Holy Well, Allerton, Bradford, West Yorkshire

Holy Well (lost):  OS Grid Reference – SE 134 331 (approximation)

Archaeology & History

This site is both interesting and frustrating at the same time.  Interesting inasmuch that as early as 1258 CE, “the Knights Hospitallers of St. John of Jerusalem in England, had in Allerton a manor called the manor of Crosley.”  The Hospitallers, as some will know, were the immediate successors of the more famous Knights Templars.  As their name suggests, their patron saint was St John, whose festival date was summer solstice and had his name given to many holy wells.  But this one has left us with no name and its location has long since been lost.  In J.H. Bell’s (1888) essay on the early medical history of the area he told that local people with certain afflictions, “were wont to resort to them to drink their waters for their supposed medicinal virtues: there was one between Cemetery Bridge and Crossley Hall”.  But he doesn’t give its exact position.  In John James’ (1841) classic History of Bradford he thinks that near the place where the local stream known as the Hebble, “there was undoubtedly in former times a Holy well,” but is unable to cite a location.  No well is shown on the early maps between the old Hall and the cemetery and the only definitive reference to wells close by are in the early boundary perambulation record, which describe a Brock Well and a Cold Well.  Perhaps the the most probable contender and location is cited in Harry Speight’s (aka Johnnie Gray) Pleasant Walks (1890) where, taking a route between Great Horton and Allerton, he told us to,

“go through fields on to Necropolis Road, opposite Scholemoor cemetery, turn down lane left outside cemetery, ½ mile, descending steps, cross beck (here used to be the Spa Beck public gardens, now removed higher up) and ascend, at second field, leaving the forward path and turn left, following beck with Crosley Hall and trees to right.”

The location of the said Spa Beck gardens is very close to where Mr Bell described the medicinal spring and is/was the most likely position of what James (1841) thought to be a long lost holy well.  If we could get more information about the history of the Spa Well, we may be able to make more definitive statements about the place.

References:

  1. Bell, J.H., “Some Fragments of Local Medical History,” in Bradford Antiquary, volume 1, 1888.
  2. Gray, Johnnie, Where to Spend a Half-Holiday: One Hundred and Eighty Pleasant Walks around Bradford, Thomas Brear: Bradford 1890.
  3. James, John, History and Topography of Bradford, Charles Stanfield: Bradford 1841.
  4. Shepherd, Val, Historic Wells in and Around Bradford, HOAP: Wymeswold 1994.

© Paul BennettThe Northern Antiquarian

Brass Castle (1), West Morton, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 08119 44111

Also Known as:

  1. Carving no. 40 (Hedges)
  2. Carving no. 81 (Boughey & Vickerman)

Getting Here

Brass Castle (1) Cup&Ring

From East Morton, head up the winding Street Lane for just over a mile until, on your right-hand side, you hit the long straight Roman Road, or Ilkley Road as it’s known.  Literally 690 yards (0.63km) up, on your left a footpath is signposted.  Take the path alongside the wall, through the first gate (note the pile of stones at this gate, which are the remains of the destroyed Bradup stone circle) then keeping on for ⅓-mile till you reach another gate, then 200 yards to the next one where you reach the moorland proper.  From here you need to walk through the heather, just over 300 yards southwest where you’ll reach this large rock. Y’ can’t miss it!

Archaeology & History

Looking down at the CnR

Considering the size of this stone, visitors might expect there to be more on it than there actually is; although a large section of it has been quarried off and there might have been more to it in earlier times.  A basic cup-and-ring with one or two single cup-marks elsewhere on its surface, the carving was first described by Stuart Feather (1964) following one of his many rambles hereby, when he was checking out the Rivock carvings a short distance to the west (calling it the Rivock 18 stone).  He wrote:

S. Feather’s 1964 sketch

“On the eastern edge of the Rivock plateau, about half-a-mile west of the stone circle at Bradup Bridge, is a cup-and-ring marked rock of a pronounced triangular shape.  This at present measures 10ft by 8ft and is 3ft high at its western side… At some time in the past it has been quarried, probably to build part of the adjacent gritstone walls.  The 8ft side of the rock has quite distinct drill marks visible…

Close-up of the CnR

The rock has…on its sloping surface a very fine cup-and-ring mark, the ring 6in in diameter around a cup 2in deep, all finely executed and well preserved.  Running south from this cup-and-ring mark is a level area 3ft long and 5in wide, which ends alongside the ring at one end and at the quarried edge of the rock at the other.  This is probably the former position of a fossil which has weathered out and its alignment onto the cup-and-ring may be due to the carving having been deliberately sited in juxtaposition to this very distinct natural feature.  Only one other 2in deep cup remains on the surviving original portion of the rock; others may have been quarried away.”

