Yorkshire, North

St. Peter’s Well, York Minster, North Yorkshire

17/02/201819/08/2024 megalithix

Holy Well: OS Grid Reference – SE 6038 5219

Also Known as:

Holy Well, York Minster

Archaeology & History

For people who like to visit the sacred sites that determined a cross-over from Earth-based animism to one which ceased sanctifying the Earth, this ancient water source in the cellars beneath York Minster would be a good example. Sadly, the church has closed off access to this ancient heritage and you can no longer see it. Yet despite the fact that the modern-day christians have closed off your encounter with this important heritage site (York Minster’s website doesn’t even mention its existence!), we should not forget its mythic history…

As you walk into the building (at some great expense, it has to be said), the location of the holy well is said to be at its more western end, albeit in the crypt underground—although there does seems to be some confusion with some authors about exactly where the well is positioned.

The earliest account we hear of the place relates to when the northern tribal King Edwin, along with his sons Osfrid and Esfrid, came here to be “baptized” in the waters of this clear spring “on Easter day, April 12, 627” CE. Immediately thereafter a small wooden chapel was constructed next to or above the well. From then on, as the centuries passed, the renown of the well grew and eventually the magnificent ritual temple of York Minster was eventually built. The waters eventually became dedicated to St. Peter and an annual festival occurred here soon after the Midsummer solstice on what became known as St. Peter’s Day (June 29). After the year 1462, a secondary festival date was also given to the site by the Church and another annual celebration occurred here on October 1 too. Its waters remained accessible to people for drinking, healing and rites throughout the centuries. It is only now, in the 21st century, that its sacrality and spirit has been closed-off. This is a situation that must be remedied!

In Mr Goole’s (1850) survey of York Minster, his architectural illustration of the building showed that the water from the well had been brought up onto the ground floor, on the southeast side of the inner cathedral building in the easternmost vestry, and named as St Peter’s Pump. This is illustrated in the 1850 drawing above-left.

A whole series of early writers mention the well in earlier centuries—of whom a brief sample is given here. When Celia Feinnes came here in the 17th century, she said that,

“In the vestry of York Minster there is a well of sweet spring water called St Peter’s Well ye saint of ye Church, so it is called St Peter’s Cathedral.” (Smith 1923)

Mr Torre (1719) gave it equal brevity, saying simply that,

“at the south-west corner thereof is a draw-well (called St. Peter’s Well) of very wholesome clear water much drunk by the common people.”

In R.C. Hope’s (1893) national survey of sacred wells, he told that

“There is a draw well with a stone cistern in the eastern part of the crypt of York Minster… The Crypt is about 40 feet by 35 feet.”

The well was even included in Murray’s Handbook to Yorkshire (1892) as being “in the southwest corner of the Minster.” William Smith (1923) included the site in his fine survey, telling his readers that,

“The water is excellent in quality, which in measure, so chemists say, is due to the lime washed into it by the rain from the walls of the Minster. The water has for centuries been used for baptisms, and is so used today. The well has now for some years been covered with a pump.”

Folklore

In Geoffrey of Monmouth’s famous early History, we find that King Arthur visited here. …And one final note, about which we know not for certain whether it was relevant to the holy well hiding in the crypt, but a fascinating heathen custom was enacted here in bygone days, almost above the spring. Mistletoe, as Christina Hole (1950) told,

“was ceremonially carried to the cathedral on Christmas Eve and laid upon the high altar, after which a universal pardon and liberty for all was proclaimed at the four gates of the city for as long as the branch lay upon the altar.”

Mistletoe is one element that is known to have been sacred to the druids (not the present-day druids!) and was sacred to the ancient Scandinavians (who came here), and also possessed the powers of life and death in its prodigious folklore and phytochemistry. Fascinating…

…to be continued…

References:

