Category: England (north)

To search for any sites in the northern counties of England (previously known as Brigantia), click on the list of relevant counties, below. Please note that not all these english counties were truly in Brigantia, but they came close to its southern edges; and as parts of them tickle the edges of the southern Pennines, I thought they should be included. Hope that’s OK with everyone!

Kirk Stones, Morton Moor, West Yorkshire

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Legendary Rocks (destroyed):  OS Grid Reference – SE 0886 4479

Archaeology & History

Kirk Stones on 1851 map

Kirk Stones on 1851 map

A place-name that is still recognised on modern Ordnance Survey maps, even though the original site giving rise to it was all but destroyed some one hundred-and-fifty years ago.  Derived from the old word kirk, meaning a church or sacred site, no christian remains of any kind have ever existed here and so we must presume an earlier, more heathen site of sanctity (an abundance of prehistoric petroglyphs exist very close by).  The singular reference detailing the nature of these Kirk Stones is in J.A. Busfield’s (1875) rare tract on the history of Upwood, in the parish of Bingley.  Upwood Hall was built by the Busfield family and, as the author tells,

“one of the most striking features in the vicinity at this age [c.1800, PB] was the fine range of magnificent rocks called Kirkstones, which had existed for countless ages. These grand rocks, towering one above another, extended along the whole southern boundary of the [Whetstone] Allotment on the left of the road to Ilkley, and were really a fine object, but alas!, through the ignorance or stupidity of the agent Colonel Bence, the “Crags of Kirkstone” were broken up and disposed of in the construction of the Bradford Water Works about the year 1854.”

Sadly we have neither illustrations nor other references to these fine sounding sentinels.
Undoubtedly the Kirkstones were a natural feature, despite their venerated title. It would have been their very appearance that gave rise to their revered title, as in the great and contorted rock masses seen at Brimham Rocks which, from Bensons’s description, these Kirk Stones seem reminiscent. The only piece of extant lore to these stones is that the uprights that went into making the recently destroyed Bradup stone circle a short distance south of here, came from this sacred outcrop.  It seems reasonable to assume that they played an important role in the magickal history of these hills when they were scattered with forest.

The Kirk Stones aligned along the equinox axis to the Black Knoll standing stone less than a mile [1.4km] due east.

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  2. Busfield, Johnson Atkinson, Fragments Relating to a History of Bingley Parish, Bradford 1875.
  3. Smith, A.H., English Place-Name Elements – Part 2, Cambridge University Press 1956.

© Paul Bennett, The Northern Antiquarian


Halo Stone (318), Ilkley Moor, West Yorkshire

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Cup-and-Ring Stone:  OS Grid Reference – SE 13223 46505

Also Known as:

  1. Carving no.154 (Hedges)
  2. Carving no.318 (Boughey & Vickerman)

Getting Here

Looking straight down at it

Looking straight down at it

From Ilkley train station, head up Cow Pasture Road and get to the Cow & Calf Hotel (if needs be, ask a local).  From its car-park, cross the road and go along the straight-ish footpath onto the moor.  Less than 200 yards on, you’ll hit a main track (and a faint cup-marked stone).  OK – walk down this track (left) for 30-40 yards, then walk left again into the heather for about 10 yards.  You’re looking for a small rounded stone and you’re damn close!

Archaeology & History

...and from another angle

…and from another angle

Just over 40 yards east of the very basic Brown Law cup-marked stone, we find this slightly more exotic petroglyph, keeping low in the undergrowth.  Difficult to see unless the daylight is just right, preferably as the sun is rising or setting (as with many neolithic carvings), on this small slightly rounded stone we see a central cup-mark surrounded by a double-ring (unfinished, perhaps on its northern edge)—although an outer cup seems to touch the edge of this second ring.  As the faint images here show, there are other cups and shallow lines also etched onto the stone, but these are gradually fading as the years go by.  It was originally found close to a small cairn that has seemingly been destroyed in recent years.

