Another stone for the rock art purists amongst us: a singular cup-marking near the edge of the rock. Although the photo here seems to show three cup-markings close to each other, only one of the three is in fact real. The other two are simple geological creations. But this fact seemed to go over the heads of some English Heritage archaeologists who reported to Boughey & Vickerman (2003) that this was a stone “with three cup markings” on it. I’m not sure who trains EH rock-art enthusiasts, but they seem to have a tendency to mistake natural features with artificial cup-markings and their evaluations should be treated with considerable caution (you’ve gotta wonder who the students are that are teaching them).
The rock itself is found in close association with other prehistoric remains and may have been a part of enclosure walling. Very close by are numerous well-preserved settlement remains, cairns and other cup-and-ring stones.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
From Appletreewick take the road east through Skyreholme and up Skyreholme Bank, bearing right at the fork in the tracks along the ancient Forest Road. Keep going till you cross the Larnshaw Beck and keep walking along the track until it runs wallside. Look over the wall and you’ll see this sloping-chair-shaped rock . You’re here!
Cup-Marked stone 431
Archaeology & History
Worth looking at if you’re visiting the Spiral Stone of Eller Edge field and its large associate, but otherwise this cup-marked stone is probably only for the purist rock-art mad-folk amongst us! There are what seem to be three decent cup-marks upon the sloping face of the rock here, with a possible pecked line to the side of two of them — though we have to consider the possibility that a geological condition is responsible for the easternmost cup. Described in the Boughey & Vickerman (2003) survey simply as:
“Large triangular rock of smooth gritstone, quarried at SE and sloping into ground at W and N. Three cups on top sloping face.”
Thirty yards up the slope along the wall-side you’ll find carving 432 with its single cup-marking.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
A slight walk to get here, but well worth it once you arrive! From Appletreewick, take the road east through Skyreholme and up Skyreholme Bank track, bearing right at the fork in the tracks along the ancient Forest Road. Keep going and after a couple of zigzags, you’ll cross the Larnshaw Beck. Keep walking along the track until it runs wallside — and here, go straight down the field for 75 yards (best climbing over the rickety wooden bridge by the stream 50 yards back and walking up). Although there are a number of other stones hereby, you can’t really miss this.
Archaeology & History
This carved stone and its close associates rest upon the green slopes overlooking the Blands Valley and further across upper Wharfedale and the lands beyond. The majestic Simon’s Seat rises on the nearby western slope and there in the greater distance, once more reaches the sacred hill of Pendle, with whom so many other ancient sites commune within our northern lands. It’s hard to say for sure that the Witch’s Hill was of little relevance to this and other stones, but only a fool would ignore the geomancer’s notes about this constant.
The carving here doesn’t give much clues in any direct sense either. We have an almost arrowhead-shaped rock with a dozen decent cup-marks or so cut along and near its western side; but the notable curiosity here is the small circular cluster of smaller cup-marks dotted in a near circular mass near the middle of the stone.
When Danny, Paul and I came here the other week, the initial impression of this cluster was one of a primitive solar symbol etched onto the rock; but the more we looked, the more it seemed that these small cups appeared to have been arranged in a very rough spiral lay-out. Now I know that spirals are damn rare items in rock art (especially in this part of the world), but the more we looked and then subsequently checked Boughey & Vickerman’s (2003) illustration, the more evident it became. Of course the ‘spiral’ could be merely fortuitous, but I’m not so sure misself. In discussing this with our field archaeologist later, he suggested getting a rubbing of this part of the stone on his next visit.
The stone was first described by the petroglyph explorer Stuart Feather (1964) and later described by the rock art students Boughey & Vickerman (2004), simply as:
“Large, rough grit rock with face sloping SE down into grass at N. About twenty cups to W, with three grooves at N corner and group of about twenty small cups at NE.”
A very intriguing carving. And if you visit here, make sure you check out carving 424 and others in the same field.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Probably the easiest way is to park up at Stump Cross Caverns on the B6265 road, then walk down the road for 200 yards till you reach the track on your left running over the fields in the direction towards Simon’s Seat. Walk along the track past the Skyreholme Wall carving, where it starts going downhill and, 100 yards before you reach the fork in the tracks, look in the field on your left. The other route is to go east through Appletreewick village up to and through Skyreholme as far as you can drive, where the dirt-track begins. Keep going up till you hit the fork in the tracks. Go left, then thru the first gate you come to and walk up into the second field up where the notable rock stands out. If you can’t see it at first, look around!