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings – no.18, Rivock”,  in Bradford Cartwright Hall Archaeology Bulletin, 9:2, 1964.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul BennettThe Northern Antiquarian

Way Hagg, West Ayton Moor, North Yorkshire

Cup-Marked Stones (lost):  OS Grid Reference – SE 9657 8840

Archaeology & History

In the autumn of 1848, antiquarian John Tissiman (1850) and his associates took to uncovering two burial mounds amidst a large cluster of them on the eastern edge of West Ayton Moor.  This one at Way Hagg was quite a big fella, measuring 36 yards across.  When they cut into its northern edge towards the centre, 8-10 feet in, they came across an upright stone, nearly two feet high, on which five cup-marks had been cut. (see sketch, no.2)  Slightly beyond this were three other stones (in sketch, nos.1, 3 & 4), each with cup-marks on them, beneath which was a tall urn.  Whether or not the carvings had been deliberately positioned to cover the urn, we do not know. Nonetheless, we can be reasonably assured that these petroglyphs had some mythic association with death when they were placed here.

Tissiman gave us the following detailed measurements of the respective carvings:

1: Nearly even surface. Length, from 16 to 18 inches; breadth, 10 to 20 ditto; depth, 8 to 9 ditto; with large oval hole cut in the centre, 7½ inches long, 4 inches broad, and 3½ inches in depth.  On the opposite side are three holes, from 2 to 3 inches in diameter, and from 1 inch to 1½ deep.  2: Uneven surface. Length, 23 inches; breadth, 14 inches; depth, 13 inches; with five holes, from l½ to 3½ inches in diameter, and 1 to 1½ inches in depth.  3: Uneven surface. Length, 33 inches; breadth, 22 inches; depth, 10 inches, with four holes, the largest being 4½ inches in diameter and 3 inches deep; the others, from 1½ inches to 2 inches in diameter, and 1 to 1½ inches deep.  4: Uneven surface. Length, 27 inches; breadth, 23½ inches; depth, 10 inches, with 13 holes, from 1½ inches to 5 inches in diameter, and ¾ of an inch to 3 inches in depth; also three lines at the end of the stone.”

The carvings were included in Brown & Chappell’s (2005) fine survey, but they weren’t able to find out what happened to them after Tissiman’s excavation. They remain lost.  If anyone has any information as to where they might be, please let us know.

References:

  1. Brown, Paul & Chappell, Graeme, Prehistoric Rock Art in the North York Moors, Tempus: Stroud 2005.
  2. Tissiman, John, “Report on Excavations in Barrows, in Yorkshire,” in Journal British Archaeological Association, April 1850.

Acknowledgements:  Huge thanks for use of the Ordnance Survey map in this site profile, reproduced with the kind permission of the National Library of Scotland

© Paul BennettThe Northern Antiquarian

Haw Farm (01), Swartha, Silsden, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 05206 46856

Archaeology & History

An intriguing find, made not too long ago by Jeff Wallbank of Silsden.  Simplistic in design, it’s found on a small ridge of rocks adjacent to an old quarry (so there may have been other carvings here in times gone by), rising up immediately south of Haw Farm about 20 yards away, from where you can ask permission of the kind land-owner to have a look at the stone.

It’s pretty basic: consisting of a distinct triangle of three plain cup-marks on one side of a natural crack that runs across a section of the stone. Immediately adjacent and on the other side of this crack, is another singular cup.  This appears to have a carved line running from it and possibly an elongated semi-circular element around the cup itself.  It’s not too special when compared to the much more ornate petroglyphs further east, but is worth checking out if you’re walking in this gorgeous western edge of Rombalds Moor.

Acknowledgements:  HUGE thanks to Sarah Walker, without whose help and permission to use her photos, this site profile could not have been written.

© Paul BennettThe Northern Antiquarian

Fairy Well, Wragby, West Yorkshire

Sacred Well (destroyed):  OS Grid Reference – SE 3953 1570

Archaeology & History

The precise whereabouts of this site isn’t known with absolute certainty, but, following research by the respected folklorist and pagan historian Steve Jones of Wakefield, the grid-reference cited here has a high degree of probability about it.  I certainly agree with Steve about its location.

