To search for any sites in the northern counties of England (previously known as Brigantia), click on the list of relevant counties, below. Please note that not all these english counties were truly in Brigantia, but they came close to its southern edges; and as parts of them tickle the edges of the southern Pennines, I thought they should be included. Hope that’s OK with everyone!
It is best approached from the track at the side of Weecher reservoir (site of the destroyed Weecher stone circle) on the east side of Rombalds Moor, where you should follow the natural curve of the track till you reach the tiny hamlet of Faweather where, on your right, just in the garden edge, you’ll see this faded old carving. This has only recently been incorporated into the garden (it used to sit on a small triangle of grass where three old tracks meet), but the people living here seem pleasant enough and will let you look at the carving if you ask.
Archaeology & History
Hedges 1986 drawing
Just off the far-eastern edge of Rombald’s Moor and north of Baildon Moor, this faded cup-marked stone might only be for the real fanatics amongst you! I like it though. Described in Sidney Jackson’s rare Bradford archaeology journal, the site was added to Hedges (1986) survey, and the subsequent Boughey & Vickerman’s (2003) work, neither of whom said much about it. It’s a pretty basic carving though, consisting of several cups and lines that run over the top of the stone, some of which seems to be due to natural weathering — it’s hard to say for sure.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, West Yorkshire Archaeology Service 2003.
Hedges, John (ed.), The Carved Rocks on Rombalds Moor, West Yorkshire Metropolitan County Council: Wakefield 1986.
From Sabden, head up the steep Clitheroe Road towards the Nick o’ Pendle, turning left 100 yards before the hilltop and along the dirt-track for a few yards, before veering up the winding footpath to the hilltop. When you’re at the peak of this little bit o’ moorland, go to your left (west), following the small path into the grasses and heather all the way on for a few hundred yards till you hit the triangulation pillar. Go past this, over one stile (north) and then immediately at right-angles (west) over another stile and downhill for about 100 yards until you’re on the rough grassland level. Keep your eyes peeled as you’re walking until you see what looks like a denuded stone-lined pit, much overgrown — with the main feature (showing that you’ve hit the target) being the engraving on one of the larger rocks: “Jeppe Knave Grave”.
Archaeology & History
The Jeppe Knave Grave
First described in early perambulation records of 1326 CE, this is a small but intriguing site found on the far southwestern slopes of Pendle Hill, on the ridge beneath the triangulation pillar of Wiswell Moor. It’s a small and overgrown cairn with a general archaeological association of prehistory attached—though no detailed excavation has ever been done here, despite local archaeologists having access to a large grant to explore this region a short while ago.¹ But up North, as many of us know, archaeology is given little priority and those who do decent exploratory work under the umbrella of such academic quarters tend to be few and far between. Thankfully we had the northern antiquarian and local writer John Dixon (1993) nearby who gave us the best overview of the site. He wrote:
“This landscape feature, known as Jeppe Knave Grave, stands at a place called The Lows high on Wiswell Moor and takes the form of a low grass-covered mound 16M in diameter with a stone filled depression in the centre 5 x 3 M. This feature appears to be a mutilated cairn and has been tentatively ascribed to the Bronze Age. The outer ring of stones can be discerned in the rough pasture at the perimeter – yellow in dry conditions, showing the circular shape. Given the large size of the stones here, the cairn may have been of a chambered type/passage tomb of the Neolithic period, and if this was the case the burial (or burials?) was one of great importance.
“Upon the largest stone are inscribed the words ‘JEPPE KNAVE GRAVE and a cross (inscribed by the Scouting Association in the 1960’s). The stone marks the final resting place of Jeppe Curteys (Geoffrey Curtis), a local robber who was decapitated for his crimes in the first year of Edward III, 1327. The name first occurs in a record of the boundaries between Wiswall and Pendleton dated 1342.
“…In those times the punishment of decapitation was unusual, being reserved for those of noble birth. So who was this Jeppe Curteys, punished by decapitation and later buried on the high ridge of Wiswell Moor in a pre-Christian burial mound on the then boundary of parishes? That intriguing story we may never know. But to be buried in such a manner and place was indeed a great indignity – interment in what might be considered in those times to be a ‘pagan’ or ‘devilish’ spot. It may be that to bury a man in such a place was to literally ‘send him to the devil’. Alternatively one could ask: ‘Was the site thought then to be the burial spot of some noble ancestor, and Jeppe being of possible noble birth interred with great dignity? Again we may never know, yet it is significant that this lonely spot is still identified with a man who was executed 700 years ago.