Archaeology & History
Boughey & Vickerman’s plan of the carving
This carving was rediscovered by Stuart Feather (1964) in one of his ambles in the area — and he would have been pretty pleased when he found this one! It is the most complex and ornate of all the prehistoric carvings in and around this large open field. With at least nine cup-and-rings and more than fifty other cups etched onto its rounded upper surface, there are various other lines and grooves linking up some elements of this mythic design. The best ones are on the upright and sloping east-face of the rock, into the rising sun. In animistic terms the rock is distinctly female in nature.
Illustrated in one of Stan Beckensall’s (1999) works, the rock art students Boughey & Vickerman (2003) also include it in their survey, but give an inaccurate grid reference for the site. They nevertheless describe it as:
“Large upstanding rock with slightly domed top surface. Most of top surface decorated but weathering makes detail uncertain: over sixty cups, eight or more with rings, many grooves.”
Many other carvings can be found in the area.
References:
Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
Acknowledgements: Huge thanks to the pseudonymous ‘QDanT‘ for use of the photo in this profile. Cheers Danny!
One way is to go east through Appletreewick village up to and through Skyreholme (making sure you bear right at the turn and not go up the left turn, which takes you uphill and elsewhere!) as far as you can drive, where the dirt-track begins. Keep going up till you hit the fork in the tracks, and here, look into the field on your right. The other way is to park up at Stump Cross Caverns on the B6265 road, then walk down the road for 200 yards till you reach the track on your left running towards Simon’s Seat. Walk all the way down this till you reach the fork in the tracks. There’s a gate into the field just yards below the split in the tracks. Go thru it and walk into the middle of the field where the stone unmistakably calls out for you to go sit with it for a while!
Archaeology & History
Boughey & Vickerman’s plan of the cup-marks
Sat near a ridge due north of the magnificent Simon’s Seat, this faded carved stone gets its name from the field in which it lives — and as Danny’s photo here shows, it’s a fine stone indeed in a very fine setting. The cup-marks on its top were first described by Stuart Feather (1964), who found there to be around 20 cup-markings on the top, with some grooves — possibly natural, possibly man-made — linking them together.
However, in the fields north of here are a number of other cup-and-ring carvings, but much of the landscape has been damaged by industrial workings. It makes you wonder how many there used to be here before the industrialists started digging the land up…
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Morris, Ronald W.B., “The Prehistoric Rock Art of Great Britain: A Survey of All Sites Bearing Motifs more Complex than Simple Cup-Marks,” in Proceedings of the Prehistoric Society, volume 55, 1989.
Acknowledgements:
Huge thanks to the pseudonymous ‘QDanT‘ for use of the photo in this profile. Cheers Danny!
In Grassington, go up the main street and keep going uphill, out of town. You’re on Moor Road now and it keeps going northeast for about a mile, where the small copse of trees grows just before Yarnbury House. However, on the other side of the road (right) two field before you reach the house, you’ll notice a slightly raised elevation in the field, close to the wall. A footpath runs right past it, so you shouldn’t have too much trouble finding it!
Archaeology & History
This is a fine, roughly circular neolithic monument, sat not-quite-on-the-heights, but still possessing damn good views all round (except immediately west), begging the question, ‘what on earth are you and why were you built here?’ Answers to which, we don’t really know. But ascertaining its geomantic nature wouldn’t be too difficult for local people who have spent years visiting the site. John Dixon (1990) mentioned how, in the winter months,
“the sun falls behind Pendle (Hill) providing it with a sky-red backdrop. In my own view the site is related to the presence of Pendle…and may have been the major factor in the location of the monument.”
He may be right! It has been suggested by one archaeologist (King et al, 1995) that the site was “most probably a wood henge” with upright rings of wooden posts that were built onto the central platform — but until we get a full dig here, we’re not gonna know.
