To search for any sites in the northern counties of England (previously known as Brigantia), click on the list of relevant counties, below. Please note that not all these english counties were truly in Brigantia, but they came close to its southern edges; and as parts of them tickle the edges of the southern Pennines, I thought they should be included. Hope that’s OK with everyone!
Found to the southwest edge of Hildenley Wood, on the west side of the track between Malton and Coneythorpe Road, the waters from the initial source of the well runs into a small well-house, and from here Nature’s blood runs into a small pool. The first reference I’ve found of the place is in T. Whellan’s (1859) huge survey, where he said,
“There is on the verge of Easthorpe Wood a copious and pure spring of water known by the name of Holy Well, which tradition affirms to have been much resorted to by the monks of Kirkham Abbey…and even to this day healing virtues are attributed to it.”
In Whelan & Taylor’s (1989) survey of the site, they noted the existence of another well a short distance away, but did “not know of any sacred associations connected with this site, but its proximity to the Holy Well may suggest the recognition of this area as a sacred spot.”
Tumulus (destroyed): OS Grid Reference – SE 094 242
Archaeology & History
Shaw Hill urn
The remains here have long since succumbed to that self-righteous advance of industrial civilization. Even when the Halifax historian John Watson (1775) first described what had been here, the burial mound had gone; but thankfully he was fortunate in getting details regarding the whereabouts and contents of the remains. Three burial urns were found next to each other — presumably in the same tumulus — one of which was in a reasonably good state of preservation, as shown from the illustration which I reproduce here. We have no description of the burial mound, only of the urns, of which Mr Watson told us:
“It was found, with two others, at the gates, at the bottom of the walk near Shaw Hill, leading to the house in Skircoat, called Heath. They lay in a line, one yard deep and one yard asunder, with their mouths downwards. This contained calcined bones, and dust; the two others were broken in pieces. It is eight inches deep, stands upon a bottom of four inches diameter and, where there is no moulding, is from twenty-one inches, or thereabouts, to twenty-three inches in circumference.”
It was of similar size and design to burial urns found at Tower Hill a couple of miles west of Halifax. In Prof Watson’s (1952) work on the prehistoric sites of Calderdale, he assigned this burial mound and pottery to have been from the Bronze Age.
References:
Leyland, F.A., The History and Antiquities of the Parish of Halifax, by the Reverend John Watson, M.A., R.Leyland: Halifax n.d. (c.1867)
Roth, H. Ling, The Yorkshire Coiners, 1767-1783; and Notes on Old and Prehistoric Halifax, F.King: Halifax 1906.
Watson, John, The History and Antiquities of the Parish of Halifax, T. Lowndes: London 1775.
Watson, Geoffrey G., Early Man in the Halifax District, HSS: Halifax 1952.
Stone Circle (destroyed): OS Grid Reference – SE 088 256
Archaeology & History
The place-name authority A.H. Smith (1961), in searching for the meaning behind the old region in Halifax known as “stannary”, just west of the town centre, was puzzled by its implications and found it wanting, so he took the most likely option as he saw it, writing, “probably it is a stone circle,” from the archaic verbs stan (stone) and hring (ring).
First recorded in the Halifax Court Rolls of 1575 as “Stannerying”, this implied it to be a place where tin-ware was sold in a field, “though that word belongs rather to Cornwall,” he said, and it appeared out of place at the time it was written. So he looked elsewhere. The Halifax Parish Registers of 1578 didn’t help much, describing the place as “Stanerye.” However, the Halifax Rent Records of 1588 named it as “Standeringe”, which is much closer to Smith’s idea. With each written instance we certainly find the old English stan, but the suffix in two instances is difficult to assess with firm conviction.
If we could locate additional folklore or other historical data that might throw further light on this, it would be an important find. The finding of prehistoric burial remains less than a mile south of Stannary on the other side of town shows that ancient man was in Halifax, but it would be good if we could find more…
References:
Smith, A.H., The Place-Names of the West Riding of Yorkshire, Cambridge University Press 1961-63.
