anything here apart from various rocky rises and undulations in the ground and perhaps, if you were seeking out old stuff, what would seem to be lines of stone walls bending away onto the moor. But when the heaths have been burnt back, a whole new vista unfolds itself! You see before you a fantastic, well-preserved, unexcavated prehistoric enclosure, whose origins are probably neolithic, but whose history and use stretched through the Bronze Age and into the Iron Age—and it’s not alone! East, west and south of this particular enclosure, other prehistoric walled structures are found stretching all across the landscape hereby, structurally similar and also used over very long periods in prehistory. For antiquarians and historians alike, this is a truly impressive place indeed. In all honesty, the description I give here does not do the place justice!
Northwestern section of enclosure walling
Things like ‘settlements’ and ‘enclosures’ are traditionally relegated by purist archaeologists to be little more than domestic or utilitarian sites: places where our ancestors kept cattle; or were used for defensive purposes; or lived for long periods of the year. Of course, these simple ideas are effective and true at some places; but here at Woofa Bank—in this particular enclosure—something more than just domestic activity was enacted, and over the period of many centuries by the look of things. We surmise this by the incidence of at least fifteen cup-and-ring stones being found within the enclosure itself; and at its very centre is a small standing stone, not previously recorded, that has perhaps five petroglyphs around it. The presence of such a large cluster of cup-and-ring stones close together within the enclosure would seem to suggest ritual activity.
Carved rock & central stoneClose-up of, dancing anthropomorphic figure?
One of the carvings at the centre of the enclosure (listed in the Boughey & Vickerman survey as Carving 372) has been suggested to represent a dancing human figure (the image here shows the anthropomorphic element), which it may well be. The incidence of this central stone and its surrounding petroglyphs has important magico-religious implications, relating it as a site used for creation myth narratives and repetitions (transpersonal explorations at this site may prove worthwhile). The wider extended enclosure with more petroglyphs contained inside it, suggest that additional ritual performances were enacted here; these may have had something to do with the cluster of prehistoric tombs scattered on the moorland plain 100 yards to the west, but we might never know.
Easternmost standing stone
It seems that the walled enclosure itself was constructed around the earlier cup-and-ring stones, probably many centuries later—but we need excavations here to give us more precise details. Much of the enclosure walling itself has the hallmarks of being late Bronze Age to Iron Age, whilst we know that prehistoric rock art can date back into the neolithic period; and from this period Eric Cowling (1946) reported that, at Woofa Bank, “at the western end of the ridge,” just above this enclosure, a neolithic flint site existed.
Cowling’s 1946 plan
Cowling (1946) himself was one of very few archaeologists to even mention this impressive site, in a section exploring the “Iron Age” sites along Green Crag Slack at the eastern end of Ilkley Moor. He wrote:
“At the other end of the site under the shadow of Woofa Bank and near the source of the Rushy Beck, is another D-shaped enclosure apparently unfinished. The plan is of a circle with a flattened side and does not exceed twenty-four yards across in any direction. Here the enclosing wall shows five or six courses at the lower end side and a simple entrance to the west.”
Western entrance to enclosureStone marking eastern entrance
Though Cowling’s measurements are way out! The enclosure itself is much larger than he describes. For the most part, three-quarters of it give the impression of it being a large oval shape, but the design and outline of the walling changes on its southeastern side and kinks inward, in an arc, to eventually meet the walling in the middle eastern section. Its entire circumference measures approximately 220 yards all the way round; it is 65 yards across east-west; and about 61 yards north-south. The average height of the main walling is between 2-3 feet tall, and is made up of many large rocks, some of them positioned upright as standing stones, all packed together with earth and countless thousands of smaller stones. The walling itself is between 2-3 yards wide in many places and has two main entrances: one near the middle of the western wall and the other almost opposite to the east. The eastern entrance is marked by a standing stone between 3-4 feet tall. No gaps are visible at all on the northern curved section of the enclosure. On the overgrown southern edges, not all of the walling is visible and much of it is overgrown. On the whole it’s still very much as Cowling found it, with the arc of walling in this part of the enclosure difficult to make out clearly. There is also another line of walling that runs off to the east, beyond the main enclosure itself.
Carved rock in western wall
The clearer, more visible western line of walling, running south of the entrance on that side, has a large singular cup-and-ring stone laid right along its axis (carving 366 in the Boughey & Vickerman [2003] survey), a short distance before the walling changes direction east-west and runs along the bottom of the slope.
Folklore
Tradition tells that the tribal people from this site were involved in a battle with the Romans along this moorland plain.
…to be continued…
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Eliade, Mircea, Images and Symbols, Harvill Press: London 1961.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.
Size, Nicholas, The Haunted Moor, William Walker: Otley 1934.
Follow the directions to reach the Little Skirtful of Stones giant prehistoric cairn. Once here, look for the singular rocks out of the many thousands which make up the giant cairn, mainly from the middle to the northern-half of the cairn, and you’ll find them amidst the mass!