Bord, Janet, Cures and Curses: Ritual and Cult at Holy Wells, HOAP: Wymeswold 2006.
Gutch, Mrs, County Folk-lore volume 2 – North Riding of Yorkshire, York and the Ainsty, David Nutt: London 1901.
Hole, Christina, English Custom and Usage, Batsford: London 1950.
Hole, Christina, English Shrines and Sanctuaries, Batsford: London 1954.
Hope, Robert Charles, Legendary Lore of the Holy Wells of England, Elliott Stock: London 1893.
Murray, John, Handbook for Travellers in Yorkshire, J.Murray: London 1874.
Parkinson, Thomas, Yorkshire Legends and Traditions, Elliot Stock: London 1888.
Poole, G.A., An Historical and Descriptive Guide to York Cathedral and its Antiquities, R. Sunter: York 1850.
Purey-Cust, A.P., York Minster, Isbister: London 1898.
Rattue, James, The Living Stream: Holy Wells in Historical Context, Boydell: Woodbridge 1995.
Smith, William, Ancient Springs and Streams of the East Riding of Yorkshire, A. Brown: Hull 1923.
Torre, James, The Antiquities of York, York 1719.
Whelan, Edna, “Holy Wells in Yorkshire – part 1,” in Source, No.3, November 1985.
Whelan, Edna, The Magic and Mystery of Holy Wells, Capall Bann: Chieveley 2001.
Whelan, Edna & Taylor, Ian, Yorkshire Holy Wells and Sacred Springs, Northern Lights: Dunnington 1989.

Sunrise Stone (605), Snowden Crags, Askwith, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – SE 18066 51251

Also Known as:

Carving 605
Northern Earth Mysteries Stone

Getting Here

Sunrise Stone, Snowden Carr

Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone. From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you. Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field. That’s the spot!

Archaeology & History

This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains. It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay (scattered with mistakes) on the validity of so-called “amateurs” exploring petroglyphs. But I’d never even visited this carving until two years ago! The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).

Close-up of main cluster

As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design. We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present. Such is the price of ‘progress’, as some folk call it.

Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:

“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.

“One stone in particular stood out as five shallow cups and associated rings could be discerned. When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer. When this layer was cleared, a complex set of carvings were revealed.

“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups. The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”

Reeder’s so-called “amateur” description is a good one. Certainly more accurate than the subsequent one by Boughey & Vickerman (2003):

“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”

Phil Reeder’s 1990 drawing

Boughey & Vickerman’s sketch

We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it. I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field. It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!

Northern end of carving

Southern side of carving

The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment. But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape. For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point. As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us. In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…

Of course, I’m dreaming…

References:

Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
Wilson, Rob, “Pateley Bridge Gathering,” in Northern Earth Mysteries, 40, 1990.

Skyreholme Carving (406), Appletreewick, North Yorkshire

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Cup-marked Stone: OS Grid Reference – SE 0740 6254

Getting Here

Skyreholme 406 carving

Along the B6265 Pateley Bridge-Grassington road, roughly halfway between Stump Cross Caverns and the turn to Skyeholme and Applecross (New Lane) is a dirt-track on your right-hand side called Black Hill Road. Walk down here for a few hundred yards till y’ reach the gate on the right. A track goes downhill to the psilocybin-rich pastures of Nussey Green. Several hundred yards down, to the right-hand side of the track, we find this and its several companions. Look around!

Archaeology & History

Sketch showing cups

Just a few yards away from the Skyrehome Carving-404, this very basic petroglyph was rediscovered by Stuart Feather (1969) during one his many forays in this area. Although the stone has what initially seems to be a number cup-marks on it, it seems only two of them are man-made. The rock art students Boughey & Vickerman (2003) think there may be up to four of them.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
Feather, Stuart, “Appletreewick, W.R.: Black Hill,” in Yorkshire Archaeological Journal, volume 42, part 167, 1969.

Skyreholme Carving (405), Appletreewick, North Yorkshire

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Cup-Marked Stone: OS Grid Reference – SE 07395 62382

Getting Here

Skyreholme 405 Carving

Going down (south) off the B6265 Black Hill Road towards Skyreholme, turn right and go all round the hill ahead of you, but instead of looking to the right (where other carvings, described elsewhere, are found), turn left where the collapsed entrance to a mine-shaft is visible about 50 yards up the hill on the left. Walk up here, keeping to the right side of the collapsed mine, till you reach this rock.

Archaeology & History

Only for the purist petroglyph fanatics amongst you, the rock art students Boughey & Vickerman (2003) allege there to be four cup-markings here—and debatable ones at that—but we could really only make out the topmost cup, shown in the picture and an elongated one (which they think may have been two cups merged into one). A faint “X” is also carved on the stone, possibly from the mining days.

References:

Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.