Cairns (destroyed): OS Grid Reference – SE 053 261
Archaeology & History
F.A. Leyland’s drawing of the urns
There’s really nowt to see around here nowadays (apart from a lovely view of the hills and the Calder valley), but it seems that not-too-long ago there were several burials in evidence upon this hill. F.A. Leyland (1867) gives a quite detailed account of the urns and their discovery, which have been variously thought of as Roman, then Saxon, then prehistoric — with them finally ascribed as Bronze Age in Watson’s (1952) survey of the region. Not too far away could once be found the legendary Robin Hood’s stone circle, which might have had some relationship with the burials here — though we’ll probably never know for sure! Leyland’s (1867) lengthy notes of this site told:
“An interesting discovery was made in…recent times, of a number of cinerary urns in the township of Warley. The site of the interments was at Tower Hill, a position on a line of military defences which extended from the entrenchments of Hunter’s Hill to Camp End in this township. The urns were found in the process of quarrying for stone; but, owing to the nature of the operations, and the unlooked for discovery of such relics as these or the total absence of all knowledge of their value, by the people employed, many similar remains are known to have been demolished as worthless objects.
“On one occasion, however, an urn, bleached by the tempests of an entire winter, was observed to protrude half its own bulk from the stratum of soil in which it had been originally buried.
“The curiosity of the labourers was excited, and the relic was removed. It was found to contain bones and ashes which the people, ever prone to the marvellous, held to be the remains of a child which had been destroyed by foul means and there buried. This opinion was noised abroad, and the true nature of the interment explained. We examined a fragment of this relic: it was rudely constructed of sun-burnt clay, and was grimed in the inside as if by the smouldering embers of the funeral pyre, and the smoking ashes of the dead, on their introduction to their narrow urn.
“This had been filled with these human exuviæ; and appeared to have been lined with moss mixed with fibres of plants which, after the urn had fallen in pieces, adhered firmly to its contents. It was thirteen or fourteen inches high, and was no doubt made by the hand alone. Within a few yards of this, another urn was found, containing bones and ashes, but so far decomposed as to preclude the possibility of its preservation: near the same place the smaller urn in our illustration was discovered buried in the dark soil peculiar to the locality; it was filled with calcined bones and ashes and, like the one found at Upleton—and in the possession of Dr Young of Whitby—had a small clay vessel placed within it, which is represented in our engraving. The urn was, moreover, protected by a lid, resembling the inverted stand of an ordinary flower-pot: the relic measured six inches high.
“During the winter of 1848, a date subsequent to the above discoveries, there was a fall of earth from the same spot, into the quarry at Tower Hill; the soil, thus precipitated from the moor, impeded the operations of the labourers; and, on its removal, the larger urn of our illustration was brought to light. This relic measured nine inches high and was twenty-two in circumference; but, in the rubbish, there were observed numerous fragments of other cinerary urns, and equally numerous relics of cremation.
“These discoveries lead one to one of two conclusions: either that Tower Hill was the field of some formidable engagement, in which numbers fell; or, that it was used as a place of frequent sepulture by the primitive inhabitants of the locality. It is not at all improbable that these urns were the produce of some local pottery, if not made by the same hand, as the one described by Watson (1775), the patterns indented on the two upper compartments of the smaller vessel being of the same kind, and occupying the same positions as the one referred to.
“The larger urn, as will be observed, is divided like the others into three compartments, the upper one standing out in relief, but having a different kind of decoration resembling herring-bone masonry; while the smaller one of our illustration, and that of Watson, are furnished with a zigzag design. But, although there is this slight variation in the upper moulding of the larger vessel, they all possess the lozenge-shaped decoration in their central compartments.”
We haven’t yet explored this site diligently and also know that if we have to await the slow hand of archaeology here we’d be waiting an aeon, but Tower Hill’s position in the landscape would tend to indicate the latter of Leyland’s earlier suggestions regarding the nature of the finds, i.e., the hill was a prehistoric graveyard, though of unknown size.
References:
Leyland, F.A., The History and Antiquities of the Parish of Halifax, by the Reverend John Watson, M.A., R.Leyland: Halifax n.d. (c.1867)
Roth, H. Ling, The Yorkshire Coiners, 1767-1783; and Notes on Old and Prehistoric Halifax, F.King: Halifax 1906.