In 1608 it was stated that one Robert Lowe had taken a stone from the grave and used it as a cover of his lime kiln.”
Old codgers from the local Senile Society, inspecting York Minster!Agatha Lyons’ 1871 sketch
The design of the cairn here is unlike the ones you usually come across on the Lancashire and Yorkshire moorlands. The edges of the Jeppe Knave Grave are walled and much more well-defined than the large rock piles that we find scattering our uplands. A similar though larger cairn with features similar to these can be seen in the large Low Hill tumulus on Elslack Moor near Earby, about ten miles northeast of here…
Other prehistoric remains scatter the many rolling hills that you can see from here: mainly prehistoric tombs sat upon hilltops as far as the eye can see. John pointed out what may be the remains of another tumulus that can be seen on the nearby horizon a few hundred yards NNW from here, overlooking the gorgeous village of Pendleton and the landscape beyond…
References:
Dixon, John, Journeys through Brigantia – volume 9: The Ribble Valley, Aussteiger Publications: Barnoldswick 1993.
Whitaker, Thomas Dunham, An History of the Original Parish of Whalley – volume 2, George Routledge: London 1876.
¹ John Dixon informed us how the people in question spent the grant — somewhere in the region of £50,000 — on exploring some modern architectural features, instead of exploring some of the little-known sites and seeking out others on these hills.
* John is the author of many fine historical travel guides, including the Journeys through Brigantia series. See the titles in the Lancashire Bibliography and Yorkshire Bibliography for a more complete listing of all his books to date. If you wanna buy any of his works, or make enquiries regarding them, email John at: lancashirebooks@fsmail.net – or write to him direct, at: John Dixon, Aussteiger Publications, 21 Lowergate, Clitheroe, Lancashire BB7 1AD.
From Sabden village, walk up the Clitheroe Road towards the hairpin Nick o’ Pendle, but take the turning left 100 yards before the Nick. Walk along the dirt-track for less than 100 yards, watching for the small upright on the right-hand side of the track. You can’t really miss it!
Archaeology & History
The Coffin Stone
To be found on the far southern flanks of Pendle Hill, the Lancashire writer and historian, John Dixon,* brought us to this little-known stone a few days back — and gave us the history of the place. (Dixon 1993) He pointed out how it’s situated right alongside the legendary cross-Pennine prehistoric route that was labelled ‘Rombald’s Way’ by Eric Cowling. (1946): an important trackway which ran from coast to coast, allowing for the passage and transmission of flints, salt and early metals carried for barter and other uses. What may be another standing stone is on the nearby skyline a couple of hundred yards east; and on the slopes either side of here are the prehistoric tombs of Jeppe Knave Grave and the Devil’s Apronful (amongst others). A fine little standing stone!
Folklore
The name derives from it being a place where, in bygone days, when coffins were carried along the ancient routeway hereby, it was rested by this stone. As John Dixon (1993) told:
“It was used to mark a resting point for coffins en route from Pendle Forest to Whalley, allowing the mourners to refresh and pray by the curative Marion well, in a time before the ‘Newchurch’ of St. Mary was established at Goldshaw Booth in 1544.”
…and from another angle
The Marion Well he mentions is more popularly known as Our Lady’s Well and can be found a hundred yards up the hillside above our Coffin Stone. If you walk up the slope you’ll see the site emerging where a small boggy pool appears on the hillside, and the course of the small stream marked by the reeds growing down the grassy slopes. Although it became very much a Roman Catholic practice to venerate the Virgin Mary by this old well, the ritual was of course a much older heathen one.
John has also reminded me to mention “the fossil markings on the side of the stone – some plant from a former age” which you can see curving up from the bottom of the upright.
References:
Cowling, Eric T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Dixon, John, Journeys through Brigantia – volume 9: The Ribble Valley, Aussteiger Publications: Barnoldswick 1993.
