To search for any sites in the northern counties of England (previously known as Brigantia), click on the list of relevant counties, below. Please note that not all these english counties were truly in Brigantia, but they came close to its southern edges; and as parts of them tickle the edges of the southern Pennines, I thought they should be included. Hope that’s OK with everyone!
Park at Stump Cross Caverns on the B6265 road, then walk down the road for 200 yards till you reach the track on your left running over the fields in the direction towards Simon’s Seat. Walk on the track for about 600 yards until there’s a change of direction in the adjacent walling and then watch out for the dirt-track on your right, curving towards the small valley (if you hit the Skyreholme Wall carving (413), you’ve gone 100 yards past the turn-off). Go on here until you see the overgrown track on your left into a small disused quarry, and head right, down the grassy slope, checking out the few stones ion front of you 20 yards down. You’re damn close!
Archaeology & History
Carving no.404 (after Boughey & Vickerman)
A simplistic carving that was first described by fellow antiquarian Stuart Feather (1964), this is one of at least four cup-marked stones in a small group here, above the valley of Skyreholme Beck — better known at this part of the valley as the Troller’s Ghyll, haunt of various heathen lore. Although some of the carving has now been covered by the growing Earth, you can still see the majority of the design.
It is a flat, roughly triangular stone described by rock art students Boughey & Vickerman (2003) and having 13 cup-markings on it. To get a full look at the entire carving, you may have to roll a bit of the turf away from one side of the rock.
Folklore
Although we have no lore relating to this specific carving, the small valley over which this carving looks was long known as the abode of the legendary bharguests, or black dogs: underworld creatures of earlier heathen myths. Faerie lore can also be found a short distance further up the same stream.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
Cowling’s 1946 ground-plan of a portion of the settlement
From Blubberhouses church by the crossroads, walk up the slope (south) as if you’re going to Askwith, for 100 yards or so, taking the track and footpath past the Manor House and onto the moor. Once you hit the moorland proper, take the footpath that bears left going down into heather and keep going till you hit the dead straight Roman Road path running west onto Blubberhouses Moor. Go on here for nearly a mile until you hit the valley stream with its Eagle Stone down on your left. Walk downstream, past the Eagle Stone, and cross over 100 yards down until you’re back on the level ground with the scatter of bracken and heather. You’re here!
Archaeology & History
On the other side of the stream a short distance southeast of the large cup-marked Eagle Stone is a curious site, first described by Eric Cowling (1946) as “a series of enclosures of varying size and roughly circular shape” which he ascribed as a Bronze Age settlement. Certainly we have a rather extensive scattered group of walled structures just as he described, but not all of the walling here seems typical of local Bronze Age constructions. Cowling suggested the remains to be “useful for protection, herding and for shelter,” though admitted archaeological excavation would be the best way to ascertain their specific nature. Such undertakings have yet to be done — and I wouldn’t hold your breath either.
Large section of wallingWalls of large circular structure
Although he described some of the walls here as nearly four-feet tall, when Graeme Chappell and I first ventured here in the winter of 1990, the walling wasn’t quite as high. There are a number of individual tall stones sat in the walls that stand three-feet tall, with some that have been cut and dressed in more historic times. Who did this and when is unknown. However, if we visited this place when all the vegetation has been cut and burnt back at the end of winter and early months of Spring — a fact not lost on Cowling when he first found this place — we would gain a much clearer picture of things here.
Some sections of lower walling above the streamside appear to be prehistoric in nature, but many other parts of the walled structures across this flatland plain have a much later look and feel about them, illustrating that the site may have been used well into post-medieval periods. This seems increasingly obvious where we find a number of the stones cut at sharp angles, with some having distinctive quarried grooves in them. However, I can find no historical records to verify this at present.
Hut circle remainsMedieval cut upright stone?
If we walk up the slight slope westwards however (before bracken and heath grow) there are more distinct prehistoric remains in the form of typical hut circles with low walls emerging from deep peatlands — although even these have been cut in one or two places by metal tools. My view of this little-known but large settlement arena is that we’re looking at a site initially built in the Bronze Age period, continuing to be used by local tribespeople throughout the Iron Age and, as the cut stones clearly show, was a village that was certainly made use of in the last millenium. But until someone comes along here and gives the site the attention it deserves, we’re not gonna know…
On the southern fringe of the copious walled structures we also find a very curious medicinal chalybeate spring that may have been of some importance to those who once lived hereby. A ‘standing stone’ and prehistoric cairn can also be seen close by.
References:
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Same directions as the Slade 01 carving. But once you reach the upstanding stone cairn on the rocky hill, walk 220 yards (less than 200m) WSW and look around. You’re damn close! If you find the large cup-marked Slade 03 carving, walk back east about 10-20 yards and you can’t really miss it!