Pond in Fairy Wood, shown on the 1893 OS-map
Fairy Wood near Nostell, probable home of the Well

Known about in the 19th century, I was fortunate in coming across what seems to be the only reference to the place whilst perusing the scrapbook notes of local historian John Wilson (1903).  Were it not for him we would have lost all knowledge of its existence and the local tale told of it, albeit watered into a dying belief in these supernatural creatures, would have faded completely before its final physical demise.  Wilson was described as a “diligent a student of local history,” who possessed a great collection of rare booklets and pamphlets on Yorkshire history and was a “careful an observer and recorder of all pertaining to past times.”  Of this Fairy Well, Wilson scribed the following poem:

At Nostell is a Fairy Well,
Hard by the margin of a wood
Wherein once dwelt, as old men tell,
The little folks of fickle mood ;
Till smoke and steam denied the dell
And made them quit both wood and well.

Blythe Henry Carr, mine ancient friend,
— So bravely keeping on his feet ;
May death long spare him,
still to wend His way along the village street,
Within the cobbler’s shop to spend
A pleasant hour — mine ancient friend.

The woodman at the Priory
In old Sir Rowland’s halcyon days
Was Thomas Watson, gay and free,
Who roused with song the woodland ways
A friend of Henry Carr’s was he,
—The woodman at the Priory.

This Watson many a tale could tell
Of fairies red and fairies green,
That in the wood and by the well
On summer evenings he had seen:
Of elves that thereabouts did dwell
This Watson many a tale could tell.

Whoever heard of such a thing!
He said that persons, known to him,
At eve would flasks of liquor bring,
And leave them, lying near the brim
Of this — the wondrous Fairy Spring —
Whoever heard of such a thing !

Was ever such a tale yet told ?
He said, that, when the morning came,
Each flask lay empty, and, behold !
Near each a drunken elf. O, shame !
The vice of those of mortal mould :
— Was ever such a tale yet told ?

Then question I mine ancient friend:
“Did no one seize the tipsy sprites? ”
“Not they ! for sudden is his end
On whom the fairy vengeance lights.”
With solemn eyes that fear portend
Thus answers me mine ancient friend.

Steve Jones already knew of the Fairy Wood, which was highlighted on the 1841 and 1854 6-inch-to-the-mile OS-map of the area—but no “Well” is shown in the woods.  However, as Steve discovered, following a subsequent visit by the Ordnance Survey lads in 1891, they showed on their 25-inch-to-the-mile map of the woods a distinct small pond in the trees not far from the roadside.  This, he thought, was probably the Fairy Well referred to by Wilson. It would seem so.  Adjacent to the woods, the 1853 Tithe Award cite the existence of a field also dedicated to the fairy folk, known simply as Fairy Close.

References:

  1. Smith, A.H., The Place-Names of the West Riding of Yorkshire – volume 1, Cambridge University Press 1961
  2. Wilson, John, Verses and Notes, A. Hill: Corley 1903.

Acknowledgements:

Huge thanks to the research by Steve Jones of Wakefield, without whose work the location of the Fairy Well would have remained a mystery.  Also, thanks as always for use of the early edition OS-maps, Reproduced with the kind permission of the National Library of Scotland

© Paul BennettThe Northern Antiquarian

Gab Wood (2), Cookridge, Leeds, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 24602 40614

Getting Here

Gab Woods (2) carving

Follow the same directions as if you’re visiting the Gab Woods (1) carving—which you’re probably visiting if you’re checking this one out.  Walk south into the middle of the woods and you’ll soon notice the road/houses on the other side of the trees.  Once here, staying in the woods, follow the walling down for about 100 yards, keeping your eyes peeled for a reasonably large flat stone about 15 yards from the wall in the trees.  If you can’t find it at first, patiently zigzag back and forth until it eventually appears!

Archaeology & History

One of two known petroglyphs in this woodland (there may be more hidden away) that was first found in the 1940s by Dan Cole.  The main feature here consists of a cup-mark encircled by two large, well-defined oval-shaped “rings”, a bit like a large eye.  From the central cup, a long carved line runs down the gently sloping surface of the stone and, roughly halfway down from the cup-and-ring to the edge of the stone, another carved line cuts across at rough right-angles, giving the carving a slight anthropomorphic (human-like) appearance when looking up the stone.  This humanesque figure may have been the intention—though for my part I have to say that I’m slightly skeptical about it.  We may never know either way.  Several other single cups are on the stone: one to the side of the large “eye” and two or three below the elongated “arms.”