* John is the author of many fine historical travel guides, including the Journeys through Brigantia series. See the titles in the Lancashire Bibliography and Yorkshire Bibliography for a more complete listing of all his books to date. If you wanna buy any of his works, or make enquiries regarding them, email John at: lancashirebooks@fsmail.net – or write to him direct, at: John Dixon, Aussteiger Publications, 21 Lowergate, Clitheroe, Lancashire BB7 1AD.
Many churches strive to find evidence in the greater antiquity of their foundations than the industrial age; and even those whose origins are medieval hope to find much older roots. Such is the case with this Norman church of St. Peter, where just such an antiquity was found in the middle of the 19th century, embedded in the old walling where it had been encased many centuries before. Thought to have been carved around the 8th century, the design on the stone typifies much ‘Celtic’ art, as it tends to be called, such as are found all over northern England. As we can see here, the main feature is a series of curved and interlocking lines covering most of the rock face (sadly, no swastika occurs on this stone, but it’s common on many others of this period). The old vicar of the church — Harold Rogers — takes up the story:
“About the year 1841, when part of the chancel work was taken down, some fragments of curiously ornamented sandstone were discovered embedded in the masonry. They were carefully removed, put together, and placed in the churchyard where, protected from injury by a glass case, they may now be seen. The carved ornamentation on this ancient relic was probably executed about the 8th century, and it is conjectured that the stone formed part of a cross placed there by some early Saxon converts…to commemorate the spot where the gospel was first preached in this locality.”
A brass inscription attached to the encased carved stone informs the visitor the same information. The proximity of this early carved stone to the River Bollin and, very probably, an ancient ford crossing, implies the waters here were held as sacred in ancient days and hence the supplanting of the ornate carved cross at this position in the landscape.
References:
Rogers, Harold W., Prestbury and its Ancient Church, Arthur Clownes: Macclesfield n.d. (c.1960)
Tumulus (destroyed): OS Grid Reference – TA 0422 7726
Archaeology & History
A once-impressive haunted burial mound on the southern edge of Folkton parish, all that remains of the place now are aerial images showing the ghostly ring of its former site. Commenting on the destruction of this burial mound before he had chance to give it his full attention, in William Greenwell’s (1877) magnum opus he wrote the following:
“Elf Howe had been removed to a great extent, and the grave had been dug out before I had an opportunity of examining it. I however got an account of what was discovered from the foreman on the farm, and I was able personally to inspect a small portion which had not been disturbed. The barrow had been 60ft in diameter and 6ft high, and was made of earth and chalk. Near the centre a deposit of burnt bones was met with, over which some large flints were placed; this was at a depth of 4ft, and as a great quantity of burnt earth was observed immediately round the bones, it is probable that the body had been burnt on the spot where the bones were placed. Two unburnt bodies were found on the south side of the mound, with one of which a vessel of pottery was associated. At a distance of 17ft south-south-east of the centre I found the body of a strongly-made man, laid on the right side, with the head to the south and the hands to the knees; he body was placed about 6in above the natural surface. Immediately below the head was the body of a very young child, the bones of which were too much decayed to admit of anything being made out beyond the fact that it was a child’s body which was laid there. Still lower, and on the natural surface, was a patella, a radius, and some other bones of a body, which had been disturbed, probably in the interring of the person who was found buried above. At the centre was a grave, lying northwest and southeast, 7ft by 6½ft and 2½ft deep. On the bottom at the north side was the body of a strongly-made man in the middle period of life, whose head…was to the south, but my informant could not remember on which side the body was laid; at the head was a ‘food vessel’, which, from the fragments that have been preserved, must have been a rudely-made one with unusually thick walls.”
Folklore
Although antiquarians and archaeologists such as Elgee, Grinsell, Gutch, Johnson and others each tell (in their own respective ways) that Elf Howe “testifies to a widespread belief in goblin-haunted barrows” — albeit in the linguistic ‘elven’ of the Scandinavian invaders — we appear to have lost the original tale behind this fairy-haunted site.
References:
Greenwell, William, British Barrows, Clarendon Press: Oxford 1877.
This once impressive tumulus a half-mile east of the village was first mentioned in the Bardney Cartulary in the early 13th century, where is was written as Spelhou. Suggested by Olof Anderson (1934) to have been an early moot site — “the meeting place of the Torbar Hundred” — this appears to be confirmed in Smith’s (1937) etymological analysis where he ascribes Spell Howe to be literally, “‘Speech mound’, from OE spell, speech and haugr” (burial mound). Rising about four-feet above ground level, this is a traditional ’round barrow’ type of tumulus. In recent years, reports tell that it has been built onto with some fencing. Hopefully the present land-owners now look after the place!