Watson, John, The History and Antiquities of the Parish of Halifax, T. Lowndes: London 1775.
Watson, Geoffrey G., Early Man in the Halifax District, HSS: Halifax 1952.
In the old Hundred of West Derby in what was once Lancashire (them there political types shifting boundaries for their own greasy deeds) still remains to this day the trickling remains of old Oswald’s sacred spring, close to the Hermitage Green, which is thought to have gained its named after just such a hermit living hereby and who, no doubt, frequented or looked after this holy well for both refreshment and spiritual sustenance.
Named after the once-pagan King of Northumbria — who was later patronized and regressed to the cultus of a saint — the well was said to be close to an ancient palace, which was later moved when the King regressed into christendom. The well itself was said to have been created through the tradition that the very Earth here possessed healing powers so renowned that people came from many miles to collect and take it for its sacred and medicinal qualities. In Henry Taylor’s (1906) magnum opus he told:
“A writer in The Antiquary twenty years ago (vol.3, p.261) described it as having a very modest appearance for so famous a spot, looking merely like a hole into the hillside. The writer goes on to say, “Passing through a small cottage garden, a well-trodden path leads to the well, which is merely a fosse, as described by Bede, and, situated as it is at the bottom of a tolerable declivity, derives its supply from the drainage of the upper ground rather than from any spring. The water is not very bright, but the well is substantially walled inside, and two or three deeply worn steps lead to the water.”
“The Venerable Bede gives an account of numerous miracles which took place at St. Oswald’s Well. He says: “After which period Oswald was killed in a great battle by the same Pagan nation and Pagan King of the Mercians who had slain his predecessor Edwin at a place called in the English tongue Maserfield in the 38th year of his age on the 5th day of the month of August. How great his faith was towards God, and how remarkable his devotion, has been made evident by miracles since his death; for in the place where he was killed by the pagans…infirm men and cattle are healed to this day. Whereupon many took up the very dust of the place where his body fell, and putting it into water did much good with it to their friends who were sick. This custom came so much into use, that the earth being carried away by degrees, there remained a hole as deep as the height of a man… Many miracles are said to have been wrought in that place, or with the earth carried from thence; but we have thought it sufficient to mention two, which we heard from our ancestors.””
References:
Taylor, Henry, The Ancient Crosses and Holy Wells of Lancashire, Sherratt & Hughes: Manchester 1906.
Come out of Ilkley/bus train station and turn right for less than 50 yards, turning left up towards White Wells. Go up here for less than 100 yards, taking your first right and walk up Queens Road until you reach the St. Margaret’s church on the left-hand side. On the other side of the road, aswell as a bench to sit on, a small enclosed bit with spiky railings all round houses our Panorama Stones.
Archaeology & History
J.R. Allen’s 1879 drawing
There were originally ten or eleven carvings that made up what have been called the Panorama Stones and the position they are presently housed in this awful fenced section wasn’t their original home. They used to live a half-mile further up from here, on the moorland edge, just in the woodland at the back of the small Intake Reservoir in the appropriately named Panorama Woods. But in 1890, one Dr. Little — medical officer at Ben Rhydding Hydro — bought the stones for £10 from the owner of the land at Panorama Rocks, as the area in which the stones lived was due to be vandalized and destroyed. Thankfully the said Dr Little was thoughtful and as a result of his payment he had some of the stones saved and moved into the position where they live today. However, as a result of the stones being transported closer to Ilkley, the largest of the carvings was damaged and broken in two pieces on its journey, but the good doctor and his mates restored the rock as best they could before sitting it down in the caged position where it remains to this day.
Thankfully there remain a couple of carved rocks in situ in the trees near where these companions originally came from — though they’re completely overgrown. We uncovered these carvings (one of which was quite ornate) when we were children, but this is now overgrown again and hidden from the eyes of the casual forager. The original position of these carvings was obviously an important feature to our ancestors, but such aspects are of little relevance to industrialists and those lacking sacred notions of the Earth. The same geological ridge on which the Panorama Stones were originally found, stretching west along the moor edge from here, possesses a number of other fascinating carvings, not least of which is our Swastika Stone.