Vague humanesque figure
Large eye-shaped element

An additional, interesting non-petroglyphic feature is the name of the woodland in which the stone resides.  In Thomas Wright’s massive dialect work, Gab is a northern dialect word meaning “to talk”, or “idle chatter” (and variants thereof); this is echoed in Blakeborough’s (1911) Yorkshire survey; and Wilkinson’s (1924) local study tells simply it’s “idle talk…able to talk glibly and with much plausibility—a Town Hall Square orator for instance.” This makes the place as something akin to being “the woodland that talks”, “the chattering woods” or “the talking woodland”, etc.  You can make up your own mind as to what this might mean… *

References:

  1. Blakeborough, Richard, Wit, Character, Folklore and Customs of the North Riding of Yorkshire, W. Rapp: Saltburn 1911.
  2. Wilkinson, John H., Leeds Dialect Glossary and Lore, privately published: Leeds 1924.
  3. Wright, Joseph, English Dialect Dictionary – volume 2, Henry Frowde: London 1900.

Links:

  1. Dan Cole’s Image Archive, The Thoresby Society

Acknowledgements:  Huge thanks must go to Peter Murphy for recovering this impressive carving from the archives, and from beneath the carpet of soil and vegetation, so enabling it to see the light of day once again.  Also big thanks to the usual culprit of James Elkington, as well as Sarah Walker and Sarah Jackson.

* a Scottish dialect variant of gab relates to the mouth, tongue, taste.

© Paul BennettThe Northern Antiquarian

Bucking Hill (03), High Moor, Brunthwaite, West Yorkshire

Cup-and-Ring Stone:  OS Grid Reference – SE 0845 4529

Archaeology & History

Discovered by Stuart Feather in the late 1950s, this was one of two carvings found very close to each other (see Bucking Hill 2) whose exact location are unknown (the grid-reference cited here is a reasonably accurate approximation).  In his short article where he mentions the Bucking Hill 2 carving, he then told of,

Sid Jackson’s vague drawing of the carving

“the discovery a few yards away of a small stone bearing a cup-and-ring mark providing evidence for at least one other symbol from this small hill.  This stone, only 14in long, 8in wide, and 6½in thick, has a cup 1¾in in diameter, ⅞in deep with a shallow channel 1½ long running from it.

“Round the cup, which is very symmetrical and has the pecking clearly defined, is part of a concentric channel which, if it were a complete circle, would have a diameter of 4in.  The channel, which starts near to the small channel that runs from the cup, goes only halfway round the cup and is obviously unfinished.  It is irregular in width and depth and in marked contrast to the workmanship of the cup.”

He then queries as to whether this small carved stone could have come off the larger cup-marked Bucking Hill (02) boulder close by.  We may never know, but when we consider the lack of general erosion on this cup-and-ring (the pecking was still visible), it would obviously have remained upside-down in the peat for a few thousand years!  There was an old cairn a short distance away on the top of Bucking Hill and it may have come from there.  Anyhow, Mr Feather subsequenly took this portable carving home with him and it’s subsequently been donated to the Ilkley Manor House Museum where it should be visible. (can someone send us a photo so we can add it to the site profile?)

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings – Nos 21 and 22: Bucking Hill, High Moor, Rombald’s Moor,” in Bradford Cartwright Hall Archaeology Group Bulletin, 9:5, 1964.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul BennettThe Northern Antiquarian

Bucking Hill (02), High Moor, Brunthwaite, West Yorkshire

Cup-Marked Stone:  OS Grid Reference – SE 0844 4529

Archaeology & History

This was one of two carvings reported by Stuart Feather (1964) that were very close to each other (see Bucking Hill 3), both of which consisted of simplistic designs but which, he thought, may once have been part of the same rock.  Its precise whereabouts are not known (the grid-ref is an approximation).  He wrote:

“On the southern slopes of Bucking Hill, a fine gritstone rock 5ft 6in by 4ft 6in by 1ft 6in high, has a very clear cup-mark 2in in diameter and ½in deep carved 8in from the straight eastern edge of the rock.”