CR318drThe carving can be troublesome to find when the heather and bracken gets growing, so it’s best explored in the Winter and early Spring—unless of course you want me to show you it, along with the hundreds of others on these moors!  If so, gimme a shout. 😉

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Wakefield 2003.
  2. Cowling, E.T., Rombald’s Way: A Prehistory of Mid-Wharfedale, William Walker: Otley 1946.
  3. Hedges, John (ed.), The Carved Rocks on Rombalds Moor, WYMCC: Wakefield 1986.

© Paul Bennett, The Northern Antiquarian


Gray Stone, Burley, Leeds, West Yorkshire

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Legendary Rock:  OS Grid Reference – SE 28659 34229

Also Known as:

  1. Giant’s Stone

Getting Here

Originally located at SE 28449 34364, the site is now to be found halfway along Westfield Road, where it meets up with Hollis Place, along the footpath at the back of the school, set back against the walling.  A plaque by the rock kinda gives the game away!

Archaeology & History

Gray Stone on 1852 map

Gray Stone on 1852 map

The large vandalised stone you see here—sprayed-painted quite eloquently it has to be said!—is apparently a replica of the old stone which could once be found about 300 yards northwest of here.  Typifying stones of this name—gray, grey and variants thereof—the original Gray Stone was an old boundary marker (Smith 1956), and the last reference to it as an archaeological site was by James Wardell (1853), who even in his day said that it was “almost buried in the ground, on the Burley Road.” It is shown on the first OS-map by the roadside, close to the junction of Woodside View and Burley Road, but was said to have been removed at the beginning of the 20th century and moved to its new and present position.  However, somewhere along the line, the original stone has been destroyed and the thing that we see today has taken its place.

The original Gray Stone may have been a standing stone, but we cannot be certain about this.  The present boulder stands about four feet tall and is a rather fat-looking standing stone. You can just about squeeze round the back of it, around which is an incised line which cuts around the stone – but this obviously quite modern. A plaque stands in front of the stone, telling its brief history.  (if anyone can send us some photos of the site that would be great – I’ve gone and lost mine, somehow!)

Folklore

A creation myth of this site tells it to have been made by a giant, who threw the Gray Stone from the appropriately named Giant’s Hill (a supposed old camp, now destroyed), less than a mile southeast of here: an alignment which corresponds closely to the midsummer sunrise. In throwing it, he was said to have left the indentations of his finger-marks in the rock – thought to have been cup-markings.  Examples of other cup-and-ring stones occur a short distance west, at Kirkstall.

References:

  1. Bennett, Paul, The Old Stones of Elmet, Capall Bann: Milverton 2001.
  2. Smith, A.H., English Place-Name Elements – 2 volumes, Cambridge University Press 1956.
  3. Wardell, James, The Antiquities of the Borough of Leeds, John Russell Smith: London 1853.

© Paul Bennett, The Northern Antiquarian


Gomersal Maypole, West Yorkshire

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Maypole (destroyed):  OS Grid Reference – SE 2068 2672

Archaeology & History

As in countless villages and towns across the British Isles, Gomersal also once had its maypole near or at the village centre.  We don’t know when the first maypole was erected in the village and many local sites were openly destroyed by rampant christian puritans and similar idiots.  It stood not far from the Moor Lane Well and was described by the regional historian H.A. Cadman (1930), who told:

“The Maypole was at the top of Moor Lane and one can imagine the welkin echoing to the very old song:

‘Come lasses and lads take leave of your dads
And away to the maypole hie.
For every fair has a sweetheart there
And the fiddlers standing by.
For Willy shall dance with Jane
And Johnny has got his Joan.
To trip it, trip it, trip it, trip it,
Trip it up and down.’