J.T. Dale’s 1880-ish drawingT.Pawson’s late-1870s photo, showing faint ladder marks
It seems they were all first recorded by one J. Thornton Dale, who did some fine illustrations of each stone, which were then collected and organized by a certain Dr. Call of Ilkley in 1880 as a ‘Collection of fourteen drawings of cup-marked rocks.’ These were on file at Ilkley Library (or at least used to be!) and as they’ve not been published previously, I think they need to be retrieved from their dusty shelves and stuck on TNA where they certainly belong! As we can see in Dale’s illustration — etched shortly after the stone was first discovered — much of the detail of the multiple-rings and some of the curious ladder-like motifs were noted (though not all).
Around the same time in 1879, the renowned archaeologist J. Romilly Allen did an early article on the carved stones of Ilkley Moor, selecting the Panorama Stones as one site in his essay. He was very fortunate in getting an early look at the carvings here and gave the following lucid account:
“The Panorama Rock lies one mile south-west of Ilkley, and from a height of 800ft above the sea commands a magnificent view over Wharfedale and the surrounding country. About 100 yards to the west of this spot appears to be a kind of rough inclosure, formed of low walls of loose stones, and within it are three of the finest sculptured stones near Ilkley. They lie almost in a straight line east and west, the first stone being 5ft from the second, and the second 100ft from the third. The turf was stripped from the first a few years ago, and its having been covered up so long probably accounts for the sculpture being in such good preservation. It measures 10ft by 7ft, and is im- bedded so deeply in the ground that its upper horizontal surface scarcely rises above the level of the surrounding heath. The sculpture consists of twenty-five cups, eighteen of which are surrounded with concentric rings, varying from one to five in number. The most remarkable feature in the design is the very curious ladder-shaped arrangement of grooves by which the rings are intersected and joined together. I do not think that this peculiar type of carving occurs anywhere else besides near Ilkley. The second stone is of irregular shape, measuring 15ft by 12ft, and supporting a smaller stone of triangular shape 6ft long by 4ft broad. Both upper and under stone are covered with cups and rings, but the sculptures have suffered much from exposure. The superimposed block has eleven cups, two of which are surrounded by single rings. The under stone has forty-two cups, nine of which have rings. Amongst these are two unusually fine examples, one has an oval cup 5in by 4in, surrounded by two rings, the diameter of the outer ring being 1ft 3in. Another has a circular cup 3in diameter and five concentric rings, the outer ring being 1ft 5in across. The third and most westerly stone of the group measures 10ft by 9ft, and lies almost horizontally, having its face slightly inclined. On it are carved twenty-seven cups, fourteen of which have concentric rings round them. Some of the cups have connecting grooves and three have the ladder-shaped pattern before referred to. Several stones near have cup marks without rings.”
Heywood’s artistic effort!E.T. Cowling’s drawing
When Harry Speight (1900) visited these stones a few years later he echoed much that Romilly Allen had said previously, also commenting on how on certain parts of the carving, “the rings enclosing each cup are connected with ladder-like markings.” (my italics, PB) These “ladders” were even mentioned in a speculative but inaccurate essay by Nathan Heywood (1888) in a paper for the Lancashire and Cheshire Antiquarian Society. Equally important was a description of the site when members of the Yorkshire Archaeological Society visited the Panorama Stones in 1884, and Rev. A.C. Downer (1884) described this “most important group” of stones, saying that
“Near the Panorama Rock are three large masses of ironstone close together, and averaging ten to twelve feet across each way, the horizontal surface of which are covered with cups and rings, and two of these stones have also a peculiar arrangement of grooves somewhat resembling a ladder in form.”