St Peter’s Well, York Minster, North Yorkshire

05/02/201813/10/2019 megalithix

Holy Well: OS Grid Reference – SE 6038 5219

Also Known as:

Holy Well, York Minster

Archaeology & History

Old photo of the well

1850 sketch of the well

A whole series of early writers mention the well in earlier centuries—of whom a brief sample is given here. When Celia Feinnes came here in the 17th century, she said that,

“In the vestry of York Minster there is a well of sweet spring water called St Peter’s Well ye saint of ye Church, so it is called St Peter’s Cathedral.”(Smith 1923)

Mr Torre (1719) gave it equal brevity, saying simply that,

“at the south-west corner thereof is a draw-well (called St. Peter’s Well) of very wholesome clear water much drunk by the common people.”

In R.C. Hope’s (1893) national survey of sacred wells, he told that

“There is a draw well with a stone cistern in the eastern part of the crypt of York Minster… The Crypt is about 40 feet by 35 feet.”

“The water is excellent in quality, which in measure, so chemists say, is due to the lime washed into it by the rain from the walls of the Minster. The water has for centuries been used for baptisms, and is so used today. The well has now for some years been covered with a pump.”

Folklore

“was ceremonially carried to the cathedral on Christmas Eve and laid upon the high altar, after which a universal pardon and liberty for all was proclaimed at the four gates of the city for as long as the branch lay upon the altar.”

…to be continued…

References:

Bord, Janet, Cures and Curses: Ritual and Cult at Holy Wells, HOAP: Wymeswold 2006.
Gutch, Mrs, County Folk-lore volume 2 – North Riding of Yorkshire, York and the Ainsty, David Nutt: London 1901.
Hole, Christina, English Custom and Usage, Batsford: London 1950.
Hole, Christina, English Shrines and Sanctuaries, Batsford: London 1954.
Hope, Robert Charles, Legendary Lore of the Holy Wells of England, Elliott Stock: London 1893.
Murray, John, Handbook for Travellers in Yorkshire, J.Murray: London 1874.
Parkinson, Thomas, Yorkshire Legends and Traditions, Elliot Stock: London 1888.
Poole, G.A., An Historical and Descriptive Guide to York Cathedral and its Antiquities, R. Sunter: York 1850.
Purey-Cust, A.P., York Minster, Isbister: London 1898.
Rattue, James, The Living Stream: Holy Wells in Historical Context, Boydell: Woodbridge 1995.
Smith, William, Ancient Springs and Streams of the East Riding of Yorkshire, A. Brown: Hull 1923.
Torre, James, The Antiquities of York, York 1719.
Whelan, Edna, “Holy Wells in Yorkshire – part 1,” in Source, No.3, November 1985.
Whelan, Edna, The Magic and Mystery of Holy Wells, Capall Bann: Chieveley 2001.
Whelan, Edna & Taylor, Ian, Yorkshire Holy Wells and Sacred Springs, Northern Lights: Dunnington 1989.

Arncliffe, Littondale, North Yorkshire

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‘Carved Stone’: OS Grid Reference – SD 93 72

Archaeology & History

The Arncliffe Carving

This is a frustrating site entry. Not only do we not know where it is, this carving is not listed in any of the modern books on British petroglyphs, yet it was described and referenced by the famous archaeologist Jacquetta Hawkes following its discovery more than 80 years ago. After a brief mention of the carving in Frank Elgee’s (1933) Archaeology of Yorkshire, an article describing the carving was penned in the journal Man, from which I draw the only information available. It appears to have been found in the early 1930s (no date or discoverer is cited), but has a couple of peculiarities which may bring the authenticity of the stone into question. Mrs Hawkes (1934) told that the carved stone was,

“found in the bed of a moorland beck in the village of Arncliffe, Littondale, West Riding of Yorkshire. It is of buff-coloured limestone measuring 21 inches x 12 inches x 6 inches in thickness; the decorated surface is almost flat. The curvilinear pattern is executed in regular incisions about 4mm wide and 3mm deep; portions of it have been obliterated by water actions and, as is illustrated in the illustration, at one end the surface has broken away altogether. The whole stone has been much battered and may well be only a fragment of a much larger one. The state of preservation suggested that it had been in the stream for a considerable period; it is therefore probable that it was washed down from the open moorland above Arncliffe. In the original (carving), the design is more coherent than it here appears owing to the fact that in the water-worn portions faint lines are visible to the eye which cannot be shown on a tracing.

“Mr W.J. Hemp, who has kindly examined the Arncliffe tracing, identifies the style of the design with the ‘entrail’ pattern of the well-known Pattern Stone from the chambered cairn of Bryn Celli Ddu in Anglesey…

“The technique of the Arncliffe tracing is comparable with the simple incisions which form the oldest of the four techniques recognizable in the Irish megalithic tumuli, where its early date is indicated by the fact that some examples are demonstrably older than the construction of the tumuli in which they occur…

“Mr Frank Elgee, who has also been good enough to comment on the Arncliffe tracing, cannot suggest immediate comparisons from this neighbouring group (around Ilkley, PB), but such evidence as there is he considers to be against assigning a date earlier than the MIddle Bronze Age.”