Yet as with maypoles up and down the land, testosterone-fuelled Springtime fall-outs happened.  Mr Cadman told:

“Very often May Day gatherings ended up with fights.  Great jealousy always existed between the inhabitants of Great Gomersal, Little Gomersal and Spen.  There is a tradition which has been handed down that the last Maypole in this district stood on Liversedge Green.  This Maypole was demolished in a fight by the Gomersalians and there is a similar tradition about the Maypole on Cleckheaton Green, so as Mr Frank Peel says, “It is evident that ancient inhabitants of Gomersal were more pugnacious than their neighbours.”  I have no evidence when the Gomersal Maypole ceased to exist, but there is abundant evidence to prove that there was one in Gomersal, the proof being that the vane is now in Batley Museum.  It is in the form of a fish.”

If anyone has any further information on this important relic, or its history, please let us know.

References:

  1. Cadman, H. Ashwell, Gomersal, Past and Present, Hunters Armley: Leeds 1930.

© Paul Bennett, The Northern Antiquarian


Doidy Poidy Well, Gomersal, West Yorkshire

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Healing Well (lost):  OS Grid Reference – SE 209 260?

Archaeology & History

This bizarre-sounding well owed its name—if we are to accept H.A. Cadman’s (1930) version of history—to the local land-owner,

“Joseph Mortimer and it was so-called because Mortimer’s christian name was Doidy Poidy.”

But this seems unlikely.  The term ‘doidy’ is a local dialect word, seemingly found only in West Yorkshire, meaning ‘an overdressed person, especially female,’ (Haigh 1928), with doidy-poidy being rhyming slang for the same thing.  The english dialect magus, Joseph Wright (1900), proclaimed the same derivative, “a badly dressed woman, a dowdy.”  So it may have been that this title was endowed upon Mortimer’s wife.

Cadman told that the Doidy Poidy Well was one of the “chief wells” of Gomersal, implying that its waters were good and strong.  Its existence on what was known as “the old feasting grounds” may have played a part in the “public rejoicings which last for days… The feast was on the Monday on or before Lady Day.” (March 25th, around spring equinox)  However, Cadman assures us that the celebrations were started “when the Gomersal Cloth Hall was opened,” telling us that “this feast or fair is not therefore an ecclesiastical one.”

The exact whereabouts of the Doidy Poidy Well remains a mystery (the map-link, above, shows an approximation from the middle of Gomersal).

References:

  1. Cadman, H. Ashwell, Gomersal, Past and Present, Hunters Armley: Leeds 1930.
  2. Haigh, W.E., A New Glossary on the Dialect of the Huddersfield District, Oxford University Press 1928.
  3. Wright, Joseph (ed.), English Dialect Dictionary – volume 2, Henry Frowde: London 1900.

© Paul Bennett, The Northern Antiquarian


Baildon Moor Carving (130), West Yorkshire

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Cup-Marked Stone:  OS Grid Reference – SE 13077 40097

Also Known as:

  1. Carving no.11 (Hedges)
  2. Central Design Stone

Getting Here

Baildon Moor carving

Baildon Moor carving

Take the directions to find the Glovershaw Quarry carving,or the Baildon Moor 126 carving and the newly-found Toad Stones circle, and zigzag about in the bracken when it’s down at the end of Winter (forget it from summertime onwards!).  You’re damn close.

Archaeology & History

A carving that I first visited when I was a child – but one which, curiously, caught my attention.  The small arc of four cup-marks that you can see on the stone was an integral feature of other carvings in this particular region—though not all, of course.  It seemed to me at the time that it had symbolic significance, as the arc occurred in a number of other Baildon petroglyphs.  Astronomy was my fetish at that time and so I saw the arc as solar or stellar movements across the sky, represented by the cup-markings.  It was one of many fascinating Rorschach’s that I encountered, just as rock art students across the world do when looking at these ancient carvings. However, the simple symbolism of this and similar nearby carvings has stuck and plays under my skin somewhat: one of those curious non-egoic tickles, constantly nudging away, as if there’s something in it, but being looked at from the wrong angle…

CR130dr

John Hedges 1986 sketch

Looking down at the cups

Looking down at the cups

Anyway… All we have here is a primary design of four cup-marks reaching across a small earthfast stone.  Other simple carvings are found close by and there are the remains of several prehistoric cairns circles within a few hundred yards.  Beneath the deep bracken-mass, it is highly probable that other ancient remains remain hidden.