Modern Folklore
Despite this and other descriptions, in recent times local archaeologist and rock art student Gavin Edwards has propounded the somewhat spurious notion that the ladders and perhaps other parts of the Panorama Stone carvings have a recent Victorian origin, executed by a local man by the name of Mr Ambrose Collins. Edwards took this silly idea to the Press, thinking he’d found something original, following a recovery of some notes from the Ilkley Gazette newspaper (earlier archaeologists had already explored this, which he should have been aware of), in which was stated that the said Mr Collins told other people in the Ilkley area that he was carving some of the old stones on the moors nearby. Now we know that Collins did this (we have at least 3 examples of his ‘rock art’ in our files), but he wasn’t allowed to touch the Panorama Stones!
Panorama Stone 229 (by James Elkington)Close-up of multiple rings (by James Elkington)
However, despite Gavin Edwards’ theory, it is clear that Ambrose Collins was not responsible for any additional features on the Panorama Stones: an opinion shared by other archaeologists and rock art specialists. Edwards’ theory can be clearly shown as incorrect from a variety of sources (more than the examples I give here).
In no particular order…there was an early photo of the main stone (above), taken sometime in the late-1870s by Thomas Pawson of Bradford which shows, quite clearly, some of the faded “ladder” motifs on the rock in question while the stone was still in situ. There is also an additional and important factor that Edwards has seemingly ignored, i.e., that neither J.Romilly Allen, Harry Speight, members of the Yorkshire Archaeological Society, nor any of their contemporaries made any comments regarding additional new motif elements carved onto these rocks when they visited the carvings at the period Edwards is suggesting Collins did his additions — which such acclaimed historians would certainly have mentioned. Mr Edwards theory, as we can see, was a little lacking in research. Considering only these small pieces of evidence, the pseudoscientific nonsense of the Victorian carving theory can safely be assigned to the dustbin!
Close-up of faint ladders (by James Elkington)Close-up under lighting (by James Elkington)
If however, we do use Mr Edwards’ reasoning: take a look at the modern “accurate” drawing of this carving in Boughey & Vickerman’s (2003) book—which actually, somehow, misses elements of the carving that are clearly shown in Mr Pawson’s 1890’s photo and are still visible to this day! What are we to make of that? Have these modern folk been at it with the sand paper!? We can only conclude that these simple errors show a lack of research. The most worrying element here is that a local archaeologist can make such simplistic errors in his analysis of prehistoric and Victorian carvings without checking over publicly accessible data. Even more disconcerting was the fact that he was running Ilkley’s local prehistoric rock art group!
However, we cannot dismiss out of hand the words of the said Ambrose Collins in his proclamation of carving stones on the moors, as there is clear evidence that he did a replica of the Swastika Stone on rocks near the original site of the Panorama Stones. The carving he did is very clearly much more recent. We have also found one carving with Collins’ initials — ‘A.C.’ — carved on it and the date ‘1876’ by its side.
And although we can safely dismiss the Edward’s Theory about the Panorama Stones “ladders”, we may need to reconsider a number of other carvings on Rombald’s Moor as potentially Victorian in nature using the rationale Edwards proclaimed. For example — and using the disproved Edwards Theory — when we look at Romilly Allen’s drawing of the famous Badger Stone (from the same essay in which his image of the Panorama Stone is here taken), much of the carving as it appears today was not accounted for in the drawing. We can also look selectively at many other cup-and-rings on these moors and find discrepancies in form, such as with the Lattice Stone on Middleton Moor, north of Ilkley, or the eroded variations on the Lunar Stone. We have to take into consideration that some may have been added to; but more importantly, we must also be extremely cautious in the movement between our idea and the authenticity of such an idea. It is a quantum leap unworthy of serious consideration without proof. (though the example of the Lattice Stone has a markedly different style and form to the vast majority of others on the moors north and south of here. Summat’s “not quite right” with that one and the comical Mr Collins might have had his joking hands on that one perhaps…)
One very obvious reason that a number of the cup-and-ring carvings were not drawn correctly by historians and archaeologists alike, would be the weather! Archaeologists are renowned for heading for cover when the heavens open, quickly finishing their jottings and running for cover — and this would obviously have been the case with some of the drawings, both early and modern. Bad eyesight and poor lighting conditions is also another reason some of the carvings have been drawn incorrectly, as a number of modern archaeology texts — including a number in Boughey & Vickerman’s (2003) book — illustrate to all competent students.