Feather thought that the edge of the rock had been cut and quarried for use in the boundary wall to the east.  He may have been right.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart, “Mid-Wharfedale Cup-and-Ring Markings – Nos 21 and 22: Bucking Hill, High Moor, Rombald’s Moor,” in Bradford Cartwright Hall Archaeology Group Bulletin, 9:5, 1964.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul BennettThe Northern Antiquarian

Bucking Hill (01), High Moor, Brunthwaite, West Yorkshire

Cup-and-Ring Stone (lost):  OS Grid Reference – SE 0828 4507

Archaeology & History

Described by Boughey & Vickerman (2003) as being located somewhere “below Dirk Hill Sike” in the Rivock woods plantation, this is (or was) a “medium, upstanding rock lying NW-SE (with) one possible heavily weathered large cup-and-ring: cup 75mm diam. and ring 200mm diam.”  However, the authors give no references to this site, nor images, or notes as to who rediscovered this stone.  In their survey they also included one of the Bucking Hill carvings twice, giving the impression that there was more here than had previously been reported.  These errors have subsequently been repeated elsewhere on-line.  In saying this, there are a number of rocks scattered in this area which may have had carvings on them, but it’s been heavily forested and, recently, the trees have been felled and so many of them will have been damaged, turned over, or simply destroyed as a result of the forestry shennanigans.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.

© Paul BennettThe Northern Antiquarian

Ripple Stone, Rivock Edge, Silsden, West Yorkshire

Cup-and-Line Stone OS Grid-Reference – SE 07492 44836

Also Known as:

  1. Carving no.25 (Hedges)
  2. Carving no.64 (Boughey & Vickerman)

Getting Here

Helen inspects the stone

Coming via the Keighley-Bingley (Airedale) B6265 road, go up to Riddlesden and then up the winding Banks Lane until you reach the T-junction.  Turn left here and about 330 yards along, on the right-side of the road is a dirt-track.  Walk up here, sticking to the track (not the footpath) towards the cliffs of Rivock ahead of you, going through the gate and into the Rivock woods area.  450 yards on from the gate, on your right you’ll pass the long straight line of walling running uphill and literally 275 yards further along the track from here, walk straight up into the trees for 20 yards where, just before the slope begins to truly veer into an “uphill” state, you’ll see the stone in question!

Archaeology & History

Cups on east-side of stone

In 1961 when Stuart Feather rediscovered this carving, the “rock was almost completely covered by a six-inch layer of peat and vegetation.”  But, like all good rock art explorers, he slowly and carefully peeled it all back and brought back to light another one of Rivock’s olde stories.  We know not what the story on the rock might tell, but it looks good nonetheless!  Feather counted “several cups carved on it”, but a few more have ben discerned since then.  When Boughey & Vickerman (2003) described it in their typically minimalist way, they told it be a “large square rock with surface in slope of hill.  About nineteen cups.”  Evocative stuff!

Sketch of basic design
Faint line visible, left-side

When I first saw visited this carving as a young lad, the thing which stood out to me more than anything was the long but faint line that ran down one section of the stone.  Added to this was an equally faint arc attached to the side of the line, like a “D” form.  A few months later I did a sketch of it on my second visit, but I’ve looked and looked and seem to have lost it. (not good)  The one I’ve done here is a recent one.  As we can see, a series of cup-marks straddle each side of the D-line and are plainly visible, which implies that the line was carved much earlier than the cups.  Of course, it’s possible that the cups were repeatedly forged over and over many times over a century or more and the D-line, for whatever reason, left untouched.

Another interesting aspect of this D-line is its repetition in the much more ornate petroglyph 35 yards to the east (presently known as Rivock 67 until we devise something more appropriate).  The recently rediscovered Slinger Stone 100 yards south may also have the same feature, but this needs further surveying before we can say for sure.

References:

  1. Bennett, Paul, ‘The Prehistoric Rock Art and Megalithic Remains of Rivock & District (2 parts),’ in Earth, 3-4, 1986.
  2. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  3. Feather, Stuart, ‘Mid-Wharfedale Cup-and-Ring Markings: No. 14, Rivock,’ in Cartwright Hall Archaeology Group Bulletin, 7:1, 1962.
  4. Hedges, John (ed.), The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.

Acknowledgements:  With thanks to Andy Roberts for giving this stone its modern name.

© Paul BennettThe Northern Antiquarian