The carving was first recognised in one of Sidney Jackson’s (1958) archaeology bimbles in the 1950s with his bunch of northern antiquarians from Cartwright Hall, Bradford. It later found its way into the survey of John Hedges (1986) where he described it, simply:

“Small, lozenge-shaped, smooth grit rock, sloping NW-SE into grass and bracken, four symmetrical cups in slight curve.”

References:

  1. Baildon, W. Paley, Baildon and the Baildons – parts 1-15, Adelphi: London 1913-1926.
  2. Bennett, Paul, Of Cups and Rings and Things, unpublished: Shipley 1981.
  3. Bennett, Paul, Megalithic Ramblings between Ilkley and Baildon, unpublished: Shipley 1982.
  4. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  5. Cowling, Eric T., Rombald’s Way, William Walker: Otley 1946.
  6. Hedges, John, The Carved Rocks on Rombald’s Moor, WYMCC: Wakefield 1986.
  7. Jackson, Sidney, “Cup-Marked Boulders, Baildon Moor,” in Cartwright Hall Archaeology Group Bulletin, 3:2, 1958.

© Paul Bennett, The Northern Antiquarian


St. Helen’s Well, Thorpe Hesley, South Yorkshire

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Holy Well (lost): OS Grid Reference – SD 370 960

Archaeology & History

In Rob Wilson’s (1991) study on the saints and wells of South Yorkshire, he mentions this site which, it would seem, may have been lost to history.  In Wilson’s site-entry for the St. Helen’s Well at nearby Barnburgh, he tells that,

“There may have been other wells in South Yorkshire dedicated to St. Helen… Two 18th century surveys by William Fairbank list St. Helen’s Fieldin Thorpe Hesley and St. Ellen’s Field in Wentworth.”

Around ten different wells are highlighted in the village itself on the first Ordnance Survey map of the area, with a number of others scattered in the surrounding fields.  Any one of these may be the well in question.  Much of the region was badly disfigured by the Industrialists in their usual desecration of the landscape, which may make any recovery of this site impossible.  However, a foray into the whereabouts of William Fairbank’s survey could be worthwhile — and if St. Helen’s Field is one that remained untouched by local mining, the site could be recovered from its present “lost” status.

(Please note: the grid-reference cited above is an approximation until further data allows us to correct it.)

References:

  1. Wilson, Rob, Holy Wells and Spas of South Yorkshire, Northern Arts: Sheffield 1991.

© Paul Bennett, The Northern Antiquarian


St Francis’ Well, Conisborough, South Yorkshire

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Holy Well:  OS-Grid Reference – SK 5112 9880

Also known as:

  1. Town Well

Getting Here

From Church street turn down into Wellgate, the well is on the right hand site at 18 Wellgate surrounded by railings near some new properties, on a little island.

Archaeology & History

Near the castle, and although dry it is a substantial site variously called the Town well or the Well of St Francis.  This is as C.F. Innocent (1914) described it:

“Covered by a curious little building very medieval-looking  with it a chamfered plinth and steeply slanted roof”

Little is recorded of its history, but the structure more a conduit house probably dates from the 1500s at the earliest and was used as source of domestic water until the 1900s.

Folklore

Which St Francis it is, is unclear, but Alport (1898) records the local tradition which states that he was a local holy man and probably not a true saint and it is interesting that a number of churches are dedicated to a St. Francis in Yorkshire. Interestingly though, the date of creation of the well is recorded and is quite late compared to other local saints.