References:
Anderson, O.S., The English Hundred-Names, Lunds Universitets Arsskrift 1934.
Mortimer, J.R., Forty Years Researches in British and Saxon Burial Mounds of East Yorkshire, Brown & Sons: Hull 1905.
Smith, A.H., The Place-Names of the East Riding of Yorkshire and York, Cambridge University Press 1937.
Although there are several routes to this site, for those who are not used to walking or find maps difficult to read [get a life!], it is best approached from the Ilkley side of the moor. Follow the old track that cuts the moor in half past the remains of Graining Head quarry where the moor begins to level out. Once here cut straight east until you find the footpath which, after a while, you will see leads to a wooden seat right in the middle of nowhere. Here is our Badger Stone.
Archaeology & History
An eroded but quite excellent cup-and-ring stone — one of the very best on Ilkley Moor — comprising nearly a hundred cups, ten rings, what seems to be a half-swastika design, plus a variety of other odd motifs. It’s one of the best carvings on the entire moor and has been written about by many folk over the years. First described in an early essay on cup-and-ring stones by J. Romilly Allen (1879) — who must have visited it in poor light, as some elements of the carving weren’t noticed — he described it as a “sculptured stone near Grainings Head”, saying:
“This stone…is a block of gritstone 12ft long by 7ft 6in broad, by 4ft high. The largest face slopes at an angle of about 40° to the horizon, and on it are carved nearly fifty cups, sixteen of which are surrounded with single concentric rings. At the west end of the stone are a group, three cups with double rings and radial grooves. At the other end, near the top, is a curious pattern formed of double grooves, and somewhat resembling the “swastika” emblem… At the highest part of the stone is a rock basin 8in deep and 9in wide. On the vertical end of the stone are five cut cups, three of which have single rings. This is one of the few instances of cup and ring marks occurring on a vertical face of rock.”
Badger Stone on 1910 OS-map
The title “badger” dates back to at least medieval times when, as the Yorkshire historian Arthur Raistrick (1962) explained, the word represented “a corn dealer, corn miller or miller’s man.” It is likely that this traditional title goes much further back, probably into prehistory, as grain was one of the earliest forms of trade. Very close to this sacred old stone are place-names verifying this, like Grainings Head and Green Gates. A little higher upon the moor is the twelfth century Cowper’s Cross (which used to have cup-markings etched upon it) where, tradition tells, a market was held that replaced an older one close by.
The Badger Stone carvingClose-up of cup-and-rings
Our Badger Stone rests beside the prehistoric track which Eric Cowling termed “Rombald’s Way” (after the legendary giant, Rombald, who lived with his old wife upon these hills): an important prehistoric route running across the mid-Pennines. This ancient route runs east-west, traditionally the time of year when agricultural needs are greatest at the equinoxes. This may have been the time when any ancient grain traders met here. (In modern times a number of archaeologists have emphasized such routes as “trade routes”: a notion that derives from the modern religion of Free Market Economics in tandem with the rise of Industrialism and social Darwinism, much more than the actuality of them as simple pathways or means of accessible movement).
There are accounts from other places in Yorkshire about these badger men. We find a number of other “badger” stones, gates, ways, stoops and crosses on our Yorkshire hills. One of them in North Yorkshire, wrote Raistrick (1962), “is an ancient trade way.” In Richmond, North Yorkshire, around the time of the autumn equinox, Badger men from across the Dales followed the old routes over the hills into town, held annual festivities and sold their grain. (see Smith 1989; Speight 1897) It is perhaps possible that our old Badger Stone would have been a site where some form of indigenous British Demeter was revered.
Drawing of Badger Stone carving
Some parts of Badger Stone have what could be deemed as primitive human images (anthropomorphic) mainly on the northwestern side of the carving, emerging from the Earth itself. And certainly amidst he same portion we have a very distinct solar symbol, very much like the ones found at Newgrange and, for that matter, many other parts of the world.