The late great Eric Cowling also mentioned the stone in his prehistoric survey of the mid-Pennines, but added no further details of his own and seems to have just copied what we have just read.

The fact that the ‘carving’ was found in a stream-bed may mean that the markings on the stone were due to natural erosion; and the fact that the rock was limestone may give added weight to this idea. However, the fact that Mrs Hawkes, Frank Elgee and W.J. Hemp thought the carving to be authentic cannot be overlooked. The area is also rich in prehistoric remains (see Douky Bottom, Dewbottoms, Yockenthwaite, Blue Scar, etc) The design itself is an odd one and has none of the traditional hallmarks consistent with neolithic and Bronze Age cup-and-ring stones, but seems more reminiscent of much earlier mesolithic and palaeolithic images of carved animals and dancing human figures.

If anyone knows more about this site, particularly its whereabouts (perhaps in private possession or hiding in some museum box, where increasing numbers of cup-and-rings are wrongfully kept), or whether the ‘carving’ has been disregarded as little more than natural weathering, it would be good to know for certain.

References:

Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Elgee, Frank & Harriet, The Archaeology of Yorkshire, Methuen: London 1933.
Hawkes, Jacquetta, “A Prehistoric Carved Stone in Littondale,” in Man, volume 34, 1934.

Cow Keeper’s Field (1), Boulby, Easington, North Yorkshire

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Cup-Marked Stone: OS Grid Reference – NZ 75398 19218

Also Known as:

BOU-5 (Brown & Chappell)

Archaeology & History

Cup-marked stone inside Cow keepers Field tomb

Inside the once prominent prehistoric tomb on the Cow Keeper’s Field, the northern antiquarians William Hornsby and John Laverick (1920) came across two small petroglyphs in association with a cremation burial, several feet south of the central cist: the Cow Keeper’s Field 2 carving, plus this small, triangular-shaped stone, 8in by 6in, consisting of five standard cup-marks, with two of the cups (as the photo shows) connected to each other. It is akin to the numerous ‘portable’ cup-marked stones which, in other cultures, were deposited onto cairns in remembrance of the ancestral spirits of the tomb. Such widespread practices may also have occurred here. Petroglyph researcher and writer Graeme Chappell (2017) informed us that the carving “is in storage in the Dorman museum in Middlesborough.”

References:

Brown, Paul & Chappell, Graeme, Prehistoric Rock Art in the North York Moors, Tempus: Stroud 2005.
Chappell, Graeme, Personal communication, October 4, 2017.
Crawford, G.M., Bronze Age Burial Mounds in Cleveland, Cleveland County Council 1990.
Elgee, Frank, Early Man in North-East Yorkshire, John Bellows: Gloucester 1930.
Hornsby, William & Laverick, John D., “British Barrows round Boulby,” in Yorkshire Archaeological Journal, volume 25, 1920.

Cow Keeper’s Field (2), Boulby, Easington, North Yorkshire

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Cup-and-Ring Stone: OS Grid Reference – NZ 75402 19222

Also Known as:

BOU-5 (Brown & Chappell)

Archaeology & History

Inside the once prominent prehistoric tumulus on the Cow Keeper’s Field (now destroyed), the northern antiquarians William Hornsby and John Laverick (1920) came across two small portable petroglyphs: the Cow Keeper’s Field 1 carving, plus this “peculiarly marked stone” as they put it, some “5ft south of the centre” where a cist, or stone-lined burial existed. Measuring 18in by 7in, the rock carving consists of at least one large cup-marking which is clearly evident on top of the stone, plus what seems to be another one next to it, half-covered. Along the side of the stone, a series of twelve roughly parallel lines have been carved out, running down to the bottom of the stone. Rock art researcher and writer Graeme Chappell (2017) tells us the carving is supposed to be “in storage in the Dorman museum in Middlesborough,” although no one has seen it in years. It would be worthwhile if fellow research students could visit the said museum to recover this and other portable cup-marked stones that were found in the area.