N-NE section of hengeSW section of the henge
Found close to an extensive amount of other prehistoric remains in the area (dating from the neolithic to Iron Age), this henge monument is notable for its size, as it’s only a little fella! It’s like a mini-version of the Castle Dykes henge near Aysgarth, 14 miles to the north! First mentioned as a ‘disc barrow’ in 1929, J. Barrett (1963) added the Yarnbury Henge to the archaeological registers 32 years later, citing it as a “circular platform 60-63 ft diameter, surrounded by a ditch 20ft wide (crest to crest) and an outer bank.” A couple of years later D.P. Dymond (1965) described the henge in slightly more detail, telling:
“At Yarnbury, just over one mile north-east of Grassington there is an earthwork 116ft in diameter overall, consisting of a ditch with external bank. On surface inspection the earthwork appeared to have the characteristics of a henge monument. An excavation carried out in July 1964 , by an archaeological summer school based on Grantley Hall, proved this thesis. There was no trace of an internal mound and the entrance to the southeast was obviously original. No traces were found of any sort of internal structure, and a square pit in the centre of the circle had been caused by an excavation earlier this century. The ditch was rock-cut and the bank of simple dump construction. No dating evidence was found… With its single entrance the Yarnbury henge falls into Atkinson’s Class 1.”
SW area of the henge
In recent years it seems that some damage has been done by digging into the east and southeastern sections of the henge. Summat we hope doesn’t get any worse. In the field on the other side of the road we found traces of prehistoric enclosure walling (along with a curious, large, almost cursiform shadow, 44 yards across and running 110 yards NE), typical of the extensive settlement remains found less than a mile away at Lea Green and High Close Pasture, Grassington. It’s an impressive area, well worth checking out!
References:
Barrett, J., “Grassington, W.R.,” in Yorkshire Archaeological Journal, part 161, 1963.
Dixon, John & Phillip, Journeys through Brigantia – volume 2: Walks in Ribblesdale, Malhamdale and Central Wharfedale, Aussteiger Publishing: Barnoldswick 1990.
Dymond, D.P., “Grassington, W.R.,” in Yorkshire Archaeological Journal, part 163, 1965.
Harding, A.F., Henge Monuments and Related Sites of Great Britain, BAR 175: Oxford 1987.
Harding, Jan, The Henge Monuments of the British Isles, Tempus: Stroud 2003.
King, Alan, et al, Early Grassington, Yorkshire Archaeological Society 1995.
Wainwright, G.J., “A Review of Henge Monuments in the Light of Recent Research,” Proceedings of the Prehistoric Society, volume 35, 1969.
Maypole (destroyed): OS Grid Reference – SE 0458 9121
Redmire’s ancient Oak
Archaeology & History
As with many of Britain’s old maypoles, the one at Redmire has long since disappeared and no local in the 20th century appears to have had any memory of it. However, it was mentioned in Victorian times and described in McGregor’s (1989) fine history work on the village:
“At one time, somewhere on the Green, stood a maypole which was destroyed by lightning. I never heard the memory of it recalled during my early life, but it is mentioned in their books by both Barker and Bogg. The remnants of it appear to have been there in 1850 or 1852, as Barker, writing at that time says, ‘A maypole, rare in Yorkshire, stands on the Green. It was shivered to pieces by the electric fluid, during a thunderstorm, in the summer of 1849. This poor maypoles catastrophe would have been regarded by the old Puritans as a direct and visible manifestation of the wrath of heaven at such a heathenish practice.’ Redmire, as we know, took pleasure in dancing in the 19th century, and continued to do so, especially after the building of the Town Hall…”
When Edmund Bogg came here at the end of th 19th century, he saw “the base of the ancient maypole…near to, a twisted and ancient oak” whose ancient branches were being held upright by large wooden posts. This sacred oak itself was said to “still cast its shade over a small spring of water.” Unfortunately I ‘ve found no more about this lost pagan relic…
References:
Barker, W.G.M.J., The Three Days of Wensleydale, Charles Dolman: London 1854.
Bogg, Edmund, Wensleydale and the Lower Vale of Yore, E. Bogg: Leeds n.d. (c.1900)
McGregor, Isabelle, Redmire – A Patchwork of its History, privately printed: Redmire 1989.