There is still a lot more to say about this fascinating group of carvings, which I’ll add occasionally as time goes by. And if anyone has any good clear photos of the stones showing the intricate carved designs that we can add to this profile, please send ’em in (all due credit and acknowledgements will be given).
References:
Allen, J. Romilly, “The Prehistoric Rock Sculptures of Ilkley,” in Journal of British Archaeological Association, volume 35, 1879.
Bennett, Paul, The Panorama Stones, Ilkley, TNA: Yorkshire 2012.
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
Downer, A.C., “Yorkshire Archaeological and Topographical Association,” in Leeds Mercury, August 28, 1884.
Hadingham, Evan, Ancient Carvings in Britain, Souvenir Press: London 1974.
Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
Heywood, Nathan, “The Cup and Ring Stones of the Panorama Rocks”, in Trans. Lancs & Cheshire Anti. Soc.: Manchester 1889.
Hotham, John Paul, Halos and Horizons, Hotham Publishing: Leeds 2021.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
Acknowledgements: Huge thanks to the staff at Ilkley Library for their help in unearthing the old drawings and additional references enabling this site profile.
Easy enough to locate. In Grassington go up the main street a coupla hundred yards, turning left up past the small church, taking the footpath on your right heading up to the fields that stretch to the north. Don’t mistake the remains of the medieval village that you’ll pass for the Iron Age and Romano-British site that we’re heading for, another coupla hundred yards up. You’ll notice a lot of old low walling structures on the slopes heading up above you. That’s the stuff!
Archaeology & History
Despite the industrial devastation of the landscape on the hills around here, this entire area still teems with prehistoric archaeological remains, making you wonder just how much more once existed in this region. In bygone days Prof Anne Ross thought this region to be the capital of northern England in Iron Age days. She could be right: in just about every nook and cranny of small valleys and rivulets we find evidence of ancient people everywhere for miles around, settlement upon settlement in every direction you take. The remains found here at High Close Pasture typifying the examples any ardent antiquarian will come across in this region of upper Wharfedale.
Druid’s Circle (Bogg 1904)Earliest known photo in 1899
The settlement remains and ancient cultivations at High Close have been described by various writers over the last hundred years, with Edmund Bogg (1902) calling the most notable of the remains here the ‘Druid’s Altar’ (not to be confused with the other Druid’s Altar at nearby Bordley); a title that was similarly described as “The Druid’s Circle” when Eliot Curwen surveyed the area. It is also locally known as ‘The Circus’, after it being a place where celebrated events once took place. This Druid’s Circle section is,
“an oval area 150 feet long by 75 feet wide. It consists of a bank surmounted by a single or double-row of flat-topped stones about one-and-half feet high by 2 feet wide… This may have been a communal meeting place of the Iron Age folk, who cultivated these fields, and who lived in isolated huts.” (Elgee & Elgee 1933)
The notion of the circle being a communal meeting place was echoed by Mr Curwen (1928) in his slightly more detailed description of this place. He told that the interior of the Druid’s Circle had been levelled:
“It lies eight feet below the surrounding banks to the northeast and east, to which it rises with a gradient of 8 in 21. The bank to the north is less high, while to the south and west the arena, while seperated from it by the bank, is above the level of the sloping hillside. The encircling bank is surmounted by a single (and) double row of stones for three-fourths of its extent. These are apparent to the east and south, but are less so to the west, as along this side a stone wall has been built actually along the bank of the Circus; the stones belonging to this bank are, however, quite clear below the footings of the wall. From northeast round by south to southwest the row of stones is double. Those in the inner row, forty-six in number, stand some eighteen inches high; they are about two feet wide and are flat-topped, the line is almost continuous, and in parts the stones are placed edge to edge. A second row of smaller stones backs the larger ones. Entrance is obtained to the central level area by a gap to the southwest. No fosse surrounds this earthwork. To the southeast, a lynchet four feet high runs off it, while to the north a low stoney bank runs off in a NW direction, and one of the larger stony banks approaches to within a few feet of the northwest.”