References:

Brown, Paul & Chappell, Graeme, Prehistoric Rock Art in the North York Moors, Tempus: Stroud 2005.
Chappell, Graeme, Personal communication, October 4, 2017.
Crawford, G.M., Bronze Age Burial Mounds in Cleveland, Cleveland County Council 1990.
Elgee, Frank, Early Man in North-East Yorkshire, John Bellows: Gloucester 1930.
Hornsby, William & Laverick, John D., “British Barrows round Boulby,” in Yorkshire Archaeological Journal, volume 25, 1920.

Cow Keepers Field, Boulby, Easington, North Yorkshire

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Tumulus (destroyed): OS Grid Reference – NZ 75400 19220

Also Known as:

Boulby Barns

Archaeology & History

This prehistoric tomb was one in a cluster of tumuli in the Boulby district, uncovered by the northern antiquarians, William Hornsby and John Laverick in 1918. Most of them have subsequently been destroyed – this one included. When they visited the site, they described it as “a barrow…with a diameter of 36 feet.” Once they began digging into it,

“at the centre we found a cist, the top of which was 2ft 7in below the present surface. The cist lay north 64° west, and south 64° east. It had no cover and the slab at the north-west end was wanting. The cist measured: side 3ft 6in, end 3ft 2in. Its depth was 2ft 2in. In it we found nothing except sandstone chips. With these there was no admixture of soil. Above the cist and covering a space of 5 ft by 5 ft there was a layer of burnt earth and black ashes (of furze bushes). At a distance of 5 ft south of the centre, and 1ft 10in below the present surface, there was a burnt burial, 20in in diameter. With this we found many flint chips, a shale pendant, and the peculiarly marked stone” we’ve called, simply the Cow Keeper’s Field 2 carving.

A second cup-marked stone was also found inside the tomb, a few feet south of the cist. When G.M. Crawford went to survey the burial mound in the late 1970s, he reported “there is no trace of it” and “has probably been destroyed by ploughing.”

References:

Brown, Paul & Chappell, Graeme, Prehistoric Rock Art in the North York Moors, Tempus: Stroud 2005.
Crawford, G.M., Bronze Age Burial Mounds in Cleveland, Cleveland County Council 1990.
Elgee, Frank, Early Man in North-East Yorkshire, John Bellows: Gloucester 1930.
Hornsby, William & Laverick, John D., “British Barrows round Boulby,” in Yorkshire Archaeological Journal, volume 25, 1920.

The Falls (1), Boulby, Easington, North Yorkshire

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Cairn: OS Grid Reference – NZ 74954 19429

Also Known as:

Rockcliff Beacon

Archaeology & History

Occupying a prominent position above the ever-closer North Sea, upon which an old beacon was subsequently placed, this denuded prehistoric tomb was first surveyed by the Ordnance Survey lads in 1913, and subsequently in an essay by Messers Hornsby & Laverick (1920) on the ancient sites of Boulby, east of Easington. This was the first one they explored, calling it ‘Mound No.1.” They located it,

“due south of the ‘Soldier’s Garth’ in the east corner of the field called The Falls. It was a cairn with a diameter of 50ft. Two-and-a-half feet northwest of the centre peg, at a depth of 21 inches below the present surface, there was an unaccompanied burnt burial, which occupied a space of 15in by 18in. In a centre cut 7ft 6in by 6ft, at a depth of 3ft 6in, we found much burnt bone and many potsherds of the Bronze Age type, scattered over the whole space of the trench, down to a further depth of 3ft 10½in. In the south corner there were four stones set on edge and running in a direct (straight) line. The interment had been placed upon the clay, the soil of the original surface having been cleaned off. With this burial we found a good flint made from a polished celt and worn smooth at the point—possibly through having been used for striking fire on iron pyrites—many chips and several cupstones.”

The “several” cup-marked stones they describe at the end seem to have been lost; perhaps sleeping in some museum cellar somewhere (does anyone know?).

This cairn was one in a complex of eight that Frank Elgee (1930) suggested may have been laid out deliberately in the form of the constellation of Ursa Major, or The Plough, also known as ‘Charles Wain’.

References:

Brown, Paul & Chappell, Graeme, Prehistoric Rock Art in the North York Moors, Tempus: Stroud 2005.
Crawford, G.M., Bronze Age Burial Mounds in Cleveland, Cleveland County Council 1990.
Elgee, Frank, Early Man in North-East Yorkshire, John Bellows: Gloucester 1930.
Hornsby, William & Laverick, John D., “British Barrows round Boulby,” in Yorkshire Archaeological Journal, volume 25, 1920.