Some New Age folk have given the fertility element to the Badger Stone a deeper status, using imagination as an aid to decode these old carvings. When feminist New-Age writer Monica Sjoo visited Badger Stone she described it as “erotic”, with the carvings giving her a distinct impression of “vulvas” and she also thought orgies of sorts had been enacted here. (Billingsley & Sjoo, 1993) The vulva imagery is a well-known idea to explain cup-and-rings and in some cases this will be valid; but when I passed an illustration of this rock-art to a number of people (all women), there was not a vulva to be mentioned — merely the OM symbol, sperm entering the egg, a snail, a bicycle, a willy, a paw-print, eyes, a face, a tadpole, cartoon breasts, the rear end of a dog, grapes, letters, numbers, ears and a snake! Awesome stuff! Take a look at the design yourself and see what you can see in it. Answers on a postcard please! (The dilemma of making specific interpretations of these carvings is that we tend to approach them with dominant ego perspectives, many of them reflecting little more than our own beliefs or search for identity, imposing unresolved journeys and conflicts on that which we encounter, as with the above case.)
As with prehistoric rock-art in general, they are a number of things: functional, ritual, history, spirit; different at each and every site. As if to exemplify this at Badger Stone, note how the detailed carvings have been executed mainly on the southern face of the stone. The northern face has little if anything to show on it. It would suggest therefore, that this stone had some mythic relationship with events during daylight hours. But we have to be careful here…
At sunrise on a good morning, we note how the eastern edges of this stone show up very clearly indeed. If Nature’s conditions are damp and wet (as they tend to be each morning on the hills), the visible outline of these cup-and-rings show up very clearly indeed. Oddly, as the sun then passes through the daytime sky each and every day on its cyclical movement, the petroglyphic content becomes a little less visible unless the stone is wet. Indeed at sun-high (midday period) the carving doesn’t show up as well as it did in the morning light. And we find the same characteristic as the sun goes to set in the west: where that part of the carved stone shows up very clearly again — much clearer than during full daytime hours. If rain has fallen, the glyphs stand out very clearly indeed.
As all cultures imbued the natural world with animistic, living qualities, it seems probable that these periods of the day (sunrise and sunset) were significant at this particular carving. It may be, very simply, that the Badger Stone “came to life” with the sunrise and its mythic nature was alive during this period; whereas with many other carvings (both on these moors and elsewhere in Britain) their strong mythic associations related to the northern Land of the Dead. But then, I could be talking bullshit!
The Badger Stone is also a strong contender for it being a painted stone. Many petroglyphs like this in other cultures were ceremonially coloured-in using lichens and other plants dyes at certain times of the day or year, relating specifically to important mythic relationships between the people and the spirit of the rock at such places. This very probably occurred here.
References:
Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of the British Archaeological Association, volume 35, 1879.
Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
Billingsley, John & Sjoo, Monica, “Monica Sjoo in West Yorkshire,” in Northern Earth Mysteries, no.53, 1993.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Raistrick, Arthur, Green Tracks on the Pennines, Dalesman: Clapham 1962.
Smith, Julia, Fairs, Feasts and Frolics: Customs and Traditions in Yorkshire, Smith Settle: Otley 1989.
Speight, Harry, Romantic Richmondshire, Elliot Stock: London 1897.
Take the road from Ilkley town centre up towards the White Wells and keep following it along until it curves up and onto the moor itself and becomes a rocky dirt-track. Go up here, past the old quarries (left) until you hit the footpath which runs east (left) onto the flat level of the moorland. Follow this footpath along for literally half-a-mile, where a footpath runs up onto the tops of the moorland. Go up here for 100 yards and you’ll see a small standing stone by the right-hand side of the footpath; on the left, into the moorland about 20 yards away, this carving is to be found!
Archaeology & History
This is an excellent, archetypal cup-and-ring stone carving and is in a very good state of preservation. Found just a few yards away from the aptly-named Pitchfork Stone, the carving here on a large single stone mainly comprises of a double cup-and-ring. A couple of other possible outlying cup-marks can be seen: one just below the double-ring, and the other towards the top-end of the rock. It was first reported by Stuart Feather in the Bradford Archaeology Group’s journal in 1961, then listed in the surveys of Hedges (1986) and his followers.