In the fields above, particularly on the east and north of this notable ruined stone ring, the extensive “cultivation pastures” as they’ve been called, are evident all over the place. Hut circles and copious other antiquities can all be found within a square mile of this spot. If you like your Iron Age archaeology, this area will knock yer socks off!
…to be continued…
References:
Bogg, Edmund, Higher Wharfeland, James Miles: Leeds 1904.
Charlesworth, Miss D., ‘Iron Age Settlements and Field Systems,’ in Archaeological Journal, volume 125, 1968.
Curwen, Eliot, ‘Ancient Cultivations at Grassington,’ in Antiquity, June 1928.
Elgee, Frank & Harriett, The Archaeology of Yorkshire, Methuen: London 1933.
Raistrick, Arthur & Chapman, S.E., ‘The Lynchet Groups of Upper Wharfedale, Yorkshire,’ in Antiquity, June 1929.
Speight, Harry, Upper Wharfedale, Elliott Stock: London 1900.
From Malham village go over the lovely old bridge and follow the road up and round, keeping to the left (not up the Gordale Lane) where the junction appears a few hundred yards along. Follow this steep and winding road all the way to the top for a couple of miles until you hit a junction seemingly in the middle of nowhere. Park up somewhere to the left and notice the hillock which you’ve just passed on your right (east) with a bittova flat top to it. Cross the stile and go up to it!
Archaeology & History
Although somewhat overgrown thanks to the persistence of Nature, this good-sized burial mound on top of this, one of many small hills in and around the moors hereby, is a fine specimen to behold and a fine place to sit and drink in the view. Although not quite having the grandeur of the Great Close Hill tomb a mile to the north, the countryside hereby is still impressive and was of obvious importance in the mythic landscape of our Bronze Age ancestors. If you think otherwise, there’s obviously summat wrong with you.
Approaching the tumulusSeaty Hill tumulus
Although we can only see the remains of one singular round tomb today, at least two other tumuli were once in evidence in this large open field but they were dug out many years back. There were probably even more of them, but any trace has long since gone. Thankfully this one was given the attention of decent archaeologists some fifty years back, when Arthur Raistrick (1962) and his mates got stuck into the place. His initial account of the place told us how it was,
“…surrounded by a shallow ditch and bank enclosing a low mound 66 feet diameter, rising about 4 feet above the ditch bottoms. In the original surface of the hill top there had been dug two holes, circular and partly impinging on one another, both 3ft 6in deep. In the northwesterly one of these a skeleton had been carefully placed in a sitting position, with knees drawn well up, and was facing the second hole which is to the southeast. This hole was almost filled by a carefully built cairn of limestone boulders, but nothing was found either in or beneath it. No artifact of any kind was found with the skeleton. Both holes had been filled in with fine sandy and gravelly loam to the natural ground level and then covered with a low mound, 15 feet in diameter and 1 foot high, of coarser gravel and small boulders. The second mound, 66 feet diameter, of limestone rubble and boulder clay and 3 feet high above ground level, was put over this and provided with a kerb of large limestone boulders buried in the toe of the mound. A shallow ditch was then dug and its spoil thrown outwards to form a shallow bank.
“In the surface of the large mound there were not less than 13 secondary burials of early Iron Age, each in a small saucer-shaped depression filled in with gravelly loam. These burials are extremely fragmentary and are more like token burials than complete ones. In three of them, beads were found, one of jet, one of blue glass and one of carved limonite. In a burial nearly over the central older burial, a skeleton was arranged with a bone (musical) pipe between the knees, where also there were several small bones of hand and wrist and part of an iron knife. The (musical) pipe was made from the tibia of a sheep, perforated with three finger holes, with a well-shaped speaking lip and mouthpiece. The pipe was playable… A full account of this unique instrument has been published elsewhere… In two of the burials there were recognizable fragments of iron knives, and in two others pieces of iron of unrecognized use, all in positions which could have been under the knee of a more primitive skeleton. By analogy and style the primary burial has been assigned to the Early Bronze Age, and the Iron Age burials to the period first century BC to the first century AD.”