It is said that in 1320 -1321 the village was suffering from a particularly terrible drought and this St. Francis, said to be an old and wise man was sought for his advice. He suggested that the local people cut a willow tree from Willow Vale and then as the people sang psalms and hymns he lead them through the church and priory grounds to the site of the well. At the spot St Francis then struck is and not only did a spring arise and followed for the next 582 years (for its sadly dry now) but the tree took root.

Sadly this tree has either died or was dug up. Clark (1986) believes the story recalls a Pagan priest and that the legend was a legacy of Conisbrough’s pre-Christian past; certainly the reference to a willow indicates a water diviner.

Extracted and amended (where both sites of the town are discussed) from http://insearchofholywellsandhealingsprings.wordpress.com/2011/12/11/a-yorkshire-field-trip-conisboroughs-two-holy-wells/

References:

    1. Allport, C.H., (1898) History of Conisborough.
    2. Clark, S., (1986) “The Holy well of Conisborough,” in Source, Old Series no.5.
    3. Innocent, C.F (1914-18) “Conisborough and its Castle,” in Trans of Hunter Archaeology Society.

© Ross Parish


Sunrise Stone (605), Snowden Crags, Askwith, North Yorkshire

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Cup-and-Ring Stone:  OS Grid Reference – SE 18066 51251

Also Known as:

  1. Carving 605
  2. Northern Earth Mysteries Stone

Getting Here

Sunrise Stone, Snowden Carr

Sunrise Stone, Snowden Carr

Take the same directions as if you’re going to visit the Naked Jogger Carving (stone 612), not far from the well-known Tree of Life Stone.  From the Naked Jogger carving, walk up the small outcrop of rocks that bends above you.  Barely 100 yards up when you reach the top, you’ll notice a single large sloping stone barely 50 yards ahead of you in the same field.  That’s the spot!

Archaeology & History

This is a little-known beauty of a carving just off the edge of the quiet moors that are littered with prehistoric remains.  It was only rediscovered a few years ago — by myself if you believe the writings of rock art student Keith Boughey (2010) in his essay (scattered with mistakes) on the validity of so-called “amateurs” exploring petroglyphs.  But I’d never even visited this carving until two years ago!  The stone was in fact found during a field-walk by early members of the Northern Earth Mysteries group in August 1989 (Wilson 1990) and subsequently described and illustrated for the first time by Phil Reeder (1990).

Close-up of main cluster

Close-up of main cluster

As can be seen in the photos accompanying this site profile, the rock on which the carving has been done has, at some point in the past, been cut into and its edges have been hacked away and destroyed, literally cutting into the overall design.  We have no idea what the original size of the stone was, obviously, but this petroglyph was once larger than the design that we see at present.  Such is the price of ‘progress’, as some folk call it.

Anyway – a few months after the carving was rediscovered, Phil Reeder (1990) wrote:

“After a visit to the Tree of Life stone…a cursory inspection by the NEM Group was made on nearby rock outcrops, part of which showed evidence of recent exposure due to soil erosion.

“One stone in particular stood out as five shallow cups and associated rings could be discerned.  When cleaned, it became apparent that further carvings extended beneath a thin eroding soil layer.  When this layer was cleared, a complex set of carvings were revealed.

“Only preliminary work at the site has been carried out to date, but it appears that the carvings comprise of at least 28 cups, 13 of which have associated rings; several of the cups are linked by gutters forming an intricate design, one gutter part enclosing 11 cups.  The carvings on the lower edge of the stone have weathered badly and are difficult to interpret.”

Reeder’s so-called “amateur” description is a good one. Certainly more accurate than the subsequent one by Boughey & Vickerman (2003):

“Large rock of coarse grit whose surface slopes with the hill. About forty cups, some large, many with single rings, and many curving grooves, the whole forming a remarkable, complex design.”