Archaeology & History
This is just one of at least seven previously undiscovered carvings on this section of moorland – and it’s worth looking for! The two other names we gave it — ‘owl’ and ‘sunset’ — come from the very notable design: owl thanks to it having the appearance of large owl-like eyes, and sunset as the two cup-and-rings are etched on the western edge of the rock and, when we found it yesterday, the sun was setting (albeit to the NW) and the image prompted talks of setting suns, the land of the Dead and other such worldwide indigenous religious myths (Harvey 2000) — for without recourse to such ingredients, these carvings are vacuous archaeocentric museum pieces and nothing more. And this carving at least deserves much more than mere cataloguing! The internationally renowned archaeologist, O.G.S. Crawford (1957) would have entered this carving into his ‘eye’ and ‘owl’ motif, representative of goddesses or spirit-forms, as would Gimbutas. (1989)
…and from above
But this carving is archetypal, as we can see, though would appear to have no other etched features on the stone’s surface. It is very close (if not within) the prehistoric graveyard that is plainly evident 30-40 yards south in the burnt heather and would very likely have had some mythic relationship with the dead (a symbiosis we have found in many cup-and-rings). We plan further ventures here in the coming weeks in the hope that we can unearth other prehistoric remains.
References:
Crawford, O.G.S., The Eye Goddess, Phoenix House: London 1957.
Gimbutas, Marija, The Language of the Goddess, Harper Collins: New York 1989.
Harvey, Graham (ed.), Indigenous Religions, Cassell: London 2000.
From Blubberhouses church by the crossroads, walk up the slope (south) as if you’re going to Askwith, for 100 yards or so, taking the track and footpath past the Manor House and onto the moor. Once you hit the moorland proper, take the footpath that bears left going down into heather and keep going till you hit the dead straight Roman Road path running west onto Blubberhouses Moor. Go on here for nearly a mile until you hit the stream and nearby Eagle Stone boulder. Walk upstream from here, on its eastern (right-hand) side for 100 yards, then walk up onto the level moor, scattered with rushes. Keep up here, heading towards the upright cairn open the skyline to the north. Once here, walk 80 yards (73m) WNW and you’ll note a number of flat stones embedded in the heather around you. You’re damn close!
Archaeology & History
Off-path and takes some finding and will all-but disappear when the heather grows back, so this one’s probably only for the purists amongst you. But I like it anyway! This is one of at least seven newly-discovered cup-marked stones hereby, including the nearby ‘Owl Stone’ with it’s big eyes! There are just two cup-marks on the flat surface: one an archetypal large cup 3 inches across and a half-inch deep; the other, a small faint cup less than 2 inches wide and very shallow which is easily missed if you pay little attention. On the photo here, the fainter cup is slightly above right of the centre. The carving appears to be on the far eastern edges of the Slade Cairnfield. Other undiscovered remains are likely to be found here.
Follow the directions to reach the Lippersley Pike cup-marked stone, then keep walking westwards, but go up the slope immediately on your right (north) and walk upwards along the path to the notable stone structure at the top-end of the ridge a coupla hundred yards ahead. Once there, you’re standing on it!
Archaeology & History
Lippersley Pike & shooter’s butt
A little known site with some excellent 360° views all round, reaching as far west as Pendle Hill, north past Simon’s Seat, and east onto the far reaches of the North York Moors. The landscape here is truly superb! And humans have been here since, it would seem, mesolithic periods at least, if Cowling’s finds are owt to go by! For although he described the much denuded tomb that we can still see under the herbage and recently-built shelter, there was also, “on the northern slope…a small occupation immediately below the summit on the northern side.” We found remains of it on our visit here the other day. But of the tomb itself — which Mr Cowling thought was neolithic in age — he wrote:
“The highest point of Lippersley Pike, on Denton Moor, is crowned by a stone cairn 1083 feet above sea level, and overlooks, on the northern side, a small site which appears to have been occupied by the ‘Broad Blade’ people, for there occur several pieces of patinated flint, along with scrapers and worked blades.”
Aerial view of Lippersley Pike
Cowling then describes a number of flints and other prehistoric working utensils that he found all round here. The remains of the cairn measure some 25 feet east-west and 23 feet north-south. There has been no excavation here, although the fella’s who dug out much of the stone to build the shooter’s butt on its top may have found summat, but have kept it quiet!