It would be intriguing to ascertain how many people from this period were playing flute-like instruments such as the one found here, and whether (as with other musical instruments in all other tribal cultures on Earth) magickal virtues were assigned to it, or the music it liberated. Certainly in a great number of places around this very area where this instrument was found, many natural sites still abound with the hugely underrated virtue of silence; and upon the still air amidst which music would be cast, the echoes or else faint sense of such sound would evoke a marvel — curious or dreamt — to those upon who it fell. If you think otherwise, there’s definitely summat wrong with y’!
References:
Raistrick, Arthur & Holmes, Paul F., Archaeology of Malham Moor, Headley Bros: London 1961.
Tumulus (destroyed): OS Grid Reference – SD 866 309
Archaeology & History
Cliviger Laithe urn
The grid reference given here is an approximation as we don’t have the exact position of the tomb that could once be seen in the fields immediately south of Cliviger Laithe farm — but it’s a pretty good approximation! Overlooking the once proud cairn of Cliviger Law some 800 yards below to the southeast, Geoffrey Watson (1952) told us the site was “on the summit of the hill…which tailed off near Barcroft Hall,” but this area of the fields have been dug and quarried away in recent years, leaving no trace of the original tumulus that stood here. It also appears that the discovery of the site was quite an accident, Mr Booth (1899) telling us how the urns that were unearthed here were located “while some men were engaged in digging there.” As a result of this, we have little by way of description of the burial mound itself, but thankfully the prehistoric vase which they unearthed was kept intact. Of this artifact Mr Booth told:
“The vase came into the possession of a Mr Roberts…who lived at the old hall near the church at Worsthorne… By the kind permission of Mr Roberts I had an opportunity of making an examination of the interesting object. The urn itself was of a similar character to those already found in our locality* and measured 14 inches in depth, about 8 inches across the mouth, and 36 inches in circumference at its widest part… The vase “bulged” out in the middle, as these cinerary urns invariably do, and from thence it tapered down to a base of about 3 or 4 inches in diameter. It was ornamented at the top by the usual deep collar of about 5 inches in depth, the upper and lower edges of which were ornamented (with) encircling lines… The vase contained a large quantity of calcined human bones. Dr Dean gave as his opinion that there were the remains of two if not three human bodies, one of which was the body of a child… Besides the bones, the vases contained a quantity of charcoal and ashes, and also a very friable bone pin.”
The tomb evidently made a good enough impression on the Lancashire historian J.F. Tattersall as he took to writing a poem about the place! It went:
In this lone cairn upon the mountain head,
On one far morning of the misty past,
The earliest wanderers o’er these moorlands cast
A kinsman’s ashes to their narrow bed.
Now we, by Nature’s kindly guidance led
By marvellous ways, through revolutions vast
Of Time, her latest children, not the last,
Gather again around the ancient dead.
References:
Bennett, Walter, The History of Burnley – volume 1, Burnley County Council 1946.
Tumulus (destroyed): OS Grid Reference – SD 884 367
Archaeology & History
Long since destroyed, we are thankful to the writings of Thomas Booth (1899) that this site was recorded. In his rare work on the prehistoric burial sites of the region he told us how this tomb was unearthed,
The Catlow urn
“in March 1854, at Catlow quarry, in Marsden (Heights), a few miles across the hills from Todmorden in the direction of Colne, where a number of workmen who were engaged baring the rock came across two or three cinerary urns. These were very carelessly handled by the men, and as these vases are almost always made of clay only partially baked…they are very easily broken; the result, therefore, of the rude treatment of the quarrymen was that the vessels were broken to pieces.”
The mound from which the urns had been dug was also destroyed, but apparently the last remnants of the urns were presented to the Burnley Literary Institution sometime in the late 1890s — though where they’ve travelled since then, 120 years on, I have no idea!
References:
Bennett, Walter, The History of Burnley – volume 1, Burnley County Council 1946.
Booth, Thomas, Ancient Grave Mounds on the Slopes of the Pennine Range, R. Chambers: Todmorden 1899.