From Ilkley town centre, taken the road north across the River Wharfe, turning left and up the country lane towards Nesfield. As you’re driving with the farmed fields on either side, you’ll go round a couple of swerves in the lane and reach the open moorland on your right, just past the small copse of trees on the same side. There’s a small place to pullover on the right 100 yards on and walk up the footpath running northeast onto the moor. Go past the disused quarry and up further till you reach the rounded hill where the tumulus stands.
Archaeology & History
On the moors north of Ilkley – as shown on OS-maps since the 1850s – on the southeastern edge of Middleton Moor, is this singular tumulus, a short distance west of some old quarrying at the curiously-named Lurgy Delf. The small hill is easy to find and appears at the western edge of a whole host of neolithic and Bronze Age remains. It is included as a boundary marker between Middleton and Langbar, as marked by an old stone on its southern side. Eric Cowling (1946) described this as “a spread of stones on Round Hill” in the same context as other burial mounds and cairns in the region, also naming it as the Black Hill tumulus. Many flints had been found all round here and it stands at the western edge of a great number of cup-and-ring stones, stretching eastwards across the moors for several miles. To my knowledge, no excavation has taken place here.
References:
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
From Masham take the Fearby Road & go through the village, onwards & past Healey village and less than a mile on where the road forks, bear to the right past and go along the gorgeous little-known vale of Colsterdale. Less than 2 miles on, walk up the notable track veering to your right that goes diagonally uphill and past the bottom of West Agra farm along the wallside till you reach the gate. Thru the gate, walk immediately uphill on your right following the walling for a coupla hundred yards until you reach another gate into the field on your right. You’ll see a cluster of large boulders in the first field, which you need to walk past and look at the large boulder up against the walling in the next field. You can’t miss it!
Archaeology & History
Photo by Geoff Watson
First mentioned — albeit briefly — in Brown’s (2008) work, this large bedrock stone, covered down its eastern side by a line of drystone walling, has a good scattering of cups and lines, mainly on its central and westerly side. A cluster of them were etched onto a natural rise near the middle of the rock, which itself has a long circuitous line running around its northern and western sides, which you can just see below centre in the photo (below left). Altogether on this side of the rock surface there appears to be some 56 cup-marks plus a number of long carved grooves curling in differing directions: some of these appear to have been Nature’s handiwork that were subsequently modified by human hands. It’s an impressive-looking petroglyph.
Main rock surfaceCluster of cups – by QDanT
If we go over to the other side of the walling, we find more cup-markings. This discovery led Paul & Barbara Brown (2008) to classify the site as being two separate carved rocks — calling them 3a and 3b — thinking that the much smaller carved area on the other side of the wall, “may have originated from WAP 3a’s quarried southern section.” On this smaller section we find some 7 cup-markings with possible carved lines running off the edge of the stone and some running roughly parallel to the walling. Whatever the truth of the Browns’ assertion, this is a fine carving well worth looking at!
References:
Brown, Paul & Barbara, Prehistoric Rock Art in the Northern Dales, Tempus: Stroud 2008.
From Masham, take the Fearby Road to the village, keep going on the same road through Healey village and less than a mile on where the road forks, bear to the right past and go along the gorgeous little-known vale of Colsterdale. It’s bloody beautiful! Less than 2 miles on, walk up the notable track veering to your right that goes diagonally uphill and past the bottom of West Agra farm along the wallside till you get to the gate. Thru the gate, follow the wall immediately uphill to the right for a coupla hundred yards until you reach a gate into the field on your right. The cluster of large boulders in front of you is where you need to be!
Archaeology & History
Cluster of cups on WAP-2b (image by ‘QDanT’)
This carving is to be found on the largest of the boulders in this cluster. It’s a large scattered cluster of cup-markings and natural bowls all over the rolling surface of the rock. It was first described in the Browns’ (2008) survey, although as they have given this and one of the adjacent stones incorrect grid-references, it made it troublesome to initially work out which carving was which! But the photos here certainly lets you know which one I’m describing! In the event that I’ve got the wrong title for this one, someone lemme know and I’ll remedy the situation!
Brown (2008) describes this design as being “cups some linked by grooves, a rectangular feature and eroded cups and depressions.” We couldn’t work out any further elements on the stone, but the cloudy conditions when we were here prohibited a decent view of the surface.
References:
Brown, Paul & Barbara, Prehistoric Rock Art in the Northern Dales, Tempus: Stroud 2008.