The cairn is an ancient marker along the boundary line marking the townships of Denton and Great Timble and was visited in perambulation walks in previous centuries. Grainge (1871) describes the extensive perambulation in his Knaresborough Forest work. ‘Lippersley’ itself first appears in records from 1576, although A.H. Smith (1963:5) does not suggest an etymology. The place is worth visiting as a good starting point to explore the other little-known prehistoric remains on these moors, including the Crow Well settlement, the Heligar Pike tomb, etc, etc.
References:
Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
Grainge, William, The History and Topography of Harrogate and the Forest of Knaresborough, John Russell Smith: London 1871.
Grainge, William, The History and Topography of the Townships of Little Timble, Great Timble and the Hamlet of Snowden, William Walker: Otley 1895.
Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 5, Cambridge University Press 1963.
Another stone for the rock art purists amongst us: a singular cup-marking near the edge of the rock. Although the photo here seems to show three cup-markings close to each other, only one of the three is in fact real. The other two are simple geological creations. But this fact seemed to go over the heads of some English Heritage archaeologists who reported to Boughey & Vickerman (2003) that this was a stone “with three cup markings” on it. I’m not sure who trains EH rock-art enthusiasts, but they seem to have a tendency to mistake natural features with artificial cup-markings and their evaluations should be treated with considerable caution (you’ve gotta wonder who the students are that are teaching them).
The rock itself is found in close association with other prehistoric remains and may have been a part of enclosure walling. Very close by are numerous well-preserved settlement remains, cairns and other cup-and-ring stones.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
From Appletreewick take the road east through Skyreholme and up Skyreholme Bank, bearing right at the fork in the tracks along the ancient Forest Road. Keep going till you cross the Larnshaw Beck and keep walking along the track until it runs wallside. Look over the wall and you’ll see this sloping-chair-shaped rock . You’re here!
Cup-Marked stone 431
Archaeology & History
Worth looking at if you’re visiting the Spiral Stone of Eller Edge field and its large associate, but otherwise this cup-marked stone is probably only for the purist rock-art mad-folk amongst us! There are what seem to be three decent cup-marks upon the sloping face of the rock here, with a possible pecked line to the side of two of them — though we have to consider the possibility that a geological condition is responsible for the easternmost cup. Described in the Boughey & Vickerman (2003) survey simply as:
“Large triangular rock of smooth gritstone, quarried at SE and sloping into ground at W and N. Three cups on top sloping face.”
Thirty yards up the slope along the wall-side you’ll find carving 432 with its single cup-marking.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
A slight walk to get here, but well worth it once you arrive! From Appletreewick, take the road east through Skyreholme and up Skyreholme Bank track, bearing right at the fork in the tracks along the ancient Forest Road. Keep going and after a couple of zigzags, you’ll cross the Larnshaw Beck. Keep walking along the track until it runs wallside — and here, go straight down the field for 75 yards (best climbing over the rickety wooden bridge by the stream 50 yards back and walking up). Although there are a number of other stones hereby, you can’t really miss this.
Archaeology & History
This carved stone and its close associates rest upon the green slopes overlooking the Blands Valley and further across upper Wharfedale and the lands beyond. The majestic Simon’s Seat rises on the nearby western slope and there in the greater distance, once more reaches the sacred hill of Pendle, with whom so many other ancient sites commune within our northern lands. It’s hard to say for sure that the Witch’s Hill was of little relevance to this and other stones, but only a fool would ignore the geomancer’s notes about this constant.
The carving here doesn’t give much clues in any direct sense either. We have an almost arrowhead-shaped rock with a dozen decent cup-marks or so cut along and near its western side; but the notable curiosity here is the small circular cluster of smaller cup-marks dotted in a near circular mass near the middle of the stone.
When Danny, Paul and I came here the other week, the initial impression of this cluster was one of a primitive solar symbol etched onto the rock; but the more we looked, the more it seemed that these small cups appeared to have been arranged in a very rough spiral lay-out. Now I know that spirals are damn rare items in rock art (especially in this part of the world), but the more we looked and then subsequently checked Boughey & Vickerman’s (2003) illustration, the more evident it became. Of course the ‘spiral’ could be merely fortuitous, but I’m not so sure misself. In discussing this with our field archaeologist later, he suggested getting a rubbing of this part of the stone on his next visit.
The stone was first described by the petroglyph explorer Stuart Feather (1964) and later described by the rock art students Boughey & Vickerman (2004), simply as:
“Large, rough grit rock with face sloping SE down into grass at N. About twenty cups to W, with three grooves at N corner and group of about twenty small cups at NE.”
A very intriguing carving. And if you visit here, make sure you check out carving 424 and others in the same field.