Phil Reeder's 1990 drawing

Phil Reeder’s 1990 drawing

Boughey & Vickerman's sketch

Boughey & Vickerman’s sketch

We can see in the respective drawings by both Reeder (left) and Boughey & Vickerman (right) that some elements which should have been included in the ‘official’ drawing were missed, yet had been accurately included in the earlier ‘preliminary’ drawing, as Mr Reeder put it.  I hope that readers will forgive me pointing out these seemingly minor elements; but I do it to illustrate the ineffectiveness of more recent rock art students who are gaining the title of ‘experts’ in this field.  It’s important to recognise that, in this field of study, “experts” are few and far between indeed… I’ve certainly yet to meet any!

Northern end of carving

Northern end of carving

Southern side of carving

Southern side of carving

The carving is mentioned briefly in Beckensall’s (1999) introductory study, with little comment.  But of note here is not only the curious linear feature running between two cup-and-rings, but the position of the stone in the landscape.  For if you sit either upon or next to this carving, you are looking east straight across the gorgeous Fewston valley directly at the prominent wooded hill of Sword Point.  As it slopes down into the present-day greenery of fields and scattered woods, the Wharfe Valley spreads out to the distant east and, as the sun rises and scatters its rays onto the wet morning stone here, the design on the rock awakens with much greater visual lucidity than that which our daytime eyes bestow to us.  In all likelihood, sunrise was an important element in whatever mythic function underscored this curious carving, with its human-like figure rising on its southern side, emerging from the edge of the rock, personifying perhaps the rising solar disc and the living landscape as the daylight breath awoke Earth’s creatures; or maybe it signifies a symbolic group of people gathered together watching the sunrise…

Of course, I’m dreaming…

References:

  1. Barnett, T. & Sharpe, K. (eds.), Carving a Future for British Rock Art, Oxbow: Oxford 2010.
  2. Beckensall, Stan, British Prehistoric Rock Art, Tempus: Stroud 1999.
  3. Boughey, Keith, “The Role of the Amateur in the Study of UK Prehistoric Cup-and-Ring Art,” in Barnett & Sharpe, Oxford 2010.
  4. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS: Leeds 2003.
  5. Chappell, Graeme, “North Yorkshire Rock Art – New Discoveries,” in Northern Earth, no.62, 1995.
  6. Michell, John, The Earth Spirit, Thames & Hudson: London 1975.
  7. Reeder, Phil, “Snowden Carr Rock Carvings,” in Northern Earth Mysteries, no.40, 1990.
  8. Wilson, Rob, “Pateley Bridge Gathering,” in Northern Earth Mysteries, 40, 1990.

© Paul Bennett, The Northern Antiquarian


Skyreholme Carving (406), Appletreewick, North Yorkshire

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Cup-marked Stone:  OS Grid Reference – SE 0740 6254

Getting Here

Skyreholme 406

Skyreholme 406 carving

Along the B6265 Pateley Bridge-Grassington road, roughly halfway between Stump Cross Caverns and the turn to Skyeholme and Applecross (New Lane) is a dirt-track on your right-hand side called Black Hill Road. Walk down here for a few hundred yards till y’ reach the gate on the right. A track goes downhill to the psilocybin-rich pastures of Nussey Green. Several hundred yards down, to the right-hand side of the track, we find this and its several companions. Look around!

Archaeology & History

Skyreholme-406 carving

Sketch showing cups

Just a few yards away from the Skyrehome Carving-404, this very basic petroglyph was rediscovered by Stuart Feather (1969) during one his many forays in this area.  Although the stone has what initially seems to be a number cup-marks on it, it seems only two of them are man-made. The rock art students Boughey & Vickerman (2003) think there may be up to four of them.

References:

  1. Boughey, Keith & Vickerman, E.A., Prehistoric Rock Art of the West Riding, WYAS 2003.
  2. Feather, Stuart, “Appletreewick, W.R.: Black Hill,” in Yorkshire Archaeological Journal, volume 42, part 167, 1969.

© Paul Bennett, The Northern Antiquarian