Archaeology & History
Cup-marking near the centre of the cairn
Despite the task sounding difficult, it’s not too hard locating the cup-marked rocks within this giant cairn. As I recall there should be five of them, though the Boughey & Vickerman (2003) survey only list four and I only have photos of four of them as well…so I reckon age is probably getting to me at last! There could very well be more of them amidst this massive tomb. But we certainly can’t rely on the Boughey & Vickerman (2003) survey for the carvings at this site as they give the wrong grid references for each of the cup-markings listed, with them all being a kilometre east from the site of the tomb itself! Awesome! God knows what their cartographer was on when he did the profiles for these carvings! (there are plenty of spliff-butts scattered over this moor…..) Not only that, but the position they cite of the relative cup-markings within the cairn are also wrong.
Another portable cup-markingCup-marking at outer edge of Little Skirtful
But for those of you who like to know the archaeological data, here’s what was said: Carving 391a is a “small rock towards SW edge of cairn, with single worn cup”; but this stone is actually closer to the northern section of the cairn. Carving 391b was told to be a “small dome-shaped rock at extreme S edge of cairn with single, small clear cup at top of dome.” This again is more on the northern section of the cairn, away from the centre. Carving 391c was described as a “small oval, rounded rock at N edge of cairn, with single, broad, shallow worn cup.” Whilst carving 391d which was told to be a “small rock at SSE edge of cairn, with single small worn cup.” However, we have to take into account that any errors about their position may simply be down to the fact that the small rocks have been moved.
Smoothed cup-marked stoneClose-up of different rock-type
As you’ll see in the photos here, one of them is actually near the very centre of the cairn, with the cup-marking etched into the edge of the small rock itself. I’m not quite sure if this is the additional fifth carving in the cairn, or whether it’s one of those wrongly ascribed as being in another position. It’s hard to tell, as the local Ilkley Archaeology team don’t publish their findings and information on-line as they should do and unless you’re in their little club they’re hard to get info out of. So this will have to do for the time being I’m afraid. Also note how one of the cup-marked stones is of a rock-type different to the local millstone grit.
Folklore
The creation myth of the Little Skirtful itself tells that the giant Rombald (who gives his name to the moor) was in trouble with his wife and when he stepped over to Almscliffe Crags from here, his giant wife – who is never named – dropped a small bundle of stones she was carrying in her apron. Harry Speight (1900) tells us of a variation of the tale,
“which tradition says was let fall by the aforementioned giant Rumbalds, while hastening to build a bridge over the Wharfe.”
Variations on this story have said it was the devil who made the site, but this is a denigrated christian variant on the earlier, and probably healthier, creation tale. Similar tales are told of the Great Skirtful of Stones, 500 yards south.
The cluster of portable small stones with single cup-marks on them relates to traditions found in other cultures in the world where, usually, women would carry such items in their aprons and deposit them at or on the tomb, in honour of the ancestor or spirit known to be resident at the sacred site. The folklore found at the Little Skirtful (and Great Skirtful too) of Rombald’s wife dropping the rocks here and forming the giant tomb, probably derive from variants of this same honorary practice.
References:
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Chieveley 2001.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAA 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
A little-known early christian relic found in the driveway to East Riddlesden Hall was saved and propped up in the stable floor at the back. In 1984 however, the National Trust got round to moving it and bringing the relic to greater public attention by putting it on display in the great hall of the building. (I think you’ve gotta pay to go in and see the stone these days – which is a bittova pain if you just want to examine the carving)
Old photo of the carved stone (after Margaret Faull)
Measuring just 1 foot across and 2 feet high and carved on all sides, the design is all too familiar to those of you exploring early christian or late-Celtic art forms. Executed sometime between the 5th-10th century, on the main face of the cross we have the traditional ‘Celtic’ interlacing, with a bird-figure emerging on or around an early ‘cross’ symbol. There are a variety of interpretations of this, but none relate to any modern christian mythic structures. Indeed, we should cautiously reflect on the more pre-christian nature of this design: carved as it was at a time when the spirit of the natural world (animism) was endemic amongst all people. This carving would in some way reflect such implicit subjectivity, though perhaps have had emergent ideals relevant to the christian cult within it. However, we should be cautious about this christian idea, despite it being much in vogue by prevailing groups of consensus trance historians.
References:
Faull, Margaret L., “The Display of the Anglo-Saxon Crosses of the Keighley Area,” in Transactions of the Ancient Monuments Society, New Series no.30, 1986.
Take the same directions as if you’re going to Dave’s Stone, to the eastern end of Rivock Edge itself. Then take less than 10 steps further onto the moor itself and you’ll see the stone pretty low down in the heather. (please note that grid-reference above needs revising)
Archaeology & History
…and looking straight down!
Found about 10 yards onto the flat ridge south of Dave’s Stone cup-marked stone, the vegetation covering this carving had only recently been brushed off when we revisited the place in 2012, by members of the Ilkley CSI team in their own survey of the area. As you can see, it’s a simple design of just two well-preserved cups on a small rounded stone. What may be the remains of a very faint ring arc is possible over one of the two cups. Nowt much more to say really!