References:
Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
John Dixon took a bunch of us on a pleasant amble here via the Fair Oak Circle site. From Fair Oak, go round the back of the farm and past the small cluster of hidden cottages, then bear right down the dirt-track and up the slope, then cross the field in front of you, going over the stile, following the footpath round the eastern edge of the slightly limestone New Laund Hill, and down again, thru the gate. From here, head diagonally across the field 150 yards towards the fencing at the woodland edge. Over the fence, into the trees, head halfway down the steep-ish slope and keep your eyes peeled for the rocky outcrop nearly halfway down. Alternatively, an easier way here is apparently from the Inn at Whitewell. Go across the river via the stepping stones (or wade!) and follow the footpath uphill towards a farm, where you’ll find a large steel gate on the left that leads into the woods. Here there are 2 paths: follow the higher of the two until it starts bearing to the right. Once here, look up the hill to the right you’ll see the rock outcrop. The caves are there!
Archaeology & History
Smaller Fairy Hole
There are at least 3 caves here, close to each other along the edge of the small footpath a few yards apart. The small rounded entrance of the northernmost one (photo, right) is reported by English Heritage to have had no human remains found therein, but further investigation is required here. The main cave however is where intriguing prehistoric finds were located. It appears that the entrance was deliberately built-up and blocked by stone walling a few yards inwards, giving the remains found therein a state of protection and sanctity. Writer and historian John Dixon (2004) tells what was in the cave:
“In 1946, an excavation was carried out on the site by the archaeologist Reginald C. Musson. In front of the larger cave is a flat platform on which evidence of Bronze Age daily life was found. This included animal bones, a pebble pounder (used to extract marrow from bones) and shards of a food vessel.
“All that survived of this tripartite collared urn was a large rim-collar shard, two fragments displaying neck/shoulder/body elements and five smaller pieces, probably from the base of the body. This is the only collared urn to have been found in a cave in Lancashire. Its tripartite Pennine form assigns it to an early Bronze Age date.”
The main Fairy HolePlan of cave chamber (after J.Dixon 2004)
The artificial walled entrance may not merely have been an ingredient giving sanctity to the place, but this could well have been a site for ritual shamanic practices, including prolonged rites of passage and death rituals (authentic ones, not the modern pagan nonsense). The ‘ritual death’ elements are highly probable here for, as John Michell (1975) told, caverns and crevasses are “most responsive to the necromancer’s invocation”. It’s geomancy, spirit association and the archaeological finds therein are strongly suggestive of this usage. (Eliade 1989, 1995; Maringer 1960, etc) Bearing this in mind, it is of some concern regarding the individual who thought it wise to spray-paint his name against the wall of the cave entrance (see photo); for many are those even in these days of shallow minds who fall prey to the car-crashes and creeping madness brought upon themselves by desecrating ancestral sites of ritual magick. It would be intriguing to keep a prolonged eye on the ‘Forsh’ who painted his ego in this cave of dead spirits…
Folklore
Not surprisingly, the little people hold legend here. Jessica Lofthouse (1946) found tales of these ancient peoples in several places close by, but at the Fairy Caves specifically,
“everyone knew that these little caves in the limestone at Whitewell were the homes of the little folk.”
…And in relation to the ingredient mentioned above, about ritual use of the cave in ancient times: are there any serious ritual magickians who’ve spent time working in this cave, overnight or longer, and who can let us know of their encounters here? (long shot, I know – but it’s worth asking, considering the probable use of the place) Or perhaps spontaneous encounters of other people here…
From the village of Chipping, go along Talbot Street until it meets Green Lane and there, on the left, there runs a country lane roughly northwards. Go along this and after about 1½ mile, watch out for the track of Quiet Lane on your left. Go all the way up this track for nearly 1½ mile, till you reach its end. Diagonally across to your right, note the stile into the field. Go over this and, some 50 yards across the field, look to your south where the field rises to its small peak. This is the site.
Archaeology & History
Fair Oak enclosure
Although little can be seen of this site at ground level, aerial photography in the 1980s identified a large circular earthwork at Fair Oak Farm. The circle has a surrounding ditch and bank enclosing a raised circular mound of approximately 100m in diameter. It is thought that the feature may represent Bronze/Iron Age settlement in the area, and may possibly be a village site. The site requires further survey.
Aerial photography has identified a number of possible settlement sites in the area between Dinkling Green and the River Hodder at Whitewell and in the area around Whitmore below Totridge Fell. The largest being that at Fair Oak.
Folklore
Jessica Lofthouse (1946) told of a number of places close by that were said by local people to be inhabited by faerie folk — Fair Oak itself being no exception. Hinting of earlier heathen gatherings, she wrote:
“As for the farm of Fair Oak, where we take the path to Dinkling Green, nearby was the fairy oak, the scene of so much midsummer revelry.”