Carving 257, looking NE
When Michala Potts, Dave Hazell and I we visited this carving the other day, some halfwit had been up here in the not-too-distant past and, as with some of the carvings on the moors north of Ilkley, had daubed some paint or oily resin onto the carvings themselves to specifically highlight aspects of the carved rock (not one part of the uncarved stone had anything on it). We aint quite sure exactly what the substance is that’s been daubed onto the carvings (it aint ordinary paint), but seems like an oil or industrial substance. And, whoever’s done this, obviously seems to have some knowledge of the rock art they’re painting over: they certainly have good grid-references and enjoy walking the hills. This aint just some idiot/s into vandalizing the carvings for the sake of it, nor the whim of some airy-fairy New-Ager. Whoever’s done this (and it’s been done on other cup-and-rings around this locale) have deliberately set out to locate and paint over specific carvings — a number of them off-path — with the intention it would seem to highlight them for photographic enhancement. So — whichever retard has done this, might I suggest that you keep your industrial waste where it belongs: either in your own house, or preferably up your mother’s arse, where you obviously first emerged from. If anyone knows who is doing this to the carvings round here, please email me (anonymously if necessary) with all relevant info. Any such communications regarding this matter will be kept strictly confidential.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Walk up from Ilkley to the White Wells and keep following the footpath upwards, up the steps and onto the moor itself. Once you’ve got to the top of the steps above the rocky valley, look straight up the slope in front of you and walk directly up the hill. As you near the top, there’s a large cairn sat on the brow of the hill (known as the Coronation Cairn). This ‘ere carving is just a few yards below it.
Archaeology & History
Very little has been written of this albeit innocuous carving — if indeed it is a carving! Found on the large (though overgrown) flat stone just a few yards below the Victorian cairn, all that we appear to have here is a large cup-marking with a small arc pecked around its southern side and a distinct straight line running outwards from the cup (though the line doesn’t actually touch the cup-mark and does give the distinct impression of being pretty recent). A sort of “cup-and-half-ring” with extended line is perhaps the best description!
Close-up of cup & linesCarved Stone 270
It was first reported by some English Heritage archaeologist — which, as is generally acknowledged, isn’t necessarily a good pointer for authenticity when it comes to identifying prehistoric rock art.* But it’s certainly got a bit more about it than some “carvings” they’ve reported in the past! Boughey & Vickerman (2003) made the following notes of this stone:
“”Low, flat gritstone rock quarried away on E side, fairly smooth but uneven. One large cup and deep groove slightly curving round edge of cup.”
Which is about right. I don’t really think too many of you will be into this unless you’re a real rock-art fanatic!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
* A number of cup-marked stones identified by English Heritage archaeologists have transpired to be nothing more than natural erosion.
From Skipton centre get to the Horse Close estate on the southern side of the town and look up to the fields on the sloping hill above it with the small woods above ’em. Head up towards the trees, but before you get there go into the fields on your right, and in one of them you’ll see what looks like a pile of rocks near the middle. Head for it!
Alternatively, follow the directions to reach the Horse Close Hill enclosure, then walk down into the field on its western edge. You can’t really miss it!
Archaeology & History
This carving first saw the light of pen-and-paper in the early 1960s, soon after the Yorkshire antiquarian Eric T. Cowling (he of Rombald’s Way fame) was led to the site by his wandering nose and the aid of local people. He sent a letter to the editor of the Bradford archaeology group at the time (a certain Mr Sidney Jackson), which told:
“South-west of the wood which gives its name to the Great Wood Laithe at the western end of Rombalds Moor and overlooking Skipton from the east, is a cup-marked boulder: NGR – SD 99625055. In the middle of the field alongside the wood is an outcrop of rock which has been almost levelled with the adjacent field surface by the dumping of boulders from the surrounding ploughlands.
“The top of the outcrop rises to a dome-shaped projection which bears simple cup-markings. These average two in diameter and total 17 in number. The whole surface of the stone is weathered, and suitable light may reveal more details.”
And, faded though it is, in better lighting conditions it seems there may be more than twenty cup-marks on the rock. Certainly this is what the surveys of Hedges (1986) and Boughey & Vickerman (2003) concluded. There are other carvings close by and, on the hillside immediately above you, the denuded remains of a very impressive prehistoric settlement site known as Horse Close Hill. Well worth having a look at!
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, E.T., “Cup-and Ring Boulders,” in Cartwright Hall Archaeology Group Bulletin, 9:5, May 1964.
Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
